COMPLICATIONS Too Messy

Article first published as COMPLICATIONS Review on Seat42F.

USA has a new drama from Matt Nix (the creator of Burn Notice) called COMPLICATIONS. It is the story of Dr. John Ellison (Jason O’Mara, star of Terra Nova and several other short-lived series) and his terrible, horrible, no good, very bad day. Well, it starts off as roughly a single day, but it quickly spirals into major ramifications for his entire life and he may be spending a long, long time trying to get things back on track. Sounds a bit like Nix’s previous project, no?

To be fair, COMPLICATIONS doesn’t feel much like Burn Notice, despite that central similarity. Both men are good people whom bad things happen to and who have major skills they use to help people, but they are also quite different. While Michael Weston was an emotionally challenged spy, John Ellison runs much, much hotter, his emotions boiling over, and he works in a hospital alongside a team, not operating solo for-hire in his apartment. Plus, there’s no chain-smoking mother in sight.

John is a good-hearted man, the type who will use his medical skills to try to heal a squirrel his dog gets a hold of. When he comes across a drive-by shooting and intervenes perhaps a little more than he should, that’s when things get rocky. He is soon drawn into gang wars and neither his home nor his workplace are an escape from this.

But does John even want to escape it? Part of the pilot involves him discussing what’s going on with a shrink (Constance Zimmer, UnReal, House of Cards) and this is where we get some insight into who John is. Maybe he isn’t happy with the calm, normal life he’s been living; he definitely has some deeper issues to deal with, and these events help bring those to the surface. The only thing that seems certain right now is that John is unstable and unpredictable.

O’Mara doesn’t really play the protagonist as an overly sympathetic character. Because of his wild mood swings and erratic behavior, it’s hard to tell if he’s someone that deserves to be rooted for. Yes, he saves lives, but that’s his job. He certainly has compassion for his patients, but as he goes to greater lengths to do what he thinks is right in the moment, one begins to wonder if the ends justify the means. He is not trustworthy right now.

John is surrounded by enough of a supporting cast to keep the story going for awhile. There’s: John’s wife, Samantha (Beth Riesgraf, Leverage), whom he’s not exactly open with; his straight-laced co-worker, Dr. Bridget O’Neill (Lauren Stamile, Burn Notice), who probably would not participate in John’s madness if she knew what was going on; Gretchen Polk (Jessica Szohr, Gossip Girl), an abuse survivor (I assume) who believes justice trumps rules; Darius Bishop (Chris Chalk, The Newsroom), John’s link to the criminal element; and Dr. Quentin Harper (Ronreaco Lee, Survivor’s Remorse), whom I didn’t get a good read on in the pilot. This is a decent ensemble, and with various people being out of the loop right now, there will be fodder for conflict as they find out more of John’s secrets.

The thing is, though, I don’t know if I want to stick around to see it. The first hour of COMPLICATIONS is a hot mess, not told linearly, no grounded character to view the world through, and no compelling hook to stick around and see what it catches. USA has been moving away from formula and taking some bold chances. I won’t say COMPLICATIONS is boring in the way programs of the past have been on the network, but this is one experiment that is failing because of a lack of direction or anchor, at least out of the gate, and I didn’t find anything in this pilot that makes me want to give it a second chance.

COMPLICATIONS premieres Thursday, June 18^th at 9 p.m. ET on USA.

THE GOOD, er, Awesome WIFE Hits 100 Episodes

Article first published as THE GOOD, er, Awesome WIFE Hits 100 Episodes on TheTVKing.

CBS's excellent drama The Good Wife, which is barely a procedural any more, thankfully, has never been better than it is in its fifth season. Recently, the show marked its fall finale with an important milestone: the 100th episode. The installment, which is entitled "The Decision Tree," is both very special and very typical of a standard entry at the same time.

The story is simple enough. Alicia (Julianna Margulies) is surprised to find herself in a legal battle over deceased client Matthew Ashbaugh's (John Noble) will. He left her an extremely sizable sum of money, and Lockhart Gardner insists on trying to deprive her of it. Or, more accurately, a hurt, betrayed Will (Josh Charles) wants to make Alicia suffer.

Will and Alicia's romance is a brief footnote for The Good Wife, but one that was much anticipated, and has had a lasting impact. Their relationship came as Alicia's marriage was falling apart, and when she chose to try to repair it, Will paid the price. Funnily enough, though, Will understood Alicia then. He didn't begin taking the break up personally until Alicia quit his firm.

Why has Alicia striking out on her own hit Will so hard? Did he think that as long as she worked for him he'd have another chance with her? Did he believe that they still cared deeply about one another, even if they couldn't be involved? Is Will starting to suspect (wrongly, of course) that she was sleeping with him just to further her career?

Whatever Will's reasons may be, he is very, very angry at Alicia, and wants to cause her pain. We see this when Will questions Alicia in his head, preparing for court, anticipating her answers and trying to hurt her as much as possible. It's a moving, emotionally charged sequence, which continues when he actually confronts her. Their past comes to back him, something he can't move on from, and it really informs his reaction in the present.

Alicia, for her part, handles Will beautifully. She knows he's off his game, allowing emotion to rule him, and takes a more detached approach. I don't think this paints Alicia as cold, as we see that she does have to steel herself to go into court, tampering down her feelings, not being without them. Instead, it just means she's more mature and can compartmentalize more effectively. And that she's a winner.

As much as Cary (Matt Czuchry) helps Alicia in court this week, a crack in their partnership is exposed as they plan their new firm's Christmas party. The turnout is expected to be low until Cary convinces Alicia to invite Peter (Chris Noth). Then, he jumps the gun and announces Peter's attendance, which inflates their guest list but annoys Alicia, who doesn't want to use Peter to help build the business.

It's easy to put oneself in Cary's shoes, and Alicia's, too. Their law firm has a trump card that can really help them soar, but Alicia is reluctant to play it. In a competitive world, they need to use every resource at their disposal. However, it's also understandable that Alicia doesn't want to be seen abusing her husband's reputation for her own financial gain, and it's up to her to block such an occurrence, as Peter is only too willing to step in, even when it's not wise in regards to his own career. So it's a sort of awkward situation. Alicia and Cary have been through worse, though, so as long as they take time to talk to one another, I think they'll eventually strike a balance that works.

Of course, whether their firm succeeds or flops may not be completely up to them. The new partner Will recruits, Damian Boyle (Jason O'Mara, Terra Nova, Life On Mars), is clever and devious. He seems to want to prove his loyalty by taking down Alicia and Cary. They're smart, too, and his early efforts have inflicted more boo-boos than major wounds, but he may still be sizing up his competition, biding his time before a damaging blow.

Kalinda (Archie Panjabi) isn't sure whether Damian can be trusted. She tails him to try to figure him out, a splendidly hilarious scene that ends in her arrest by Damian's friend, Jenna Villette (Jordana Spiro, My Boys, The Mob Doctor).

Kalinda and Jenna sleep together, which is kinda great. I love their chemistry, Kalinda needs a new partner, and I'll take any excuse to have Spiro on my screen. However, I really thought The Good Wife was building towards a Damian-Kalinda pairing. Granted, Damian seems awfully similar to Kalinda's abusive ex, which was a very unpopular plot arc, but it really felt like that's where "The Decision Tree" was going earlier in the hour.

Damian may not be Alicia's only problem. "The Decision Tree" ends with Marilyn (Melissa George) telling Eli (Alan Cumming) that she's going to name her baby Peter. As Peter's ethics adviser, it seems very unlikely that Marilyn means to say that the baby is biologically Peter's, which would be a huge violation of the public's trust in Peter. On the other hand, Peter does have a history of cheating on Alicia with blondes, and Eli certainly falls for the jibe, spectacularly spitting out in his drink in a hell of a cliffhanger.

I don't think Peter and Alicia could survive him fathering a baby with someone else. They've been through a lot, but this crosses too many lines and shows he hasn't changed as he claims to have done. If Marilyn is carrying his baby it could explain why he's been so overeager to be attentive to Alicia, or he may try to blame her avoidance of his help on why he strayed. But it all adds up to an implosion of their marriage, should Marilyn's implication turn out to be true.

Besides the wonderful recurring parts played by Nathan Lane, Mary Beth Peil, George, Spiro, and O'Mara, "The Decision Tree" gives us more of less-seen great performers like Noble, Stockard Channing, Kurt Fuller, and others. Toss them in with an already-stellar across-the-board cast and a guest appearance by Donna Brazile as herself, this episode is bursting with terrific people doing what they do best, making The Good Wife highly engrossing.

The focus of The Good Wife is now solidly on the characters. When Zach (Graham Phillips) tells his mother she's a very interesting person, he's right, and viewers will agree. It's easy to fall in love with the various parts, and the way each is written so authentically, often leaving disagreements with more than one reasonable side. The writing is as excellent as the acting. As far as broadcast network dramas go, this one is tops.

The Good Wife will return January 5th on CBS.

What happens in Vegas might want to stay in Vegas

Grade: 71%

Las Vegas, 1960. This is the time and place that CBS’s new drama, VEGAS, is set in. Supposedly based on a true story, the series follows Ralph Lamb (Dennis Quaid, The Special Relationship), a rancher dissatisfied with what progress is doing to his land and herd, who is tasked by the Mayor (Michael O’Neill, The West Wing), his old army commanding officer, with stepping up as sheriff of the rapidly-growing casino city. It’s the formula for an exciting, historical fiction show that could be quite cool.

Lamb is a familiar character. Much like the central sheriff in this summer’s Longmire, he is gruff, a bit stuck in the past, but intelligent and fair. Quaid lends much gravitas to the show, having such a successful movie career prior to his job. That’s mainly what sets Lamb apart, since it’s not that fresh a take on the staple part. The way he looks into the murder, avoids working with men he doesn’t trust, and keeps a level head when the others scream that the up-to-no-good bikers did it (they didn’t) is the epitome of the classic Western hero.

Lamb has a crew to assist him. His brother, Jack (Jason O’Mara, Terra Nova), doesn’t really have any personality qualities of note in the “Pilot,” but seems loyal and smart enough. Ralph’s son, Dixon (Taylor Handley, Hidden Palms), is an idiot screw up who gets into far too much trouble for his own good. Lamb doesn’t want to give his son the power of the badge, but it’s a better option than letting Dixon run the ranch into the ground, allowing Lamb to keep an eye on him. And apparently, though we don’t see them, Lamb has enough competent employees to keep his ranch running without much guidance from him. Which makes one wonder why Lamb needs to spend so much effort and care on the ranch before he is tapped to become sheriff.

Lamb’s main obstacle in his new career is Vincent Savino (Michael Chiklis, No Ordinary Family), a mobster recently arrived in Las Vegas, who plans on making a ton of money by whatever means necessary. Vincent is the stereotypical thug, not opposed to beating the crap out of people, but ready with a slimy smile to make a veiled threat or grease a palm. We see in the “Pilot” that Savino can have compassion as he apologizes to a faithful informant who is unfairly beaten, but it is probably only demonstrated to serve his own needs.

Rounding out the cast is A.D.A. Katherine O’Connell (Carrie-Anne Moss, Chuck). Her boss clashes with Lamb because he’s the type who would rather take bribes from gangsters like Savino than put any effort into dispensing actual justice. O’Connell disagrees, of course, probably without knowing the full extent of the corruption, though she usually bites her tongue to keep her job. She has a romantic interest in Lamb, a widower, so it’s pretty clear what side she will fall on with the inevitable confrontation arises.

The problem with VEGAS is that it brings together a totally predictable group of characters in a very familiar situation. What one may forget when star struck by the stellar cast, or while admiring the terrific sets and costumes, is that there isn’t anything new or original here; it’s the same old stuff that is on other shows in a different package. I admit, the presentation is of a higher quality than in most productions. But that’s just putting a fresh coat of paint on the same old wagon. The axle is still rusty.

Now, if VEGAS would fully embrace the history lesson, even with the dramatic license taken by Hollywood, I could get on board. Even as O’Connell and Lamb sway to the rote dance steps, or as Savino does exactly what we think he’s going to do, it would be interesting because there is a complete story to tell over several years, with growth and twists. It wouldn’t live up to the epics that HBO and AMC put out, but it would be something pretty novel for network television.

Unfortunately, from the “Pilot,” at least, it looks like any greatness will be tampered dull by making Lamb solve a case of the week. This is a CBS staple, a network built on its procedural crime dramas. True,  VEGAS will be in a league of its own in that genre, and should be really cool for people who like this type of series. But for those who don’t want the same story virtually every week, though, signs are not looking good for the long-term prospects of the show.

VEGAS premieres September 25^th on CBS.

Extinct Terra Nova found on DVD

FOX's Terra Nova was a bold experiment. Beginning in the pollution-ridden future, groups of men, women, and children travel back in time to settle the past. There is adventure, action, conspiracy, and pretty good looking CGI dinosaurs. Sort of a family-friendly version of Jurassic Park, with a preachy twist, it should have provided viewing fun for years. Except, most of the episodes weren't very well written, which led to its quick cancellation after a mere 13 episodes. Now, the entire series has been released on a four-disc DVD set.

In the premiere, "Genesis," Dr. Elisabeth Shannon (Shelley Conn, Mistresses) is recruited as part of the "10th wave" sent back in time to the settlement, but she is only allowed to bring her two eldest children, Maddy (Naomi Scott, Life Bites) and Josh (Landon Liboiron, Degrassi: The Next Generation). This is because, in 2149, having three children is illegal, leaving out Elisabeth's youngest, Zoe (Alana Mansour). So Elisabeth helps her husband, Jim (Jason O'Mara, Life on Mars), break out of prison, where is serving a sentence for assaulting the police officers who discovered Zoe's existence. Together, all five Shannons make it through the rift.

Once the family has arrived at the new settlement, Commander Nathaniel Taylor (Stephen Lang, Avatar) allows the Shannons to stay together, since he needs Elisabeth, and doesn't care about laws that have not been invented yet. Jim, a former cop, is assigned to the agricultural team, but soon proves himself more than capable to join Taylor's security force. This comes in handy when Josh, upset at his father for being gone all this time, meets an attractive girl named Skye (Allison Miller, Go On), who leads him outside the compound gate. The teens are attacked by dinosaurs and robbed by members of The Sixth, rebels who have split away from the main group. Jim sets out to rescue his son.

Each episode after that is mostly stand alone, with a few broader arcs. There is mystery in why The Sixth split off, and why Taylor's son draws pictures on rocks. The leader of The Sixth, Mira (Christine Adams, The Whole Truth) seems devoted to some cause. Skye and Josh have the beginnings of a teen romance, and dinosaurs aren't always predictable. Trying to add a more procedural element to some episodes, Taylor and Jim solve crimes, while Elisabeth faces medical cases.

One problem with the show may be that it tries to satisfy everyone. Attempting to balance crime drama and medical mystery with sci-fi innovation and some fun dinos means that none of those things get adequate attention. Not knowing which writers to hire to really capture all of these different elements, a great story is often slogged down by bad dialogue. The special effects look fantastic, and there's an exciting adventure present. If only the writing didn't frequently rip off installments of classic Star Trek, there could have been something interesting here.

Bottom line, Terra Nova delivers in action and special effects, and does a pretty decent job in the acting department. It just lacks a cohesive story and smart lines for its characters.


Be warned, Terra Nova ends on a cliffhanger. Nothing is neatly tied up, and this single season does not stand on its own. Within the DVD set, someone wisely included an access code to continue the story online in an interactive program, so that fans can get some sort of closure. But, of course, that's not the same thing as more episodes.

It would be hard to complain about the special features on this set because, despite Terra Nova's early cancellation, the studio seems to have been kind in allowing the development of extras. This DVD set includes deleted scenes and a gag reel. Audio commentary is provided for the two-part season finale, which is also presented as an extended episode.

Additionally, there are several featurettes. One delves into the making of the pilot, while another explores the mysteries of the show. "Cretaceous Life: The Dinosaurs of Terra Nova" gives viewers more of what they want, and that's the creatures that inhabit the world.

The biggest flaw in this release is that it is not available on Blu-ray. Given the amount of money spent on developing the dinosaurs and building this beautiful world, why not show it off in the best quality picture available? DVD does a pretty good job, but it can't compare to high definition. This show, more than almost any other, screams for a Blu release, though none has been announced at this time.

If you are so inclined, Terra Nova The Complete Series is available now.

If you like my reviews, please follow me on Twitter! Check out my website, JeromeWetzel.com! Article first published as DVD Review: Terra Nova The Complete Series on Blogcritics.

Terra Nova responds to "Occupation" with "Resistance"

     To end the freshman run of Terra Nova, FOX presents "Occupation" and "Resistance" last night. Lucas Taylor (Ashley Zukerman) leads some greedy miners into the past, and they take control of Terra Nova. When Jim (Jason O'Mara), who is injured in the initial confrontation, wakes up, he seeks a way to communicate with Commander Taylor (Stephen Lang), who is outside the walls of the settlement with a handful of soldiers. Together, they plot to stop their conquerers. Jim travels back to the future, and gets home just before destroying the portal. Then, mysteriously, the bad guys pack up and go, heading into the Badlands where the bow of an old sailing ship is discovered.

     "Occupation" and "Resistance" call to mind other TV shows and movies pretty heavily. There's an Avatar-esque battle with a company who just wants to make a profit (though Lang is now on the right side). When the characters gaze at pretty dinosaurs, who Lucas casually murders, the parallel is even stronger. There's also an aspect of Lost, in the mystery of the sailing ship, and some of the musical score plays up this well. It's a smart move for Terra Nova, given that Avatar did well in theaters, and Lost is one of the greatest series ever made.

     But execution falls short, as it has continuously done over the season. Things are too easy, and leaps are made without explanation. Jim can run faster than the explosion destroying the Hub? Really? It's understandable that Terra Nova, being in part a family drama, doesn't want to lose its patriarch, but his mission is a suicide one. It would have been far more interesting to have Jim trapped in the future next season, seeking a way home. Or anyone in Jim's place, for that matter. Also, Jim just pretends he is confused wandering outside of the compound's walls, and the soldiers take him home? And he travels to a packed bar after curfew, where occupiers and colonists alike are drinking, and no one gets in trouble?

     The thing is, though, Terra Nova does know how to deliver a killer action sequence. And it also can tug a few heart strings. Credit should be given to Washington's (Simone Kessell) heroic sacrifice, made all the more moving as she struggles with the guilt of surrending Terra Nova to save innocent lives. In "Occupation" and "Resistance," she is a complex character with good motivations and a compelling story. Which saves the season finale from being a total bust. It's also hard not to get excited when the various members of the colony, who don't always get along, come together to fight back, even as the scenes lean a bit towards the cheesy.

     In a similar vein, Lang delivers a fantastic performance, even as the story between Taylor father and soon veers between unrealistic and ridiculous. Lucas is single-minded and evil, rather than layered, making their confrontation silly. But Lang still manages to evoke some strong emotion at his son's betrayal and death, and that says much about his acting skills.

     Dinosaur sightings are light, especially in the first half, but then, that's not really what Terra Nova is about. More disappointing is not seeing the colony fall, only hearing about it from Jim's perspective, as he slept through the whole thing. However, this is likely because of budget concerns, and because "Resistance" later gives a massive explosion and dinosaur chase, that kind of makes up for the skimping earlier.

     Does Terra Nova deserve a second season? Well, people will be upset if the ship's bow isn't explained. But it's hard to argue for more installments when, despite some wonderful moments and great special effects, the stories and dialogue just are not up to snuff. There are plenty of better shows that have been cancelled quicker. The deciding factor will likely be ratings, which have been good, but not great, given the massive budget of the series. Word may not be handed down for months, and there's nothing to do but wait and see.

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     Catch up with streaming episodes of Terra Nova.

"Now You See Me" on Terra Nova

     In "Now You See Me," the latest installment of FOX's Terra Nova, Taylor (Stephen Lang) heads off into the jungle to look for his son, Lucas (Ashley Zukerman, Rush), only to be captured by Mira (Christine Adams) instead. Taylor turns the tables on Mira, but soon both must work together to escape a deadly prehistoric predator. Back at camp, Jim (Jason O'Mara) grows closer to uncovering the Sixers' mole, who viewers learn is Skye (Allison Miller). Not to worry, though, as the sweet young girl is only feeding the bad guys information so they will continue to care for her ailing mother.

     There is no doubt that the Sixers are bad. They stop giving Skye's mom her medicine when communication breaks down, and Skye is a little late feeding them the latest intel. This is not the act of someone who has any compassion at all. So clearly, the vast majority of the Sixers are one-dimensional villains that fans of Terra Nova will not be sad to see killed. It certainly makes things simpler when they are black and white, but far less interesting to the viewer.

     Skye's decision to help out the Sixers is predictable as soon as the facts are in, and of course she's not a bad guy. After all, she has been shown to be helpful and caring towards Josh (Landon Liboiron), so the series writers won't write her off quite so easily. Honestly, though, it would be far better if the mole were a complicated character whose loyalties are truly in question, rather than a scared little girl hoping to help her mother. Thus, another failure in "Now You See Me." And now, no one really wants Jim to catch the mole, and the urgency for him to do so is gone, making the plot kind of moot.

     In fact, the only really good part of "Now You See Me" is Taylor and Mira's interaction. It's totally stale and done before that two enemies can find common ground in the field of battle. Still, as the two discuss how, under different circumstances, they might be allies, it's hard not to appreciate it. Adams is a terrific actress, and giving her character a sympathetic little back story goes a long way towards making her likeable and intriguing. Now the only question seems to be, what will it take to convince Adams to switch sides, possibly against her own, evil group. Though, she could lead the others Sixers to reconciliation, if she is as strong a leader as she appears to be, and they are the sheep they come across as.

     The other subplot in "Now You See Me" involves the youngest Shannon, Zoe (Alana Mansour) wanting to keep a baby dinosaur as a pet. Everything about the story, from her sneaking it very obviously under her shirt, to the far-too-perfect reunion of baby and mama, or a dinosaur that is willing to act as its mama, is over the top sappy.

     Yes, Terra Nova wants to be a family show, along with its other qualities, but does it lack all originality? Every thing the series does so far has a rote feel to it, as if it's copying everything else in pop culture. It is enjoyable enough, sure, but it's fluff, rather than serious drama or deep story. It needs to take chances and try something new! There are a lot of really cool ingredients being used here, but it feels like the show gravitates to the lowest common denominator in an attempt to appeal to everyone. Which will backfire by appealing to almost no one. Considering the budget required, Terra Nova would be wise to try to make itself something special soon, if it's not already too late. Hopefully, this is possible.

     Oh, and Reynolds (Dean Geyer) is already declaring his intentions to marry Maddy (Naomi Scott). Seriously?! They just started dating! Ridiculous!

     Terra Nova airs Mondays at 8 p.m. ET on FOX.

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     Catch up with streaming episodes of Terra Nova.

"The Runaway" comes to Terra Nova

     On last night's episode of FOX's Terra Nova, "The Runaway," a young girl (Emelia Burns) is found in the jungle. She is an orphaned Sixer who has run away from camp. Elisabeth (Shelley Conn) and Jim (Jason O'Mara) take her into their home. Soon thereafter, Alicia (Simone Kessell) is captured by Sixer leader Mira (Christine Adams). Strangely, though, Mira allows Alicia to return home, and the girl to stay in Terra Nova.

     Taylor (Stephen Lang) grows suspicious, and they catch the girl trying to smuggle a box back to Mira. She claims Mira is holding her brother hostage, and that's why she has betrayed them. Jim disobeys Taylor's orders to try to rescue the girl's brother. He is captured by the Sixers, but Mira lets Jim and the boy go, after telling Jim that some people from the future want Taylor taken down, and he should switch sides. The girl and boy find a new home in Terra Nova, and Jim has something to ponder.

     "The Runaway" attempts to present the Sixers as something other than flat villains. Of course this is a welcome development, but it would come across a little more effectively if their actions matches Mira's words. For example, though Mira assures Jim she isn't a threat to him, Jim tells Taylor he isn't swayed because the Sixers injure his ribs. Also, if one stops to think about it, anyone who manipulates a child, sending them into harm's way as Mira does with the orphan girl, cannot be all that altruistic. Mira may be commended on her dedication to her mission, but her methods keep her from being anything more than evil.

     The information Mira presents, however, is interesting. Whether Taylor is a good guy or a bad guy remains to be seen. He has sacrificed much for Terra Nova, and spends his life trying to make the settlement work. But there are obviously things in his past he is ashamed of. The fact that someone from the future wants to take him down is not surprising. What is unknown is what anyone has against Taylor, specifically, and why they are using the Sixers to do so. If it was the people in charge of the portal, there would be easier ways to replace Taylor. It must be someone working behind the scenes.

     In a side plot, Maddy (Naomi Scott) interns with Elisabeth in the hospital. She soon finds it not to her liking. Maddy has the brains to be a physician, but not the stomach. This is not an uncommon problem, and surely Maddy can put her talents to use in the field of science without having to peer at gory injuries. What's a little weird is that Elisabeth seems to have no inkling of Maddy's weak constitution ahead of time. It seems like this would have come up before this internship arises, sometime in Maddy's life. Instead, not only does Elisabeth not see this coming, nor notice as it's happening, she appears to have no opinion one way or the other about it. This is a chance for some great character development, but it's wasted.

     The really strange part of the episode is when Taylor and Mira have their standoff at the gate. Jim asks a soldier if he has a spare rifle, and lo and behold, the man happens to have one slung over his shoulder! That's a bit odd, isn't it? Who carries two rifles?

     Terra Nova continues to be an interesting and visually stunning series with credible actors. The issue is the writing and depth of the characters, which are still too shallow to set it apart as an amazing series. Given time to work out the kinks, it is possible that Terra Nova can reach a much higher potential. However, at least during "The Runaway," greatness is out of reach.

     Terra Nova airs Mondays at 8 p.m. ET on FOX.

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     Catch up with streaming episodes of Terra Nova.

The "Genesis" of Terra Nova

     FOX's Terra Nova premiere, "Genesis," begins in 2149, with the Earth dying because of human mistakes. Mankind has begun a new colony 85 million years in the past, in an alternate timeline. Dr. Elisabeth Shannon (Shelley Conn, Mistressess) is recruited as part of the tenth wave of settlers, but she is only allowed to bring her two eldest children, Maddy (Naomi Scott, Life Bites) and Josh (Landon Liboiron, Degrassi: The Next Generation). This is because in 2149, having three children is illegal, and this applied to Elisabeth's youngest, Zoe (Alana Mansour). Elisabeth helps her husband, Jim (Jason O'Mara, Life on Mars) break out of prison, where is serving a sentence for assaulting the police when they find Zoe. Together, all five Shannons make it through the rift.

     Once at the new settlement, Commander Nathaniel Taylor (Stephen Lang, Avator) decides to allow the Shannons to stay together, since he needs Elisabeth, and doesn't care about laws that have not been invented yet. Jim, a former cop, is assigned to the agricultural team, but soon proves himself more than capable to join Taylor's security force. This comes in handy when Josh, upset at his father for being gone all this time, meets an attractive girl named Skye (Allison Miller, Kings), who leads him outside the gate. The teens are attacked by dinosaurs and robbed by members of the Sixth, rebels who split away from the main group. Jim must rescue his son.

     Terra Nova is a family friendly show that should appeal to a broad base. There is the sci-fi aspect of time travel and alternate universes. There is mystery in why the Sixth split off, and why Taylor's son draws pictures on rocks. The leader of the Sixth, Mira (Christine Adams, The Whole Truth) seems devoted to some cause. Skye and Josh have the beginnings of a teen romance. There is a group of teens that live apart from their family. Little Zoe is cute as a button. Taylor and Jim will have to solve crimes, while Elisabeth will face new medical cases. Plus, dinosaurs and involvement by Steven Spielberg! Which should satisfy just about everyone.

     Which might be the problem with the show. Don't get me wrong; Terra Nova is certainly one of, if not the, best fall premiere so far. But its widespread tone means none of those things get primary focus. Not knowing which writers to hire to really capture all of these different elements, a great story is slogged down by bad dialogue. The special effects look fantastic, and there's an exciting adventure present. A little tweaking on some lines, and Terra Nova could quickly set itself apart from the pack.

     That's why I recommend you keep watching. The actors are good, and the plot is fairly original. Until proven otherwise, Terra Nova is new and different, and thus, worthy of viewership. The best elements involve the family trying to settle in, finally back together, and the mysteries outside of the settlement walls. These would be good to focus on, as well as revisiting the future, shown too briefly in the beginning, considering how intriguing this time and place are.

     Oh, and it would have been nice to see Jim escape from jail. Yeah, there's a lot to cover in "Genesis," but it feels like a little bit of a cheat to have Elisabeth visit Jim, and then suddenly he has made it to the transport station. Might there be a few things missing in there?

     Anyway, be sure to watch Terra Nova Mondays at 8 p.m. ET on FOX.

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