Drive Around STUMPTOWN

Article first published as TV Review: STUMPTOWN on Seat42F.

Let’s get this out of the way immediately: broadcast network television does not need another detective show. I’m serious. Please stop. There are way, way, way too many already. I don’t promise not to raise related complaints below, but that’s the first statement that needs to be made here, even though I’m very tired of making it.

All right, with that being said, let’s take a look at the new ABC series STUMPTOWN. Dex Parios (The MCU’s Cobie Smulders) is a traumatized war veteran who splits her time between gambling away her military benefits, drinking, and taking care of her brother, Ansel (Cole Sibus, Spare Room), who has Down syndrome. Then, the daughter of her dead love goes missing, and the hard-headed grandmother (Tantoo Cardinal, Blackstone), also a casino owner, asks Dex to get the girl back in exchange for erasing some of Dex’s debt. Thus, Dex acquires a new hobby.

Smulders is excellent. She proved it as Robin Scherbatsky in How I Met Your Mother, and she has continued to kill it as Maria Hill in the Marvel movies. She does complexity well, and she can be a total badass in action scenes. She has both humor and heart, and deserves to be the lead in a hit show. I just wish it were a Maria Hill series instead of this. Dex herself is even an interesting character that exists in a fleshed out world. But we’ve seen her type before. A lot.

The cast of STUMPTOWN is, as usual these days, stocked with fine performers. Sibus is very good, as is Cardinal. New Girl’s Jake Johnson is Dex’s platonic (for now) friend Grey. Michael Ealy (Almost Human) is Detective Miles Hoffman, who is assigned to work the case of the missing girl for the official police department. Hoffman’s boss, Lieutenant Cosgrove, is played by Camryn Manheim from The Practice. Adrian Martinez (Focus) plays informant Tookie. I have no gripes with this ensemble.

The production also looks good. The lighting and design are a bit unique, embracing Portland as a setting instead of New York or Los Angeles. The action scenes are quick, not too gratuitous, and while they come often, there is care to fit them into the story. Creator Jason Richman (Detroit 1-8-7) certainly knows how to make a quality television show.

But where things begin to fall apart for me is the premise and several key elements. Only on television do the cops decide to work with someone from the private sector on a regular basis, and it’s become a tired cliché in series. Dex is much smarter and better at doing the job than Hoffman or Cosgrove, which doesn’t make a lot of sense. The love triangle with Hoffman and Grey is predictable and trite. Tookie is the expected comic relief. None of this transcends the bounds that other programs have put in place, nor seeks to be startlingly original.

STUMPTOWN is a charming, well-made series. But it’s also a procedural, and to be honest, this type of show has now become so common that it’s gone beyond boring and into solidly annoying. If the focus was on Dex’s PTSD and personal problems, it could make an interesting cable show. Instead, as per usual, it looks like that will be handled in bits and pieces while the A Plot will be a case-of-the-week, easily wrapped up at the end of an hour. You might as well binge one of the dozens of similar programs already out rather than start a new one.

For what it is, STUMPTOWN is good. Smulders et al, and we the viewers, just deserve something a lot better than this.

STUMPTOWN airs Wednesdays on ABC.

Excited About EXTANT

Article first published as EXTANT Review on Seat42F.

CBS’s summer slate is turning out to be nothing like their regular season fare. While tired procedurals that basically tell the same story week after week dominate CBS programming from September through May, June, July, and August have suddenly become a spot for mind-bendy, dramatic, highly serialized science fiction shows, of the likes which FOX might air and quickly cancel in the fall. Last year’s Under the Dome is a decent series, but EXTANT, premiering this week, promises to be quite a bit better.

EXTANT tells the story of an astronaut, Molly Woods (Halle Berry, the X-Men films), whom, after thirteen months alone in space, returns to Earth pregnant and in the middle of a conspiracy. She experiences something very strange during her mission, which we see in flashbacks throughout the pilot, “Re-entry,” and is determined not to reveal to anyone what she saw and felt. Those who would control her on the ground may or may not know what she knows, but they have had issues with other astronauts in recent years and are definitely are keeping a close eye on Molly.

In the second major element of the series, Molly’s husband, John (Goran Visnjic, ER), has created an artificial intelligence to satisfy the couple’s un-fulfilled urge to have a child. The boy, named Ethan (Pierce Gagnon, One Tree Hill), is every bit as self-aware as the kid at the center of A.I., but with an added creepiness where viewers are left to wonder if he is performing as designed to do or is the first stage in a robotic uprising. Of course, this question is barely posed in the first episode, nowhere near an answer yet, but worth exploring.

Thus we get a suspenseful mystery, a tale of corrupt leadership, a Big Brother-like level of secret monitoring, questions about the existence of a soul and the ethics of creating life, and many other smart elements all wrapped into one. The writers have spun a very interconnected web of characters and motivations, obviously intelligently put together in “Re-entry” alone, and an incredibly enjoyable watch.

That is not to say that the show is without problems. At first, I wondered about a huge plot hole in Molly trying to keep her secrets her own, but then realized that the character is acting exactly as many would given the circumstances, logical or not. More troubling is that she has the means to try to cover things up, which I find unrealistic given the level of scrutiny she is under.

Overall, though, EXTANT is very good, definitely the best thing on the broadcast networks this summer. It’s exciting, fast-paced, gorgeous in its special effects demonstrating futuristic technology (it is not set in the present day), a world that captures the imagination, and a story that engages viewers. The questions it raises are deep, and the universe these characters live in is one I can see us getting very close to within my lifetime, even if we’re still many decades away from it. It feels right.

The acting is pretty convincing. I’m not a big fan of Berry, never have been, though she does a serviceable job. I like Visnjic a lot here, and Gagnon is amazing, given his age and relative lack of experience. The supporting cast also includes some capable players such as Camryn Manheim (The Practice) as Molly’s doctor and friend, Grace Gummer (The Newsroom) as a colleague of John’s, Michael O’Neill (Rectify, Bates Motel) as Molly’s boss, and Hiroyuki Sanada (Helix, Lost) as John’s investor. Plus, Annie Wersching (24), Brad Beyer (Jericho), and Tyler Hilton (One Tree Hill) serve recurring roles. Most of these are not A-listers, but they are no slouches, either.

If you’ve been on the fence about whether to give EXTANT a try, and believe me, I understand that position, please do. You’re likely to be pleasantly surprised at the superior effort put forward. More summer shows like this and CBS will be a competitor in the hotter months for the first time.

EXTANT premieres Wednesday at 9 p.m. ET on CBS.

Harry's Law dances its "Last Dance" of the season

     NBC's Harry's Law just completed its first season this past Monday night. Only twelve episodes in the freshman season, not atypical, considering it did not premiere in the fall, though it is ending its run over a month before most of the spring finales. That's bad news, because it's been an enjoyable ride. At first, I thought it a lesser sibling to David E. Kelley's other awesome legal dramas, The Practice and Boston Legal, but it began to come into its own in the second half of the season, setting itself apart from the other two, and starting to define its identity. Good news for fans of the show, it looks pretty likely it will be renewed for a second season, though it is not yet official.

     While overall I am quite satisfied with the first season, I have some requests for season two. First, expand the cast. Four main characters is pretty small, especially for a Kelley series. Tommy (Christopher McDonald), Rachael (Jordana Spiro), and Damien (Johnny Ray Gill) all deserve upgrades. I would not argue against Peyton (Paul McCrane) or Judge Coulis (Amy Aquino) also making the cut, though find them less likely to, since they are more outside of the central circle. In a perfect world, Kim (Camryn Manheim) would join them, making a case for focusing on both the prosecution and the defense as The Practice did. But that is likely unrealistic, as she has already starred in a Kelley drama. I'd add Richard Kind to the list, but despite my affection for the actor, his character of Marty may not have the legs for full-time status. Just please make him recurring.

     I'm also almost ready for a new office. Because the shoe store has served so little function, I think it will be time to upgrade the digs by at least the middle of season two. I like the idea of Jenna selling shoes at the same place the other practice law, but it has not yet been very important to the story, and certainly never been a major plot element. We can loose the store easy enough, though they should stay in the same neighborhood, as that has become a character unto itself. Kelley said that Harry would begin to work her way up the ladder as the series went along, so let's see a bit of that. Just not so far up that she forgets where she is starting from. In conjunction with the set improvements, we also need some more income. Perhaps Tommy could join forces, but retain his type of clientele?

     In the finale, Harry (Kathy Bates) defends Josh 'Puck' Peyton, a frequent court room sparring partner of hers. Peyton, known for his tendency to repeat phrases, has been facing a bit of a breakdown, having stripped and ranted in the courtroom an episode earlier. Apparently, the craziness continued as he walked into a house that wasn't his, something that happened off screen before the episode begins. Harry is drawn to Peyton as she seems to be to all misfits who are essentially good people, and defends him. He gets off with a time served sentence, and a beautiful friendship is born. Let's hope Peyton's leaving the D.A. will not keep him off the series.

     Could there be something more than friendship between Harry and Peyton? While Harry seems to resist any romantic story, Peyton does ask her to be his date to a legal gala. She turns him down because she already has a date, the often obnoxiously over the top Tommy Jefferson. Here, Harry is sought after by two men, at least to accompany them for the evening. Yet, only her offense at Tommy complementing another woman shows even the slightest interest on her part of anything beyond one evening. Personally, I'd love to see Harry pursue either Tommy or Peyton, both fun characters. This is a side of the character that needs development.

     I do not understand the hesitation to take these steps towards romance. Perhaps it's because Harry's personality is so off putting, though that argument begins to fall apart when you look at just how many people befriend her whether she wants them or not. Either way, I think the older group needs to be given their relationship due as much as their younger counterparts.

     Both Tommy and Harry have had exes appear on the show, both played by fabulous actors. Harry's Marty (Richard Kind) is a defense lawyer, while Tommy's Kim is an assistant D.A., which opens up the door for both of them to return. It also means a Tommy-Harry pairing could come complete with already introduced past baggage to get in the way.

     Adam (Nathan Corddry) has ended his love triangle as things come to a head with Rachael (Jordana Spiro) in the finale. The two work together to try to stage an appeal for a client on death row (The Blind Side star Quinton Aaron). Of course, their feelings get in the way, as Adam has recently left his girlfriend and declared ongoing emotions for Rachael. Rachael, in turn, proposes to her boyfriend as a reaction. Her strong mood swings, one moment hating Adam, the next calling him her best friend, exhibit her own feelings for him, even if she has trouble deciding what to do. Kim lets the engagement slip in her office, making Adam ask for time apart from Rachael as soon as the case is finished.

     Honestly, I didn't know which element of the Adam and Rachael scenes to care about more. Obviously, I love me a good serial plot, and things between Adam and Rachael have been brewing for some time. I could have jumped up and down cheering when she shows up at his office at the end of the episode and kisses him. I assume she then left to break up with her fiance.

     On the other hand, Aaron makes a fantastic guest star, and his story is extremely moving, especially after he loses his appeal. I hope he returns in season two so that Adam and Rachael have anther chance to save him from execution. I believe he's innocent! Both Kim and Adam and Rachael made such strong arguments, I can accept that the duo lost. Yet, Aaron is such a great get for the show, it would be a shame not to see him again.

     I'm still not totally on board with Jenna (Brittany Snow) and Malcolm (Aml Ameen) as a couple. She has such a strong personality that he is likely to be completely overshadowed by her. Plus, Malcolm is on the verge of getting his life together, and has a lot of work ahead of him. I don't know he can possibly do well in law school and put up with the very high maintenance Jenna. I like both of them separately, but think they would work better with other people. Should they continue, at least stop the pattern of her getting angry at him in every episode and giving him the silent treatment until he has to apologize for something he didn't even know he did. Three consecutive episodes of it is fine, as have already been done, but any more, and it'll get old really quick.

     Thank you Kelley, Bates, and the rest for a nice show that proved pretty darn entertaining. I look forward to more of it.


Article first published as TV Review: Harry's Law - "Last Dance" on Blogcritics.

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