'Fiona Interrupted' is Shameless

Showtime's Shameless brings its second season to a close with "Fiona Interrupted," which finds many of the Gallaghers (and their friends) contemplating change. Frank (William H. Macy) is intent on breaking Monica (Chloe Webb, China Beach, Twins) out of the mental hospital, but finds most of his children unwilling to help. Fiona (Emmy Rossum) determines a new list of priorities, which Jimmy / Steve (Justin Chatwin) hopes to be included on. Lip (Jeremy Allen White) also has some tough choices to make concerning his romantic life. Karen (Laura Slade Wiggins) gives Sheila (Joan Cusack) an ultimatum: the baby goes, or Karen will.

What does Karen expect when she makes Sheila choose between her and the baby in "Fiona Interrupted?" Karen is pretty much grown, and has proven repeatedly that she doesn't need her mother. The baby, on the other, definitely does need someone to love and care for it. Considering that he has Down syndrome, he isn't likely to be adopted. Sheila does the responsible thing by taking in her grandson, and the police, when Karen calls them, agree. Sheila makes the only decision she can here.

Why does Karen hate the baby so much? Is he a reminder of the person she is? Does she not like herself or her promiscuous ways? When she sees the baby's face, is she reminded of the drugs that she consumed during pregnancy? Surely Karen's anger is directed at least as much at herself as at the infant. Otherwise, her character has become a psychopath, and there's no reason for her to continue on Shameless, as no viewer will like or relate to her.

Lip loves Karen. He wants to be a father, too, but he also genuinely adores Karen herself. Even as Karen pushes him away over and over, Lip is willing to stand by, and likely would, even after he learns that baby is not his. However, these monstrous actions by Karen in "Fiona Interrupted" drive him away. That's not to say that Lip is done with her forever. But it will certainly take a lot of time and apologizing for the eldest Gallagher male to consider getting back with his first true love.

Might Lip find a replacement companion in Mandy (Emma Greenwell)? Mandy is just a warm bed for Lip, but she really seems to be interested in something more with him. And while Lip initially shoves her off and avoids talking to her about a relationship, he seems more accepting by "Fiona Interrupted." Does this mean he is warming up to her? Might he consider something more than a friends with benefits arrangement? He should have already considered this, seeing how dangerous her family is, and if he isn't ready to be serious, he needs to find a way to let her down gently.

Emma Greenwell has now played Mandy in more episodes of Shameless than Jane Levy (Suburgatory) did before leaving the show. Despite this, it's still hard not to see Levy in the role, and miss her. Greenwell does fine, but she seems to lack that extra spark and subtle layers that Levy brought to the part. One wonders if Greenwell would be better received had she been the one originally cast as Mandy. This situation brings to light the problem with recasting. Bottom line: avoid it at all costs!

Fiona has Steve, er, Jimmy back. Will Shameless ever pick a name for him? Jimmy makes the most sense, given that it is his real name, and someone else is now using the identity of Steve. But since he is called Steve for all of season one, there will be an adjustment period for the audience, which is probably why both names are currently being used. Either way, Fiona gets back with the guys she loves.

When Shameless begins season two, it is kind of nice to see Fiona play the field. She has a lot of responsibility, and deserves some fun. Settling down with one man is kind of a grown up thing to do, and Fiona does enough grown up things in her life already. Which does not mean that she doesn't deserve love. Fiona, more than any other character in the series, sacrifices everything for her family. That's why, despite how fun it is to see wild and free Fiona at the beginning of the season, it's also a bit of a relief to hear Jimmy confess his love, and to see her accept it.

Of course, there is always a wrench. In the final moments of "Fiona Interrupted," Fiona's happy ending is interrupted by the appearance of a battered Estefania (Stephanie Fantauzzi) at her door. Technically, Estefania is married to Jimmy's Steve identity, and because of the time she spent with Jimmy, he feels obligated to do something. This is reasonable. Even though Fiona has enough drama to deal with, she should be OK with this because she won't want to see anyone get hurt, and Estefania's guy, who is now using the Steve identity, is hurting her. But will she regret Jimmy helping Estefania if things get too hairy? And how long can Estefania stick around before Fiona gets too jealous?

What's more, Estefania isn't the only problem. Ian (Cameron Monaghan) sleeps with Jimmy's father, Lloyd (Harry Hamlin, Army Wives, Veronica Mars, L.A. Law). This happens before the Gallaghers meet Jimmy's family in "Fiona Interrupted," though Lloyd is interested in continuing the affair. Ian seems reticent, thankfully, now that he knows about Lloyd's wife and kids. But Fiona is bound to be upset, and Jimmy must be told. Without knowing more about Jimmy's family and home life, it is impossible to know what repercussions may arise from this situation.

Which is just plain sad. As mentioned, Fiona deserves her happy ending. She has to give up a good job, and likely, dreams of college, to continue in her role as the caretaker of the family. Thus, her love life should not be a chore, too. And clearly, there will be a bumpy road on the way to happiness, if she stays with Jimmy. If she doesn't... Well, let's just hope that her future suitors are better matches than the batch of guys that she has dated this year.

And Ian should get a little cheer, too, which he won't with Lloyd. An affair with an older, married man who has his own family is bound to end in disaster, which Ian should already know, based on past experience. Hopefully, he will not repeat his mistake.

Frank is lost without Monica in "Fiona Interrupted," and assumes that his kids will be, too. Surprise, surprise, only Debbie (Emma Kenney) agrees to help Frank carry out his "rescue" plan. Why does no one else care?

The Frank and Monica drama is old hat to the elder Gallagher offspring. They have seen the rollercoaster ride that their parents take them on, and want nothing more to do with it. Debbie, on the other hand, does not have those clear memories of what it is like to be with both of her parents. She is really enjoying having her mother back at home, despite the Thanksgiving suicide attempt, and would like to continue this living arrangement. Who can blame her? Kids crave their parents until they learn better, as Debbie's older siblings have, repeatedly.

Debbie and Carl (Ethan Cutkosky) are deeply upset by Monica cutting herself in the kitchen. This should be a sign that helping Frank get Monica back is a mistake. It's not like Frank has become a loving father with Monica around, though he is home more. Monica buys her children things (with the money that she stole from them), but, as a bi-polar drug user, is in no shape to take care of them. Thus, while it's nice to have a mother and a father in the house, Debbie and Carl are without their parents around.

But Debbie helps Frank bust out Monica anyway. The family's happy reunion lasts all of two minutes, until Monica takes off with her new girlfriend, Jill (the amazing, hilarious Jenna Elfman, Dharma & Greg). Jill is a deeply disturbed individual, waiting to see if she's competent to stand trail for violence against her husband. Monica knows how to pick 'em, doesn't she? Is Monica in danger, running off with Jill? Who knows? But that's a plot for another season. What's shown in "Fiona Interrupted" is that Monica's behavior is erratic, and she has no problem abandoning her family. Again.

As soon as Monica is gone, though, Frank returns to the total loser that he is, and soon enough, his kids carry him out and dump him in the alley. Frank is better with Monica around, but only slightly, so it's not with a great sense of loss that he is put back on the street. Losing Monica is a serious blow to Frank's happiness, as Monica is the only woman he seems to care about. His other trysts all have ulterior motives, but with Monica, Frank shows his heart. To the extent that Frank can, that is.

Debbie, Carl, and the others will be OK. No matter how terrible their parents are, they have older siblings who are dedicated to making sure they grow up all right. Let's just hope that these latest shenanigans don't scar them too much.


Shameless has been renewed for a third season, and will return to Showtime.

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Not even a hurricane can stop The Finder

FOX's The Finder uses a hurricane to excite in the last episode before taking a little over a month off. "Eye of the Storm" finds the characters hunkering down to ride out major wind and rain, but a televised report of a missing girl makes Walter (Geoff Stults) spring into action. Limited to any hunting he can do from his bar, Walter makes use of those trapped with him, as well as Isabel (Mercedes Masohn), who remains in town. Despite the challenges, Walter manages to solve the case.

OK, so finding a missing girl in a hurricane is a little far fetched. Making light of it with scenes of Walter and Timo (Toby Hemingway, Black Swan) struggling in and out of the door to the bar may also be a little tasteless. However, those things do not prevent "Eye of the Storm" from being a great episode. The threat of the storm, and the cleverness it takes to get anything accomplished around it, make the case of the week quite exciting. It also allows for great visuals and humor, as handled with the light-hearted tone of the series. This is enough to overcome any complaints about the premise.

The major B-plot is incredibly cliché and predictable. Willa's (Maddie Hasson) seemingly tough probation officer, Christina Farrel (Amy Aquino, Harry's Law, Brothers & Sisters, ER), gets trapped in the bar with them. Of course, she sees Willa break several terms of her probation, including using the internet and associating with Timo. But, caught up in helping find the missing girl, Christina exposes a softer side of herself, and all is forgiven, with a recommendation that the court allow Willa supervised computer access.

Yes, there is little originality in Christina's story and character because it's been done a thousand times before. However, Aquino is such a fantastic actress, that those things are forgotten about throughout most of the episode. Every time a "twist" involving her occurs, viewers may remember that they already knew that it would happen. But then Aquino's performance takes over again, and keeps the plot enjoyable, no matter how unoriginal it may be.

That's kind of the story of The Finder at large. There isn't a lot of unique things in it. It's a crime series with quirky characters, something extremely prevalent on television today. Yet, by putting together this particular cast, and bringing in great guest stars like "Eye of the Storm's" Aquino, Laura Slade Wiggins (Shameless), and M.C. Gainey (Lost, Justified), The Finder soars. Add to that great gags, like Walter printing out an entire internet site for them to puruse, and the show somehow manages to be fresh and worth watching. It must be the magic influence of creator Hart Hanson, who accomplishes a similar victory with his other show, Bones.

Besides the above happenings, Michael Clarke Duncan continues to deliver a riveting performance as Leo, who doesn't always say all that many words, but exudes a presence that carries every scene he is in. Also, the relationship between Walter and Isabel is developing nicely, and Willa's inevitable break from her gypsy family is played wonderfully. All around, The Finder is making itself a show to watch.

So make sure to watch The Finder when it returns to FOX on Fridays in April.

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How Shameless spends its "Summertime"

     Showtime's Shamesless returns with "Summertime." The Gallaghers are busy earning money to get them through the year, including a scheme involving Kelvin's (Steve Howey) monster pot harvest. But the unexpectedly large electric bill from said crop, as well as V's (Shanola Hampton) disapproval threaten their plans. Then things get even dicker when Frank (William H. Macy) makes a big bet and loses, leading to the debtors holding Liam (Blake Alexander Johnson and Brennan Kane Johnson) hostage.

     "Summertime" finds the family almost exactly as they were last left, still getting into the same types of trouble, which is great for fans who love the snow's story structure. As such, it is easy to jump right back into the world without missing a beat, a must considering how long Shameless's hiatus has been.

     Frank has been having a run of luck since shacking up with Sheila (Joan Cusack), but that good fortune is about to run out. Sheila is making big progress in her therapy, making it a full 100 steps from her house. Her ultimate goal, since she loves Frank dearly, for unknown reasons, is to make it to the Alibi to spend time with her sweetie. That should be all it takes to end their relationship, as she will finally see the real Frank, and what everyone else thinks of him. To make matters even worse for Frank, he can no longer go home after the stunt endangering Liam, which infuriated his other children, so he will likely be let homeless when Sheila kicks him out. That is, until he comes up with another scheme.

     The character of Frank is a despicable lowlife, and he finds ways to be even worse on "Summertime." It's one thing to neglect himself, but it's quite another to endanger his children. The older ones have learned not to count on him, but again, letting a baby be kidnapped by gangsters takes things to another level. There isn't a redeemable bone left in his body now, and it will be interesting to see how Shameless tries to make him sympathetic now, if an attempt is even made.

     Besides Frank, the rest of the family is very loving, and willingly hand over all their hard earned savings in order to rescue the youngest member of their clan. It's just such a shame that they have to, considering how hard their lives are. They struggle, and are just seeking some happiness, which, once again, intentionally or not, Frank sabotages.

     Bad timing, too, as Fiona's (Emmy Rossum) is having fun being a player. Too hurt by Steve (Justin Chatwin) to consider anything serious, she finds sexual satisfaction in the arms of a hunk or two. At her age, she deserves some casual, entertaining rebound if she desires it. Hopefully she will get the chance for it without family responsibilities or a would-be commitment minded guy dragging her down.

     Poor Kevin. He has a great looking crop in "Summertime" until V rains on his parade. She is right to do so, though. Selling a little weed is one thing, but the legal consequences of following through with his harvest, should he get caught, are just too big to risk. With this in mind, he does the right thing in trashing most of it. But what of the two bags he secretly buries in the yard? V will be furious. And with a cop, Tony (Tyler Jacob Moore), as a neigbor, it's pretty dumb.

     Kash (Pej Vahdat, Bones) is also dumb. Not for leaving his bitch of a wife, Linda (Marguerite Moreau), as he should never have been with her on the first place. But for abandoning his kids. It may not be immediately obvious, but Cash is proving.extremely selfish and no better than Frank.

     What is going on with Lip (Jeremy Allen White) in "Summertime?" Sure, his friendship with Professor Hearst (Dennis Boutsikaris, W.) is proving beneficial, and the ice-cream truck he is running with Kevin should prove profitable. But what is he doing with Karen (Laura Slade Wiggins)? It's nice, though a bit naive to forgive her for Frank; it's foolhardy to try to carrying as normal when she is so obviously moving on. Things will never go back for them. Lip should either make a serious romantic play for her, a questionable move given their history, or just let her go.

     Ian (Cameron Monaghan) is lucky to have Lip. He is the supportive elder brother every younger boy wishes for. First with the coming out of the closet,.and now with the dreams of Westpoint, Lip stands by him. Lip may not be crazy with either thing, but that doesn't matter; this is what Ian wants, and Lip will work tirelessly to make it a reality. Sk what major bad circumstance will disrupt this great relationship?

     If one is looking for concrete proof that the children of Shameless have to act beyond their years, look no further than Debbie (Emma Kenney) in "Summertime." Still a young kid herself, she runs a daycare with close to ten tots! She pretends Fiona is in charge in front of the parents, then does everything herself as Fiona sleeps the day away. That's not a complaint against Fiona, who works hard, too. But for a little girl to step up and do so much, she deserves some serious credit. Debbie is minimized in season one to some degree, but if "Summertime" is any indication, she will not stay that way for long.

     Recasting sucks. It's wonderful that Jane Levy now gets to staring a major network sitcom, Suburgatory, but it's terrible that a different girl (Emma Greenwell) has to play Mandy. Couldn't she just have been written out? If the part is vital to Shameless, couldn't a replacement character be introduced instead? Very disappointed about this.


     Watch Shameless Sundays 1t 9 p.m. ET on Showtime.

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Private Practice finds "The Hardest Part"

     I was excited when ABC's awesomely casted, but often boring, Private Practice got really good this past fall. Charlotte's (KaDee Strickland) rape, the way she deals with it, and how Cooper (Paul Adelstein) helps her through things, is easily the highest point of the series thus far. That is followed by Addison's (Kate Walsh) mother killing herself, providing more well written, well acted emotional impact. But for the last month, nothing has sparked nearly that level of great writing. At least not for a full episode. There have been glimmers here and there, but sadly, the show is once again flailing.

     It's time to either put this puppy down or let it find its legs. It has already been renewed for next season, which could be used as a last effort to redeem itself. If it's really going to be this hard to find good stories for these characters, who are interesting, despite how they are sometimes seen, then it's time to end it. Use next season as a way to redeem the show, pouring every good idea ever had into one great season, and then let it gracefully bow into the night. Or get things together, realize what works (hint: focus on the doctors, not the patients!), and take it to the next level. I am very tired of it's floundering in mediocrity, and I hate any series dying a slow, painful death of decay.

    That being said, last night's final confrontation between Pete (Tim Daly) and his mother (the amazing Louise Fletcher) definitely falls on the terrific end of the spectrum. We know that Pete doesn't like his mother, and we know why. But helped along by his wife, Violet (Amy Brenneman), who is a very good therapist when she is written as such, Pete finally makes a reconnection. Of course, this is quickly followed by Sam's (Taye Diggs) pronouncement that Pete's mother doesn't have long to live. So we get Peter sitting by her bed side, and then a powerful breakdown of grief back at home. This is the stuff good Private Practice is made of.

     Cooper and Charlotte continue to be fantastic, too, even when they only get small scenes together. Cooper's story with his patient, a teenager who could lose his awesome musical abilities because of a brain surgery to remove a tumor, and the boy's grandfather who has a hard time showing his love, is sweet. Plus, I like seeing Cooper clash with Amelia (Caterina Scorsone), with whom he has a satisying but odd friendship. However, the scene where Charlotte buys Cooper a piano is even better. Sure, patient stories are fine as tools to help the doctors learn something about themselves, of expose a past trauma. They should not be the linchpin of a show like this, as they are in some of the weaker episodes, whose top selling point is its spectacular cast.


     That being said, I do appreciate a strong guest star in a small role. This week we see Vanessa Marano (Gilmore Girls, The Young and the Restless) and Laura Slade Wiggins (Shameless) as pregnant teenagers. They got in, did what they needed to do, and got out without being annoying. That may sound like an insult, but it's not. They served their purpose, and delighted people who were already fans of them (like me) who got to see them pop up on another show in a different part than what we'd already seen them do. Great job girls!

     I have advocated for Sheldon (Brian Benben) to find true love for some time. I did not mean this way. Sheldon has taken up with a therapist named Marla (Alex Kingston, Doctor Who, ER), who panned Violet's recent book. I have no problem with a new character raising conflict, of course. That's how dramas progress. But I don't see the chemistry between Marla and Sheldon. So far, I don't see much of anything to find all that exciting about Marla. I can't see her ever really fitting in with any of the other cast members, and I certainly don't want her taking Sheldon away from the group. Can't we do better for Sheldon?

     Addison is M.I.A. for her second episode in a month, as she pops over to sister series Grey's Anatomy for a part that is little more than a cameo in their special musical episode. She was always my favorite character on Grey's, but has turned into a whining, unlikable shell of the character she once was. While I love Addison and Busy's relationship in recent months, Addison's arc with Sam and wanting a baby grew stale before it even got going. I don't know why, but Addison doesn't work this way. We need to get back to the Addison that was very lovable in her cranky, flawed way.

     Also missing, though she has been missing a lot lately, is Audra McDonald's Naomi. She will be leaving good as a main character at season's end, but it seems like she's already been reduced to part-time, as this is at least the sixth episode this year she has sat out. I understand the series is trying to give the actress more time to spend with her family, which leaves all the way across the country from where the show is being made, but once the decision not to use has been made, can't some graceful send off be done? Or perhaps a role written so that she can pop in and out as she travels the world, looking to help all those who need it.

     Private Practice airs Thursday nights at 10 p.m. ET on ABC.

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Shameless ends with "Father Frank, Full of Grace"

     What an exciting season finale that Showtime's Shameless gave us Sunday night! So much development, and some nice endings to a few plots. Unlike other shows, Shameless doesn't so much have little stories or mysteries that must be summed up in an episode, or even a couple of weeks. It's more a series of events in the lives of the Gallagher family. As such, the finale doesn't feel too much different than a regular episode, not feeling obligated to do the big stunts that most shows do. But Shameless has been enjoyable since the pilot, and continued that run with the talent viewers have grown accustomed to.

     Last week, Lip (Jeremy Allen White) and Ian (Cameron Monaghan) are arrested while driving a stolen car for Steve (Justin Chatwin). Rather than this being an extended legal battle, for which the family could never realistically pay, family friend (and cop) Tony (Tyler Jacob Moore) convinces the investigating officer to drop the charges. After all, Tony is after Steve, not the brothers. No needless drama or strung-out hype forced upon us. But the sequence of events does go in Tony's favor, as it scares Steve enough to leave town, after signing over his house to Tony in exchange for getting the charges dropped. Steve doesn't know Tony has already had this done, and Tony doesn't correct him, taking the house.

     The house happens to be next door to Fiona (Emmy Rossum), who is the whole reason for the feud between Tony and Steve. Even with Steve's secrets, and his "profession" as a car thief, I like him better for Fiona than Tony. Steve will have to go straight in the long-run to be good enough for Fiona, she certainly doesn't need the headaches and threats of illicit activities, but he understands her more. Tony is too straight-laced. Fiona and Steve have passion. Sure, passion may burn out, and Tony is the more stable guy. But for Fiona, being with Tony would be settling, and not love.

     Steve asks Fiona to leave town with him, and she considers it. She even packs a bag and heads to the train station, but just can't bring herself to go to the airport. I never expected her to. I'm surprised she even toyed with the idea. I guess it can be excused because Lip and Veronica (Shanola Hampton) were assuring her that everything at home would be just fine without her, and encouraging her to go. But I found this the one weak part of the episode. If there's anything Fiona would never leave, it's her family. And she's right when she says that the children do not need abandoned again. It would be fine for her to go in a few years, but not now.


     The closest thing to a cliffhanger we get is the effect of Debbie (Emma Kenney) telling Jimmy's mom that her son is living in Chicago under the name Steve. I assume that this is a set up for next season, which gives me hope that Steve will return, something I wasn't sure about at the end of the episode. Surely, his mother will be looking for him now, and run into the Gallaghers, learning about the life 'Steve' was living. Perhaps he won't remain a main character, but we'll have to see him again. I don't blame Debbie for spilling the beans, but it did spoil Steve's clean get away.

     In a lovely, understated scene, Ian reveals himself as gay to Fiona. She already knows, of course; what attentive parent wouldn't? But it's nice to hear him say it. The fact that she has never brought it up, but has waited until he is ready to tell her, speaks volumes about their relationship. Sometimes I forget that Fiona is taking care of the older children as well as the three younguns. But she is. The moment the two of them share, full of love, and absent of judgment, is one of the sweetest scenes in the entire first season. It beautifully demonstrates who Fiona and Ian each are, and how they feel about each other. Kudos, indeed.

     I am really surprised to see how quickly the friendship is growing between Fiona and Jasmine (Amy Smart). Veronica obviously feels threatened, and I expect it will become a plot pursued next season. Jasmine doesn't ring quite right. She seems to have an attraction to Fiona that is more than friendship. She also pushes Fiona to do things she really doesn't want to do. Jasmine is good because she is pulling Fiona into a more secure middle class, especially after helping her get a job, but I don't think they have the elements needed for a long-term, sustained relationship. Veronica need not worry. It's only a phase.

     Speaking of Veronica, though, I am sad that we haven't gotten any development between Veronica, Kevin (Steve Howey), and Ethel (Madison Davenport). It's such an interesting story, though I admit I may just be missing Big Love. I know the series is more about the Gallaghers than their friends, but I wanted to see more of the trio settling in together. Clearly, Veronica hasn't kicked the girl out after a week, as she had planned to do. What's next? Did they get Ethel's baby, too? Definitely great writing was shown previously in this case, as I am extremely interested in what we didn't see.

     I am very worried about Karen (Laura Slade Wiggins). She has gone off the deep end, for sure. I mean, I can't imagine how it would feel to have your own father think you are a whore, let alone say it out loud to a whole group of people. Of course she is now even more damaged than before. I think it is a crying shame that she pushes Lip away; he wants to help her, and she needs him. Her mother Sheila (Joan Cusack) also tries to get through to her. I guess it's more realistic that Karen must act out and sort through her own feelings before allowing others in, but she acts in such destructive ways! Now that Lip and her have made up, hopefully she will begin to heal, but it won't be a quick, easy road. She is the truly tragic story thus far.

     Eddie (Joel Murray) is not a bad guy. In fact, while he was at first portrayed as mean and overly strict, he has done everything he can to try to win his family back. His outburst and name calling of his daughter is inexcusable, but also, it has to be hard to sit and listen to your daughter's sexual exploits. I really wish they would have had time to work things out. Eddie's decision to end his life, I think, stems more from embarrassment in front of his co-workers and anyone who saw the video, than the actual act. He could get over it, where his daughter is concerned anyway, had he not been publicly humiliated. Now it's too late to work anything out.

     Luckily, it's not too late for Frank (William H. Macy) and Lip. We have never seen Frank have much humility before he stands in the yard and yells up to Lip's window, begging for forgiveness and taking responsibility for his actions. In truth, Frank was drunk and drugged, so at most, the blame should be minimally his. He even said stop, and was in no condition to physically make Karen not have sex with him. But Frank's ability to suck it up and be truly sorry actually endeared me to him. It doesn't make up for all of the bad things Frank has done, but it does reveal heart, and an actual man who does care somewhat about his children. Unexpected, but great.

     The big question left is, will Sheila ever find out that Karen and Frank had sex? Now that Eddie is dead, it is unlikely to come out anytime soon. Sheila still can only go a dozen steps from her front door, so she won't hear it from the neighbors, and Lip and Karen certainly will have no motivation to tell her. Lip seems to have somewhat forgiven Frank, with the slight smile after the golden shower, and Karen likes Frank, who has been kind to her. I do not know how Sheila will learn the truth, but I expect it will be at least late into next season before she does, if not much longer than that. The fall out will certainly mean the end of Frank and Sheila permanently, and I don't know that the show is ready to go there. I have little doubt that it will someday, but not now.

     The show also stars Ethan Cutkosky as Carl Gallagher. Shameless has been renewed for a second season to air next year on Showtime, and I greatly look forward to it.

Article first published as TV Review: Shameless (US) - "Father Frank, Full of Grace" on Blogcritics.

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Shameless - "Pilot"

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     There was a LOT going on in the first episode of Showtime's new drama, Shameless. With a staggeringly large cast, including the huge Gallagher family at the center, my biggest worry going forward is how everyone will get a fair shake. And yet, so much was packed into the first hour, and so many characters got to shine, that the worry is minor, at best. It was a delightful romp, full of all the delicious sin you want in a pay cable show, plus some real, gripping story. I thoroughly enjoyed it, and know already that this will quickly become one of my favorite shows. It is based on a long-running British series, and after last night, I know I'd like to see that, too.

     At the center of the Gallagher family is patriarch Frank (the incredible William H. Macy), although I use the term 'patriarch' pretty loosely, because it's not like Frank does anything to care for his boisterous brood. Frank got some funny bits, but no real plot of his own in the pilot, though next week's episode is called "Frank the Plank", so I assume that will change soon. The series would not dare waste a great like Macy, and it has already been said that Sheila (Joan Cusack) is in the cast as a love interest for him, not just some girl's mom. Which makes sense, because I was curious on why someone with the gravitas of Cusack took such a small part in the pilot. However, for now I am content to watch Frank fall over, and the scene where he found the new washing machine probably defines the character best.

     The real center of the Gallaghers is eldest daughter Fiona (Emmy Rossum, The Phantom of the Opera), who raises Frank's other kids as if they were her own. While it is unclear how old exactly Fiona is, she is certainly far too young to be taking on the responsibilities she does. Following her example, all of the kids make money however they can, and kick together a pot when bills are due. Frank does not contribute. To get him to even pay for a field trip, Fiona shook his pants leg while he was passed out and picked up the coins that rolled out. Luckily, Fiona seems to have a life outside of her hell beckoning to her in the form of Steve (Justin Chatwin), a car thief who likes her and wants to shower her with gifts, so far in the form of the aforementioned washing machine and a big breakfast for the family. These two are a real joy, with authentic chemistry.

     My favorite story in the first episode, though, was between brothers Lip (Jeremy Allen White) and Ian (Cameron Monaghan). Lip found gay porn stashed away by Ian, and set about trying to get confirmation on Ian's sexuality. Lip took him to Karen (Laura Slade Wiggins), a girl Lip tutors that doesn't mind handing out blowjobs, and his suspicious were put to rest. What was sweet, though, was that after Lip got over his initial shock and disgust, he found a way to accept his brother for who he was. The tough world Lip and Ian inhabit can't be kind to homosexuals, but Lip put family first. He loves his brother, and will stand by him, no matter what.

     That's what holds the Gallaghers together: love. Despite their crazy, messed up world, love was a theme that shone through in the pilot. They are a family, much more realistic than many on TV. They're lower class, struggling to get by, but by sticking together, they manage to. Everyone helps out where they are needed, with the typical sibling squabbling, of course, but won't abandon the others. Fiona could have, should have, left when she reached adulthood sometime recently, but she didn't. She cares too much about her brothers and sister.

     Of course, there are plenty of other elements. Like in most Showtime shows, there is lots of drinking and other drugs, though Frank is the only one who takes them too far. Sex is a part of their life, and I find that enjoyable and realistic, too. Already in the pilot, we saw neighbor Kev (Steve Howey) passed out naked, two boys got oral sex, and Fiona and Steve got it on on the dirty kitchen floor. Rossum, who has avoided nudity up til now in her career, said the writing makes it worth it; the scenes that are shown are important to the story. She's right. If the Gallaghers were sanitized, they wouldn't be who they unapologetically are, and the series would suffer.

     Although adapted from a British series, the world the Gallaghers live in is also very specific. It's a Chicago neighborhood, and there's a tone that is very clear. The setting feels like a character, more than just a place they live. The neighbors build a rich tapestry around the Gallaghers, and the cops are integrated, not willing to toss their people in the clink for minor crimes. There is a bigger community there, inspiring in its bonds.

     The series also stars Shanola Hampton, Jane Levy, Tyler Jacob Moore, Ethan Cutkosky, Emma Kenney, and Brennan Kane Johnson and Blake Alexander Johnson as baby Liam. See? I told you it was a big cast.

     I look forward to the next Gallagher story. Shameless airs on Sunday nights at 10 p.m. on Showtime.

Article first published as TV Review: Shameless - "Pilot" on Blogcritics.