New Look for PERRY MASON

Article first published as TV Review: PERRY MASON on Seat42F.

HBO brought back a beloved character of literature, radio, and television this week with their new PERRY MASON show. This is a prequel story, set before the titular man becomes the defense attorney he’s been portrayed as in the past. Set in Los Angeles 1932 during the Great Depression, Perry is a noir private eye working for a lawyer and taking care of his family farm, which he should probably unload, given it boasts a mere two milk cows and is at an airport. How does the drunk absentee lawyer become a hero in the court room? Keep watching to find out.

Matthew Rhys (The Americans) stars as Perry Mason. Rhys is an extremely talented actor, as many already know. His performance in this is as impressive as it customary for him. There’s plenty to sink his teeth into for this role, as Perry is deeply troubled, mostly legitimately. His entire past isn’t revealed right away, so there are still some unanswered questions, such as why did he leave the military dishonorably? But the things we can see make him as sympathetic as he is tortured, so substantially.

Rhys is surrounded by other fine performers. John Lithgow (The Crown) is a lawyer Perry is working for named Elias Bichard Jonathan. Juliet Rylance (The Knick) is Jonathan’s more-than-capable assistant, Della Street. Shea Whigham (Boardwalk Empire) is Pete Strickland, Perry’s co-hort. Tatiana Maslany (Orphan Black) doesn’t show up in the premiere, but is playing a religious leader named Sister Alice that promises to be compelling. Chis Chalk (Gotham) is similarly absent from the pilot, but will be a good cop among the bad. Plus, Nate Corddry (Mom), Robert Patrick (Terminator 2), Eric Lange (Lost), and a slew of less recognizable, but no less skilled, actors join them in smaller roles.

The design, costumes, and sets are no less impressive. Every item of clothing, prop, and vehicle is beautifully recreated and sets the scene brilliantly, though we should expect no less from a big budget production like PERRY MASON. In particular in the pilot, the original Angels Flight train is recreated in its previous location. This is noir, but realistic looking noir.

As good as everything looks, a lot of the characters are total scum of the Earth. The cops we see are like a gang, more interested in lining their pockets than protecting and serving. The Hollywood execs aren’t any better, trash looking after trash with violence and threats. There are good people in this world, like Perry Mason, and they can even thrive without doing too many bad things. But they do have to exist in the muck alongside the worst of humanity, and that informs their characters, making the whole piece rather depressing.

This is where fans of the old PERRY MASON may have an issue with the new version. The old Perry was a shining beacon, while this one isn’t separate from the baddies. They are often the people he works with and for.

The biggest obstacle, though, might be just how disturbing some of the visuals can be. I’m no stranger to violence and gore, and who can be in today’s prestige television landscape? But PERRY MASON finds new depths in a single hour. A dead baby, rendered in stomach-churning detail, is only briefly on screen, and yet it feels like too long. I won’t go into anything further, but if child violence is a trigger for you, steer clear of this show. And even if it isn’t, it’s extremely hard not to be affected by its portrayal here.

Is the world ready for a gritty PERRY MASON? Will subsequent seasons grow him into someone a bit cleaner, or is this destined to be a one-off miniseries experiment? Either way, it’s a very well-made, well-acted series, and unless they do worse than the baby, I’ll be tuning in to see how it turns out.

PERRY MASON airs Sundays at 9PM on HBO.

GOTHAM - The Complete Third Season

Article first published as Blu-ray Review: 'Gotham - The Complete Third Season' on Blogcritics.

Despite the failures of the big screen DC efforts of the past decade, there are some really good shows representing that comic company on the small screen. Gotham is a DC show that sometimes baffles me because it has some really cool elements and can be quite gripping at times, while other arcs are lackluster and plodding. Three years in, it seems like the series is pulling itself together, as I would argue that Gotham – The Complete Third Season has many of the best episodes of the show, and certainly the strongest run when taken all together due to its complexity, the cast becoming more comfortable in their roles, and writers’ ability to still surprise.

Gotham‘s third season begins with two major developments: Jim Gordon (Ben McKenzie) is no longer an officer with the Gotham City Police Department, and Penguin (Robin Lord Taylor) and Nygma (Cory Michael Smith) are best friends. The first of those is important because Gordon’s role with the GCPD is a vital part of his identity, and dictates the daily activities of the most central character of the ensemble. The latter makes a difference because those are two very formidable villains, Nygma more so as the season goes on and he becomes The Riddler, so they are in a position to cause much trouble indeed when their forces are combined.

These elements also echo a greater trend. The subtitle for the first past of the season is Mad City, and Gotham certainly falls under that descriptor. Penguin is elected mayor early on. The mysterious Court of Owls is seen to be pulling the strings of both sides of the law for their own purposes. Law enforcement is in chaos, unable to contend with the bad guys who seem to keep multiplying. With the metropolitan area under such pressure and conflict, what can be done to right the ship?

Well, while the villains are gaining the upper hand, there are a number of signs that things will come around, starting with the subtitle for the end of the season, Heroes Rise. Gordon, as we know he must, does go back to the GCPD. Bruce Wayne (David Mazouz) inches ever closer to becoming Batman, something that seems poised to happen in season four. Lucius Fox (Chris Chalk) plays a larger role in these episodes. That tells me that, as bad as things are, there is help on its way.

Gotham is a show with an extremely large cast and a lot of subplots intertwining at once, so it would be impossible to get into everything that happens in season three in this review, even just looking at the lead characters. However, there are a few things worth mentioning about The Complete Third Season. Barbara’s (Erin Richards) growth, furthering her independence, is quite pleasing. This season brings the return of Jerome (Cameron Monaghan), Hugo Strange (BD Wong), and Carmine Falcone (John Doman), who all seem to have plenty of potential left in them. Villain Jervis Tetch (Benedict Samuel, The Walking Dead) would work better as a guest character, rather than artificially keeping him around all year. New, grown-up Ivy (Maggie Geha, Ted 2) is pretty cool, once they started to develop her character in the back half of the season. Chelsea Spack’s reprise is interesting, until she is wasted without resolution. The way Gordon and Lee (Morena Baccarin) are kept apart feels forced. Alexander Siddig (Game of Thrones, Star Trek: Deep Space 9) is pretty awesome, so I’m glad to see him show up in a neat way. It’s a mixed bag, but I’d say it’s more good than bad.

Gotham – The Complete Third Season has a pretty good batch of bonus features. There’s a featurette on the Court of Owls, and another on the new villains. Star Ben McKenzie makes his directorial debut this season, so there’s material on that. Deleted scenes are scattered across the four-disc set. The 2016 Comic Con panel is pretty useless after the season has been viewed, and given it’s on the last disc, that’s likely to be when people see it. (This is not a complaint specific to Gotham, as other recent releases have done the same thing, which does not make it better.) In summary, a decent lineup.

Gotham – The Complete Third Season is available now on blu-ray, DVD, and digital download.

Don't "Knock" GOTHAM

Article originally published as GOTHAM Review Knock, Knock on Seat42F.

GOTHAM: (L-R) Gordon (Benjamin McKenzie) and Captain Essen (Zabryna Guevara) in the Rise of the Villains: “Knock, Knock” episode of GOTHAM ©2015 Fox Broadcasting Co. Cr: Nicole Rivelli/FOX.

 

As good as GOTHAM’s sophomore premiere is, the second installment, “Knock, Knock,” is even better. Gordon (Ben McKenzie) attempts to get Bullock (Donal Logue) to come back to work, but his former partner resists the force, happy at home with his fiancé, Scottie (Maria Thayer). Meanwhile, Bruce (David Mazouz) and Alfred (Sean Pertwee) clash in a big way, and Galavan (James Frain) coaches his crew, though will he be able to control them for long?

“Knock, Knock” is the episode in which The Joker breaks out in a big, big way. While it’s true that the moniker has yet to be uttered, there is no mistaking whom Jerome Valeska (Cameron Monaghan, Shameless) is as he gives a chilling, insane performance. Jerome is the villain who surprises, and the one who is hard to predict and understand. His slaughter at the police headquarters is maybe the darkest thing GOTHAM has done thus far, and it sets him up to be the most dangerous personality in a city choked with dangerous personalities, the first to truly give The Penguin (Robin Lord Taylor) a run for his money. I think if Galavan tries to continue to control Jerome, Galavan will not be long for GOTHAM.

I am disappointed to see so many officers get up off the floor at the end of “Knock, Knock.” It is plenty clear that Jerome and his men are not taking prisoners, and while I’ll forgive them for missing Leslie (Morena Baccarin), who hid, and Nygma (Cory Michael Smith), who heroically saved Ms. Kringle (Chelsea Spack), it doesn’t seem like they are leaving many alive at the time of the assault. I can’t help but wonder if the network required the shot of officers standing up to make the whole thing seem less violent for a broadcast network airing. It takes away from the brutality of the attack a bit. But that’s really the only weak spot in an otherwise outstanding episode.

Of course, Jerome’s actions prompt Bullock to return to work, which is super necessary. Essen’s (Zabryna Guevara) death is tragic, but it is also meaningful. We know Gordon and the police force have to be losing the struggle before Batman eventually shows up on scene, and “Knock, Knock” is the first big victory we see for the baddies. By losing Essen, the good side will galvanize and the war should begin to become all-out in the near future.

Speaking of Batman, I still can’t believe GOTHAM won’t show the caped crusader. It is true that Bruce is very young, but he already has Alfred training him and Lucius Fox (Chris Chalk) helping him set up the Batcave. We are in early stages of a superhero here, and I think we need a teenage Batman to enter and join the fight by season three or four. He can train with Ra’s over summer hiatus, no?

I am incredibly surprised at how far Barbara (Erin Richards) has fallen. Hanging around with villains is one thing, but “Knock, Knock” finds her taking an active, willing role in their nefarious deeds. She lures Gordon out of the precinct, allows him to be beaten up, then jumps on his chest and kisses him. She’s not only evil, she also seems crazy. This means that when she claims to ‘not be sick,’ she could very be wrong, and there’s still a chance that, with proper counseling, she could come back to him. But right now, that seems a far-off prospect.

GOTHAM has a lot of personalities to juggle, and the more they add, the less time the others get. Yet, the way “Knock, Knock” manages to serve Essen, Gordon, Bullock, Nygma, Bruce, Alfred, Barbara, and Jerome all so well proves how the writers have become quite adept at balancing everyone. With so much packed into a single episode, the possibilities open in the twenty episodes left this year are many, not to mention the multiple years this show should get in the future. With smart pacing and expertly woven complex webs, GOTHAM has the potential to be around for a long time, and deserves to be if it can keep up what it’s already doing.

GOTHAM airs Mondays at 8 p.m. ET on FOX.

COMPLICATIONS Too Messy

Article first published as COMPLICATIONS Review on Seat42F.

USA has a new drama from Matt Nix (the creator of Burn Notice) called COMPLICATIONS. It is the story of Dr. John Ellison (Jason O’Mara, star of Terra Nova and several other short-lived series) and his terrible, horrible, no good, very bad day. Well, it starts off as roughly a single day, but it quickly spirals into major ramifications for his entire life and he may be spending a long, long time trying to get things back on track. Sounds a bit like Nix’s previous project, no?

To be fair, COMPLICATIONS doesn’t feel much like Burn Notice, despite that central similarity. Both men are good people whom bad things happen to and who have major skills they use to help people, but they are also quite different. While Michael Weston was an emotionally challenged spy, John Ellison runs much, much hotter, his emotions boiling over, and he works in a hospital alongside a team, not operating solo for-hire in his apartment. Plus, there’s no chain-smoking mother in sight.

John is a good-hearted man, the type who will use his medical skills to try to heal a squirrel his dog gets a hold of. When he comes across a drive-by shooting and intervenes perhaps a little more than he should, that’s when things get rocky. He is soon drawn into gang wars and neither his home nor his workplace are an escape from this.

But does John even want to escape it? Part of the pilot involves him discussing what’s going on with a shrink (Constance Zimmer, UnReal, House of Cards) and this is where we get some insight into who John is. Maybe he isn’t happy with the calm, normal life he’s been living; he definitely has some deeper issues to deal with, and these events help bring those to the surface. The only thing that seems certain right now is that John is unstable and unpredictable.

O’Mara doesn’t really play the protagonist as an overly sympathetic character. Because of his wild mood swings and erratic behavior, it’s hard to tell if he’s someone that deserves to be rooted for. Yes, he saves lives, but that’s his job. He certainly has compassion for his patients, but as he goes to greater lengths to do what he thinks is right in the moment, one begins to wonder if the ends justify the means. He is not trustworthy right now.

John is surrounded by enough of a supporting cast to keep the story going for awhile. There’s: John’s wife, Samantha (Beth Riesgraf, Leverage), whom he’s not exactly open with; his straight-laced co-worker, Dr. Bridget O’Neill (Lauren Stamile, Burn Notice), who probably would not participate in John’s madness if she knew what was going on; Gretchen Polk (Jessica Szohr, Gossip Girl), an abuse survivor (I assume) who believes justice trumps rules; Darius Bishop (Chris Chalk, The Newsroom), John’s link to the criminal element; and Dr. Quentin Harper (Ronreaco Lee, Survivor’s Remorse), whom I didn’t get a good read on in the pilot. This is a decent ensemble, and with various people being out of the loop right now, there will be fodder for conflict as they find out more of John’s secrets.

The thing is, though, I don’t know if I want to stick around to see it. The first hour of COMPLICATIONS is a hot mess, not told linearly, no grounded character to view the world through, and no compelling hook to stick around and see what it catches. USA has been moving away from formula and taking some bold chances. I won’t say COMPLICATIONS is boring in the way programs of the past have been on the network, but this is one experiment that is failing because of a lack of direction or anchor, at least out of the gate, and I didn’t find anything in this pilot that makes me want to give it a second chance.

COMPLICATIONS premieres Thursday, June 18^th at 9 p.m. ET on USA.

Justified sidesteps the "Money Trap"

Article first published as TV Review: Justified - "Money Trap" on Blogcritics.

Grade: 93%

This week's episode of FX's Justified, "Money Trap," is mostly a break from the season-long hunt for Drew Thompson. Raylan (Timothy Olyphant) sets out to talk to his father, Arlo (Raymond J. Barry), in prison to see if he can convince Arlo to give him a new lead on Drew. But since it's a task Raylan doesn't want to do anyway, he jumps at the first distraction that will take him away from the task.

Despite minimizing the large arcs, "Money Trap" is more than just a case-of-the-week installment. It puts Raylan back up against a foe we see in the season premiere, Jody Adair (Chris Chalk, The Newsroom, Homeland). It's cool that Justified continually builds up a cast of recurring players and pulls them out from time to time to keep the story interesting, rather than reduce itself to a typical crime drama.

Justified has never been suited to a formula. Each season is entirely different from the last, and each twist can spin the plot in unexpected directions from week to week. It's really a setting-driven piece, fleshing out a specific world in Kentucky that lies outside of the big city. Each character is a panel of fabric, some bigger than others, but sewn together in an intriguing patchwork.

Which means that often connections that are not obvious suddenly emerge. "Money Trap" has several of those, as the characters move around, encountering a number of people, including Raylan seeing a former lover. Justified never leaves its world, just revealing unseen corners as it goes instead, so there's an overarching sense of continuity throughout the entire series.

The side trip with Jody this week is a dangerous game between Raylan and a very hardened criminal, one who will not hesitate to kill Raylan given an opportunity. Most bad guys aren't this bad, matching wits and trying to get away with stolen goods or money, rather than committing murder. Sure, people are killed all the time on the show. But it's not usually the intent or stated mission of the shooter to take someone out permanently. Jody is different.

To illustrate this point, I refer you to Boyd (Walton Goggins) and Ava's (Joelle Carter) subplot in "Money Trap." They rub elbows with the rich and powerful of their county, only to find out they are invited to the party in order to more directly serve their masters. Boyd doesn't realize he's been allowed to operate his enterprise all this time with the permission of others. He is told if he wants to keep his business running, he needs to kill a man.

This disturbs Boyd. He isn't good, by any means, and we've seen him kill this season. But it's always incidental, and is never his first choice of action. People aren't useful to him if they're dead. He doesn't want to do what they're asking him to, and I think it's as much about whacking someone he has no beef with as it is not wanting to seem like a weak lackey, when he believes himself to be a leader. We'll have to wait and see what Boyd chooses to do.

Back to Raylan, we know that he is capable in a wide variety of situations. Jody is a new challenge, but one he is up to the task of. He takes the manhunt extremely seriously, personally protecting Jody's other intended victim, the young, hot Jackie Nevada (Shelley Hennig, The Secret Circle), while seeking out Jody.

Raylan doesn't rely on others too much, though he knows when he needs to, and is smart enough to ask for help in those instances. Which is why his lone wolf routine is rarely a problem, as it is for many a flawed hero in other stories, as he actually he is more talented than most. "Money Trap" shows us once more why Raylan usually prefers to operate by himself, able to move quicker and less noticed, as well as avoiding putting others in the line of fire. And he doesn't have to worry that Jody will find Jackie and hurt her while he isn't looking when he sticks by her side.

This eventually leads to a one-on-one showdown between Jody and Raylan, just downstairs from Raylan's home. Once more, we see Raylan's wisdom, recognizing when he must use his gun, knowing Jody will keep coming after Raylan or his loved ones, as well as other innocents, while he roams free. Raylan can see the evil in his eyes, and thus, he does what needs to be done.

Some would argue that Raylan killing Jody defeats the purpose of law enforcement. Cops (and marshals) should seek to apprehend, rather than take out. Yet, in this case, it's really Raylan's only option, as Jody would hurt people if allowed to live, even if he is in prison, which is a big 'if,' since there's no easy way to capture him here. Realizing this, Raylan operates with complete confidence, putting several bullets into Jody.

Raylan Givens is one of the coolest characters on television. It's not because he's violent, because he's not always, and never without cause. It's because he has an ingrained sense of right and wrong, and though his mettle is tested constantly, he almost always does the correct thing. He doesn't waste time doubting himself once he's done something, and he has the utmost faith in his own reasoning skills. For this, it's easy, as a fan, to get behind him.

Raylan isn't a brash, young man, though. We see in "Money Trap," when alone in a hotel room with Jackie, who is getting undressed to shower, he doesn't make a move. Raylan loves the ladies, but he's recently betrayed by one, and he admits to himself, and to Art (Nick Searcy), that he is an old man, one Jackie shouldn't or wouldn't be interested in. I don't think for a second that Raylan couldn't sleep with Jackie if he wanted to, but he doesn't, because he knows himself, and knows what he needs.

Now, Raylan does make mistakes, and often a woman is involved. I just think he's learning from those mistakes, making them less frequently, and being realistic about his love life. For that, he deserves credit.

At the end of "Money Trap," Raylan does go see Arlo, ready to stop avoiding things, choosing the right path once more. Arlo won't cooperate, of course, which does cause Raylan to speak to his father in anger, as Arlo can push Raylan's buttons like no one else, being the catalyst for a temper flare up. But the confrontation ends with little movement on the Drew Thompson story.

After Raylan warns Arlo that he will die in jail, I think that scares Arlo. I worry that it's foreshadowing for Justified, that Arlo will soon be gone with the last words from Raylan being cruel ones. Or, it could be the kick in the pants Arlo needs to cut a deal and finally start helping the marshals. Either way, Arlo won't just sit pretty and protected behind bars for much longer.

It is hard to talk about this episode linearly, and I couldn't even find a place in the flow to touch on the other subplot involving Johnny (David Meunier) and Colt (Ron Eldard). But that's because the series is so fluid and intertwined that it's just as hard to describe the story as it is to describe the lives of a village full of people. I think this is a testament to the quality and realism of the show, rather than a negative.

"Money Trap" is an excellent episode, not exactly super important to larger story of the season, but compelling in its own right because of the personal side of Raylan that we see. If this is Justified's version of a stand-alone installment, I welcome more of them from time to time.

Justified airs Tuesdays at 10 p.m. ET on FX.

"Marine One" threatens Homeland

     Turns out "Marine One" can refer to a person as well as a helicopter. In the hour and a half long first season finale of Showtime's Homeland, Brody (Damian Lewis) and Tom (Chris Chalk) carry out Abu Nazir's (Navid Negahban) plan. But there's a hitch. Brody's suicide vest malfunctions. And Carrie (Claire Danes), despite being drummed out of the CIA while off her meds, figures out what is really going on. Carrie gets Brody's daughter, Dana (Morgan Saylor) to call her dad, talking him out of blowing up a number of high ranking government officials. Except, neither Dana nor Carrie ever learn for sure if Brody is a terrorist, and he lives on to plot another day.

     With all of the twists and turns in Homeland's freshman year, expectations are high for "Marine One." The writers make the bold decision to reveal to the viewers that Brody is, in fact, working for the enemy. But they also let Lewis play the character close enough to the vest, with real signs of affection for his family, to keep everyone guessing what he might do. Sure, Brody swears to Nazir that he is loyal, and kills crazy Tom to do it. But Brody could easily justify Tom's murder as protecting himself and his family. And considering how he backs down before blowing up everyone, perhaps he won't stand tall for Nazir in the future, either. So while much is now known about Brody, what he will do remains as murky as ever.

     Which is pretty unfortunate for the CIA and the US of A, as only Carrie has the knowledge to put everything together. Right as she is about to undergo shock therapy, a side effect of which is short term memory loss, though it's usually temporary, she realizes why Brody might be motivated to act on Nazir's behalf. That knowledge is probably lost, for now. How long before she can remember it? And how can she stop Brody without any government resources and still maintaining the promise she made to stay away from Brody and his family, which, if she breaks it, will likely result in Brody having her arrested, blowing any slim credibility she has left? Not to mention, her consent to mess with her brain could damage her greatest weapon. Only Carrie's sister, Maggie (Amy Hargreaves), overhears Carrie's mumbling (and assorted medical staff, who don't count), but does Maggie have the knowledge of foresight to attribute anything legitimate to the words?

      Carrie's best bet will continue to be Saul (Mandy Patinkin). A genius in his own right, he stands by Carrie as a personal friend, even as she undergoes "treatment" for her condition. He also knows Carrie is right on a lot of things, including Nazir, so despite doubting her before, he may be inclined to look more closely at Brody if Carrie insists on it. The real question is, will he be in a position to do so? He now knows about the cover up perpetrated by David (David Harewood) and Vice President Walden (Jamey Sheridan), but can he use that information to make a change in leadership? David is correct in asserting that Saul isn't willing to hurt his country by leaking what he knows to the press. So what can Saul do now? Before David and Walden ruin Saul first, that is.

     Of course, if Dana comes forward, that might be a big help. It doesn't seem like she would intentionally betray her father, ever if she knew the entire truth.She loves him dearly. She certainly suspects something, being scared to discover Brody's conversion to Islam, and knowing that something isn't right during the phone conversation. And sixteen is old enough to look past family connections. But will she be motivated to do so, or just take her dad at face value because to learn anything sinister would be too hard on her emotionally? Dana could also accidentally let something slip to her mother, Jessica (Morena Baccarin), or even Mike (Diego Klattenhoff), who also care for Brody, but could be persuaded to tell Saul under the right conditions.

     Homeland leaves viewers with many, many more questions after "Marine One," and a lot of possibilities remain. Which solidifies it as one of the season's best new shows. Homeland will return to Showtime next year for a second season.

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Homeland finds a home on my TiVo

     The "Pilot" of Showtime's new drama Homeland premiered two days ago. The premise is this: Nicholas Brody (Damian Lewis, Life, Band of Brothers), a U.S. Marine missing for eight years, is found in Iraq. Returning home, he is hailed as a hero, and his family, including wife Jessica (Morena Baccarin, V, Firefly), who has been trying to move on, rally around him. But a CIA analyst named Carrie Mathison (Claire Danes, Temple Grandin, My So-Called Life) thinks that newly-minted hero Brody might be a hidden terrorist, based on a snippet of information she gets from an imprisoned terrorist about to be executed. So it becomes her obsession to prove it. Oh, and Carrie might just be crazy. 

     Homeland is a fascinating character study. But of which character? Jessica, ready to move in with Nicholas's best friend, Mike (Diego Klattenhoff, Mercy, Men in Trees), before she finds out that her husband is still alive, drops everything to support him and pretend he never left? Nicholas, who has spent years being tortured, even forced to kill his partner (Chris Chalk) with his bare hands, but then lies about it, either because he's a bad guy, or because he just wants to forget the terrible experience? Or Carrie, who is on antipsychotics, and is illegally bugging Nicholas because of one piece of intel that may or may not be true. And even if it is, it may or may not be about him, risking her entire career and that of her mentor, Saul (Mandy Patinkin, Criminal Minds, Dead Like Me), on a hunch? All are pretty much equally intriguing.

     The big question of the series?  "Is Carrie right?" In the Homeland pilot episode, it appears that she is. Nicholas acts a bit funny, and she catches him in a lie. This proves nothing, and some things turn out to be coincidences. But then she discovers Nicholas's hand ticks in a repeating pattern every time he's on camera, as if sending a secret message. It's enough of a straw to grasp for Saul to let her pursue it, keeping her on the job, for now, and possibly saving both of their jobs, but only if she's right. However, could it just be a tick? Might it mean something entirely different than what Carrie thinks?

     Yes, and that's how Homeland seeks to keep viewers guessing. If the series made things so simple, few would be interested in watching it. Carrie is delusional and obsessive; there's no arguing that. She also operates with very narrow blinders on, not really considering other possibilities once her mind is made up, which it very quickly is. This is not the makings of an intelligent, smart operative. She must once have been one, considering that, while her job is scaled back, she is not fired, and the way that Saul, a seemingly intelligent man, has trust in her. But now she is teetering on the edge of instability, and it won't take much to push her over that cliff.

     What Nicholas has been through would be a nightmare for any sane person. He lived in a hole, cut off from everything that he knows, for eight years. Whether he remains loyal to his country and profession, or whether he is turned, one can hardly blame him. The horrors he still faces through haunting memories are unimaginable. But now, not only is he away from Iraq, but he's home. He has to readjust to family. He appears to be doing so in front of the cameras, but a tense and somewhat angry bedroom scene with Jessica shows very clearly that he does not have it all together. There are any number of reasons this could be, but, thankfully, Homeland doesn't reveal why quite yet.

     Equally jarring is Jessica's experience. True, she lives much more comfortably these eight years. There was likely a period of deep grief, but she came out the other end intact. Now she has to reopen old wounds. She is glad to see him, but she has moved on. She tries to backtrack, putting herself back in the mindset of his wife. Not only that, but she has just as little chance of understanding what Nicholas goes through as the viewers. Less, because she doesn't get to see the flashbacks. It's a complicated situation under the best of circumstances, and with Carrie sure to make their lives even more difficult, these are not the best of circumstances.

     Homeland is extremely gripping, and is off to an incredible start! It feels like an action show, but with little action. You won't want to miss it, airing Sundays at 10 p.m. ET on Showtime.

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Article first published as TV Review: Homeland - "Pilot" on Blogcritics.