BARRY, Barry, Quite Contrary

Article first published as TV Review: BARRY on Seat42F.

BARRY, a new comedy on HBO, is the story of a hitman named Barry who accidentally attends an acting class and decides he wants more from his life than being an anonymous killer. Starring Saturday Night Live’s Bill Hader in the title role, BARRY is more than just a dark comedy. It’s the story of a man who has been manipulated and lost, looking to figure out who he is and take hold of his own path once more. But it’s not so easy to quit being a murderer, especially when your boss doesn’t want to let you go.

Hader is excellent and understated in the role. Known for playing over-the-top characters, as most SNL vets are, Barry is a quieter role for the actor. The character description is colorful, but in actuality, Barry is awkward in a calm way. He isn’t a good actor, but we find that out not through a huge, splashy screw up, but from quick, low line reads. Even his breakdown at the end of the first episode is more moving than loud, giving us a glimpse into the tortured soul. It’s a little exposition-heavy, but it tells viewers frankly who Barry is and why.

The premise is goofy, but it isn’t played as such. The criminals are deadly serious. The actors are hopelessly earnest. The acting teacher, a terrific turn by Henry Winkler (Happy Days, Arrested Development), is a familiar type, but because he’s played by Winkler, will surely be more than that. In tone, it is closer to other HBO series than something on a broadcast network. But it isn’t as quirky as some of its peers.

Where the show gets the biggest is in the violence, but those sequences are quick, not drawn out. The blood probably isn’t more than there would be in real life. Interestingly, the first time a dead body is shown, we just see Barry in the aftermath, and there’s a certain amount of disconnect between him as he is portrayed and the scene. Later, we witness his true skills, and we see why Fuches (Stephen Root, Brooklyn Nine-Nine, Justified) doesn’t want to let Barry quit.

There’s also a bit of a love story between Barry and his enthusiastic classmate, Sally (Sarah Goldberg, Hindsight). But again, it’s more of a subtle thing. I mean, the attraction, at least on his end, is obvious. But it’s not like they talk about it or spend needless minutes flirting. Barry is too socially inept to say anything to her, and she just seems like a warm, welcoming person. I hope BARRY doesn’t go there with them, as the journey will be richer if it’s just about Barry’s inner growth, and not fueled by sexual chemistry. But it seems quite likely that this will be dealt with more overtly later.

I admit, I’m surprised to see Hader in a role and program like this. It’s true that some of the best comedic performers make great dramatic actors because they understand human emotion on a deep level. Hader appears to be no exception, creating an odd character that is both familiar and unique. I’m very interested in the portrait of the man being painted here, story aside, though the narrative is intriguing, too. It seems the perfect vehicle for him, like Flaked was for Will Arnett, showcasing range in a part that didn’t feel like a natural next step for the actor, but it quickly becomes apparent no one else could play it on the same level.

I don’t want to oversell it. I don’t think BARRY is the next huge hit. But I do think it’s a worthy premium cable entry that will make for a fascinating watch.

BARRY airs Sundays at 10:30PM ET on HBO.

Going ALL THE WAY

Article first published as Blu-ray Review: 'All the Way' on Blogcritics.

All the Way is an HBO television movie, and like most HBO films of this type, tells a cool story in an interesting way with amazing performances. This one centers on President Lyndon B. Johnson in the first year of his administration, immediately following the assassination of his predecessor and his fight to pass civil rights in an election year. It’s a fascinating take that is neither wholly supportive or condemning of a still controversial president, and you can soon get it on Blu-ray, digital, and DVD.

Bryan Cranston (Breaking Bad) is completely transformed into LBJ, and he’s far from the only one. I may not have been around during the events depicted, so I can’t say how accurately Cranston captures the man, but what I can say is that he is barely recognizable as Cranston in a performance that differs strongly from past roles. This is a unique character, both caring and cold. Someone who knows injustice and wants to stop it, and yet can put politics above morals. Someone who deeply loves his wife, and yet can be mean to her without realizing the pain he is causing.

Cranston is far from alone in both the make up and the acting transformation. Among those playing at his level in All the Way are Bradley Whitford (The West Wing) as soon-to-be-vice-president Hubert Humphrey, Melissa Leo (Treme) as the always supportive first lady, Lady Bird Johnson, Stephen Root (Justified) as paranoid J. Edgar Hoover, Frank Langella (The Americans) as presidential friend-turned-foe Senator Richard Russell, and Anthony Mackie (the Captain America films) as Martin Luther King Jr. Each delivers a fantastic performance.

The story itself focuses on a very a narrow time, just the first year of Johnson’s presidency. The decision to do this is an interesting one as I think most filmmakers would be tempted to take a wider view, and normally I’d wish they would. The reason it pays off here is because All the Way is treated like a character study, zeroing in on who LBJ was and why he did the most notable things he did, which is a question worth examining. It does so without judgment, and with a balanced view. Like Cranston did in Breaking Bad, he manages to convey a portrait of a complex individual that becomes much more fascinating than the story itself, proving the choice is a smart one.

To make the man more interesting is a feat unto itself given the very tumultuous time period in which All the Way takes place. An assassination of a popular leader has just taken place. The politics of a nation is about to undergo a huge shift. Parties fight for their base, which they lose with a momentous decision. While things aren’t as personally ugly as they are in the current election cycle, the racial and social tensions could not be higher. And yet, this is background and context for LBJ, rather than the point of the piece.

There are sadly only a brief pair of bonus features, though they’re both pretty good. “Bryan Cranston Becoming LBJ” is exactly what it sounds like, with the actor discussing his approach to the character, and a look at the make up, hair, and prosthesis needed to complete the transformation. “All the Way: A Walk Through History” speaks to what is actually happening in the world during the era, much of which is included in the movie satisfactorily enough, but I’ll never complain about a featurette that backs up the factual side of what a film shows.

In short, I like the movie itself, and the extras, while too few, are solid, giving me no hesitation in recommending this release. All the Way is already available for digital download, and will arrive on Blu-ray and DVD on September 6th.

JUSTIFIED "A Murder of Crowes"

Article first published as JUSTIFIED Review on Seat42F.

FX’s JUSTIFIED gets a change of scenery in the season five premiere, “A Murder of Crowes.” It hasn’t left Kentucky behind, as that is where the episode begins, but the world is expanded a little as Raylan (Timothy Olyphant) travels to Florida and Boyd (Walton Goggins) and Wynn Duffy (Jere Burns, now a series regular) head to Detroit. It’s an exciting way to start the year!

Both of these trips are connected to the main story, as it has played out over the past few years. Boyd is missing some drugs he expected to be shipped in from Michigan, and so is trying to figure out what has happened. Fans of the series are familiar with the particular gang Boyd deals with (played by Dave Foley, Will Sasso, and others), and whatever happens, whether Boyd gets his supply or not, there will be implications back at home.

Boyd may be a little distracted since Ava (Joelle Carter) is still in jail and he’d like to clear her name. This cannot be done from several states away, and so it isn’t long before Boyd heads back, leading to a very tense confrontation near the end of the hour.

At the same time, Raylan goes south to find Dewey Crowe’s (Damon Herriman) family. Dewey’s brothers (Monk’s Jason Gray-Stanford and Boston Public’s Michael Rapaport) and sister (Alicia Witt, Friday Night Lights) have gotten mixed up with a Cuban (Amaury Nolasco, Prison Break) who is bad news. Partnering with Deputy Sutter (David Koechner, Anchorman 2, The Office), Raylan tries to play nice with the kin of his foe.

JUSTIFIED has never been stronger than when Raylan comes across a family of criminals. Margo Martindale headed up a fantastic clan of no-good scoundrels previously, and it looks like season five’s Crowes are poised to be just as enticing.

The casting choices for them are terrific and the story is open-ended enough to run for awhile. Plus, bringing in the Florida Crowes ties the tale to an important recurring cast member (who himself had good development this week), making it feel like a natural part of the established mythology.

Though, it’s also awesome when Boyd and Raylan clash, and that’s little in evidence in “A Murder of Crowes,” with the two on completely different paths. I assume that will come later in the season.

The other central figure in Raylan’s existence, besides Boyd, is Winona (Natalie Zea). Without giving anything away, the dynamic between the two of them has definitely shifted since the last we saw them together. It makes one wonder what kind of person Raylan is, and if he will always make the right decisions, as he usually seems to do. This, more than anything, illustrates Raylan’s flaws, Winona being a weakness for him, and that’s an interesting area to explore in our hero’s psyche.

There are already quite a few guest stars listed in the preceding paragraphs, but those are just the tip of the iceberg. In the first hour alone, besides everyone mentioned above, we get Stephen Root (King of the Hill, Boardwalk Empire), Karolina Wydra (House M.D.), Sam Anderson (Lost, ER), and more. It’s a very impressive roster, and it means we’ll have a very full year of players and plot.

You may notice that several of these names are primarily comedic actors. That doesn’t mean they are used to lighten the mood on JUSITIFIED. As done with Patton Oswalt (who will be returning) last season, the series coaxes dramatic performances out of its funny people, showing range and skill viewers may be pleasantly surprised to find.

My only complaint about all of these new faces, other than that not everyone will get the opportunity to repeat their performance, is that it leaves little room for the main cast. Boyd, Wynn, and Raylan have screen time, of course, and Art (Nick Searcy) will continue to be important every now and then, but Rachel (Erica Tazel) and Tim (Jacob Pitts) are already seen so little that this can only be bad news for them. They deserve to be a bigger part of the show, too.

JUSTIFIED remains a great series, well worth watching, and “A Murder of Crowes” is a strong start to the fifth season. JUSTIFIED premieres Tuesday at 10 p.m. ET on FX.

A 'Guy Walks Into a Bar' on Justified

FX's Justified starts building towards a climatic finale this week with "A Guy Walks Into a Bar." Boyd (Walton Goggins) outsmarts Quarles (Neal McDonough), using a legal loophole to get his pick for sheriff into office. Quarles does not take it well, getting high and threatening Raylan (Timothy Olyphant). Raylan is ready for a showdown with Quarles, but the bartender, Lindsey (Jenn Lyon), diffuses the situation, earning her a place in Raylan's bed. Coming out of the confrontation, Quarles gets reckless with his life, and Raylan gets reckless in court, telling Judge Reardon (Stephen Root) to go ahead and free Dickie Bennett (Jeremy Davies). The judge reluctantly complies.

Last year, Margo Martindale won an Emmy for her fantastic recurring role as the villain in season two of Justified. Up 'til now, McDonough has been interesting, but has not risen to her level. "A Guy Walks Into a Bar" changes all that, allowing McDonough to relish the dark depths and borderline insanity of his character. Whether telling the tale of how he killed his drug-addicted father, who sold a child Quarles into sexual slavery, or facing down two men wielding guns with no seeming care for his own life, this is a new, desperate Quarles. McDonough expertly lets the inner feelings bubble to the surface in a tour de force performance, certainly putting him on the short list come awards season.

Raylan is also heading towards self-destruction. After Winona (Natalie Zea) leaves him, he appears to be itching for a fight, an urge that is growing within him every week. He won't be able to ignore it much longer. It may be a natural reaction for Raylan to deal with his sadness, but it's not a healthy one. Moving in above a bar and setting himself up in Quarles's path are not good signs of mental stability. Raylan can usually handle himself in any situation, and he shows the 'cool' factor that makes his character so great in his stand off with Quarles this week. But he also lets Dickie out, seemingly just so he can stage some kind of altercation again, and possibly kill Dickie this time.

Catching Dickie just might be something Raylan is not prepared for. Dickie has also crossed the ruthless, creepy Limestone (Mykelti Williamson). The best case scenario for the marshal may be that Limestone murders Dickie quickly and quietly. Should Raylan insert himself in the middle of their situation, and find Limestone backed by his gang, it's hard to imagine how the lone lawman could come out ahead. Raylan does better with one-on-one, or even two-on-one, battles.

The wild card here is Boyd. Boyd is the one that bested Quarles, even though Quarles's rage now seems pointed mainly at Raylan. Boyd also has dealings with Limestone, and would like to see Dickie dead. Not to mention Boyd's past with Raylan. Fully back in the criminal world, Boyd is the one with connections to everyone, but it's uncertain whether he is more valuable alive or dead to any given party. Or how his self-preservation instinct will balance with his business sense.

Also, if it's apparent that Quarles is about to go down, look for Wynn Duffy (Jere Burns) to switch sides or flee, which could lead to another unexpected game-changer.

Justified was just recently picked up for a fourth year. It continues its excellent third season run Tuesdays at 10 p.m. ET on FX.

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Justified will "Save My Love"

     I should review FX's Justified more often, as it is one of the best shows currently running. Quite arguably, the best. I don't, though, because it is so, so good, and I like to just relax and enjoy it, without sparing to effort to analyze too much. And how much fun is it to read a review that keeps repeating, 'perfect!'? But we're halfway through season two, so it is time for some sort of update, so time to put on my thinking cap and do my best to lend some insight. I can tell you, this review will be sort of a love fest. I can't think of anything negative to say about the series, one of the few shows on the air that holds that special status.

     This week's episode, "Save My Love", involves almost a comedy of errors, though without any obvious comedy. Winona (Natalie Zea) admits to Raylan (Timothy Olyphant) that she has stolen not just one hundred dollar bill, as she told him last week, but a whole bag full. He helps her sneak the cash back into the courthouse, but a series of events keeps the noose tightening around both of their necks, as they are delayed time and again from returning the money. Raylan's marshal co-workers and some federal agencies become aware of, and curious about, the money, making the urgency more desperate, and culminating in a finale that leaves open the possibility that the story is not yet over. Though it may be finished. I just don't know. Art's (Nick Searcy) face is inscrutable!

     The chemistry between Olyphant and Zea is flawless. I think they make a better pair than Ava (Joelle Carter), whom Raylan was with for much of last season. Ava represents Raylan's past, as she knew him when he was much younger. Raylan was married to Winona in the past, yet Winona gets who Raylan currently is better. Raylan went way back to childhood in romancing Ava, and now is moving up to his young adult life with Winona. Is it a cycle he is trapped in, or will they move forward? Winona's bad deeds further helps the pairing, as up until now, she sometimes seems too good for Raylan, who crosses legal lines frequently. Now, Raylan is almost too good for her, as he would never steal money. Only Winona's regret saves her, and her want to put the money back, and not just so she stays out of trouble.

     This is also an enjoyable outing because Tim (Jacob Pitts), Rachel (Erica Tazel), and Art all get involved in the missing cash caper. Oftentimes, one or more of Raylan's fellow marshals are not featured in any episode. To have all three, and to see them interact so much with Raylan, even being his opponents in this instance, though they don't know it, is a special treat. Each brings something unique to the table, and they are not interchangeable. It's almost a shame to waste such talent on characters not present every week, except they really inform a complete world for the series, even when they are not on screen.

     Adding to the good times, Judge Mike Reardon (the great Stephen Root), who was in one episode of season one, is the one stealing away Winona's opportunities. Raylan's co-workers are main characters, but to keep the other half of the couple busy, the series chose to use a truly fantastic actor, playing a somewhat eccentric judge. Any chance to see Root is a pleasure, and he does not disappoint here. In fact, I cannot think of anyone better to bring in. He is comic relief, but also a driving force. I hope to see Root pop back up more often.

     Boyd (Walton Goggins) is added to the mix when he arrives at the courthouse, too, now serving as a security guard for Ms. Jones (Rebecca Creskoff, Hung), after having lost his job at the mine. Apparently, Ms. Jones intends to use Boyd to help her take down the Big Bads of this season, the Bennett family. This means Boyd and Jones will likely soon be in conflict with Raylan, who is keeping his own eye on the Bennetts. Please, please don't let this ruin Raylan and Boyd's sort-of friendship, which is my favorite relationship on Justified, showing serious growth and change constantly. But until then, Boyd gets to escort her to court. Jones asks Raylan if Boyd is trustworthy, and his answer will be a high point of the season, if not the series. It certainly is a memorable segment of this episode, attempting to vocalize Raylan's murky feelings for the former con.

     Boyd and Jones happen to be in Judge Reardon's court, where Winona is serving as court reporter, and Raylan's co-workers lurk just down the hall, bringing all the characters in the same vicinity. A bomb scare has the marshals protecting Reardon, and looking for his would-be killers. The twists to get every single one of the featured players into the same story would seem unrealistic and unnecessarily acrobatic in most shows. Somehow, Justified accomplishes this effortlessly, every bit falling into place completely naturally.

     There is not even the slightest urge to call anyone involved on any trickery here. Brilliant writing, backed up by amazing actors who bring to life such specific, well defined characters keep all the moving parts running smoothly. It's why there is nothing negative to write about in this review. Everything is so top notch, that try as I might, I can't even find one little fault to pick at. If that's not a glowing enough recommendation to get you to tune in, I have failed as a TV reviewer.

     Watch Justified Wednesday nights at 10 p.m. ET on FX.

Article first published as TV Review: Justified - "Save My Love" on Blogcritics.

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24 delivers best hour of season

    This has been a big week for Fox's 24.  Besides airing the best episode of the season, nay, one of the best of the series, last week, it also became known that the show is officially canceled, and will not be picked up by NBC, as previously rumored.  That's not to say that there are only eleven hours left in Jack Bauer's (Kiefer Sutherland) story.  In fact, the series finale is designed to set up Jack for a feature film, which is already in the works.  The head honchos always wanted a definitive end for Jack, and it looks like he will get one.  By their statements, it appears there will be only 24 movie, but perhaps that's a good thing.  Go out while it still works.  Speaking of working, last week...

      I always look forward to that awesome Chloe (Mary Lynn Rajskub) episode.  It comes after Chloe has been beaten down, not listened to, and generally, dumped on.  Then she wows us all and makes her bosses listen to her.  This week was that shining moment, as Chloe pulled a gun on the jerky NSA agents and fixed CTU's EMP-blasted computer system all by herself.  Chloe, you rock my world!

     The CTU mole was revealed.  Of course there was a CTU mole.  There always is.  However, even before the mole was exposed, I stopped rooting for the character.  Dana Walsh (Katee Sackhoff) has been one annoyance after another, and as she strangled the poor parole officer (Stephen Root), I stopped wanting her to get away with anything.  When, moments later, she was shown on the phone with the terrorist, it all fell into place.  The writers can be forgiven for making us hate Dana so much, because we needed to hate her eventually anyway.  And the twist gives hopes that Sackhoff's talents will not be wasted on the role.

     A side character died.  24 has not killed off anyone important yet this year, and so I have begun to get tense, knowing that it's just a matter of time.  True, Agent Owen (Julian Morris) with his six episode stint was not vital, but I still felt emotion as Jack lied to him, lying dying on the pavement.  His death is surely a harbinger of the bloodbath that will ensure.  There aren't many majorly important characters left in the series to kill off, but as long as it's not Chloe, I'm cool with it.

     Speaking of important characters, I still need to see the return of three of them.  Chloe's husband, Morris, (Carlo Rota) should make an appearance, as should secret service hero Aaron (Glenn Morshower).  I am really disappointed to have not seen Karen Hayes (Jayne Atkinson) since 2007, especially after her husband's heroic sacrifice last year.  And Jack's love story with Renee (Annie Wersching) cannot ever play out to satisfaction without bringing back Audrey Raines (Kim Raver).  I don't care if I have to wait for the big screen to see any of the four, but for me to be happy about the end of the story, I need to see what happened to the four of them.  And if they want to toss me a little Martha Logan (Jean Smart), I'll gladly take it.

     24 continues it's final season Monday nights, including tonight, at 9pm on Fox.

24: RIP CTU

     Wow.  I just completed a three episode mini-marathon of Fox's 24, ending with last night's, and I just have to say, wow.  An essential part of the show has always been the CTU (Counter Terrorist Unit) Los Angeles, until last season.  Prior to last year's episodes, CTU had been disbanded, its practice weres under review by Congress, and the FBI picked up the slack, although in a different way.  I was very happy to see the glossy new CTU New York building in Day Eight's premiere in January, staffed with a whole new crew of agents, and of course, Chloe O'Brian (Mary Lynn Rajskub).
     Then last night happened.  An EMP pulse effectively wiped out their entire operation.  Only halfway through Jack's (Kiefer Sutherland) eighth bad day, his support system is kaput.  Yes, he managed to save everyone last year without them, so the tension there is off, despite the startling preview for next week's hour, but that doesn't mean it isn't shocking and sad.  Chloe, Hastings (Mykelti Williamson), Arol (John Boyd), and Dana (Katee Sackhoff) are there!  What do they do now?  It would be nice if Rene (Annie Wersching) could step up and help them out, but I'm not counting on it.
     Well, surely Dana will continue her very annoying, and far too long drawn out plot of covering up her past life as Jenny.  This story, which, at the latest, should have ended two weeks ago when she disposed of the bodies, was made slightly more interesting by the appearance of another great actor on the case, Stephen Root (True Blood, Pushing Daisies, The West Wing).  However, as previously noted, Katee is a great actress, too, and that hasn't been enough to save the plot, so it is doubtful Root, despite his considerable talents, can help.
     24 does do some things right, though.  Besides the dramatic taking out of CTU, the subplot between Kayla (Nazneen Contractor) and Tarin (T.J. Ramini) was done well.  There was real emotion between the two, and I was kept guessing what Tarin would do throughout.  First he was thought to be guilty, then innocent, then guilty, then guilty but having a change of heart, and now, he's fully on the wrong side of things.  How the two of them may further affect the plot is a point of interest, although it seems unlikely that a happy-ever-after is in their future.
     24 still has twelve hours left, and will continue Monday nights at 9pm on Fox.