"The Last Call" From Will on THE GOOD WIFE

Article first published as "The Last Call" From Will on THE GOOD WIFE on TheTVKin

In my review of last week's installment of CBS's The Good Wife, I mentioned Will's (Josh Charles) bond with the three main women in his life, and how his connection to each is served. This week's followup, taking place in the immediate wake of Will's death, centers on that trio, as each confronts their grief in a different manner.

The overall tone of this episode is a powerful one, remniscent of Buffy's mother's sudden death on Buffy The Vampire Slayer, the gold standard for great grieving programs. There's a general feeling of sadness and numbness, enhanced by the lack of the soundtrack that usually lifts the dramatic moments. Instead, there's a feeling of nothing, a vacuum sucking the air away. It is sure to evoke an emotional reaction in any viewer with a heart.

Alicia (Julianna Margulies), being the main character of the show and the woman Will actually loved romantically, is the most important, as one would expect. "The Last Call" picks up exactly where the previous installment left off, with Alicia getting the call about Will. Not long after, she finds a voicemail from Will on her phone, interrupted and incomplete, and spends the day obsessed with putting together the last moments of Will's life, tracking down Judge Politi (Vincent Curatola) and the prosecutor, Finn (Matthew Goode, promoted to main character now), to help her fill in the blanks.

Alicia keeps flashing to things Will might have been trying to tell her when he died. Was Will angry with her? Was he remorseful, wanting to repair the bridge between them? Was it something else? These are powerful glimpses, a look into the chaos of Alicia's mind on this pivotal day, and the last one she envisions is the right one for her to choose.
For Alicia, is this about closure, or about mourning what might have been? The latter seems to play into it, since Alicia dodges phone calls from Peter (Chris Noth), her husband and the other man who shares her heart, though she'll answer Eli's (Alan Cumming) communications. This is dangerous territory, tossing aside what you have for something you can't obtain. Now that Alicia knows the truth about what transpired, will she be able put things behind her, or will she stay fixated on Will and his tragic demise?

There is a telling moment when Alicia rejects her daughter, Grace's (Makenzie Vega), attempts to comfort her with thoughts of god. Alicia may just be a realist who doesn't buy into religion, which is valid, but she's a little cold in shutting Grace down. Maybe Alicia doesn't want to be comforted. Maybe she doesn't want to be happy, even if she says she will be eventually. This could be a sign that Alicia is spiraling.

Diane's (Christine Baranski) reaction to Will's passing is without reproach. She welcomes Alicia into the office to wallow together, no animosity left between them. She cancels professional engagements. And she not only fires a high-paying client that oversteps, demanding a meeting on the day Will died, but also makes sure to poison every well said client might now seek to sip from. It's beautiful revenge, passionate, justified anger, and a mark of just how strong Diane is, even in the tough times. Will could have had no better partner, and Baranski's performance is award-worthy, even more so than usual.

This anger and righteousness is echoed, albeit in a smaller way, in Cary (Matt Czuchry), who is forced to take up a deposition the other side demands not be postponed, even though Alicia cannot attend. Cary and Will weren't friends, but Cary's loyalty to Alicia (and Diane in going along with her shut down of the terrible client), is commendable, and proves he deserves the esteem many fans hold him in.

David Lee (Zach Grenier) is an interesting character. He's softer than we've ever seen him when insisting to Diane that he call clients, taking the task off her plate, but being realistic that it needs to happen. Even so, most would have probably thought him callous if we hadn't gotten to glimpse a mini break-down by him first, proving he is moved by Will's passing, and just dealing in his own way. He's not as bad a guy as he sometimes seems. One might even like him in "The Last Call."

The third woman after Diane and Alicia is Kalinda (Archie Panjabi). With enabler Jenna (Jordana Spiro) at her side, Kalinda gets the detective, Doug Young (Will Chase, Nashville, Smash), and the coroner to give her unfettered access to the case. Kalinda is diving into work to cope, her own way of processing grief and a dedicated tribute to Will.

See, Jeffery Grant's lawyer, Alma Hoff (returning guest star Becky Ann Baker, Girls), plans to plead temporary insanity. What's more some will argue that it's hard to tell if the fatal shot came from Jeffery (Hunter Parrish) at all, considering the cross fire. But Kalinda knows Jeffery is guilty, and she is not about let him get away with it.

Kalinda's taunt of Jeffery in his cell, offering him an opportunity at suicide, then yanking it away, is cruel. However, it's no more cruel than she thinks Jeffery deserves, and she may be right. Kalinda is a determined woman, and with her sights set on bringing Will's killer to justice, Jeffery likely will be punished.

Yet, there's still a lingering doubt that Jeffery does deserve to be locked up forever. Hoff's belief in him is an understandable one. The case was not going well for Jeffery, and he was innocent. He genuinely might have gone a little crazy, and certainly didn't intend to shoot Will. Jeffery does need help, to be sure, but a mental hospital might be more appropriate and humane that prison. And that's coming from someone who deeply misses Will and is very sad about his death (me).

I like "The Last Call" notably more than last week's "Dramatics, Your Honor," and that's saying something because "Dramatic, Your Honor" is an excellent episode. This one is just so much more character-driven, giving the actors a new side of their roles to work with, and each one more than rising to the occasion. Margulies, Baranski, Panjabi, Grenier, Czuchry - these are all fine performers, and they get to prove to everyone their skill set in this showcase. Add to that terrific writing, editing, directing, and everything that goes into the style and tone of this show, which has to match the actors and does so perfectly, and the result is very impressive. Awesome job, all around.

The Good Wife isn't done with its fifth season yet, airing Sundays at 9 p.m.-ish (varying because of the network's inability to competently schedule sports) on CBS.

THE GOOD, er, Awesome WIFE Hits 100 Episodes

Article first published as THE GOOD, er, Awesome WIFE Hits 100 Episodes on TheTVKing.

CBS's excellent drama The Good Wife, which is barely a procedural any more, thankfully, has never been better than it is in its fifth season. Recently, the show marked its fall finale with an important milestone: the 100th episode. The installment, which is entitled "The Decision Tree," is both very special and very typical of a standard entry at the same time.

The story is simple enough. Alicia (Julianna Margulies) is surprised to find herself in a legal battle over deceased client Matthew Ashbaugh's (John Noble) will. He left her an extremely sizable sum of money, and Lockhart Gardner insists on trying to deprive her of it. Or, more accurately, a hurt, betrayed Will (Josh Charles) wants to make Alicia suffer.

Will and Alicia's romance is a brief footnote for The Good Wife, but one that was much anticipated, and has had a lasting impact. Their relationship came as Alicia's marriage was falling apart, and when she chose to try to repair it, Will paid the price. Funnily enough, though, Will understood Alicia then. He didn't begin taking the break up personally until Alicia quit his firm.

Why has Alicia striking out on her own hit Will so hard? Did he think that as long as she worked for him he'd have another chance with her? Did he believe that they still cared deeply about one another, even if they couldn't be involved? Is Will starting to suspect (wrongly, of course) that she was sleeping with him just to further her career?

Whatever Will's reasons may be, he is very, very angry at Alicia, and wants to cause her pain. We see this when Will questions Alicia in his head, preparing for court, anticipating her answers and trying to hurt her as much as possible. It's a moving, emotionally charged sequence, which continues when he actually confronts her. Their past comes to back him, something he can't move on from, and it really informs his reaction in the present.

Alicia, for her part, handles Will beautifully. She knows he's off his game, allowing emotion to rule him, and takes a more detached approach. I don't think this paints Alicia as cold, as we see that she does have to steel herself to go into court, tampering down her feelings, not being without them. Instead, it just means she's more mature and can compartmentalize more effectively. And that she's a winner.

As much as Cary (Matt Czuchry) helps Alicia in court this week, a crack in their partnership is exposed as they plan their new firm's Christmas party. The turnout is expected to be low until Cary convinces Alicia to invite Peter (Chris Noth). Then, he jumps the gun and announces Peter's attendance, which inflates their guest list but annoys Alicia, who doesn't want to use Peter to help build the business.

It's easy to put oneself in Cary's shoes, and Alicia's, too. Their law firm has a trump card that can really help them soar, but Alicia is reluctant to play it. In a competitive world, they need to use every resource at their disposal. However, it's also understandable that Alicia doesn't want to be seen abusing her husband's reputation for her own financial gain, and it's up to her to block such an occurrence, as Peter is only too willing to step in, even when it's not wise in regards to his own career. So it's a sort of awkward situation. Alicia and Cary have been through worse, though, so as long as they take time to talk to one another, I think they'll eventually strike a balance that works.

Of course, whether their firm succeeds or flops may not be completely up to them. The new partner Will recruits, Damian Boyle (Jason O'Mara, Terra Nova, Life On Mars), is clever and devious. He seems to want to prove his loyalty by taking down Alicia and Cary. They're smart, too, and his early efforts have inflicted more boo-boos than major wounds, but he may still be sizing up his competition, biding his time before a damaging blow.

Kalinda (Archie Panjabi) isn't sure whether Damian can be trusted. She tails him to try to figure him out, a splendidly hilarious scene that ends in her arrest by Damian's friend, Jenna Villette (Jordana Spiro, My Boys, The Mob Doctor).

Kalinda and Jenna sleep together, which is kinda great. I love their chemistry, Kalinda needs a new partner, and I'll take any excuse to have Spiro on my screen. However, I really thought The Good Wife was building towards a Damian-Kalinda pairing. Granted, Damian seems awfully similar to Kalinda's abusive ex, which was a very unpopular plot arc, but it really felt like that's where "The Decision Tree" was going earlier in the hour.

Damian may not be Alicia's only problem. "The Decision Tree" ends with Marilyn (Melissa George) telling Eli (Alan Cumming) that she's going to name her baby Peter. As Peter's ethics adviser, it seems very unlikely that Marilyn means to say that the baby is biologically Peter's, which would be a huge violation of the public's trust in Peter. On the other hand, Peter does have a history of cheating on Alicia with blondes, and Eli certainly falls for the jibe, spectacularly spitting out in his drink in a hell of a cliffhanger.

I don't think Peter and Alicia could survive him fathering a baby with someone else. They've been through a lot, but this crosses too many lines and shows he hasn't changed as he claims to have done. If Marilyn is carrying his baby it could explain why he's been so overeager to be attentive to Alicia, or he may try to blame her avoidance of his help on why he strayed. But it all adds up to an implosion of their marriage, should Marilyn's implication turn out to be true.

Besides the wonderful recurring parts played by Nathan Lane, Mary Beth Peil, George, Spiro, and O'Mara, "The Decision Tree" gives us more of less-seen great performers like Noble, Stockard Channing, Kurt Fuller, and others. Toss them in with an already-stellar across-the-board cast and a guest appearance by Donna Brazile as herself, this episode is bursting with terrific people doing what they do best, making The Good Wife highly engrossing.

The focus of The Good Wife is now solidly on the characters. When Zach (Graham Phillips) tells his mother she's a very interesting person, he's right, and viewers will agree. It's easy to fall in love with the various parts, and the way each is written so authentically, often leaving disagreements with more than one reasonable side. The writing is as excellent as the acting. As far as broadcast network dramas go, this one is tops.

The Good Wife will return January 5th on CBS.

Fix up The Mob Doctor

Grade: 80%

FOX has a new drama called THE MOB DOCTOR. Starring Jordana Spiro (My Boys) as Grace Devlin, a promising young surgeon who agrees to do work for the mob to pay off her brother, Danny’s (Jesse Lee Soffer, As the World Turns), debt, the series finds the protagonist bouncing between two worlds. In one, she has a bright career ahead of her and a wonderful boyfriend, Dr. Brett Robinson (Zach Gilford, Friday Night Lights, Off the Map). In the other, she pulls screwdrivers out of heads in the back room at a veterinary clinic.

As the “Pilot” begins, it almost looks like Grace enjoys the double life. She handles a thug with ease, not cruel, but not flappable, either. We learn that she grew up around criminals, and one of her earliest memories is finding a dead body. This sets the stage for a main character of questionable morals, something that does very well on cable, but is rarely seen successfully done on broadcast TV.

But as the hour plays out, it soon becomes apparent that Grace is not a common criminal. She is helping out her family, making her the kind of bright and shiny hero that populates many a series. This actually makes her a bit less interesting, as now we assume that she will always do the right thing. After all, her involvement in this mess of a situation is just stemming from loyal to her family, not out of a desire to do wrong or protect guys that should be behind bars. Should the writing stray from such a predictable formula, it would be neat and fresh. As it stands, Grace may quickly become rote and boring.

What gives me hope is Spiro herself. Her excellent work on her previous sitcom starring role over several years proved and honed her comedy chops. She dipped her toe into light drama with a recurring role on Harry’s Law more recently. Now, with THE MOB DOCTOR, she is given more to work with than ever, and the entire hour seems to hang on her, since she is in every scene. Spiro doesn’t flinch, and stays compelling through it all.

Another positive element is the writing. It’s hard to tell in which direction the series intends to go from just the “Pilot” because it is mostly setting things up. But there is no obvious patient of the week, with Grace treating several people throughout. And because the show is on FOX, not CBS, it may very well be allowed to explore large arcs, rather than being stuck in a formula. Or, if it does follow a weekly pattern, it may get to depart from that more than many other shows.

Spiro is surrounded by a talented, proven cast. Besides Gilford, there’s Zeljko Ivanek (The Event, Damages) as the hospital boss, William Forsythe (Boardwalk Empire, The Rock) playing the counterpart man in charge, James Carpinello (Rock of Ages), Floriana Lima (Poor Paul), Wendy Makkena (Sister Act, Listen Up), and Jaime Lee Kirchner (Mercy). This means that, if the writers decide not to make Spiro carry the show by herself, which they should, despite her talent, there is an already-built support system in place to sustain a quality series.

I don’t want to give away the ending of episode one, but suffice it to say, the balance of power is not established until the very last minutes of the episode. It makes it a little hard to talk about what to expect, going forward. A lot of the “Pilot” does a fine job establishing the characters and the setting, but it’s hard to say what kind of series THE MOB DOCTOR wants to be until we see how things play out past this first installment.

Another thing that happens very late is telling about Grace herself, painting some of her attitudes and actions in a different light. As a character, she does a handful of things that didn’t quite add up to me until that revelation. Had the twist been missing, it’s likely this would be a very different review.

THE MOB DOCTOR premieres Monday, September 17th on FOX.

Return to Dallas

 One of the most anticipated events of the summer is TNT's revival of the classic prime time soap drama, Dallas. Just over two decades since the fourteen season drama bowed off the air, it returns, a continuation to the original. This is not a reboot or a remake, but rather, continues the story started years ago, adding a new generation into an old rivalry, and it does not disappoint.

As the first episode, "Changing of the Guard," begins, J.R. (Larry Hagman) is suffering from a deep depression, unresponsive to visitors. Brother Bobby (Patrick Duffy), happy in his own life with wife Ann (Brenda Strong, Desperate Housewives), and facing a terminal illness, regrets their fraternal tension, hoping that their sons will not continue the horrible tradition.

But Bobby's hopes are not destined to come true. J.R.'s son, John Ross (Josh Henderson, huh, Desperate Housewives), is secretly drilling for oil on the family's property of Southfork, and finds it! A wrench is thrown into his plans to make the family rich in this business when Bobby announces his intention to sell Southfork, planning on giving the profits to his own son, Christopher (Jesse Metcalfe, would you believe it, Desperate Housewives), who seeks to develop clean energy. The battle is on, with twists and turns that soon reawaken J.R.'s ornery spirit.

There is something somewhat fitting that J.R. sits dormant until this new opportunity to tangle emerges. Even those not familiar with the original series have heard about how ruthless this character can be. Without an enemy to fight, he becomes unneeded in the world, and shuts down. But now that Bobby is poking the dragon, so to speak, J.R. comes back to life. Upon learning that John Ross intends to cross him, too, J.R. really digs in. Watch out!

Of course, in a series such as Dallas, there is never just one thing going one. As fun as the feuds are, there also has to be romantic tension. John Ross is furious when he learns that his gal, Elena (Jordana Brewster, Desper...er, Chuck), is only with John Ross because she received a breakup e-mail from Christopher years ago. Neither Christopher nor John Ross sent the e-mail, so who did? And does it even matter anymore, as Christopher almost immediately weds Rebecca Sutter (Julie Gonzalo, Eli Stone, Veronica Mars), who has a secret of her own?

Rounding out this gang is original cast member Linda Gray, who plays J.R.'s ex-wife, and John Ross's mother, Sue Ellen. Sue Ellen is preparing to run for governor, but her connections with the family may prove a little more tumultuous than is generally considered good for a campaign.

Having not been a viewer of the original, I cannot say if these new installments live up to their predecessors. This Dallas, though, is a guilty pleasure. It's an entertaining ride, with more twists than a lasso. It doesn't feel dated, even though the old timers still figure prominently into the plot, nor does it come across as a teeny bopper's delight, despite the new blood. There is a nice balance stricken, and this is certainly a series I will be tuning into weekly for the foreseeable future.

Watch Dallas Wednesdays at 9 p.m. ET on TNT.

If you like my reviews, please follow me on Twitter!

Harry's Law dances its "Last Dance" of the season

     NBC's Harry's Law just completed its first season this past Monday night. Only twelve episodes in the freshman season, not atypical, considering it did not premiere in the fall, though it is ending its run over a month before most of the spring finales. That's bad news, because it's been an enjoyable ride. At first, I thought it a lesser sibling to David E. Kelley's other awesome legal dramas, The Practice and Boston Legal, but it began to come into its own in the second half of the season, setting itself apart from the other two, and starting to define its identity. Good news for fans of the show, it looks pretty likely it will be renewed for a second season, though it is not yet official.

     While overall I am quite satisfied with the first season, I have some requests for season two. First, expand the cast. Four main characters is pretty small, especially for a Kelley series. Tommy (Christopher McDonald), Rachael (Jordana Spiro), and Damien (Johnny Ray Gill) all deserve upgrades. I would not argue against Peyton (Paul McCrane) or Judge Coulis (Amy Aquino) also making the cut, though find them less likely to, since they are more outside of the central circle. In a perfect world, Kim (Camryn Manheim) would join them, making a case for focusing on both the prosecution and the defense as The Practice did. But that is likely unrealistic, as she has already starred in a Kelley drama. I'd add Richard Kind to the list, but despite my affection for the actor, his character of Marty may not have the legs for full-time status. Just please make him recurring.

     I'm also almost ready for a new office. Because the shoe store has served so little function, I think it will be time to upgrade the digs by at least the middle of season two. I like the idea of Jenna selling shoes at the same place the other practice law, but it has not yet been very important to the story, and certainly never been a major plot element. We can loose the store easy enough, though they should stay in the same neighborhood, as that has become a character unto itself. Kelley said that Harry would begin to work her way up the ladder as the series went along, so let's see a bit of that. Just not so far up that she forgets where she is starting from. In conjunction with the set improvements, we also need some more income. Perhaps Tommy could join forces, but retain his type of clientele?

     In the finale, Harry (Kathy Bates) defends Josh 'Puck' Peyton, a frequent court room sparring partner of hers. Peyton, known for his tendency to repeat phrases, has been facing a bit of a breakdown, having stripped and ranted in the courtroom an episode earlier. Apparently, the craziness continued as he walked into a house that wasn't his, something that happened off screen before the episode begins. Harry is drawn to Peyton as she seems to be to all misfits who are essentially good people, and defends him. He gets off with a time served sentence, and a beautiful friendship is born. Let's hope Peyton's leaving the D.A. will not keep him off the series.

     Could there be something more than friendship between Harry and Peyton? While Harry seems to resist any romantic story, Peyton does ask her to be his date to a legal gala. She turns him down because she already has a date, the often obnoxiously over the top Tommy Jefferson. Here, Harry is sought after by two men, at least to accompany them for the evening. Yet, only her offense at Tommy complementing another woman shows even the slightest interest on her part of anything beyond one evening. Personally, I'd love to see Harry pursue either Tommy or Peyton, both fun characters. This is a side of the character that needs development.

     I do not understand the hesitation to take these steps towards romance. Perhaps it's because Harry's personality is so off putting, though that argument begins to fall apart when you look at just how many people befriend her whether she wants them or not. Either way, I think the older group needs to be given their relationship due as much as their younger counterparts.

     Both Tommy and Harry have had exes appear on the show, both played by fabulous actors. Harry's Marty (Richard Kind) is a defense lawyer, while Tommy's Kim is an assistant D.A., which opens up the door for both of them to return. It also means a Tommy-Harry pairing could come complete with already introduced past baggage to get in the way.

     Adam (Nathan Corddry) has ended his love triangle as things come to a head with Rachael (Jordana Spiro) in the finale. The two work together to try to stage an appeal for a client on death row (The Blind Side star Quinton Aaron). Of course, their feelings get in the way, as Adam has recently left his girlfriend and declared ongoing emotions for Rachael. Rachael, in turn, proposes to her boyfriend as a reaction. Her strong mood swings, one moment hating Adam, the next calling him her best friend, exhibit her own feelings for him, even if she has trouble deciding what to do. Kim lets the engagement slip in her office, making Adam ask for time apart from Rachael as soon as the case is finished.

     Honestly, I didn't know which element of the Adam and Rachael scenes to care about more. Obviously, I love me a good serial plot, and things between Adam and Rachael have been brewing for some time. I could have jumped up and down cheering when she shows up at his office at the end of the episode and kisses him. I assume she then left to break up with her fiance.

     On the other hand, Aaron makes a fantastic guest star, and his story is extremely moving, especially after he loses his appeal. I hope he returns in season two so that Adam and Rachael have anther chance to save him from execution. I believe he's innocent! Both Kim and Adam and Rachael made such strong arguments, I can accept that the duo lost. Yet, Aaron is such a great get for the show, it would be a shame not to see him again.

     I'm still not totally on board with Jenna (Brittany Snow) and Malcolm (Aml Ameen) as a couple. She has such a strong personality that he is likely to be completely overshadowed by her. Plus, Malcolm is on the verge of getting his life together, and has a lot of work ahead of him. I don't know he can possibly do well in law school and put up with the very high maintenance Jenna. I like both of them separately, but think they would work better with other people. Should they continue, at least stop the pattern of her getting angry at him in every episode and giving him the silent treatment until he has to apologize for something he didn't even know he did. Three consecutive episodes of it is fine, as have already been done, but any more, and it'll get old really quick.

     Thank you Kelley, Bates, and the rest for a nice show that proved pretty darn entertaining. I look forward to more of it.


Article first published as TV Review: Harry's Law - "Last Dance" on Blogcritics.

For an alphabetical list of all of Jerome Wetzel's Current Season Reviews, please click here.

For frequent mini-reviews and occasional TV news, follow Jerome on Twitter.

My Boys have grown into "My Men"

***Article update: My Boys has been officially canceled.

     Sunday night, the TBS comedy My Boys completed its fourth season with two half-hour episodes. Sadly, the fourth season only had nine episodes, but My Boys has always aired sporadically. After a 22-episode first season, which had both a winter and summer run, seasons two and three had only aired nine episodes each, and ran during different times of the year. Many people believe that My Boys will not be renewed for a fifth season, though there has been no official announcement either way. It's depressing, as it's a great little show that never got the amount of attention it deserved. However, if it is gone for good, the final episode, "My Men," will serve as a nice series finale.

      The show stars Jordana Spiro as P.J. Franklin, a sport columnist in Chicago. As the series began, we were introduced to her three male friends, irresponsible, dumb Mike (Jamie Kaler), party boy Brendan (Reid Scott), and anal retentive Kenny (Michael Bunin). Also part of the group was P.J.'s brother, Andy (Jim Gaffigan) and her lone female friend, who mostly stayed away from the group, Stephanie (Kellee Stewart). Introduced in the pilot was a new co-worker and love interest for P.J., Bobby (Kyle Howard), who first joined the group, and only later became involved in a serious relationship with P.J.

      This season has brought about many changes. Bobby lost his fortune and moved in with P.J. Kenny lost his business, of which Mike was the sole employee, so they both were out of work. P.J. got the chance to go for her dream job, the gang's bar closed down, and Andy moved away to Japan. This last development allowed room for Stephanie to take a more central role and start to spend time with the rest of them. Add to that, she has been dating Kenny, so she is more firmly entwined than ever. I missed Andy quite a bit, but finally liking Stephanie after three years of wondering why she was even in the cast made up for the loss.

      It wasn't just external changes, though, that marked the fourth season. Each character grew to maturity in a new way. Bobby had to figure out what he wanted out of life. P.J. had to settle her priorities, whether she'd rather have her dream job, or a life with her friends. Kenny had to make a big commitment to Stephanie. Brendan traded in his night club for a more grown up venue. And last, but probably the biggest, Mike realized that he wasn't a kid anymore and needed to change some things. This culminated in his falling in love with, and wedding in the finale, Marcia (played by the hilarious actress Rachael Harris). I love Harris, and she made a great companion for Mike.

      Seeing how this past season panned out really made watching the show worth it. It was an enjoyable sitcom from the beginning, found its legs late in the first season, and really became something special by the fourth. The only thing I will regret if it goes off the air is that Jim Gaffigan did not return in any of the nine episodes. A guest spot for him at the end would have been perfect. However, if the show does somehow get picked up, which I sincerely hoped, not only could they save a scene for Gaffigan, but Harris should be installed full time, or at least half-time. It would shake up the dynamic, keep things fresh, and allow the show to grow even more.

My Boys have grown up a bit

 
    TBS's hit sitcom My Boys returns tonight with two new episodes: "Addition by Subtraction" and "Gourmets and Confused".  Sadly, the first episode deal's with the group coping over the loss of Andy (Jim Gaffigan), who has moved his family to China.  Gaffigan is sorely missed from the cast, and it is quickly apparent that no one can replace him.  I gave the show props for realizing that, and not trying to pick another goofy comedian to fill his shoes.  The 2nd episode finds the two couples in the cast at a fancy restaurant, while the two single guys decide to try to have the best night ever without the rest of their friends.  Of course, there are some mix-ups and accidents, and soon hilarity ensues.

     Without Gaffigan, there is less slapstick.  The humor has had to tone itself down.  Kenny (Michael Bunin) and Stephanie (Kellee Stewart) now in a relationship that is publicly visible, and Bobby (Kyle Howard) and P.J. (Jordana Spiro) have settled into their couple status, comfortable after some time together.  The show used to be about a bunch of single friends and their antics, but gradually over three seasons, they've all grown up.  Even Brendan (Reid Scott) and Mike (Jamie Kaler), the two least responsible, and still single, dressed in suits to go find classy girls in tonight's episodes.  It's become a different show than it used to be, but I'm not sure that's a bad thing.

     Although no final decision has been announced, it is likely that My Boys's fourth season will be it's last.  That makes me sad, but unlike other sitcoms, the actual serious development of the characters should leave the ending bittersweet.  We have bore witness to a journey, with a definite beginning (and hopefully definite) ending.  Stephanie has gone from outsider and occasional gal pal to P.J. to full fledged member of the group, as well as overcome her hate of men in general, and Kenny in particular.  Brenden will soon be looking for his own apartment, while Mike considers steady work and love.  If we can get some Jim Gaffigan again at the end of the season, I will be fully satisfied.

     If you haven't seen the show, go ahead and tune in.  The first two episodes should bring you up to speed.  If you have, enjoy the series while you still can, because you may not get to much longer.  My Boys airs on TBS Sunday nights at 10pm, but tonight you get a second new episode at 10:30.

Guess who's coming to tv?

    It's spring, and that means tons of casting news.  Some people have been picked up for an existing series, or signed on in exciting guest roles.  Some have been cast in new pilots.  Here's some of the biggest stories to break in the past few days: 

Love Bites - Jennifer Love Hewitt (Ghost Whisperer), Greg Grunberg (Heroes), Craig Robinson (The Office), Jason Lewis (Sex and the City), and Lindsay Price (Lipstick Jungle) will all be appearing in the pilot of this new comedy next fall!  The series will be on NBC, and will concern love, as told in three stories with only loose connections.  It will star Becki Newton (Ugly Betty) and Jordana Spiro (My Boys).  This raises a couple of questions, like, does that mean the end of My Boys?  Surely the guest stars can work around their roles on their own shows, but TBS already picked up My Boys for a fourth season, and Spiro is the star.  Does that mean this year will be My Boys's last?  Cause that would be tragic!  Don't get me wrong; Spiro deserves network TV, but still...

Wright Vs. Wrong - This new ABC show was written by MadTV alum Stephnie Weir.  Debra Messing (Will & Grace) will portray a conservative political pundit and Cheryl Hines (Curb Your Enthusiasm) will be her liberal opponent.  Does that mean Hines won't be in the next season of CYE, if there is one?  Or at least, she won't appear much?  Not that she ended this past year with Larry exactly, but there was hope of a possible reconciliation.  Carrie Fisher (Star Wars) will play Messing's manager.

The Big Bang Theory - Judy Greer (Arrested Development, Archer) will be guest starring as a famous physicist who Sheldon (Jim Parsons) invites to spend the night with him.  Knowing Sheldon, the offer won't be in the least sexual, but it's great to see a fantastic actress pop up a show worthy of her.  Well, she just did Modern Family, so make that two shows worthy of her.

The Good Wife - Eli Gold fans celebrate, Alan Cumming will be returning as a series regular for the second season of the popular CBS drama.  For those who don't watch it, like me, though I eagerly await the DVD so I can catch up, Cummings worked to fix Peter's (Chris Noth) public image.  Looks like that image needs a little more work.