Re-MARRIED

Article originally published as TV Review: 'Married' - Season Two Premiere on Blogcritics.

Some series like to start their seasons with a big opener. FX’s Married is not one those programs, nor does it need to be. The quiet, depressing, amusing, realistic look at marriage is all about the characters and the way their complex relationships are portrayed. They do not need big stories or ratings-grabbing stunts to make it good.

It’s funny that, considering what I just said, the first episode of season two is called “Thanksgiving.” Traditionally, sitcoms have used holidays, especially that one, to do splashier plots. Married constantly subverts what one expects from a family comedy, though, and this season premiere is no exception. It isn’t actually Thanksgiving in the episode, and while the set up is familiar, the way it plays out is edgy and unexpected.

I liked season one a lot, but it took some time to get settled into what it was. As Married begins its second run with “Thanksgiving,” though, it’s clear those rough edges have been smoothed out. The half hour both feels at once totally in sync with the previously installments, but also more polished and solid. Fans now understand Russ (Nat Faxon) and Lina (Judy Greer) a lot better, and this knowledge definitely colors how we see them interact. This union has its ups and downs, but there is real love there, and they do make a good team.

I have to take a moment to admire Greer and Faxon’s skills. When the casting was first announced, I was familiar with them both, but usually as second-rate players, so I assumed they would be here as well. This is not the case. Given good material that seems perfectly tailored to them, they have both emerged as worthy stars. I admire both the nuance and the realism in their performances, and their chemistry is fantastic. I think my favorite part of Married is just watching the two in a scene together, which never disappoints.

“Thanksgiving” finds them visiting Lina’s mother, Janice (Frances Conroy, American Horror Story), who is no longer mentally all there. Janice lives with Ed (M.C. Gainey, Lost), who is not Lina’s dad, but has been with Janice for well over a decade. Lina worries that Ed might not have Janice’s best interests at heart, especially when the topic turns to sex. Is she right? And whether she is or not, what is she in a position to do about it, and does she have a right to overrule Ed? Aging parents are a topic many a married couple has to deal with, and I like Married‘s grounded take.

While Lina and Russ are the central characters of married, AJ (Brett Gelman) and Jess (Jenny Slate) are also main characters. Often, while they’ve had tiny subplots, they’ve been regulated to supporting people, coming in far distant in importance from the leads. “Thanksgiving” fixes that, giving them their own, fully fleshed out, interesting B story. It does not relate to Russ and Lina at all, Jess actually has to learn something, and we get to see them both as separate individuals, a welcome development. Plus, there are hilarious little moments for Shep (Paul Reiser) thrown in, making me wish he appeared just a bit more.

Married isn’t the perfect show. Some will find it too serious to be considered a comedy, even though that’s what it bills itself as. However, this is not much different from what HBO and Showtime sell as sitcoms, and while Married is confined to the limitations of basic cable, it certainly has more leash than a show on the Big Four. It expertly finds that middle ground, still funny like the general public might expect, sometimes laugh-out-loud levels of such, but also displaying the depth and talent that the premiums do. I’m very satisfied with its return, a marked improvement over the already-good freshman season.

Married returns Thursday at 10:30 p.m. ET on FX.

Not even a hurricane can stop The Finder

FOX's The Finder uses a hurricane to excite in the last episode before taking a little over a month off. "Eye of the Storm" finds the characters hunkering down to ride out major wind and rain, but a televised report of a missing girl makes Walter (Geoff Stults) spring into action. Limited to any hunting he can do from his bar, Walter makes use of those trapped with him, as well as Isabel (Mercedes Masohn), who remains in town. Despite the challenges, Walter manages to solve the case.

OK, so finding a missing girl in a hurricane is a little far fetched. Making light of it with scenes of Walter and Timo (Toby Hemingway, Black Swan) struggling in and out of the door to the bar may also be a little tasteless. However, those things do not prevent "Eye of the Storm" from being a great episode. The threat of the storm, and the cleverness it takes to get anything accomplished around it, make the case of the week quite exciting. It also allows for great visuals and humor, as handled with the light-hearted tone of the series. This is enough to overcome any complaints about the premise.

The major B-plot is incredibly cliché and predictable. Willa's (Maddie Hasson) seemingly tough probation officer, Christina Farrel (Amy Aquino, Harry's Law, Brothers & Sisters, ER), gets trapped in the bar with them. Of course, she sees Willa break several terms of her probation, including using the internet and associating with Timo. But, caught up in helping find the missing girl, Christina exposes a softer side of herself, and all is forgiven, with a recommendation that the court allow Willa supervised computer access.

Yes, there is little originality in Christina's story and character because it's been done a thousand times before. However, Aquino is such a fantastic actress, that those things are forgotten about throughout most of the episode. Every time a "twist" involving her occurs, viewers may remember that they already knew that it would happen. But then Aquino's performance takes over again, and keeps the plot enjoyable, no matter how unoriginal it may be.

That's kind of the story of The Finder at large. There isn't a lot of unique things in it. It's a crime series with quirky characters, something extremely prevalent on television today. Yet, by putting together this particular cast, and bringing in great guest stars like "Eye of the Storm's" Aquino, Laura Slade Wiggins (Shameless), and M.C. Gainey (Lost, Justified), The Finder soars. Add to that great gags, like Walter printing out an entire internet site for them to puruse, and the show somehow manages to be fresh and worth watching. It must be the magic influence of creator Hart Hanson, who accomplishes a similar victory with his other show, Bones.

Besides the above happenings, Michael Clarke Duncan continues to deliver a riveting performance as Leo, who doesn't always say all that many words, but exudes a presence that carries every scene he is in. Also, the relationship between Walter and Isabel is developing nicely, and Willa's inevitable break from her gypsy family is played wonderfully. All around, The Finder is making itself a show to watch.

So make sure to watch The Finder when it returns to FOX on Fridays in April.

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Justified goes to Bulletville to end season

   Thirteen episodes was not nearly enough for FX's Justified this season.  It just went off the air Tuesday night with the finale episode "Bulletville", an apt name, and I miss it already.  Set in Harlan and Lexington, Kentucky, local for most of you readers if you came across me on the Lexington page.  It's based on the short story "Fire in the Hole" by writer Elmore Leonard (Be Cool, Jackie Brown), who also worked on the series.  It has already been picked up for a second thirteen episode season, but sadly, it will be some time before the next new episodes start airing.

     The show stars the smooth, quietly threatening Timothy Olyphant (Damages, Deadwood) as Deputy Marshall Raylan Givens.  A native of Harlan, Raylan was forced to return there after he killed a drug kingpin in Miami who wouldn't leave town.  It isn't clear on the show, but Harlan is about three hours south of Kentucky.  It doesn't seem that way because characters go back and forth so often.  But that aside, the show is almost flawless.

     The best plots of the season involved three men that were unfortunately not main characters: Raylan's father, Arlo (Raymond J. Barry), a deadbeat that Raylan has little to do with, but who is mixed up with Bo Crowder; Raylan's best friend of a sort, Boyd Crowder (Walton Goggins, The Shield) who found God after almost being killed by Raylan; and Boyd's father Bo (M.C. Gainey, Lost, Happy Town), the local kingpin who killed Boyd's flock and may have been dead at the end of this season.  If the producers are smart, Bo will survive, and all three will be upgraded next year, because the father / son / friend dynamics are superb.  I wasn't sure if Boyd's transformation was legit until the season finale, but it was played beautifully.

     Of course, there are love interests, too.  Natalie Zea (Dirty Sexy Money, Hung) plays Winona, Raylan's ex, who has now left her husband and hopes to get back with Raylan.  That is complicated by the fact that Raylan has been sleeping with Ava Crowder (Joelle Carter), the widow of Boyd's brother, and a witness in the cast against Boyd.  Their involvement is why Body was released from prison midway through the season, and it's impacted Raylan's personal and professional life.  At this point, I like Raylan with both women, and don't have a preference for who he ends up with.  Both bring different things to the table, and both actresses are as exceptional as the rest of the cast.

     If you missed to first season, be sure to catch the inevitable re-runs before season two.