THE 100 Bats Far Above "The 48"

Article first published as TV Review: 'The 100' - 'The 48' on Blogcritics.

Warning: The following contains some spoilers from the season premiere of The 100.

CW’s The 100 is back for a second season this week. As the premiere episode opens, our cast remains scattered after the chaos of the season-ending battle last spring. Clarke (Eliza Taylor) and forty-seven others have been taken below ground by a group of survivors trying to live much the same way people used to on Earth, hence the title of the hour, “The 48.” Octavia (Maria Avgeropoulos) lies dying from the poison arrow she is shot with, Raven (Lindsey Morgan) is stuck with an unexpected companion, and Bellamy (Bob Morley) tracks a captured Finn (Thomas McDonell) through the forest.

Clarke’s subplot gets the biggest focus, as one might expect, since she is the main protagonist. She wakes up in a white room, confused, not knowing where she is or how she got there. The 100 does a good job of communicating the terror of being in an unfamiliar environment, letting the audience see things through Clarke’s eyes, and only after a bit of action do we find out what’s going on.

Clarke soon meets Dante (Raymond J. Barry, Justified), the leader of the so-called Mountain Men. He and his people are generous, offering the ‘rescued’ teenagers clean clothing and good food. Much of the group is very happy to be there, but Clarke is suspicious, believing the whole thing is too good to be true. “The 48″ doesn’t tell us whether or not Clarke is right, as most smartly-written dramas keep us guessing, letting things unfold in such a way that Dante could be a hero, a villain, or something in between. It will be interesting to see how things with him play out.

Clarke’s story is intriguing, but The 100 is smart to divide its cast because it allows for other avenues to be explored at the same time. Various combinations of personalities can be tossed together, played with for awhile, then remixed to keep the story interesting. For example, Murphy (Richard Harmon) winds up spending time with one of our main group. No one likes him, but by constructing the story in such a way that a beloved cast member is forced to spend time with him, it allows the conflict needed for drama and keeps things moving along. Thankfully, “The 48″ doesn’t end this pairing in a predictable way, either.

What many viewers will be wondering throughout this initial installment is, where are those that fell to the ground from space? Abigail (Paige Turco) and Marcus (Henry Ian Cusick) do show up about two-thirds of the way through the episode. I won’t spoil where they enter or what they do, but one thing is definitely clear: their presence marks a shift in the balance of power. The kids, despite having been back on the planet for only a short time, have their own hierarchy and rules now. Does anyone really think their parents and elders will just join that framework? Of course not. Which makes for another thread I’m anxious to see more of.

Finally, there is one main character who appears to be done in last year’s season finale but is definitely not. I was quite surprised to see this person pop up in “The 48″ and I’m not sure exactly why the writers have decided to keep them. Yet, like most of the other story lines, this one is mysterious enough to draw one in, and I definitely look forward to seeing how the writers get this person out of the corner they’ve written them into.

I’ve striven to tease without revealing, but I found The 100‘s season premiere quite good. It picks back up nicely from where it leaves off, and it begins a number of new plots that should serve the show well.

The 100 airs Wednesdays at 9:00 p.m. ET on the CW.

For 200th Episode, GREY'S ANATOMY is "Puttin' on the Ritz"

Article first published as For 200th Episode, GREY'S ANATOMY is "Puttin' on the Ritz" on TheTVKing.

ABC's Grey's Anatomy has been on for a long time. Four episodes into the tenth season this week, they hit the important milestone of 200th episode, "Puttin' on the Ritz." To celebrate, the writers mostly give the characters a break, sending them to a fun-filled circus-themed fundraiser, rather than making then suffer serious disasters, psychological breakdowns, or cheating partners. It's kind of nice, for a change.

The event is far more elaborate than it needs to be, since Jackson's (Jesse Williams) party planner doesn't seem to understand what to do. This is supposed to be to get big donors to give generously to the hospital, which needs the cash, but a lot of expense is poured into the night itself, which makes one wonder how effective the plan will be.

Not to worry. Jackson takes the donors to the gallery and has them watch a surgery being performed. It's a little odd that everyone is so impressed by seeing doctors do what doctors do that they whip out their checkbooks and fork over thousands of dollars, presumably; after all, what did they think was going on in the hospital? But it's a feel-good moment for Jackson and the staff, proving their jobs are worthwhile, so it can be overlooked.

Derek (Patrick Dempsey), Meredith (Ellen Pompeo), and Cristina (Sandra Oh) aren't the type to just go along and enjoy a fancy party, especially the former two, off of work at the moment for maternity leave. It's not in a surgeon's nature to make idle chitchat, they need something real to occupy their time. Knowing this, Owen (Kevin McKidd) wisely plays on their natures, making the night a competition to see which department can earn the most.

Seeing Derek and Meredith, especially, compete with one another is fun, and doesn't happen often enough. They are professionals and they are in love, but they also enjoy working together and beating the other. "Puttin' on the Ritz" gives them the chance to get out of their home and the hospital and enjoy themselves, which of course ends up with them back at work. It's touching and light.

It's the combination of seeing the characters all grown up, and also knowing they are still young at heart, that works really well. As the interns grew into residents and beyond, they have become the staff members they once looked up to, the experienced elders, and they've actually earned that place. It's really rewarding to reminisce now, especially with the numerous references to the past in "Puttin' on the Ritz,"  and enjoy reliving that journey, seeing how far we've come.

Not that everything is perfect. Owen is finally listening to Cristina and moving on, something she is not happy about, no matter how much she encouraged it. Stephanie (Jerrika Hinton), mad that Jackson didn't invite her to the party, lets Ross (Gaius Charles), heady from his shark behavior, kiss her, which Jackson walks in on. Callie (Sara Ramirez) lies about her wife being dead, which she then feels guilty about. Arizona (Jessica Capshaw) can't even bear to be at the party, leading to hilarious and unexpected bonding with April (Sarah Drew) as they get drunk in a supply closet.

Bailey (Chandra Wilson) has the biggest challenge of the episode, trying to convince Webber (James Pickens Jr.) to live. Webber has given up, and he has lots of reason to, but that doesn't mean it should be over for him. I think Bailey's decision to pair Webber up with a roommate (Justified's Raymond J. Barry) should work, though, in changing Webber's mind.

Lastly, Alex (Justin Chambers) is shocked when his druggie father (Dexter's James Remar) is admitted. Alex is a rich, layered character, but relatively little about his family and his past has been explored in depth. Now, at the precipice of happiness with Jo (Camilla Luddington), said past comes roaring back, threatening to derail Alex.

I don't believe it will, though. Alex is tough, shaped by his experiences, and he now has too much to lose to be reckless. Confronting his father may shake him, but it won't break him. He has friends, a girlfriend he loves, a support structure. I'm glad Grey's brings him this challenge because it should be rich drama for Chambers to play with, and he deserves it, having made the once-grating character beloved. Good development.

"Puttin' on the Ritz" isn't the best episode of Grey's Anatomy ever, and certainly not the "big" episode I assumed the show would do for it's 200th. But in a way, it was exactly what fans need at this point, and definitely has some good development. It's hard to be disappointed at another solid hour.

Grey's Anatomy airs Thursdays at 9 p.m. ET on ABC.

Justified Haunted by Ghosts

Article first published as TV Review: Justified - "Ghosts" on Blogcritics.

"Ghosts" is the fourth season finale of FX's Justified, which aired this week. Does the title refer to the ghost of Raylan's father, Arlo (Raymond J. Barry), recently deceased, whom Raylan (Timothy Olyphant) has always had a complicated relationship with? Or does it refer to the friendship between Raylan and Boyd (Walton Goggins), the men they once were, and the very different men they have become?

Justified works primarily because of the complex characters in the story. Raylan is a lawman, and only shoots the bad guys when he has a reason. His career is in stark contrast to his criminal father, and sometimes he struggles with the worry that he will turn into Arlo. This isn't helped when Boyd compares the two, something Boyd may be doing just to get under Raylan's skin, knowing him as well as he does.

But Raylan makes a huge decision in "Ghosts," and it threatens his good reputation. He sets up Nicky (Mike O'Malley) to be whacked by Sammy (Max Perlich), his rival in the Detroit mob. Raylan may not pull the trigger himself, but he is complicit in the act. It will weigh on his conscience, drawing him closer to the man Arlo was, and that's a huge sacrifice for Raylan to make.

Raylan does have a good reason for his actions. Nicky sends armed men into Winona's (Natalie Zea) home; Winona who is pregnant with Raylan's child, and whom Raylan still loves. Nicky vows to keep coming after them. Raylan does what he must to protect the mother of his child and his unborn daughter. However, in doing so, he gives away a piece of his soul.

This sort of no-win situation, the kind the tests a hero's mettle, is what makes defines a man. Raylan may be a flawed hero, but he is a hero. He rarely acts out of any selfish impulse. Even the foolish choices he makes are to protect others. He's stubborn and won't quit, even when suspended, but that just proves his dedication to justice and serving others. It's a complicated situation when a good guy disobeys the rules for the right reasons.

Obviously, murder is the greatest extension of that, and it's a good thing that no one knows about Raylan's actions. It may still come out eventually; Justified is the type of series to bring back something years later, when it's least expected. If this comes to light, it will ruin Raylan's career. It doesn't matter that Nicky deserves to die, or that if Nikky doesn't die, Winona very well could. It's the fact that Raylan took matters into his own hands and allowed the killing to take place that is unacceptable to the government.

This will jeopardize his chances for promotion, which Raylan is up for as Art (Nick Searcy) considers retirement, even while under suspension. This proves just how good Raylan's track record is. If the breach stays hidden long enough, Raylan may even get Art's job, at least for awhile. Though I hate to lose Art, it would be interesting to see Raylan in charge, even if Tim (Jacob Pitts) or Rachel (Erica Tazel) may have the better disposition for it.

One wonders how the Detroit men will hold this wrongdoing over Raylan's head. Wynn Duffy (Jere Burns) is their man in Kentucky now, hiring Boyd to distribute heroin for them. Wynn may or may not know what Raylan does, but if he finds out, he will definitely use it to curry favor with Raylan. Will Raylan have to kill others to protect his secret, or will that be a line he can't cross, willing only to do bad to protect others, not himself?

Either way, as Raylan sips a beer and looks at his own grave stone, next to his father's recently buried body and marker, there is a lot going on, both for Raylan the character, and for the viewer. Olyphant plays such a sympathetic, layered man, you can see the various emotions roiling behind his eyes. And having witnessed everything Raylan has done, there's a lot for the fans to think about in that moment, too.

On Boyd's side of the story, things go as far south as they can in "Ghosts." He is at the brink of happiness with Ava (Joelle Carter), making money, keeping his enemies in check, and then world is ripped out from under him. He is betrayed by those he thinks he can control, and while Boyd escapes harm, Ava is put in jail for murder.

Even though Boyd is a scoundrel, the opposite of Raylan, fans still root for him. He is charming, and he has his own code, even if the moral compass is skewed compared to most. Boyd is more than just a troublemaker, trying to better his situation, and he really does love Ava. These things make him relatable on some level.

Sadly, Boyd's decisions mean that he will never have a happy ending. Sure, one can make all the right choices and still not get what they want. However, Raylan is the main character of Justified, and he is sworn to prevent some of the things that Boyd engages in. Either Boyd will eventually have to change his ways, or Raylan will have to stop him.

That day will be a sad one. In "Ghosts," Raylan forces Boyd to take him to Nicky. It's a unwilling partnership, but the interaction between the two is always magical. They have a long history, and even when they disapprove of one another, there is still a connection there that cannot be broken. I think Raylan arresting or killing Boyd would be the hardest thing Raylan would ever have to do. Hopefully, Boyd will choose to team up with Raylan instead.

Boyd certainly doesn't take the right path in this finale. Despite Ava being locked away, and getting her out will definitely be Boyd's main focus next year, he agrees to work with Wynn, a new criminal enterprise for Boyd. He clearly doesn't learn his lesson, since doing wrong is what gets Ava in trouble in the first place.

Then again, with the people Boyd previously blackmailed now having something to hang over his head, getting the better of Boyd. It could serve him well to be backed up by a partnership with the Detroit mob, giving him the clout he needs to be back in the local game, after losing his self-earned cred in this installment.

The fourth year has been a typically stellar one for Justified. It may not have given us a new batch of guest stars to be impressed by, as previous seasons have done, but it made excellent use of its talented recurring cast, and added a few new, wonderful players to that lineup, such as Bob (Patton Oswalt). The mystery arc is a departure from previous outings, keeping the show changing and interesting, and the character development is, as usual, awesome.

Justified will return next year for a fifth season on FX.

Justified sidesteps the "Money Trap"

Article first published as TV Review: Justified - "Money Trap" on Blogcritics.

Grade: 93%

This week's episode of FX's Justified, "Money Trap," is mostly a break from the season-long hunt for Drew Thompson. Raylan (Timothy Olyphant) sets out to talk to his father, Arlo (Raymond J. Barry), in prison to see if he can convince Arlo to give him a new lead on Drew. But since it's a task Raylan doesn't want to do anyway, he jumps at the first distraction that will take him away from the task.

Despite minimizing the large arcs, "Money Trap" is more than just a case-of-the-week installment. It puts Raylan back up against a foe we see in the season premiere, Jody Adair (Chris Chalk, The Newsroom, Homeland). It's cool that Justified continually builds up a cast of recurring players and pulls them out from time to time to keep the story interesting, rather than reduce itself to a typical crime drama.

Justified has never been suited to a formula. Each season is entirely different from the last, and each twist can spin the plot in unexpected directions from week to week. It's really a setting-driven piece, fleshing out a specific world in Kentucky that lies outside of the big city. Each character is a panel of fabric, some bigger than others, but sewn together in an intriguing patchwork.

Which means that often connections that are not obvious suddenly emerge. "Money Trap" has several of those, as the characters move around, encountering a number of people, including Raylan seeing a former lover. Justified never leaves its world, just revealing unseen corners as it goes instead, so there's an overarching sense of continuity throughout the entire series.

The side trip with Jody this week is a dangerous game between Raylan and a very hardened criminal, one who will not hesitate to kill Raylan given an opportunity. Most bad guys aren't this bad, matching wits and trying to get away with stolen goods or money, rather than committing murder. Sure, people are killed all the time on the show. But it's not usually the intent or stated mission of the shooter to take someone out permanently. Jody is different.

To illustrate this point, I refer you to Boyd (Walton Goggins) and Ava's (Joelle Carter) subplot in "Money Trap." They rub elbows with the rich and powerful of their county, only to find out they are invited to the party in order to more directly serve their masters. Boyd doesn't realize he's been allowed to operate his enterprise all this time with the permission of others. He is told if he wants to keep his business running, he needs to kill a man.

This disturbs Boyd. He isn't good, by any means, and we've seen him kill this season. But it's always incidental, and is never his first choice of action. People aren't useful to him if they're dead. He doesn't want to do what they're asking him to, and I think it's as much about whacking someone he has no beef with as it is not wanting to seem like a weak lackey, when he believes himself to be a leader. We'll have to wait and see what Boyd chooses to do.

Back to Raylan, we know that he is capable in a wide variety of situations. Jody is a new challenge, but one he is up to the task of. He takes the manhunt extremely seriously, personally protecting Jody's other intended victim, the young, hot Jackie Nevada (Shelley Hennig, The Secret Circle), while seeking out Jody.

Raylan doesn't rely on others too much, though he knows when he needs to, and is smart enough to ask for help in those instances. Which is why his lone wolf routine is rarely a problem, as it is for many a flawed hero in other stories, as he actually he is more talented than most. "Money Trap" shows us once more why Raylan usually prefers to operate by himself, able to move quicker and less noticed, as well as avoiding putting others in the line of fire. And he doesn't have to worry that Jody will find Jackie and hurt her while he isn't looking when he sticks by her side.

This eventually leads to a one-on-one showdown between Jody and Raylan, just downstairs from Raylan's home. Once more, we see Raylan's wisdom, recognizing when he must use his gun, knowing Jody will keep coming after Raylan or his loved ones, as well as other innocents, while he roams free. Raylan can see the evil in his eyes, and thus, he does what needs to be done.

Some would argue that Raylan killing Jody defeats the purpose of law enforcement. Cops (and marshals) should seek to apprehend, rather than take out. Yet, in this case, it's really Raylan's only option, as Jody would hurt people if allowed to live, even if he is in prison, which is a big 'if,' since there's no easy way to capture him here. Realizing this, Raylan operates with complete confidence, putting several bullets into Jody.

Raylan Givens is one of the coolest characters on television. It's not because he's violent, because he's not always, and never without cause. It's because he has an ingrained sense of right and wrong, and though his mettle is tested constantly, he almost always does the correct thing. He doesn't waste time doubting himself once he's done something, and he has the utmost faith in his own reasoning skills. For this, it's easy, as a fan, to get behind him.

Raylan isn't a brash, young man, though. We see in "Money Trap," when alone in a hotel room with Jackie, who is getting undressed to shower, he doesn't make a move. Raylan loves the ladies, but he's recently betrayed by one, and he admits to himself, and to Art (Nick Searcy), that he is an old man, one Jackie shouldn't or wouldn't be interested in. I don't think for a second that Raylan couldn't sleep with Jackie if he wanted to, but he doesn't, because he knows himself, and knows what he needs.

Now, Raylan does make mistakes, and often a woman is involved. I just think he's learning from those mistakes, making them less frequently, and being realistic about his love life. For that, he deserves credit.

At the end of "Money Trap," Raylan does go see Arlo, ready to stop avoiding things, choosing the right path once more. Arlo won't cooperate, of course, which does cause Raylan to speak to his father in anger, as Arlo can push Raylan's buttons like no one else, being the catalyst for a temper flare up. But the confrontation ends with little movement on the Drew Thompson story.

After Raylan warns Arlo that he will die in jail, I think that scares Arlo. I worry that it's foreshadowing for Justified, that Arlo will soon be gone with the last words from Raylan being cruel ones. Or, it could be the kick in the pants Arlo needs to cut a deal and finally start helping the marshals. Either way, Arlo won't just sit pretty and protected behind bars for much longer.

It is hard to talk about this episode linearly, and I couldn't even find a place in the flow to touch on the other subplot involving Johnny (David Meunier) and Colt (Ron Eldard). But that's because the series is so fluid and intertwined that it's just as hard to describe the story as it is to describe the lives of a village full of people. I think this is a testament to the quality and realism of the show, rather than a negative.

"Money Trap" is an excellent episode, not exactly super important to larger story of the season, but compelling in its own right because of the personal side of Raylan that we see. If this is Justified's version of a stand-alone installment, I welcome more of them from time to time.

Justified airs Tuesdays at 10 p.m. ET on FX.

"Where Waldo?" On Justified

Article first published as TV Review: Justified - "Where's Waldo?" on Blogcritics.

FX's Justified continues its second season this week with "Where's Waldo?" Art (Nick Searcy) is drawn into the mystery of Waldo Truth, whose name and bag are found in Arlo's (Raymond J. Barr) wall. When Raylan (Timothy Olyphant) realizes that Arlo killed a man in prison just because he overheard Raylan talking about the bag, the Marshalls decide that they need to pay Waldo's family a visit.

The tale of Waldo Truth, and his connection to Justified's characters, seems to be the main storyline this season. By the end of "Where's Waldo?" we know that Arlo probably helped cover up a fake death, and, for some reason, Art is interested in the case, which he seems to already know a little about. This is a deeper plot that first realized, with connections to the past of main players. It is a ripe fruit to pick.

Justified is sort of a cop series, but it's much more about people than action. The show has always taken the time to let the actors really dig into their characters, and present complicated individuals with convoluted relationships. While law enforcement types will probably figure out what crimes have been committed and who has committed them in the end, that's not really the point of the episode.

A great example of this is when Raylan, Art, and Tim (Jacob Pitts) go to confront Waldo's family. At first, they meet up with punk kid Milo (Ethan Jamieson, The Hunger Games), who just deserves to be smacked so hard! Then, they talk to the matriarch of the family (Beth Grant, No Country for Old Men, Jericho). Instead of getting the information that they need and leaving, the scene lingers, letting the personalities clash in delicious ways.

The reason Justified can get away with this is because they are able to cast such fantastic guest stars. No one who saw it has forgotten what Margo Martindale did in season two. I don't know if Beth Grant is being set up for a similar run, but she will most definitely be back, probably multiple times, and her bits this week are intriguing.

Besides the guests, though, watching Raylan, Art, and Tim is fun in and of itself. They aren't often working as a team on the show, but when they do, it's always superb. When one of the Truths tells them to get off their property in 10 seconds, and then five, Tim ribs Raylan that his line is being stolen. When Milo calls the Marshalls perverts, and then Raylan has to relieve the kid of his gun, the reactions among the various feds are great. These details are what keep viewers tuning in week after week.

I also love the increased story for Art. We know that he is nearing retirement age now, and he's out in the field in "Where's Waldo?" to prove he's still fit enough to run his department. This is a man who has pride, who is not ready to be put out to pasture yet, and who thinks that only he can handle his cavalcade of unhinged deputies. The scene where he talks about his people, listing their issues without naming their names, is a particular favorite of mine in this episode, catching you up with some of the more minor characters' stories, while also showing us something about Art.

The retirement plot isn't laid out overtly, but rather, Justified gives you the pieces and the viewer is supposed to put them together. There is no line where Art talks about his motivations, and his possible pending resignation from the unit is just briefly mentioned a couple of times. Yet, Searcy conveys a lot that doesn't need to be put into words.

Bottom line, it's not smart to play on your phone while watching Justified. You're going to miss something.

Across town, Boyd (Walton Goggins) makes a move against preacher man Billy St. Cyr (Joseph Mazzello, The Pacific, Jurassic Park), only to learn that the real threat comes from Billy's sister, Cassie (Lindsay Pulsipher, Hatfields & McCoys, True Blood). We are just beginning to get a glimpse of the religious fanatics. Billy seems sincere, so it's probably Cassie who is up to no good. We have not seen enough to figure out what she might want, though, and as Boyd is doing, it's wise to bide one's time and keep an eye on her, for now.

Besides, Boyd has other troubles when he finds drugs being dealt in his territory. It doesn't take long for the Dixie Mafia to come after their dealer who Boyd has taken hostage, and they send Wynn Duffy (Jere Burns) to be their voice.

Wynn is a fantastic character, one whom Justified keeps finding ways to bring back. This latest tiff shows that Wynn is definitely a bad-ass again, his superior from last season no longer keeping him down and scaring the crap out of him. It is a bit thrilling to witness a villain returned to glory, even when we know it will only make trouble for the good guys.

Wynn's method of dealing with the situation is awesome, but it's a shame that he kind of shuts down Boyd. Boyd wants continued involvement with Wynn's employers, which would be nice for fans of the series, as it gives Wynn an excuse to return on a recurring basis. After Wynn refuses Boyd's offer, we're left in the dark about how he might be back next. However, there's the distinct impression that he will be, and sooner, rather than later.

I like that Boyd has Colt (Ron Eldard, Blind Justice, Super 8) working for him now. As great as Johnny (David Meunier) and Ava (Joelle Carter) may be as characters, they are not all that threatening, and with Boyd getting into plenty of scuffles, he needs a strong right-hand man to keep power. Colt is definitely that guy, violent and a little insane.

The only thing I'm not crazy about on this side of the series is the larger presence of Ellen May (Abby Miller) so far this season. It is likely because I'm not a fan of the character, and so I don't relish her extra screen time. She is definitely a pawn in the game, so she may just be held up to be expendable. However, while she is still alive, I'm getting a little annoyed about seeing her so much.

The other side trip in "Where's Waldo?" involves a man named Randall (Robert Baker, Grey's Anatomy). He has a brief encounter early in the hour with Raylan, and then the episode continues to follow him, even though he is no longer interacting with anyone familiar. It is kind of odd, but it's a good way to pique interest, teasing us with the certainty that Randall is important, but not revealing why until the end of the installment. I kind of wish that they'd kept the mystery going longer, but it's still a cool way to handle things.

"Where's Waldo?" doesn't have a ton of action, but a few key scenes, as well as stellar acting (as usual) make it a fine installment. Two episodes in, and already I'm hungry for more, wanting to know the rest of the story that the show will patiently spin out bit by bit over the next couple of months. Justified is a very well-made show, and with episodes like this, it's easy to see why.

Justified airs Tuesdays at 10 p.m. ET on FX.

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Justified finds a "Hole in the Wall"

Grade: 97%

After far too long a hiatus, FX’s JUSTIFIED returns for a fourth season this Tuesday at 10 p.m. ET. Like in past years, the series holds off on showing all of its cards right off the bat, allowing viewers to adjust to where the characters are now, as well as dropping hints as to the major arc or arcs that the season will cover.

When the premiere, “Hole in the Wall,” begins, Raylan (Timothy Olyphant) is still in a relationship with Lindsey (Jenn Lyon), and skirting the law. He doesn’t now break the rules in the name of justice or love, his past weaknesses, but instead, out of selfishness. This Raylan is more of a broken man, Winona (Natalie Zea) having gone, and his father, Arlo (Raymond J. Barry), whom Raylan has never had an easy relationship with, behind bars.

Right off the bat, though, this status quo is tested. Raylan picks up a not-so-good guy as a favor, then tries to keep him locked in his trunk while dealing with a mystery that has come up at his father’s house. It’s a call back to the righteous game, which we see very quickly does not merge easily with Raylan’s current activities. Thus, by the end of “Hole in the Wall,” it is pretty clear that Raylan needs to pick one path or the other.

I love that the mystery, which will definitely be a continuing story for awhile, features a heavily involved Arlo. Arlo has only been in about half of JUSTIFIED’s episodes, but his ornery ways are highly entertaining, and the way he shakes up Raylan’s calm demeanor, pushing his son’s buttons, makes for great television. Any way to bring Arlo more central does risk his continued presence, as death comes to many a villain on JUSTIFIED, but it also means that this season will have to be as fantastic as the others have been.

Raylan gets to step up and again be the man that fans love in this very first episode of the season. He may begin the episode on shaky ground, but despite his many flaws, Raylan Givens is a hero, and one of the genuinely coolest ones on television today. The way he handles negotiations, and faces down the bad guys, is unparalleled, and viewers are treated to some examples of classic Raylan almost right away in this installment.

Raylan’s restoration is also helped along by the crooks that come into Raylan’s circle. Cast lists are not yet available for the episode, making it hard to pinpoint who all of the performers are, but there is a young couple, as well as Raylan’s hostage, each of which contributes something interesting to the episode. Add to that, Raylan’s new cop buddy, Bob, played by the great Patton Oswalt, and “Hole in the Wall” serves as a satisfying return.

Lest one worry about the other important gang on the show, there is also plenty of Boyd (Walton Goggins) in “Hole in the Wall,” too, still being aided by Ava (Joelle Carter) and Johnny (David Meunier), as well as a new, unstable, very dangerous man. They will definitely be involved in whatever Raylan is getting himself into, but they also have their own stories, as Boyd continues his criminal enterprises.

These include running drugs, of course, and also the prostitution trailers that Boyd has taken over. The whores actually figure importantly into the first episode, when Ellen May (Abby Miller) makes a big mistake. Boyd uses this mistake to his advantage, of course, and will quickly expand his plot to encompass others, which should build up nicely over the next few weeks, eventually bringing them all back into conflict with Raylan and the law.

At some point, the balance that has kept Boyd in business while Raylan looks the other way will have to be broken. It may not be until the final season of the series, but something will draw enough attention to Boyd that he will have to be shut down. Until that day, he continues to be a fantastic character to have around, and the way that he manages to still do what he wants, and keep some kind of peace with Raylan, is a real draw of the series.

JUSTIFIED’s newest episode has everything one wants in the Western-influenced series. There are gun fights, show downs, boob flashing, drinking, conversations behind bars, at least one bad-ass killing, and some of the finest acting being done anywhere. Fans should not be disappointed, and if you’ve only been considering getting into the series, “Hole in the Wall” could serve as an enticing entry point.

Want to read some of my fiction? It's on my website, JeromeWetzel.com! Also, for the latest updates and article links, as well as commentary on episodes I don't fully review, please follow me on Twitter!

Article first posted at Seat42F

New Girl no longer new but still funny

FOX's New Girl presented the first two episodes of its sophomore season last night. In the first, "Re-launch," Jess (Zooey Deschanel) loses her job. She spirals into depression, and even though she tries to bounce back by being a Shot Girl for Schmidt's (Max Greenfield) penis cast removal party, it just isn't enough. Which is why, in the second installment, "Katie," she is on the prowl for sex, which she finds easily enough.

New Girl could be tackling the political issue of school budget cuts, something plaguing the country right now, as there are tons of teachers like Jess right now who can't find teaching jobs (this reviewer included). Yet, as a comedy, the circumstances surrounding Jess losing her job are mentioned, and moved past quickly. The writers aren't out to make any political statements, and Schmidt's angry mutter of "Obama" is too much of a bit to be taken seriously. New Girl sticks to what it does well: laughs. It doesn't force anything more, a wise decision, as tackling this large issue would not work well with the show's tone.

This is also why the series can be forgiven for falling in to the TV trope of seeing unemployment as an opportunity to re-invent oneself. Most of us in the lead characters' economic class, battling student loans and high gas prices, would have to be out looking for a job the day after being fired. Jess is allowed to luxuriate in her grief, and yet, because of the execution of the actress and the story, it works.

Poor Jess. She is pretty, to be sure, but she is not a sexual creature. She'd like to be, but she doesn't really know how. Part of the charm of New Girl is that it will take a very special man to find the things that she does a turn on in the bedroom. It's why the premise of a girl living with three men who don't want to jump her bones comes across as realistic instead of phony. They can care about her without wanting to get into her pants all of the time. Jess is an acquired taste, quirky in the extreme. Which makes for a very funny, novel series, especially because there aren't a lot of lead female characters on TV who embrace a lack of wooing power.

Yet, in "Katie," boys are falling in line to get her number. The beautiful looks always trumps until Jess opens her mouth to make it awkward. One suitor, Bearclaw (Josh Gad, Book of Mormon) is weird in his own right, though not in a way that fits Jess. Instead, she ends up with Sam (David Walton, Bent, Perfect Couples), a man who thinks that she is Katie, a girl he has been chatting with online. Even after Jess confesses the truth, he still wants to be with her! That's a good man, right there, able to see Jess's inner character, even after she screws up. Or the sex is (somehow) just that mind blowing.

Of course, Sam won't be around forever. We see Nick's (Jake Johnson) tender side emerge once more as he seeks to cheer Jess up. They may not be ready to be together yet, but it's they'll get there eventually. They both might go through a few other partners on the way, but make no mistake about it; Jess and Nick will hook up.

Schmidt is also feeling a little down. He tries very hard to talk a big game in "Re-launch," throwing his danger-themed party. But, despite the large pool of eligible ladies, he doesn't find a girl to sleep with. In fact, he barely notices there are any gals at the party save one: Cece (Hannah Simone). Schmidt is done with his player days (if they ever really existed), and while he still tries to pretend machismo, his heart is spoken for. This is a character we can all really relate to, and his pain breaks our hearts.

That's not to say that he deserves Cece back, though. Yes, he will make up for dumping her someday. But for now, although Cece is starting to forgive him, he hurt her too deeply for a quick reconnection. So she'll date Robby (Nelson Franklin, Traffic Light) for awhile instead. We haven't seen why Cece would want to be with Robby, who, at first glance, appears ill-suited to her. But I'm sure New Girl will get to that. Or just make the character a one-time guest star.

In these two episodes, besides the excellent shipper stuff, New Girl also includes a lot of humorous side plots. Some really work, like Winston (Lamorne Morris) getting weird with fruity drinks and, strangely enough, but only because of the ending, Nick talking to a homeless man (Justified's Raymond J. Barry) he believes to be a future version of himself. Others, like Parker Posey (Louie, A Mighty Wind) as a sad, washed-up Shot Girl, don't. But overall, the show returns strong, mixing the humor and heart that it captures so expertly.

New Girl airs Tuesdays at 9 p.m. ET.

If you like my reviews, please follow me on Twitter! Check out my website, JeromeWetzel.com! First posted at TheTVKing

Season finale is 'Justified'

FX's Justified brings its third season to a close with "Slaughterhouse." With a state trooper dead, Raylan (Timothy Olyphant) seeks justice. The trail leads him to have showdowns with all of this season's villains: Boyd (Walton Goggins), Limehouse (Mykelti Williams), and Quarles (Neal McDonough). But in the end, the only one Raylan is able to arrest is his own father, Arlo (Raymond J. Barry), who may have tried to kill him.

What a slap in the face! Off his medication or not, it is pretty clear that Arlo thinks that he shoots Raylan to protect Boyd. While Boyd and Arlo have been enjoying a closer relationship than Raylan is ever shown to have with his father, it's the ultimate betrayal for the lawman. He has never seen eye to eye with his criminal parent; Raylan even shoots Arlo in season one, but only in the leg. For Arlo to fire a kill shot at who he thinks is Raylan, and then to exhibit no guilt or remorse for it, is a twist, indeed.

Not only that, but back in his right mind, Arlo takes the fall in "Slaughterhouse" for killing Devil (Kevin Rankin), too. Arlo is already going to jail, and as old and senile as he is, tacking a second murder charge on won't hurt him much further. Besides being a favor to his adopted son, and an apology for threatening Ava (Joelle Carter), though, it's a second insult to Raylan, as Arlo knows full well that Raylan is convinced Boyd killed Devil, and will be upset that Boyd can't be charged for it. This confession is almost a taunt, in that respect.

All of the performers in this piece are fantastic. There has always been good chemistry between Boyd and Raylan, and Raylan and Arlo. But the work being done in "Slaughterhouse" is above and beyond the call. These three male actors really define why Justified is such an amazing show. And when the plot boils down to personal drama between them, it's where these stars shine the brightest.

How much will Arlo's betrayal screw up Raylan? He is already suffering from Winona (Natalie Zea) leaving him with their unborn child. Now he knows that the only other person who should love him, no matter what differences they have, doesn't care one lick. This sets Raylan up to be in a very dark place come season four.

Also going dark is Ava. One can see how she falls in with Boyd, and begins to support his criminal activities. After all, it's what she's been around, and what she knows. Plus, it's not like Raylan is trying to save her anymore, so why not put her loyalties in the man that stands by her? But watching Ava slap a prostitute, establishing her authority as the one in charge, is something new indeed. It's in stark contrast to the Ava introduced at the beginning of Justified, and giving the dynamic growth we've seen in her already, it will be exciting to see where the characters goes next.

The only bad guy that gets what they deserve in "Slaughterhouse" is Quarles, when Limehouse chops off his arm and Quarles bleeds out. The cool thing about Justified is that recurring characters come back over and over again. Quarles has a full arc this season, and doesn't have any other place to really go on the series, anyway. By contrast, Boyd has no shortage of avenues he can take next, and Limehouse, introduced this year, will also likely remain a big player in future stories. Plus, viewers now know that Johnny (David Meunier) is betraying Boyd to Limehouse, so there's another war building. Justified finds just the right balance between stopping the criminals, and leaving some out to cause further mischief.

Awesome finale! Justified airs on FX.

If you like my reviews, please follow me on Twitter! To catch up on episodes or buy DVDS of Justified, please go to amazon.com.

Justified goes to Bulletville to end season

   Thirteen episodes was not nearly enough for FX's Justified this season.  It just went off the air Tuesday night with the finale episode "Bulletville", an apt name, and I miss it already.  Set in Harlan and Lexington, Kentucky, local for most of you readers if you came across me on the Lexington page.  It's based on the short story "Fire in the Hole" by writer Elmore Leonard (Be Cool, Jackie Brown), who also worked on the series.  It has already been picked up for a second thirteen episode season, but sadly, it will be some time before the next new episodes start airing.

     The show stars the smooth, quietly threatening Timothy Olyphant (Damages, Deadwood) as Deputy Marshall Raylan Givens.  A native of Harlan, Raylan was forced to return there after he killed a drug kingpin in Miami who wouldn't leave town.  It isn't clear on the show, but Harlan is about three hours south of Kentucky.  It doesn't seem that way because characters go back and forth so often.  But that aside, the show is almost flawless.

     The best plots of the season involved three men that were unfortunately not main characters: Raylan's father, Arlo (Raymond J. Barry), a deadbeat that Raylan has little to do with, but who is mixed up with Bo Crowder; Raylan's best friend of a sort, Boyd Crowder (Walton Goggins, The Shield) who found God after almost being killed by Raylan; and Boyd's father Bo (M.C. Gainey, Lost, Happy Town), the local kingpin who killed Boyd's flock and may have been dead at the end of this season.  If the producers are smart, Bo will survive, and all three will be upgraded next year, because the father / son / friend dynamics are superb.  I wasn't sure if Boyd's transformation was legit until the season finale, but it was played beautifully.

     Of course, there are love interests, too.  Natalie Zea (Dirty Sexy Money, Hung) plays Winona, Raylan's ex, who has now left her husband and hopes to get back with Raylan.  That is complicated by the fact that Raylan has been sleeping with Ava Crowder (Joelle Carter), the widow of Boyd's brother, and a witness in the cast against Boyd.  Their involvement is why Body was released from prison midway through the season, and it's impacted Raylan's personal and professional life.  At this point, I like Raylan with both women, and don't have a preference for who he ends up with.  Both bring different things to the table, and both actresses are as exceptional as the rest of the cast.

     If you missed to first season, be sure to catch the inevitable re-runs before season two.