RUNAWAYs

Article first published as TV Review: RUNAWAYS at Seat42F.

The latest entry into the Marvel Cinematic Universe is RUNAWAYS, premiering this week on Hulu. Based on the Brian K. Vaughn (Saga) comic of the same name, and developed by Stephanie Savage and Josh Schwartz (Gossip Girl, Chuck), the show follows a group of high schoolers who, a long time ago, used to be friends. A tragic loss a year ago of one of the gang has split them apart. When they reunite one evening, witnessing their parents doing unspeakable evil brings them back together. But I’m definitely getting ahead of myself.

RUNAWAYS lacks any immediate connections to the rest of the MCU, film or television series. It is the first of several new series with young protagonists, and the first for the streaming service Hulu. Without name dropping any famous heroes, though, or perhaps because of it, RUNAWAYS carves out its own time and place. Even if a few of the adults act like villainous guest stars in Agents of S.H.I.E.L.D.

Like this review, RUNAWAYS takes its sweet time getting started. Over the first hour (actually, about fifty-three minutes), we are introduced to our six core teens: Alex (Rhenzy Feliz, Casual), Nico (Lyrica Okano, The Affair), Chase (Gregg Sulkin, Faking It), Karolina (Virginia Gardner, The Goldbergs), and sisters-by-adoption Molly (Allegra Acosta, 100 Things to Do Before High School) and Gert (Ariela Barer, Yo Gabba Gabba!). These peeps will have powers, but the show holds those close to its vest, instead just giving us peeks at each’s starting personality. Which we know will soon be changing because of circumstances.

At the same time, as Savage and Schwartz did in Gossip Girl, the action is balanced with the ten parents of these six teens. Although the grown-ups don’t get as much development, initially among the actors portraying them are familiar faces like James Marsters (Buffy the Vampire Slayer), Ever Carradine (The Handmaid’s Tale), Annie Wersching (24), Kevin Weisman (Alias), Angel Parker (Trial & Error), Ryan Sands (The Wire), and Brigid Brannagh (Army Wives). So there’s some cred here, especially in genre TV.

The thing is, though, with sixteen leads, not one of the characters is shown in any depth in the pilot. Nor is the plot really moved forward all that much, with the action not getting moving until the very end of episode one. Perhaps that is why Hulu is making three episodes available right away, before doling out the rest weekly. RUNAWAYS certainly needs more than a single installment to hook potential viewers.

I feel like I’m being a bit vague because so is this series. The deceased member of the group, Amy, is Nico’s sister, but that’s as deep as we get into her in the first hour. We know her passing has affected the kids, and to a lesser extent, or so it seems, their parents. But other than that, we don’t know much about the mystery. We don’t know how she died or why that has created a wedge among friends. We don’t know how this past event will play into the current story.

Honestly, the best scene in episode one is the one in which the parents meet shortly before their ceremony. In it, we see all their various personalities and how they clash. One wonders how the group came together at all, but clearly there is a shared, powerful purpose, a key element for groups of superheroes and supervillains in any decent series. If RUNAWAYS had more of this, I think it would be more compelling.

As it is, the show isn’t bad, just slow, and seemingly unnecessarily so. I applaud the writers and producers for not rushing into the central thread too quickly and making us learn about the characters afterwards, which has unfortunately been done too many times lately. But if we’re given fifty minutes to get to know our players first, delaying the jump into the premise comic book fans are already familiar with, let’s get to know them, which I don’t feel is done very effectively. Many of the earlier scenes don’t seem like they’ll pay off later.

Still, Marvel has a pretty solid track record, and this series looks to be well-made and well-cast, so I’m willing to give it the benefit of the doubt for now. Even if episodes two and three don’t quite get things moving as rapidly as I’d like following the plodding pilot.

RUNAWAYS’ first three episodes are available on Hulu this Tuesday, with subsequent installments to follow weekly.

Who's the BOSCH

Article first published as BOSCH Review on Seat42F.

Amazon’s new drama pilot, their first ordered to series, BOSCH, begs the question: do we need another police procedural? True, BOSCH is also a character study of a tormented man who is on trial for killing an unarmed suspect, so he’s not solely focused on whatever new cases he gets into (against orders, of course), but none of this is very original or groundbreaking. Perhaps the title character in this show takes a things a step further than his broadcast network peers, the writers digging a little deeper, but the first hour feels like yet another retread on very familiar ground.

The thing is, I just can’t jump on the Bosch band wagon. When Luther, Elementary, House, and so many other shows have given us a very similar leading man, there just isn’t enough here that feels fresh or new. Sure, there are cosmetic differences, of course, the quality of this program is at least as high, if not higher, than those others I’ve named. But at the central core, Bosch is lacking originality. And, like nearly half of the shows on television today, it takes place in L.A., a totally uninspired setting.

It’s possible to stay in the crime genre and make something fresh. HBO’s True Detective last year proves that. But BOSH isn’t True Detective, so it fails on an essential level.

The best thing I can say about BOSCH is that it casts Titus Welliver (Lost, Argo, Sons on Anarchy) in the main part. Welliver definitely deserves leading man status, and he easily handles the material, being allowed to show his depth and range in a way he hasn’t yet. From his buried pain over what he did, to the face he has to put forward both for the sake of his profession and so that he can try to live with himself, he’s not a shallow man. Bosch is no House; he is quite likeable. Circumstances have brought him to where he is, not mistakes he made with foreknowledge.

He is joined by an excellent ensemble. The other major characters include Scott Wilson (The Walking Dead), Annie Wesching (24), Lance Reddrick (Fringe), Amy Aquino (Being Human), Abraham Benrubi (ER), Amy Price-Francis (King), Alan Rosenberg (Cybill, Luck), Valerie Cruz (Off the Map), and Jamie Hector (The Wire). So many familiar names, and all of them memorable. One cannot complain about the casting.

What will set BOSCH apart a bit, for those who love the genre so much that they haven’t yet grown tired of it yet, is the dual narratives. Because Bosch is facing his own challenges while working at his job, and his personal story probably won’t only pop up a couple of times per season, as it would on CBS, there’s something interesting in every episode. It’s not enough for me, but it will likely be enough for many viewers.

So, at the end of the day, I don’t think it matters if BOSCH has smart writing, convincing acting, and well-developed characters. All of those things are true, and the series definitely is near the top of its field, but the market is too saturated. With Amazon just trying to break into scripted drama, it may have been a safe path to choose something tried and true, but it’s also a boring one. We didn’t need another show like BOSCH, and while it may make Amazon seem like a legitimate contender in the original content market, it also signals they may not forge their own identity, which is sorely needed to set them apart.

Bosch’s first season is available now on Amazon.com.

Excited About EXTANT

Article first published as EXTANT Review on Seat42F.

CBS’s summer slate is turning out to be nothing like their regular season fare. While tired procedurals that basically tell the same story week after week dominate CBS programming from September through May, June, July, and August have suddenly become a spot for mind-bendy, dramatic, highly serialized science fiction shows, of the likes which FOX might air and quickly cancel in the fall. Last year’s Under the Dome is a decent series, but EXTANT, premiering this week, promises to be quite a bit better.

EXTANT tells the story of an astronaut, Molly Woods (Halle Berry, the X-Men films), whom, after thirteen months alone in space, returns to Earth pregnant and in the middle of a conspiracy. She experiences something very strange during her mission, which we see in flashbacks throughout the pilot, “Re-entry,” and is determined not to reveal to anyone what she saw and felt. Those who would control her on the ground may or may not know what she knows, but they have had issues with other astronauts in recent years and are definitely are keeping a close eye on Molly.

In the second major element of the series, Molly’s husband, John (Goran Visnjic, ER), has created an artificial intelligence to satisfy the couple’s un-fulfilled urge to have a child. The boy, named Ethan (Pierce Gagnon, One Tree Hill), is every bit as self-aware as the kid at the center of A.I., but with an added creepiness where viewers are left to wonder if he is performing as designed to do or is the first stage in a robotic uprising. Of course, this question is barely posed in the first episode, nowhere near an answer yet, but worth exploring.

Thus we get a suspenseful mystery, a tale of corrupt leadership, a Big Brother-like level of secret monitoring, questions about the existence of a soul and the ethics of creating life, and many other smart elements all wrapped into one. The writers have spun a very interconnected web of characters and motivations, obviously intelligently put together in “Re-entry” alone, and an incredibly enjoyable watch.

That is not to say that the show is without problems. At first, I wondered about a huge plot hole in Molly trying to keep her secrets her own, but then realized that the character is acting exactly as many would given the circumstances, logical or not. More troubling is that she has the means to try to cover things up, which I find unrealistic given the level of scrutiny she is under.

Overall, though, EXTANT is very good, definitely the best thing on the broadcast networks this summer. It’s exciting, fast-paced, gorgeous in its special effects demonstrating futuristic technology (it is not set in the present day), a world that captures the imagination, and a story that engages viewers. The questions it raises are deep, and the universe these characters live in is one I can see us getting very close to within my lifetime, even if we’re still many decades away from it. It feels right.

The acting is pretty convincing. I’m not a big fan of Berry, never have been, though she does a serviceable job. I like Visnjic a lot here, and Gagnon is amazing, given his age and relative lack of experience. The supporting cast also includes some capable players such as Camryn Manheim (The Practice) as Molly’s doctor and friend, Grace Gummer (The Newsroom) as a colleague of John’s, Michael O’Neill (Rectify, Bates Motel) as Molly’s boss, and Hiroyuki Sanada (Helix, Lost) as John’s investor. Plus, Annie Wersching (24), Brad Beyer (Jericho), and Tyler Hilton (One Tree Hill) serve recurring roles. Most of these are not A-listers, but they are no slouches, either.

If you’ve been on the fence about whether to give EXTANT a try, and believe me, I understand that position, please do. You’re likely to be pleasantly surprised at the superior effort put forward. More summer shows like this and CBS will be a competitor in the hotter months for the first time.

EXTANT premieres Wednesday at 9 p.m. ET on CBS.

He's the BOSCH

Article first published as He's the BOSCH on TheTVKing.

Do we need an other police procedural, even if it's couched in a character study of a tormented man? That's what Amazon is delivering to us in Bosch, one of their first two drama pilots, currently streaming free on their website. The titular detective is simultaneously on trial for the murder of an unarmed suspect, while still digging into fresh cases, against orders. Can he escape jail and find peace?

It's hard to argue that Titus Welliver (The Good Wife, Lost, Sons of Anarchy, Argo) doesn't deserve a leading role. He absolutely does, and he definitely handles the main part of Bosch well. He lets us see the hurt it causes him to know he killed someone, beneath the bravado he must maintain to sleep at night and continue to do his job. He's a good man who accidentally did a bad thing, with cause, and thus a likeable protagonist.

The problem is, we already have plenty of these. Shows from Luther to Elementary to Justified to House have already given us pretty much the same archetype. There are differences of course, but these tend to be only cosmetic, and what sets each apart tends to be the quality of the writing and the ensemble, rather than any real originality in storytelling.

Bosch does lean towards the higher end of the spectrum. Part of this is because of the dual narratives, the court case and the current investigation, balancing each other nicely. Another part is the enjoyable ensemble, which includes Scott Wilson (The Walking Dead), Lance Reddick (Fringe), Amy Aquino (Being Human), Annie Wersching (24), Alan Rosenberg (Cybill, Luck), Valerie Cruz (Off the Map), Abraham Benrubi (ER), Amy Price-Francis (King), and Jamie Hector (The Wire). It's a great group of performers.

Bosch is better than most of the other crime shows. The writing is smart, the acting is convincing, and the characters are well developed. These are adjectives I frequently use to describe good shows, and it applies here, too.

But because the market is inundated with this type of drama, though,, it's not necessary to make another. I don't know if Amazon hopes that by delivering something so familiar, we'll see it as a legitimate television content provider. What is more likely, though, at least for those of us that consume lots of TV, is we'll see it as lazy, yet another clone for an already crowded genre.

What would set Bosch apart from its peers? Well, letting Bosch leave the law enforcement profession behind would be good. Or seeing him actually go to jail, the story following him as his life changes, and then the fight to overcome that. I'd like to see Bosch himself do more than just stay in the structure he's accustomed to. But this seems quite unlikely, as it's a much more challenging type of show to tell. Or, at least they could make the setting somewhere other than L.A., which has been done to death.

Making a brand new crime show worth watching isn't impossible; HBO's True Detective has proven that. Bosch just isn't True Detective-caliber, even as it's a notch above anything on the broadcast networks.

Bosch's first episode is available now on Amazon.com

BODY OF PROOF Examined One Last Time

Article first published as DVD Review: 'Body of Proof - The Complete Third Season' on Blogcritics.

The final season of ABC’s Body of Proof  begins on a sad note, with Dr. Megan Hunt (Dana Delany) just getting back to work after three months off, a break taken following the death of her professional partner, Peter (Nicholas Bishop). To make matter worse, her daughter, Lacey (Mary Mouser), is kidnapped, and a bomb is hidden in a dead body. So Megan’s return is not exactly something to celebrate.

It’s kind of nice, though, to start with a case that will match the current tone of the series. With both Bud (John Carroll Lynch) and Sam (Sonja Sohn) gone from the cast, too, there is a sense of loss and emptiness anyway. By going down such a dramatic, depressing path, it allows the show to match the sadness felt by fans, rather than just trying to pretend that nothing has happened and move on.

Unfortunately, the replacements for those missing characters seem a bit too contrived. I like Mark Valley (Harry’s Law, Boston Legal), but his character of Tommy Sullivan, the new police detective that works with the Medical Examiner’s office, has a past with Megan. Yes, he is more magnetic than Peter, but the two men are far too similar, making every feel like replaceable archetypes. Why must TV shows force past connections? Why not allow new relationships to bloom on their own? Why does Tommy so neatly fill the role that Peter did? There’s both a sense of continuity, and one of overreach, right from the start of the run.

There are some things this third season of Body of Proof does correctly. It allows Megan to delve deeper into her father’s suicide, uncovering a cover up, and find closure. In fact, her story overall ends on a very hopeful note. The ensemble is still intact, with delicious friction between Megan and Kate (Jeri Ryan), and comic relief provided by Ethan (Geoffrey Arend) and Curtis (Windell Middlebrooks). Each member of the cast gets some nice bits of their own this year.

The final thirteen episodes are teeming with fantastic guest and recurring stars. Among those featured in The Complete Third Series are Henry Ian Cusick (Lost), Alan Dale (also Lost), Luke Perry, Joanna Cassidy, Richard Burgi (Desperate Housewives), Lorraine Toussaint (Saving Grace), Marissa Ramirez (Blue Bloods), Annie Wersching (24), Christopher McDonald (Harry’s Law), and Sharon Lawrence (NYPD Blue).

Of course, bringing in that kind of roster, especially while struggling to stay on the air, does seem a bit gimmicky. And the biggest issue with the show, that it concentrates too much on the case of the week, rather than the soapy drama between the characters, which is the bread and butter of most ABC series, is not overcome. But as far as procedurals go, this one is better than many.

Now that it’s canceled, Body of Proof will be missed, most especially because Dana Delany deserves to be on screen. She is a wonderful actress who can draw an audience, a fact proven in the multiple shows she has starred in. At least we have The Complete Third Season on DVD to rewatch and enjoy, as these are pretty solid installments, especially the series finale. Hopefully, she’ll be back before you know it.

This three-disc set has five bonus features, including an amusing gag reel. Other offerings include featurettes on the look of the production, the importance of props, a set tour, and the visual effects that make Los Angeles look like Philadelphia. It’s an appropriate amount of extras for the size of the release, and while none are super memorable, they do fit with what is presented.

Body of Proof The Complete Third Season is available now.

The clock runs out on 24

        As the final seconds ticked out on the series finale of Fox's 24, there was a countdown clock rather than the one moving time forward, as has been the custom of the series.  It was appropriate, the "real-time" series finally coming to an end after eight seasons, nine years (there was no season the year of the writer's strike as producers did not want to deliver half a day).  Jack Bauer's (Kiefer Suthland) intonation of "events occur in real-time" was a welcome homage but back in the beginning of each of the last two hours, which was dropped long ago, and Kiefer's personal message to viewers was touching.  It is a series I will surely miss.

     The final moments of the show, as they should have, came down to Jack and Chloe's (Mary Lynn Rajskub).  Although Chloe was not part of the the original cast, she has appeared in the second highest number of episodes, after Jack, and has become a beloved character.  She has grown a long way since her annoying personality turned off viewers initially.  I think many of us agree with Jack that we did not expect her to be the one watching his back for the long haul, and yet, who else could have done such a great job of it?  Their show down midway through the finale was gripping, but their goodbye was one of the most moving moments television has yet to produce.

      Jack struggled more this season than any other with doing the right thing.  He always acted on his beliefs, even when they came into conflict with the law.  But as this season barreled towards a close, even fans such as myself found it hard to justify his decisions.  His cold-blooded massacre of many a Russian, because of their execution and cover-up of the assassination of his most recent love, Renew Walker (Annie Wersching).  Jack went into a dark place or revenge, and left the path of righteousness.  Yet, his video recording and his behavior in the last hour redeemed the hero in our eyes, though he will face a number of criminal investigations should the authorities ever catch up to him, which I assume will be the plot of the upcoming 24 movie, which while not guaranteed, is well on it's way to becoming a reality.

     One of the most interesting characters in the past two years was President Allison Taylor (Cherry Jones).  After she turned over her own daughter to the cops at the end of last season, it was easy to believe that she stood for principals rivaling even the fan favorite 24 president, David Palmer (Dennis Haysbert).  Then this season she made the mistake of listening to former President Logan (Gregory Itzin), who has been one of the show's greatest villains.  While she had noble aspirations, she allowed herself to let the ends justify the means.  Thank goodness that she decided at the last minute to let the truth come out.  It will protect Chloe, if not Jack and herself.  She fully redeemed herself in my eyes, and I hope we will learn from the movie that she earned the sympathy and continued respect of the American people, even if she has to serve a short sentence.  Unfortunately, Logan, who got away with crimes before, did not succeed in taking his own life.  Hopefully he will rot in a cell for the rest of it.

24 delivers best hour of season

    This has been a big week for Fox's 24.  Besides airing the best episode of the season, nay, one of the best of the series, last week, it also became known that the show is officially canceled, and will not be picked up by NBC, as previously rumored.  That's not to say that there are only eleven hours left in Jack Bauer's (Kiefer Sutherland) story.  In fact, the series finale is designed to set up Jack for a feature film, which is already in the works.  The head honchos always wanted a definitive end for Jack, and it looks like he will get one.  By their statements, it appears there will be only 24 movie, but perhaps that's a good thing.  Go out while it still works.  Speaking of working, last week...

      I always look forward to that awesome Chloe (Mary Lynn Rajskub) episode.  It comes after Chloe has been beaten down, not listened to, and generally, dumped on.  Then she wows us all and makes her bosses listen to her.  This week was that shining moment, as Chloe pulled a gun on the jerky NSA agents and fixed CTU's EMP-blasted computer system all by herself.  Chloe, you rock my world!

     The CTU mole was revealed.  Of course there was a CTU mole.  There always is.  However, even before the mole was exposed, I stopped rooting for the character.  Dana Walsh (Katee Sackhoff) has been one annoyance after another, and as she strangled the poor parole officer (Stephen Root), I stopped wanting her to get away with anything.  When, moments later, she was shown on the phone with the terrorist, it all fell into place.  The writers can be forgiven for making us hate Dana so much, because we needed to hate her eventually anyway.  And the twist gives hopes that Sackhoff's talents will not be wasted on the role.

     A side character died.  24 has not killed off anyone important yet this year, and so I have begun to get tense, knowing that it's just a matter of time.  True, Agent Owen (Julian Morris) with his six episode stint was not vital, but I still felt emotion as Jack lied to him, lying dying on the pavement.  His death is surely a harbinger of the bloodbath that will ensure.  There aren't many majorly important characters left in the series to kill off, but as long as it's not Chloe, I'm cool with it.

     Speaking of important characters, I still need to see the return of three of them.  Chloe's husband, Morris, (Carlo Rota) should make an appearance, as should secret service hero Aaron (Glenn Morshower).  I am really disappointed to have not seen Karen Hayes (Jayne Atkinson) since 2007, especially after her husband's heroic sacrifice last year.  And Jack's love story with Renee (Annie Wersching) cannot ever play out to satisfaction without bringing back Audrey Raines (Kim Raver).  I don't care if I have to wait for the big screen to see any of the four, but for me to be happy about the end of the story, I need to see what happened to the four of them.  And if they want to toss me a little Martha Logan (Jean Smart), I'll gladly take it.

     24 continues it's final season Monday nights, including tonight, at 9pm on Fox.

24: RIP CTU

     Wow.  I just completed a three episode mini-marathon of Fox's 24, ending with last night's, and I just have to say, wow.  An essential part of the show has always been the CTU (Counter Terrorist Unit) Los Angeles, until last season.  Prior to last year's episodes, CTU had been disbanded, its practice weres under review by Congress, and the FBI picked up the slack, although in a different way.  I was very happy to see the glossy new CTU New York building in Day Eight's premiere in January, staffed with a whole new crew of agents, and of course, Chloe O'Brian (Mary Lynn Rajskub).
     Then last night happened.  An EMP pulse effectively wiped out their entire operation.  Only halfway through Jack's (Kiefer Sutherland) eighth bad day, his support system is kaput.  Yes, he managed to save everyone last year without them, so the tension there is off, despite the startling preview for next week's hour, but that doesn't mean it isn't shocking and sad.  Chloe, Hastings (Mykelti Williamson), Arol (John Boyd), and Dana (Katee Sackhoff) are there!  What do they do now?  It would be nice if Rene (Annie Wersching) could step up and help them out, but I'm not counting on it.
     Well, surely Dana will continue her very annoying, and far too long drawn out plot of covering up her past life as Jenny.  This story, which, at the latest, should have ended two weeks ago when she disposed of the bodies, was made slightly more interesting by the appearance of another great actor on the case, Stephen Root (True Blood, Pushing Daisies, The West Wing).  However, as previously noted, Katee is a great actress, too, and that hasn't been enough to save the plot, so it is doubtful Root, despite his considerable talents, can help.
     24 does do some things right, though.  Besides the dramatic taking out of CTU, the subplot between Kayla (Nazneen Contractor) and Tarin (T.J. Ramini) was done well.  There was real emotion between the two, and I was kept guessing what Tarin would do throughout.  First he was thought to be guilty, then innocent, then guilty, then guilty but having a change of heart, and now, he's fully on the wrong side of things.  How the two of them may further affect the plot is a point of interest, although it seems unlikely that a happy-ever-after is in their future.
     24 still has twelve hours left, and will continue Monday nights at 9pm on Fox.

Another 24 hours for Jack Bauer

     Last night Fox aired the first two hours of their annual 24 season premiere event, and as usual, it did not disappoint.  Opening with Grandpa Jack (Kiefer Sutherland), happy and satisfied with his family, fully recovered from the biological weapon that almost killed him last season, it took a bit longer than usual for Jack Bauer to get fully involved in the action.  In fact, Jack didn't agree to commit to stopping the latest terrorist plot until nearly the end of the two hours, even denying his best friend, Chloe, (Mary Lynn Rajskub) the favor he so seriously owed her.

     Speaking of Chloe, it is awesome to see the technical guru playing fish out of water, presumably having fallen out of practice and the latest innovations because she was spending time with her own family, and was forced back to work by her husband getting laid off.  Chloe, who started as an annoying, anti-social tech whiz at Counter Terrorist Unit (CTU) back in season three, and has become the series's second most important character, after Jack.  Last year, she only appeared in about half the episodes, and she was certainly missed.  It's nice to see her back in action, with a new and fresh plot.

     The sparkling new CTU New York Chloe is working at is welcome, after CTU had been disbanded and put on trial sometime before last season.  While the FBI bureau filled in for it, it wasn't the same.  Already we are putting together all the pieces of our typical CTU formula: a hot shot new agent following in Jack's footsteps (Freddie Prinze Jr., Scooby Doo), someone with a secret that should have never been missed when they joined the group (Katee Sackhoff, Battlestar Galactica), an inept boss who won't listen when Jack tells him what is really going on (Mykelti Williamson, Forrest Gump).  The only thing missing is the inevitable mole within the unit that works for the terrorist, but surely that will show up soon as well.  Believe it or not, that formula somehow manages to never get stale, and when it was changed a bit last season, it was felt.  The best part of the FBI last year, Agent Renne Walker, (Annie Wersching, General Hospital) should be showing up in tonight's installment.

     Also nice to see back President Allison Taylor, (Cherry Jones) the woman who choose to continue to serve her country rather than let her daughter get away with murder.  This year she is working on an historic middle east peace accord with President Omar Hassan (Anil Kapoor, Slumdog Millionaire), who is the target of the assassination plot Jack is trying to stop.  Fans of 24 know that the murder is only the beginning or what will be a rapidly falling domino array that Jack must stop before he can get back to his family.  Despite the fact that Jack kept saying "I'll be done soon" last night, we know he will be in done in exactly 24 hours, not a minute more or less.

     Hours three and four of 24 will air tonight on Fox, before settling into one-hour-per-week episodes next Monday.