SHAMELESS Brings "Pleasure" To Those Who Watch It

Article first written for Seat42F.

Showtime’s SHAMELESS begins its fourth season this week with “Simple Pleasures.” Picking up shortly after last year left off, a lot has changed, despite the relatively short time jump. This season represents a new chapter in the life of the Gallaghers, and I’m anxious to see how it develops.

If this show has one lead, it’s Fiona (Emmy Rossum). She’s never been doing better than she is right now. Similar to how we last saw her, she has a steady job and is dating a good, solid, honest guy, Mike (Jake McDorman). But what we didn’t see before is that her new higher income and social circle have allowed her to actually have a life outside of the home. I don’t think she’ll ever neglect the family she’s in charge of, but it’s nice to see her not solely defined by it.

Part of why Fiona has the luxury of moving forward is because Debbie (Emma Kenney) and Carl (Ethan Cutkosky) are growing more mature. They do so in differing ways, but their emotional and physical development has taken a step forward, making them seem more adult. As such, they should have more solo stories from here on out than previously, on level with Fiona, Lip (Jeremy Allen White), and Ian (Cameron Monaghan), whom they have always seemed to be a step behind. Maybe the youngest Gallagher will even finally get a thread.

Now, neither Carl nor Debbie have left childhood behind completely. In some ways, Debbie and Carl are still kids, which is actually nice, as children don’t grow up overnight. The question is, are they just acting older because Fiona has left them on their own more and they are forced to take more responsibility? Or are they going through normal development at a natural pace?

There is more room for Debbie and Carl because a number of main characters are no longer occupying screen time. As “Simple Pleasures” begins, Frank (William H. Macy), Ian, and Jimmy / Steve (Justin Chatwin) are all missing. This does change the dynamic of the series overall. As viewers, we sort of know what’s happened with them, or at least we have more information than the other characters, but their fates are still unresolved as the episode starts.

Early in the hour, though, one of the three does show up, kicking off what could be a whole new arc for the character. I don’t want to spoil things, so I’ll remain vague, but let’s just say that the person in question has taken the path they were on as far as they can go, and they will either change or be done entirely in the near future. The other two are completely absent for now.

Sheila (Joan Cusack), despite having no direct reason to still be around, maintains a presence on SHAMELESS. She is a lost soul, and with her entire family gone, it makes sense that she would turn to the Gallaghers, whom she has more connection with than anyone else in town. It seems a delicate arrangement, and I’m not sure it’ll last, but I love Cusack, so I’m in no hurry to see Sheila go.

The Milkovichs, long characters on the show, have more of their own story in “Simple Pleasures” than we’re used to. Mickey (Noel Fisher) is pining over Ian, of course, and regretting his marriage, while Mandy (Emma Greenwell) is very much still in love with Lip, who is away at college (yes, the episode follows him there, apart from everyone else). Because the Gallaghers are no longer are serving the same roles as before and Sheila’s loved ones are absent, there’s plenty of room for the Milkovichs to step up, and I am curious where their threads might go next.

Besides all of this, there’s a big twist with Veronica (Shanola Hampton) and Kevin (Steve Howey), someone relatively important dies, and a couple has sex for the first time. So “Simple Pleasures” is eventful on its own, even while kicking off a brand new batch of stories with some changed characters.

SHAMELESS returns this Sunday at 9 p.m. ET on Showtime.

TOY STORY OF TERROR Scary For Its Weakness

 Article first published as TOY STORY OF TERROR Scary For Its Weakness on TheTVKing.

Toy Story is a classic, beloved film, which spawned two sequels, one decent, and one amazing. It's this high standard that any future spin-off or extension must love up to. (Yes, I'm ignoring early expansions, such as the Buzz-centric project, which I haven't seen, and seems already forgotten from the public consciousness.) Unfortunately, this week's ABC special, Toy Story of TERROR, falls very short.

Disney has a history of weak sequels and specials, but for some reason, I thought Toy Story would be immune. For one, it has the Pixar connection, and Pixar stuff generally rocks. For another, even though they have made a series of TS films, the third one was absolutely every bit as good as the first, providing serious emotional heft and development for the characters. Thus, I hoped the reputation would not be tarnished.

Right away, Toy Story of TERROR fails because it only follows a small group of characters from the movies, which seem put together randomly. Buzz (Tim Allen), Woody (Tom Hanks), Jessie (Joan Cusack), Mr. Potato Head (Don Rickles), and Rex (Wallace Shawn) are present, but absent are classic characters like Slinky Dog, Hamm, and Bullseye. And tossed in are two recent additions, Mr. Pricklepants (Timothy Dalton) and Trixie (Kristen Schaal).

Now, from a story standpoint, I can see why little Bonnie (Emily Hahn) would take a couple of her old favorite playthings with her, as well as some newbies, but it just seems so random in the episode, as if the producers locked down their main players, and then just kind of picked a few supporting ones based on actor availability or whose star is currently rising. And granted, in twenty minutes, there is not time to include everyone, with many of those who are present getting little to do. I just wish there had been more of a sense that this was planned out and each particular personality is included for a reason, as several seem to serve no purpose.


The main plot involves the group going to a motel. Mr. Potato Head is not content to sit in the luggage, and explores the room, looking for free amenities. The other toys venture forth to rescue him, are quickly separated, and fall into the hands of an evil desk clerk (Stephen Tobolowsky, Californication), who sells them on eBay. Jesse must overcome her fear of being in boxes to rescue them all before Bonnie leaves them behind.

The desk clerk arc definitely feels like a retread of Toy Story 2's toy man, and not in a good way, that being the worst of the three films. It's nice that this villain gets his comeuppance when one expects he won't. However the story would work with just an animal stealing toys, not needing this unnecessary man. Given the short running time, I wish he would have been cut.

The story involving Jesse's fear is OK, but a much lighter version of the drama present in the movies. And rather than being inspired by her friends to overcome her fears, she meets Combat Carl (Carl Weathers, Arrested Development), which feels unnecessary, especially when Carl and the other new toys introduced don't end up with Bonnie, doomed to be a forgotten footnote, even if the series continues past this. Given the very small role most of the main characters have in this installment, one of them should have stood in for Carl's part. Buzz seems a good choice.

Another main element of Toy Story of TERROR is that Mr. Pricklepants seems an expert on horror films, and in this spooky, Halloween-themed plot, he tells them what to look out for, sort of like a certain character in Scream. I guess this is in place for the kids watching, who wouldn't know many of the elements of a scary movie yet. But it does kind of drag down the proceedings.

There are some nice elements. I really liked the desk clerk's pet iguana, which hilariously acts like a dog. The shower curtain rip and Mr. Potato Head's arm hopping around on its own are a good play on the horror genre. It's not truly frightening, which is good for the little kids who will invariably watch. The original voice cast returns; I didn't pick up on any recastings, which always detract from the overall enjoyment.

Toy Story of TERROR is a misstep, though, and hopefully, if the Toy Story saga is going to continue, more thought and effort are put into the next installment. These toys deserve better.

THE OFFICE "Finale"

Article first published as THE OFFICE "Finale" on TheTVKing.

How do you say goodbye to a beloved series after nine (!) seasons on the air? Well, it helps to give every single person in the sprawling cast a nice moment, with even bigger payoffs for the show's leads. Toss in the most-missed character in the series' run, a slew of recurring returning players, a handful of well-known guest actors used in smart, not distracting, ways, and supersize it to 150% longer than the normal installment so it doesn't feel rushed.

That's what NBC's The Office did last night, to great effect. There are two major stories intersecting in one weekend: Dwight (Rainn Wilson) and Angela (Angela Kinsey) are getting married, and all of the former Dunder-Mifflin staff are gathered together for a reunion panel, post the airing of their documentary. Thanks to some wrangling by Jim (John Krasinski) and Pam (Jenna Fisher), both are scheduled on the same day so that everyone special gets to participate in both.

This level of caring extends to how Jim approaches Dwight's bachelor party, intent on making it perfect for his best friend. Dwight and Jim have fought like brothers over the years, but "Finale" is the ultimate payoff, not only proving Jim's affections, but showing how much Dwight cares for Jim, too, when he gives Jim and Pam a generous severance (which we'll get to later), and how he's upset at Jim backing out being "bestest mench" at the wedding. Fear not, it's just Jim's greatest "prank" to date, as he arranges for Michael Scott (Steve Carell) to fill the role, a great present for Dwight.

Despite NBC and Carell's reps repeatedly and vigorously denying Michael's appearance in this last episode, it's more than a one-scene cameo. Michael is at both the ceremony and the reception, happily celebrating the union of two people that he deeply cares about. He may only get two lines (at least to the best of my memory), but they are such classic Michael Scott dialogue that it's all that is needed. His presence makes the event perfect.

Well, that, and the fact that everyone gifts Angela cats.

Angela's cat fetish isn't the only major plot part featured for a supporting player, with each of the vital members of the Dundler-Mifflin staff whose names have not graced the opening credits, save once, before now, have a tribute in this episode. Kevin (Brian Baumgartner) gets a couple dumb moments and a cake. Phyllis (Phyllis Smith) and Stanley (Leslie David Baker) get to tell each other how much they miss one another, now that Stanley has retired and, happily divorced, moved to Florida. Phyllis also saves Angela's walk down the aisle, after causing Angela's walking hardships, and tries to fatten up her new desk mate (Better Off Ted's Malcolm Barett) into a new Stanley. Meredith (Kate Flannery) is proud of her son, hired to be Angela's bachelorette party stripper, and gives him tips at work. Kelly (Mindy Kaling) ditches her husband (Sendhil Ramamurthy) to run away with Ryan (B.J. Novak). Nellie (Catherine Tate) finally gets a child, when Ryan's fleeing results in an abandoned baby. Erin (Ellie Kemper) gets to meet her biological parents (Joan Cusack, Shameless and Ed Begley Jr., Family Tree). Andy (Ed Helms) has found his niche in the world. Toby (Paul Lieberstein) feels valued when his colleagues insist that he hang out with them. Oscar (Oscar Nunez) is running for office, and even has an assistant (Ben and Kate's Dakota Johnson). Darryl (Craig Robinson) is very successful, and riding in limos. Creed (Creed Bratton) sings a song, and is arrested at the end.

It's important that The Office serves all of these personalities, and there are a lot to get to, as the long paragraph above attests, so the increased running time is invaluable. The show is about so much more than five or six main characters; it's about the huge family that has come together under these conditions, bonded through the experiences they have undergone together. All of these bits, and the large hang out of the staff at the end, Dwight and Angela even postponing their honeymoon to be there, mean so, so much. It's very gratifying for the fans to see the characters care about each other as much as we care about them.

Even better, in the group photo in the warehouse, the behind-the-scenes crew get to join their colleagues and be included in one of the last moments for The Office.

Not that the more central players are given the short shift this week. Pam feels bad, especially after the documentary panel, that Jim always gives up everything for her. The viewers remark that Jim adores Pam, and she doesn't seem like she deserves it, something Pam also realizes when she tries to watch the show herself, and finds it too painful. So she makes the ultimate sacrifice, calling Michael's realtor ex-girlfriend, Carol (Carell's real wife, Nancy Walls), to sell their house, and giving up her life to move to Austin for Jim's dream career. This is the perfect cap to their relationship, the one that proves their love is not one-sided.

I have very few complaints about this final hour. I think it's a little cheesy that Mose's (Michael Schur) kidnapping of Angela is faked out as sinister. I don't like that Pam paints the office staff on the warehouse wall, leaving the warehouse workers, who will have to look at it every day, out of the process, although the way that the cast sneaks away from everyone else during the party reinforces that they don't value the others so much, and they aren't exactly part of the same family.

It's also a little sad how many of the staff are gone from Dunder Mifflin. Dwight (deservedly) fires Kevin and Toby, Stanley retires, Creed goes on the lamb, Nellie moves to Poland, Andy moves to New England, Jim and Pam quit, following Darryl, and Michael has been gone for a very long time. Yet, they all feel exactly where they should be.

The best scenes in the "Finale" are the emotional ones: Michael talking about how proud he is his "kids," both literal and figurative; Dwight speaking of his relationship with his subordinates; Dwight and Kevin making up; everyone reliving the memories they share. It's hard to write this review without tears in my eyes. This is how we want to remember them, and because The Office gives us this nearly-perfect send-off, we will get that wish.

Thank you to everyone involved in The Office for a wonderful series to be thought of fondly and relived over and over again.

Shameless still not blushing

Grade: 94%

Showtime’s SHAMLESS comes back this weekend with “El Gran Canon,” airing Sunday at 9 p.m. ET. While the Gallaghers may be the same old family they’ve always been, the stakes of season three have definitely been amped up, with real life-and-death danger threatening them all.

I refer, of course, to Steve / Jimmy’s (Justin Chatwin) father-in-law. Estefania’s (Stephanie Fantauzzi) dad blows into town, and, after watching Jimmy for awhile, takes him to Estefania’s apartment and murders Estefania’s boyfriend, Marco (Thierre Di Castro). Then he tells Jimmy that he expects him to watch out for Estefania, and keep his nose clean to avoid trouble with the law, meaning Jimmy will have to get a legitimate job.

Marco’s death is disturbing in that Jimmy is forced to witness it. But Marco is known to be abusive, so despite Estefania’s protests, it’s probably not a bad thing that he is dead.

The point of this really appears to be to put serious fear into Jimmy so that he will do what Estefania’s father wants him to do. This looks to be very effective. Jimmy is noticeably shaken, and while he would have probably helped out Estefania without the threats, he definitely will do his best now.

The thing that goes unspoken between Jimmy and his new “boss” is that Jimmy can continue to live with Fiona (Emmy Rossum) and her family, as long as he puts Estefania’s needs first when she needs him. This is all well and good for Jimmy, but the thing he should consider is, he is putting his new family, the Gallaghers, in danger by hanging around them. If Estefania’s father would kill Marco so callously to manipulate Jimmy, it is likely that he would not be above hurting one of the Gallagher children to continue to do so.

Fiona, for her part, remains oblivious, but she wants to be. As “El Gran Canon” begins, she is bored of Jimmy acting as the house mom, helping with the responsibility, seemingly being a normal, though not legal, husband. The danger presented by Estefania’s father’s surveillance of the house and Jimmy’s disappearance for a day excites her, and she’s soon hopping into the sack with him, whereas before, she made excuses to avoid sex.

Fiona has always seemed the normal, responsible member of the family. It’s a little disappointing when SHAMELESS reveals that she is not much better than the rest. Is her attraction to the danger around Jimmy a character flaw, or just a method to blow off steam? Either way, she is jeopardizing her charges, putting them at unnecessary risk.

Other than that, though, Fiona is doing good, finally moving up in the working world. She has a chance to do a promotion night at the club, and she hands over her last paycheck from a crappy job to do so. Her irresponsibility in not paying the property tax could come back to bite her in the butt, but hopefully, by then she will be making enough money to fix things. One can wish, anyway. At least she might be able to break even, and keep the status quo.

The rest of the Gallaghers are doing what they normally do. Lip (Jeremy Allen White) is getting into trouble with the law, misusing his formidable brains, but never far away from taking the right path. Ian (Cameron Monaghan) continues his affair with Jimmy’s dad, Lloyd (Harry Hamlin), though he is starting to pull away, a good decision, even if Ian may do it for the wrong reason.

Debbie (Emma Kenney), alone, has put her life on hold. Frank (William H. Macy) has been missing for over four months, and while the older children know enough now to worry about him, maybe even hope that he won’t return, Debbie prays at an altar set for Frank, and looks for him every day. It’s sad, knowing that she will be disappointed by her father soon enough. Yet, it’s cool that SHAMELESS lets us see a kid not yet cynical and spoiled by reality, the way the rest of the family is.

Frank is actually down in Mexico, without identification, unable to cross back into the United States after a really bad bender. While this could spell trouble for most, Frank is a conniving sleaze ball. It doesn’t take him long to find passage home, using his anal storage talents, and setting a record in the cocaine smuggling world. This is the comic relief of “El Gran Canon.”

While there is definitely real danger for many of the characters presented in this episode, it’s hard to believe that Frank will ever come to real harm. The good die young, but the bad don’t. Frank always stumbles into something to save himself. His family would be better off without him, but as Fiona promises Debbie, Frank will always find his way home.

Speaking of homes, Sheila (Joan Cusack) seems to be building one with Jody (Zach McGowan) and the baby. I wonder how long Sheila can possibly be happy with her daughter’s immature, hippy ex-boyfriend? At least Jody cares, and appears willing to take on the responsibility of fatherhood.

Lastly, Kevin (Steve Howey) and Veronica’s (Shanola Hampton) latest venture is performing racist, historical, live sex shows on the internet. It’s funny because it’s so wrong. The only complaint I have about this sequence is, how come their “fictional” sex is so much less raw and dirty than their real intercourse? This couple’s passion is renowned, but it’s not very evident here. However, maybe they think of this as a joke as much as viewers will, thus why they aren’t giving it their all.

Because the stakes have been raised, this season of SHAMELESS should grow in ways that will be exciting and feel fresh. Yet, the characters remain true to themselves at their core, bringing the same sensibilities they always have. “El Gran Canon” is a fitting season premiere, and is tantalizing enough to get fans pumped for the rest of the run.

Want to read some of my fiction? It's on my website, JeromeWetzel.com! Also, for the latest updates and article links, as well as commentary on episodes I don't fully review, please follow me on Twitter!

Article first posted on Seat42F

'Fiona Interrupted' is Shameless

Showtime's Shameless brings its second season to a close with "Fiona Interrupted," which finds many of the Gallaghers (and their friends) contemplating change. Frank (William H. Macy) is intent on breaking Monica (Chloe Webb, China Beach, Twins) out of the mental hospital, but finds most of his children unwilling to help. Fiona (Emmy Rossum) determines a new list of priorities, which Jimmy / Steve (Justin Chatwin) hopes to be included on. Lip (Jeremy Allen White) also has some tough choices to make concerning his romantic life. Karen (Laura Slade Wiggins) gives Sheila (Joan Cusack) an ultimatum: the baby goes, or Karen will.

What does Karen expect when she makes Sheila choose between her and the baby in "Fiona Interrupted?" Karen is pretty much grown, and has proven repeatedly that she doesn't need her mother. The baby, on the other, definitely does need someone to love and care for it. Considering that he has Down syndrome, he isn't likely to be adopted. Sheila does the responsible thing by taking in her grandson, and the police, when Karen calls them, agree. Sheila makes the only decision she can here.

Why does Karen hate the baby so much? Is he a reminder of the person she is? Does she not like herself or her promiscuous ways? When she sees the baby's face, is she reminded of the drugs that she consumed during pregnancy? Surely Karen's anger is directed at least as much at herself as at the infant. Otherwise, her character has become a psychopath, and there's no reason for her to continue on Shameless, as no viewer will like or relate to her.

Lip loves Karen. He wants to be a father, too, but he also genuinely adores Karen herself. Even as Karen pushes him away over and over, Lip is willing to stand by, and likely would, even after he learns that baby is not his. However, these monstrous actions by Karen in "Fiona Interrupted" drive him away. That's not to say that Lip is done with her forever. But it will certainly take a lot of time and apologizing for the eldest Gallagher male to consider getting back with his first true love.

Might Lip find a replacement companion in Mandy (Emma Greenwell)? Mandy is just a warm bed for Lip, but she really seems to be interested in something more with him. And while Lip initially shoves her off and avoids talking to her about a relationship, he seems more accepting by "Fiona Interrupted." Does this mean he is warming up to her? Might he consider something more than a friends with benefits arrangement? He should have already considered this, seeing how dangerous her family is, and if he isn't ready to be serious, he needs to find a way to let her down gently.

Emma Greenwell has now played Mandy in more episodes of Shameless than Jane Levy (Suburgatory) did before leaving the show. Despite this, it's still hard not to see Levy in the role, and miss her. Greenwell does fine, but she seems to lack that extra spark and subtle layers that Levy brought to the part. One wonders if Greenwell would be better received had she been the one originally cast as Mandy. This situation brings to light the problem with recasting. Bottom line: avoid it at all costs!

Fiona has Steve, er, Jimmy back. Will Shameless ever pick a name for him? Jimmy makes the most sense, given that it is his real name, and someone else is now using the identity of Steve. But since he is called Steve for all of season one, there will be an adjustment period for the audience, which is probably why both names are currently being used. Either way, Fiona gets back with the guys she loves.

When Shameless begins season two, it is kind of nice to see Fiona play the field. She has a lot of responsibility, and deserves some fun. Settling down with one man is kind of a grown up thing to do, and Fiona does enough grown up things in her life already. Which does not mean that she doesn't deserve love. Fiona, more than any other character in the series, sacrifices everything for her family. That's why, despite how fun it is to see wild and free Fiona at the beginning of the season, it's also a bit of a relief to hear Jimmy confess his love, and to see her accept it.

Of course, there is always a wrench. In the final moments of "Fiona Interrupted," Fiona's happy ending is interrupted by the appearance of a battered Estefania (Stephanie Fantauzzi) at her door. Technically, Estefania is married to Jimmy's Steve identity, and because of the time she spent with Jimmy, he feels obligated to do something. This is reasonable. Even though Fiona has enough drama to deal with, she should be OK with this because she won't want to see anyone get hurt, and Estefania's guy, who is now using the Steve identity, is hurting her. But will she regret Jimmy helping Estefania if things get too hairy? And how long can Estefania stick around before Fiona gets too jealous?

What's more, Estefania isn't the only problem. Ian (Cameron Monaghan) sleeps with Jimmy's father, Lloyd (Harry Hamlin, Army Wives, Veronica Mars, L.A. Law). This happens before the Gallaghers meet Jimmy's family in "Fiona Interrupted," though Lloyd is interested in continuing the affair. Ian seems reticent, thankfully, now that he knows about Lloyd's wife and kids. But Fiona is bound to be upset, and Jimmy must be told. Without knowing more about Jimmy's family and home life, it is impossible to know what repercussions may arise from this situation.

Which is just plain sad. As mentioned, Fiona deserves her happy ending. She has to give up a good job, and likely, dreams of college, to continue in her role as the caretaker of the family. Thus, her love life should not be a chore, too. And clearly, there will be a bumpy road on the way to happiness, if she stays with Jimmy. If she doesn't... Well, let's just hope that her future suitors are better matches than the batch of guys that she has dated this year.

And Ian should get a little cheer, too, which he won't with Lloyd. An affair with an older, married man who has his own family is bound to end in disaster, which Ian should already know, based on past experience. Hopefully, he will not repeat his mistake.

Frank is lost without Monica in "Fiona Interrupted," and assumes that his kids will be, too. Surprise, surprise, only Debbie (Emma Kenney) agrees to help Frank carry out his "rescue" plan. Why does no one else care?

The Frank and Monica drama is old hat to the elder Gallagher offspring. They have seen the rollercoaster ride that their parents take them on, and want nothing more to do with it. Debbie, on the other hand, does not have those clear memories of what it is like to be with both of her parents. She is really enjoying having her mother back at home, despite the Thanksgiving suicide attempt, and would like to continue this living arrangement. Who can blame her? Kids crave their parents until they learn better, as Debbie's older siblings have, repeatedly.

Debbie and Carl (Ethan Cutkosky) are deeply upset by Monica cutting herself in the kitchen. This should be a sign that helping Frank get Monica back is a mistake. It's not like Frank has become a loving father with Monica around, though he is home more. Monica buys her children things (with the money that she stole from them), but, as a bi-polar drug user, is in no shape to take care of them. Thus, while it's nice to have a mother and a father in the house, Debbie and Carl are without their parents around.

But Debbie helps Frank bust out Monica anyway. The family's happy reunion lasts all of two minutes, until Monica takes off with her new girlfriend, Jill (the amazing, hilarious Jenna Elfman, Dharma & Greg). Jill is a deeply disturbed individual, waiting to see if she's competent to stand trail for violence against her husband. Monica knows how to pick 'em, doesn't she? Is Monica in danger, running off with Jill? Who knows? But that's a plot for another season. What's shown in "Fiona Interrupted" is that Monica's behavior is erratic, and she has no problem abandoning her family. Again.

As soon as Monica is gone, though, Frank returns to the total loser that he is, and soon enough, his kids carry him out and dump him in the alley. Frank is better with Monica around, but only slightly, so it's not with a great sense of loss that he is put back on the street. Losing Monica is a serious blow to Frank's happiness, as Monica is the only woman he seems to care about. His other trysts all have ulterior motives, but with Monica, Frank shows his heart. To the extent that Frank can, that is.

Debbie, Carl, and the others will be OK. No matter how terrible their parents are, they have older siblings who are dedicated to making sure they grow up all right. Let's just hope that these latest shenanigans don't scar them too much.


Shameless has been renewed for a third season, and will return to Showtime.

If you like my reviews, please follow me on Twitter!

How Shameless spends its "Summertime"

     Showtime's Shamesless returns with "Summertime." The Gallaghers are busy earning money to get them through the year, including a scheme involving Kelvin's (Steve Howey) monster pot harvest. But the unexpectedly large electric bill from said crop, as well as V's (Shanola Hampton) disapproval threaten their plans. Then things get even dicker when Frank (William H. Macy) makes a big bet and loses, leading to the debtors holding Liam (Blake Alexander Johnson and Brennan Kane Johnson) hostage.

     "Summertime" finds the family almost exactly as they were last left, still getting into the same types of trouble, which is great for fans who love the snow's story structure. As such, it is easy to jump right back into the world without missing a beat, a must considering how long Shameless's hiatus has been.

     Frank has been having a run of luck since shacking up with Sheila (Joan Cusack), but that good fortune is about to run out. Sheila is making big progress in her therapy, making it a full 100 steps from her house. Her ultimate goal, since she loves Frank dearly, for unknown reasons, is to make it to the Alibi to spend time with her sweetie. That should be all it takes to end their relationship, as she will finally see the real Frank, and what everyone else thinks of him. To make matters even worse for Frank, he can no longer go home after the stunt endangering Liam, which infuriated his other children, so he will likely be let homeless when Sheila kicks him out. That is, until he comes up with another scheme.

     The character of Frank is a despicable lowlife, and he finds ways to be even worse on "Summertime." It's one thing to neglect himself, but it's quite another to endanger his children. The older ones have learned not to count on him, but again, letting a baby be kidnapped by gangsters takes things to another level. There isn't a redeemable bone left in his body now, and it will be interesting to see how Shameless tries to make him sympathetic now, if an attempt is even made.

     Besides Frank, the rest of the family is very loving, and willingly hand over all their hard earned savings in order to rescue the youngest member of their clan. It's just such a shame that they have to, considering how hard their lives are. They struggle, and are just seeking some happiness, which, once again, intentionally or not, Frank sabotages.

     Bad timing, too, as Fiona's (Emmy Rossum) is having fun being a player. Too hurt by Steve (Justin Chatwin) to consider anything serious, she finds sexual satisfaction in the arms of a hunk or two. At her age, she deserves some casual, entertaining rebound if she desires it. Hopefully she will get the chance for it without family responsibilities or a would-be commitment minded guy dragging her down.

     Poor Kevin. He has a great looking crop in "Summertime" until V rains on his parade. She is right to do so, though. Selling a little weed is one thing, but the legal consequences of following through with his harvest, should he get caught, are just too big to risk. With this in mind, he does the right thing in trashing most of it. But what of the two bags he secretly buries in the yard? V will be furious. And with a cop, Tony (Tyler Jacob Moore), as a neigbor, it's pretty dumb.

     Kash (Pej Vahdat, Bones) is also dumb. Not for leaving his bitch of a wife, Linda (Marguerite Moreau), as he should never have been with her on the first place. But for abandoning his kids. It may not be immediately obvious, but Cash is proving.extremely selfish and no better than Frank.

     What is going on with Lip (Jeremy Allen White) in "Summertime?" Sure, his friendship with Professor Hearst (Dennis Boutsikaris, W.) is proving beneficial, and the ice-cream truck he is running with Kevin should prove profitable. But what is he doing with Karen (Laura Slade Wiggins)? It's nice, though a bit naive to forgive her for Frank; it's foolhardy to try to carrying as normal when she is so obviously moving on. Things will never go back for them. Lip should either make a serious romantic play for her, a questionable move given their history, or just let her go.

     Ian (Cameron Monaghan) is lucky to have Lip. He is the supportive elder brother every younger boy wishes for. First with the coming out of the closet,.and now with the dreams of Westpoint, Lip stands by him. Lip may not be crazy with either thing, but that doesn't matter; this is what Ian wants, and Lip will work tirelessly to make it a reality. Sk what major bad circumstance will disrupt this great relationship?

     If one is looking for concrete proof that the children of Shameless have to act beyond their years, look no further than Debbie (Emma Kenney) in "Summertime." Still a young kid herself, she runs a daycare with close to ten tots! She pretends Fiona is in charge in front of the parents, then does everything herself as Fiona sleeps the day away. That's not a complaint against Fiona, who works hard, too. But for a little girl to step up and do so much, she deserves some serious credit. Debbie is minimized in season one to some degree, but if "Summertime" is any indication, she will not stay that way for long.

     Recasting sucks. It's wonderful that Jane Levy now gets to staring a major network sitcom, Suburgatory, but it's terrible that a different girl (Emma Greenwell) has to play Mandy. Couldn't she just have been written out? If the part is vital to Shameless, couldn't a replacement character be introduced instead? Very disappointed about this.


     Watch Shameless Sundays 1t 9 p.m. ET on Showtime.

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Shameless - "Pilot"

For frequent mini-reviews and occasional TV news, follow Jerome on Twitter.


     There was a LOT going on in the first episode of Showtime's new drama, Shameless. With a staggeringly large cast, including the huge Gallagher family at the center, my biggest worry going forward is how everyone will get a fair shake. And yet, so much was packed into the first hour, and so many characters got to shine, that the worry is minor, at best. It was a delightful romp, full of all the delicious sin you want in a pay cable show, plus some real, gripping story. I thoroughly enjoyed it, and know already that this will quickly become one of my favorite shows. It is based on a long-running British series, and after last night, I know I'd like to see that, too.

     At the center of the Gallagher family is patriarch Frank (the incredible William H. Macy), although I use the term 'patriarch' pretty loosely, because it's not like Frank does anything to care for his boisterous brood. Frank got some funny bits, but no real plot of his own in the pilot, though next week's episode is called "Frank the Plank", so I assume that will change soon. The series would not dare waste a great like Macy, and it has already been said that Sheila (Joan Cusack) is in the cast as a love interest for him, not just some girl's mom. Which makes sense, because I was curious on why someone with the gravitas of Cusack took such a small part in the pilot. However, for now I am content to watch Frank fall over, and the scene where he found the new washing machine probably defines the character best.

     The real center of the Gallaghers is eldest daughter Fiona (Emmy Rossum, The Phantom of the Opera), who raises Frank's other kids as if they were her own. While it is unclear how old exactly Fiona is, she is certainly far too young to be taking on the responsibilities she does. Following her example, all of the kids make money however they can, and kick together a pot when bills are due. Frank does not contribute. To get him to even pay for a field trip, Fiona shook his pants leg while he was passed out and picked up the coins that rolled out. Luckily, Fiona seems to have a life outside of her hell beckoning to her in the form of Steve (Justin Chatwin), a car thief who likes her and wants to shower her with gifts, so far in the form of the aforementioned washing machine and a big breakfast for the family. These two are a real joy, with authentic chemistry.

     My favorite story in the first episode, though, was between brothers Lip (Jeremy Allen White) and Ian (Cameron Monaghan). Lip found gay porn stashed away by Ian, and set about trying to get confirmation on Ian's sexuality. Lip took him to Karen (Laura Slade Wiggins), a girl Lip tutors that doesn't mind handing out blowjobs, and his suspicious were put to rest. What was sweet, though, was that after Lip got over his initial shock and disgust, he found a way to accept his brother for who he was. The tough world Lip and Ian inhabit can't be kind to homosexuals, but Lip put family first. He loves his brother, and will stand by him, no matter what.

     That's what holds the Gallaghers together: love. Despite their crazy, messed up world, love was a theme that shone through in the pilot. They are a family, much more realistic than many on TV. They're lower class, struggling to get by, but by sticking together, they manage to. Everyone helps out where they are needed, with the typical sibling squabbling, of course, but won't abandon the others. Fiona could have, should have, left when she reached adulthood sometime recently, but she didn't. She cares too much about her brothers and sister.

     Of course, there are plenty of other elements. Like in most Showtime shows, there is lots of drinking and other drugs, though Frank is the only one who takes them too far. Sex is a part of their life, and I find that enjoyable and realistic, too. Already in the pilot, we saw neighbor Kev (Steve Howey) passed out naked, two boys got oral sex, and Fiona and Steve got it on on the dirty kitchen floor. Rossum, who has avoided nudity up til now in her career, said the writing makes it worth it; the scenes that are shown are important to the story. She's right. If the Gallaghers were sanitized, they wouldn't be who they unapologetically are, and the series would suffer.

     Although adapted from a British series, the world the Gallaghers live in is also very specific. It's a Chicago neighborhood, and there's a tone that is very clear. The setting feels like a character, more than just a place they live. The neighbors build a rich tapestry around the Gallaghers, and the cops are integrated, not willing to toss their people in the clink for minor crimes. There is a bigger community there, inspiring in its bonds.

     The series also stars Shanola Hampton, Jane Levy, Tyler Jacob Moore, Ethan Cutkosky, Emma Kenney, and Brennan Kane Johnson and Blake Alexander Johnson as baby Liam. See? I told you it was a big cast.

     I look forward to the next Gallagher story. Shameless airs on Sunday nights at 10 p.m. on Showtime.

Article first published as TV Review: Shameless - "Pilot" on Blogcritics.