THE OFFICE "Finale"

Article first published as THE OFFICE "Finale" on TheTVKing.

How do you say goodbye to a beloved series after nine (!) seasons on the air? Well, it helps to give every single person in the sprawling cast a nice moment, with even bigger payoffs for the show's leads. Toss in the most-missed character in the series' run, a slew of recurring returning players, a handful of well-known guest actors used in smart, not distracting, ways, and supersize it to 150% longer than the normal installment so it doesn't feel rushed.

That's what NBC's The Office did last night, to great effect. There are two major stories intersecting in one weekend: Dwight (Rainn Wilson) and Angela (Angela Kinsey) are getting married, and all of the former Dunder-Mifflin staff are gathered together for a reunion panel, post the airing of their documentary. Thanks to some wrangling by Jim (John Krasinski) and Pam (Jenna Fisher), both are scheduled on the same day so that everyone special gets to participate in both.

This level of caring extends to how Jim approaches Dwight's bachelor party, intent on making it perfect for his best friend. Dwight and Jim have fought like brothers over the years, but "Finale" is the ultimate payoff, not only proving Jim's affections, but showing how much Dwight cares for Jim, too, when he gives Jim and Pam a generous severance (which we'll get to later), and how he's upset at Jim backing out being "bestest mench" at the wedding. Fear not, it's just Jim's greatest "prank" to date, as he arranges for Michael Scott (Steve Carell) to fill the role, a great present for Dwight.

Despite NBC and Carell's reps repeatedly and vigorously denying Michael's appearance in this last episode, it's more than a one-scene cameo. Michael is at both the ceremony and the reception, happily celebrating the union of two people that he deeply cares about. He may only get two lines (at least to the best of my memory), but they are such classic Michael Scott dialogue that it's all that is needed. His presence makes the event perfect.

Well, that, and the fact that everyone gifts Angela cats.

Angela's cat fetish isn't the only major plot part featured for a supporting player, with each of the vital members of the Dundler-Mifflin staff whose names have not graced the opening credits, save once, before now, have a tribute in this episode. Kevin (Brian Baumgartner) gets a couple dumb moments and a cake. Phyllis (Phyllis Smith) and Stanley (Leslie David Baker) get to tell each other how much they miss one another, now that Stanley has retired and, happily divorced, moved to Florida. Phyllis also saves Angela's walk down the aisle, after causing Angela's walking hardships, and tries to fatten up her new desk mate (Better Off Ted's Malcolm Barett) into a new Stanley. Meredith (Kate Flannery) is proud of her son, hired to be Angela's bachelorette party stripper, and gives him tips at work. Kelly (Mindy Kaling) ditches her husband (Sendhil Ramamurthy) to run away with Ryan (B.J. Novak). Nellie (Catherine Tate) finally gets a child, when Ryan's fleeing results in an abandoned baby. Erin (Ellie Kemper) gets to meet her biological parents (Joan Cusack, Shameless and Ed Begley Jr., Family Tree). Andy (Ed Helms) has found his niche in the world. Toby (Paul Lieberstein) feels valued when his colleagues insist that he hang out with them. Oscar (Oscar Nunez) is running for office, and even has an assistant (Ben and Kate's Dakota Johnson). Darryl (Craig Robinson) is very successful, and riding in limos. Creed (Creed Bratton) sings a song, and is arrested at the end.

It's important that The Office serves all of these personalities, and there are a lot to get to, as the long paragraph above attests, so the increased running time is invaluable. The show is about so much more than five or six main characters; it's about the huge family that has come together under these conditions, bonded through the experiences they have undergone together. All of these bits, and the large hang out of the staff at the end, Dwight and Angela even postponing their honeymoon to be there, mean so, so much. It's very gratifying for the fans to see the characters care about each other as much as we care about them.

Even better, in the group photo in the warehouse, the behind-the-scenes crew get to join their colleagues and be included in one of the last moments for The Office.

Not that the more central players are given the short shift this week. Pam feels bad, especially after the documentary panel, that Jim always gives up everything for her. The viewers remark that Jim adores Pam, and she doesn't seem like she deserves it, something Pam also realizes when she tries to watch the show herself, and finds it too painful. So she makes the ultimate sacrifice, calling Michael's realtor ex-girlfriend, Carol (Carell's real wife, Nancy Walls), to sell their house, and giving up her life to move to Austin for Jim's dream career. This is the perfect cap to their relationship, the one that proves their love is not one-sided.

I have very few complaints about this final hour. I think it's a little cheesy that Mose's (Michael Schur) kidnapping of Angela is faked out as sinister. I don't like that Pam paints the office staff on the warehouse wall, leaving the warehouse workers, who will have to look at it every day, out of the process, although the way that the cast sneaks away from everyone else during the party reinforces that they don't value the others so much, and they aren't exactly part of the same family.

It's also a little sad how many of the staff are gone from Dunder Mifflin. Dwight (deservedly) fires Kevin and Toby, Stanley retires, Creed goes on the lamb, Nellie moves to Poland, Andy moves to New England, Jim and Pam quit, following Darryl, and Michael has been gone for a very long time. Yet, they all feel exactly where they should be.

The best scenes in the "Finale" are the emotional ones: Michael talking about how proud he is his "kids," both literal and figurative; Dwight speaking of his relationship with his subordinates; Dwight and Kevin making up; everyone reliving the memories they share. It's hard to write this review without tears in my eyes. This is how we want to remember them, and because The Office gives us this nearly-perfect send-off, we will get that wish.

Thank you to everyone involved in The Office for a wonderful series to be thought of fondly and relived over and over again.

Raise an "A.A.R.M." for The Office

Article first published as Raise an "A.A.R.M." for The Office on TheTVKing.

Things have mostly gotten back to normal for The Office in "A.A.R.M.," a fine example of a classic episode, while still allowing those emotional, end-of-the-series plot developments to creep in. Jim (John Krasinski) plays a huge practical joke on Dwight (Rainn Wilson), Pam (Jenna Fischer) questions whether she's going to make Jim resent her, Kevin (Brian Baumgartner) gets jealous when baby Phillip is in the office, Andy (Ed Helms) tries out for a singing competition, and Darryl (Craig Robinson) tries, and fails, to leave without saying goodbye.

I love "A.A.R.M." because it has something for each member of the cast. While the main story sticks with the characters who have been front and center this season, the rest of the supporting players get focus and moments, too, both in the normal plot, and in their interview cut scenes. Yes, they are all sort of lumped together with saying goodbye to Darryl, but doesn't that just feel right, that they don't want to lose one of their own? Watching the culmination of the plot, where Stanley (Leslie David Baker), Phyllis (Phyllis Smith), Creed (Creed Bratton), Meredith (Kate Flannery), Erin (Ellie Kemper), Toby (Paul Lieberstein), Nellie (Catherine Tate), and the others dance with Darryl feels special.

Then, they all go to a bar together to watch the premiere of their documentary. What this episode reveals is that these people are a family. We've known it all along, of course, but the point is driven home now. They could be by themselves, watching the show on their own television sets. Instead, they choose to be together, off the clock, to face this new adventure among people that are their family. And hearing Michael Scott's voice in those final moments brings back the one person missing, making the clan complete. It's a perfect episode ending.

Even Andy attends the viewing party, as no matter what he does, he is one of them. Sure, he's gone all day, trying to be famous (which is a funny little side story with wonderful guest stars), but when all is said and done, he returns to the group.

Jim feels that his family in The Office is enough. Pam questions that she is holding him back, and she should feel bad, but he tells her this is his decision and he won't regret it. In fact, Jim does everything he can in "A.A.R.M." to prove that this is where he wants to be, with Pam, even getting the documentary crew to make a video tribute of the two of them over the years, and giving her a long-held-back card. It's hard to understand how Jim could give up his dreams and be happy, but seeing him with Pam, and with the others at the end of this week's installment, Pam, and I, finally believe it's true.

We don't need to know what's in the note. As not much has been in these people's lives, it's private.

It helps that Jim has his "brother," Dwight, around. Jim teases him mercilessly, tricking Dwight into being the assistant to his own assistant, and mimicking many of the things Dwight did when he was assistant to the regional manager. But there's no cruelty in it, the two seeing each other as comrades. Dwight seems to be in on the game, as, when Dwight really needs Jim, he tells him so, dropping the charade they have been perpetrating the entire hour.

Jim is there for Dwight when Dwight needs him. Dwight isn't sure if he should marry Esther (Nora Kirkpatrick), the woman who is perfect on paper, or Angela (Angela Kinsey), whom he has always carried a torch for. Jim helps Dwight figure out his feelings, and gives him sound advice, which Dwight acts on. To me, this is the culmination of everything there is between them, and it's a very satisfying story.

Angela doesn't make it easy for Dwight, refusing to acknowledge that Phillip is Dwight's son until Dwight proposes. This makes sense, as she doesn't want him with her out of obligation, but instead, out of love. Yes, this plot develops a little quickly, but at the same time, it's been years in the making. And seeing Dwight, Angela, and Phillip end things as a family is almost as satisfying as the final Jim / Dwight story. So thank goodness Dwight's spin-off did not get picked up, or this may not have been possible.

I also really enjoy the dynamic in Accounting when Angela brings in Phillip, with Kevin acting as the insecure big brother, growing jealous of the attention Angela and Oscar (Oscar Nunez) give the baby. For anyone else, this story could come across as dumb, but the three actors involved sell it so well, and the resolution is so perfect, that it is enjoyable, rather than annoying.

That's long been a theme of The Office, taking tales that, in lesser hands, wouldn't be funny, and creating characters that, without such brilliant performances, wouldn't be sympathetic, and making them both. It isn't just a realistic look at life in an office environment, but also a celebration of people that make things work, even when they shouldn't. Despite a recent rocky path, The Office is doing the finale right, and "A.A.R.M." is the perfect penultimate episode to set that up.

The Office concludes next Thursday, with a retrospective at 8 p.m. ET, followed by a one-hour-and-fifteen-minute episode, set six months after this one, at 9 p.m. ET on NBC.

The Staff of The Office Are "Livin' the Dream"

Article first published as The Staff of The Office Are "Livin' the Dream" on TheTVKing.

NBC's The Office begins winding down to their series finale (airing May 16th) this week with "Livin' the Dream." Two weeks out from the release of the documentary, the staff considers what is important to them, and begins to think about where they want to be. For some, that means finally realizing something they have longer worked towards. For others, giving up one thing they love might be necessary to hang onto what they care about the most. And some are ready to take a leap of faith, no matter what it could cost them.

Dwight (Rainn Wilson) has always wanted to be the manager of the Dunder-Mifflin Scranton branch. When we are introduced to him, he isn't anywhere near ready to lead, and he has many rocky years of trying and failing to establish himself as a leader. Even a couple of years ago, after the departure of Michael Scott, Dwight has no idea what it means to really run an office, as we see during the brief time he grabs power.

But Dwight has grown a lot. In recent months, he has lost family members and found love. He has considered giving up the paper business altogether, but decided against it because his spin-off was not picked up. At least, right before the curtain closes on the series, he is ready for the job.

Not only does Dwight's promotion feel totally earned, he is supported by the entire staff in an incredibly sweet sequence. No one begrudges him the accomplishment, and even as he celebrates a bit too much, both after getting his black belt and this news from David Wallace (Andy Buckley), they are happy for him. They all know just how much he cares about their company, and Dunder Mifflin will be in good hands.

The best moments are between Jim (John Krasinski) and Dwight, naturally. There has long been an undercurrent of affection in their rivalry, with a relationship not unlike brothers. Jim recommends Dwight for the promotion, and could not be happier for his friend. Dwight getting Jim his desk back from Clark (Clark Duke) proves the feeling is mutual. And the interplay when Dwight offers Jim the position of assistant manager is not only a call-back to the earliest days of their ribbing, but a way to say "I love you" without saying it out loud, as men do. Perfect!

Of course, for Dwight to rise to that level, Andy (Ed Helms) must first be de-throned. David intends to fire him, only to have Andy quit first, set on following his dreams of being a performer. Everyone thinks this is a bad idea, and Andy waffles, temporarily accepting a return to the sales team, where he didn't flourish, but got by better than he has as manager. But in the end, passion trumps sense, and he makes a go at becoming famous.

I am a bit disappointed with Andy's trajectory. He works so hard at bettering himself, after being introduced as a terrible man, and then slips backwards in this final year. Andy does almost everything he can to leave with shame and pity, not good wishes. Even his excellent farewell performance doesn't make up for what he has done, nor promise him a successful career.

The Office will likely let Andy go "Livin' the Dream." I think the fact that he pulled out a song far better than what anyone expected was the writers' attempt to set him up to soar. However, realistically, it feels like Erin (Ellie Kemper) has the more likely prediction, that Andy will end up homeless and starving. What a tragic ending to a briefly beloved (during the middle of his run) character!

It's also sad to see what Jim is giving up. He makes Pam (Jenna Fischer) his priority, quitting work in Philly and telling Darryl (Craig Robinson) he won't go on the road. This shows us what a dedicated family man Jim is, and what he is willing to do for the love of his life. It's romantic, of course, and it paints Jim in a very good light. What's more, he seems at peace with his decision, like he will never regret making the choice that he does.

But he shouldn't have to make that choice. Pam is being selfish. Yes, Jim doesn't handle the start of the business well, in regards to consulting Pam. But she agrees to support him before they begin to fall apart. Her behavior, while somewhat coming from a place of love, is holding Jim back. With the opportunity now presenting itself, she needs to sacrifice, too. And, since she overhears the conversation between Darryl and Jim and knows is at stake, I think she will.

Many of the side characters remain side characters, and don't have their own subplots in "Livin' the Dream," nor will they likely in the next couple of weeks. The exception to this, though, is Angela (Angela Kinsey). Evicted and with her cats, whom she considers her babies, taken away, and realizing that she loves Dwight, who is with someone else, this is the lowest we've ever seen Angela. It's not easy to like her, but it's hard to watch her suffer.

Thankfully, Oscar (Oscar Nunez) steps in and offers her a place to stay and a shoulder to cry on. There's something poetic here, Angela being supported by the man who contributes to the downfall of her marriage. Oscar may be trying to make up for something, but there's also a kinship between them, both tossed aside by the same guy. It's special.

Most likely, The Office will see a reconciliation between Dwight and Angela, but I think this is the wrong move. Like with Andy, I wish they'd take a less predictable tact, with Dwight marrying the farm girl, and Angela becoming Oscar's roommate and best friend. Perhaps it isn't that realistic that Angela could learn to care about Oscar deeply (and platonically, of course), but that's what I'd really like to see. They could be like Karen and Jack from Will & Grace, living together for the rest of their days.

The end is near, and one can sense it in the air. At least before it goes, The Office has found a lot of what makes it special again. "Livin' the Dream" isn't perfect, and there are signs that the series finale won't be either. But it will make a lot of fans happy, and the emotional heft, barely begun to scratch the surface this week, should be significant.

The Office airs Thursdays at 9 p.m. ET on NBC for two more weeks.

Oh, and TVLine.com reported yesterday that Michael Scott will appear in the series finale!

The Office turns depressing

Article first published as The Office turns depressing on TheTVKing.

As NBC's The Office starts its wind down to the series finale in mid-May, the plot has turned really depressing. I expected to be taken through a more emotional segment of the journey, but maybe not for a sitcom to go quite as dark as it has. This week's episode, "Couples Discount," was absent of much joy, and yet, incredibly good.

Andy (Ed Helms) returns to his post after being gone for three months. He wants to act like he never left, and to be caught up on all the latest going-ons, but is it because he cares, or because he is covering his butt with his boss, David Wallace (Andy Buckley)? He should have returned humble and contrite, and instead, chooses the opposite tack, attempting to re-assert dominance and control.

When Andy sets sail last fall, he is a beloved character who has earned his place among the staff, and is finally settling into the boss's job. He is part of the group, someone who doesn't always do right, but who tries hard, and seems like a good man. Considering where he starts from, as the detestable invader from another branch with anger management problems, it is a satisfying place.

However, Andy has been totally and permanently ruined. From the moment he walks back in the door, it is clear that he no longer belongs. He tries to take credit for the work the staff has done, and accepts a bonus for the quarter he is gone. This ruffles a lot of feathers, to be sure, and it's no wonder that everyone turns on him. It's heartbreaking to see this happen with Andy.

Even worse, Andy single-handedly screws up the biggest account the office has ever landed, Jan's (Melora Hardin) white pages, ruining a lot of hard work that Dwight (Rainn Wilson) and Clark (Clark Duke) put in. Fans will feel just as shocked and betrayed as Dwight and Clark upon seeing this, and it's a rough moment to get through.

In the end, no one is mean enough to really rat Andy out to David, but Erin (Ellie Kemper) accidentally tips him off. This is how it should be. Andy will get his comeuppance, probably making this episode a one-time return, rather than a rejoining for the character, and no one has to be thought of as a bad guy for getting rid of Andy. The rest of the employees may be mad at him, but they're not so cruel as to be the one that stabs him in the back, and this twist saves any of their characters from that damnation. A few small lies that they tell Andy can be written off as justifiable, but revealing to David the truth would have gone too far.

At least Erin can finally be with Pete (Jake Lacy), free and clear. When Pete first arrives, he seems like an interloper, moving in on Andy's girl. But at this point, it's clear his feelings for Erin are pure, and he certainly deserves her more than the absentee boyfriend. Good for them!

So who will be the new boss? Last season, The Office floundered as it searched for a manager. It was not a good year for the series. However, these past three months without a boss have worked really well, both for the characters, and the series. Everyone knows their jobs at this point, and even if they goof off a little, they don't need a babysitter to keep them in line. Maybe this is how it is supposed to be. Maybe David doesn't need to appoint a replacement. Though that is pretty radical thinking for such an environment.


The other major development in"Couples Discount" comes when Jim (John Krasinski) learns the full truth about how Pam (Jenna Fischer) has been hnadling his absence from Brian (Chris Diamantopoulos), the fired boom guy. This takes the couple to a major make-it-or-break-it-point, where their relationship could go one of two ways. Jim, sadly, picks the wrong one, wanting to head back to Philly and avoid a fight, which would probably end their marriage, since it cuts off communication, and could even drive Pam into the arms of Brian, who is most definitely interested. But Pam chooses Jim, fights and all, and in doing so, puts them back on the right path.

It's a teary moment when Pam tells Jim that she wants to fight. What is she saying? That she wants to fight about what's gone on between them? Or that she wants to fight for their marriage? Jim and Pam have come so far in the past nine seasons. To see them fall apart now would be intolerable, and because they're working it out, they will only be stronger for the experience.

Lastly, there's a blink-and-you-miss-it moment when Darryl (Craig Robinson) almost turns Oscar (Oscar Nunez) down on acting like a couple for a mall discount, and then, seeing the camera, changes his mind. Setting aside that this leads to a fantastic genuine moment later on, where Darryl defends Oscar's homosexuality, it also is a sign of the changing tone of the documentary being made.

Before, this kind of thing hasn't been seen, so it was likely cut in the editing room. Now, this isn't the first slip up allowed in, and it makes me wonder what is going on with the rest of the crew. Brian's incident definitely isn't the only thing of interest happening behind the camera, and I can't wait to find out more.

"Couples Discount" is a superb episode of The Office. It may not be as laugh-out-loud funny as it has been in the past, but the real emotional heft more than makes up for it. This has been a terrific season, and a fitting bounce back from the weakness of last year. Catch more episodes of the final season Thursdays at 9 p.m. ET on NBC.

Want to read some of my fiction? It's on my website, JeromeWetzel.com! Also, for the latest updates and article links, as well as commentary on episodes I don't fully review, please follow me on Twitter.

The Office celebrates a "Dwight Christmas"

NBC's The Office continues the emotional journey of its final season. In "Dwight Christmas," Pam (Jenna Fischer) manipulates her co-workers into throwing Dwight's (Rainn Wilson) dream holiday celebration as a gift for Jim (John Krasinski). It works, and Jim is giddily amused. But when he cuts out early to head to Philadelphia for his new job, Dwight feels slighted, and calls off the celebration.

"Dwight Christmas" makes obvious what many of us have long suspected, and what The Office has allowed small glimpses of from time to time: Dwight and Jim have a brother-style relationship, at least in Dwight's eyes. He claims to hate Jim, but how hurt he is when Jim leaves tells a different tale. This proves not only a deep affection for the other man, but also how much Dwight is going to miss Jim when if he quits Dundler-Mifflin completely and moves away.

The Office may portray a dysfunctional family, but make no mistake about it, the co-workers do comprise a family. Every clan has their tiffs and disagreements, but in the end, they care about each other. Whether it's Oscar (Oscar Nunez) trying desperately to heal things with Angela (Angela Kinsey) after sleeping with her husband, or it's Phyllis (Phyllis Smith) and Stanley (Leslie David Baker) promising to help Jim out after giving him a ribbing, as they did last week, these people mean something to one another.

What better way to mark a final season than to demonstrate this? There is definitely starting to be a sense of an end in sight, with several characters considering paths that will take them away from the group. It's a shame, but it's also life, and viewers should be grateful for these people while we've had them. We've gotten to witness such a long stretch of their lives, and what they mean. It's very relatable, and as much as the employees may shed a tear in the end, so, too, should the fans at home, who have become invested, and may even feel like part of the family themselves.

During the party, Darryl (Craig Robinson) gets drunker and drunker, angry at Jim for seemingly forgetting about him in his new venture. It's a classic case of misunderstanding, as Jim hasn't forgotten to include him, but has not remembered to tell Darryl exactly what Jim has done for him. Yet, even while playing out such a familiar, unoriginal trope, "Dwight Christmas" still manages to be good because Robinson, along with his fellow actors, know how to sell the heart that beats at the center of the series.

Speaking of heart, a couple of relationship developments happen in "Dwight Christmas," too. Toby (Paul Lieberstein) senses some interest from Nellie (Catherine Tate), who may return the feelings. It's interesting that former boss, Michael's (Steve Carell), nemesis would get with new boss, Andy's (Ed Helms), foe, but there's also a bit of poetry in that. Plus, neither one has any other prospects in (or outside of) the office, and it's cool if they end up finding something in each other. Even if their co-workers might judge it the grossest pairing in the company.

Unfortunately, at the same time, a couple many are rooting for is falling apart. Andy is still MIA, not only continuing his run of being a bad, absentee manager, but also threatening things between himself and Erin (Ellie Kemper) by neglecting her. A lonely Erin falls sway, somewhat, to the charms of new guy Pete (Jake Lacy). It's hard not to think that Erin might be better off with Pete, who definitely cares about her, and at the same time, it's difficult to give up on Andy after everything we've seen from him over the years. It's a complicated, messy situation that will likely not resolve itself until the very end.

The Office, in its final season, is embracing the things that have made it so good in the past. This is a relief, considering the wandering, less-than-stellar past year. The show is taking its victory lap, and in doing so, has found itself again.

Watch The Office Thursdays at 9 p.m. ET on NBC.

Want to read some of my fiction? It's on my website, JeromeWetzel.com! Also, for the latest updates and article links, as well as commentary on episodes I don't fully review, please follow me on Twitter!

Article first published on TheTVKing

The Office lands "The Whale"

NBC's The Office continues its great final season this week with "The Whale." Dwight (Rainn Wilson) is given the opportunity to double Dundler Mifflin's growth when a new potential client asks for a meeting. Learning the meeting is with a woman, and knowing how bad Dwight is with relating to women, several of his female co-workers try to intervene and improve upon his manners. But no one is prepared when they learn who Dwight is actually being sent to talk with, and it will take everything Dwight has to land this impossible account.

Yep, Jan (Melora Hardin) is back! Jan is one of those character who is a delight every time she arrives on screen, mostly because she makes everyone squirm. This is the type of humor that The Office frequently lands, so it hits the perfect tone when it is returned to. We haven't seen Jan in awhile, so it's a great surprise (if you avoided NBC spoiler-filled promos), and the way it's played as a horror film moment when it slowly dawns on Pam (Jenna Fischer) and Dwight just whose office they are in is priceless.

This being the final season, we are likely to see a good many familiar faces in the coming weeks. Even former boss Michael (Steve Carell) is rumored to be making an appearance by series end. It's a well deserved victory lap, nine years in, to revisit these past people.

But it's not just done for nostalgia's sake. Jan's reemergence allows for a really good Dwight story. He may not be best at dealing with girls, but he is an expert salesman for a reason. Even Jan, who has absolutely no intention of dealing with her former employer, and is just taunting them, comes around to Dwight's skills when he uses what he knows about her to change her mind. Meaning, he dangles Clark (Clark Duke) as a sex object. And Dwight and Pam get a very nice friendship moment.

This continues the trend of giving the characters nice payoffs this year. While last season floundered as the company searched for a new manager, this year is back to the basics, exploring the main characters, reminding us who they are, allowing them to make some big decisions, and hopefully sending them on their way with sweet, satisfying endings.

There is drama. Jim (John Krasinski) is trying to start a business on the side. Andy (Ed Helms) is taking advantage of Erin (Ellie Kemper), driving her away. Angela (Angela Kinsey) seems to have realized that her husband, the Senator (Jack Coleman), is sleeping with Oscar (Oscar Nunez) and other men. But all this should be resolved, probably with happy results, by the end of the year. So rather than sweating it, as might have been done in earlier seasons, there's a sense that all of this is just the last few bumps in the road.

If you drifted away from The Office, as many have done, now might be a nice time to catch up. However it ends, it should be memorable.

The Office airs at 9 p.m. ET Thursdays on NBC.

If you like my reviews, please follow me on Twitter! Check out my website, JeromeWetzel.com! First posted on TheTVKing

Last day at The Office

NBC's The Office returned this week with "New Guys," the final season premiere of the long-running sitcom. It felt like the end, too. Sure, there were a couple of new staff members at Dunder Mifflin, but others have moved on, and a couple of the leads are contemplating their next step for their future. I don't know if this final season can make up for the mess of last year, but "New Guys" gets them off to a promising start.

Kelly (Mindy Kaling) is gone, whisked away to the glamor of Miami (Ohio) by her fiance, Ryan (B.J. Novak) trailing her and trying to pretend that he's not. I really wish there had been an entire episode where this played out, rather than a couple of scenes shown with voice over, but at the same time, Ryan and Kelly were never the focus of The Office. It's an appropriate ending for them, as far as the series is concerned, though I will miss them. (Kaling and Novak are both currently working on The Mindy Project, which premieres this Tuesday on FOX).

Jim (John Krasinski) considers moving on, too. A buddy of his is starting a business based on Jim's idea, and wants Jim to be a part of it. At first, Jim hesitates because it would mean moving his family and taking a big risk with their financial future. But when he sees what he has become through a new employee his co-workers dub "Young Jim" (Jake Lacy, Better With You), he decides that he must give it a shot.

Does Jim have the luxury of following his dreams now? Before having children, sure, as long as wife Pam (Jenna Fischer) is on board. As a creative person herself, she probably would be. Now that he has a couple of little mouths to feed, though, is it selfish of him to leave the security of the paper company to work on a venture that could fail? I guess it would depend on what kind of savings he has tucked away. But it's TV, and we're near the end, so anything can happen.

Dwight (Rainn Wilson) feels much the same as Jim when viewing his own "Young Dwight" (Clark Duke, Greek, Hot Tub Time Machine), but doesn't have the same prospects that Jim has. Learning Angela's (Angela Kinsey) baby isn't his adds to his misery. So, with no outlet for these feelings, Dwight acts out by trying to ride a bicycle on a wire off the roof of the building. It does not go well.

Most people who follow television know that Dwight is about to get his own spin-off called The Farm that will open a completely new chapter of his life. And he's ready for it. Dwight is no longer the same goober he once was, having grown as a person. He can't be held down by a menial job. He needs something more. It's time.

Seeing Dwight and Jim reach this point almost simultaneously is thrilling. These are two beloved characters who we have seen shaped over nine years. To be present at the time of major change is great, and it's nice that the writers are going to take their time with these plots, rather than just toss them in the last few episodes of the season. In this way, the conclusion should feel natural, and make watching The Office this entire time totally worth it.

In other plot, Andy (Ed Helms) comes back from leadership training more confident and in charge. This isn't good news for Nellie (Catherine Tate), whom Andy justifiably resents after she tried to steal his job. The thing is, as much as I've disliked Nellie, seeing Andy being such a bully to her makes me feel bad for her. This poor woman is just looking for an anchor to hold on to, and she has nowhere else to go. Hopefully, Andy will see that soon, and take pity on her. Having the bravado stripped away has humanized Nellie in a single episode. Terrific job.

Awesome throwback that Andy finally hates Toby (Paul Lieberstein) as much as Michael did! It seems like balance that I hadn't even noticed was off has been restored to the universe.

Lastly, it turns out that Oscar (Oscar Nunez) is having an affair with Angela's husband (Jack Coleman). I can't say that I didn't see this coming, but it's a regrettable turn of events. Unless Angela leaves with Dwight for the spin-off (she hasn't shown up in the current cast list), this leaves her with no happy ending. She is a miserable person, but no one deserves to be cheated on. It's not a bad story, but I'm still hoping the writers find a way to satisfactorily resolve this, and I have no idea what that could be.

Oh, and Creed (Creed Bratton) has gone completely insane, which doesn't bode well for the safety of anyone who works there. Might there be a death looming? Might he even be the infamous Scranton Strangler (assuming you don't believe the Jim Carrey theory).

The Office's final season continues Thursdays at 9 p.m. ET on NBC.

If you like my reviews, please follow me on Twitter! Check out my website, JeromeWetzel.com! First posted on TheTVKing

Don't bring your children to The Office

This week's outing of NBC's The Office is called "Jury Duty" because that's what Jim (John Krasinski) says he is doing when he misses a week of work. But Dwight (Rainn Wilson) grows suspicious, and goes on a quest to get his nemesis fired. Knowing he's in trouble, Jim confesses the truth to Andy (Ed Helms), that he was at home with his kids, who only makes things worse by trying to continue the cover up. Luckily, before Dwight can get corporate involved, he stops by the hospital and sees Angela's (Angela Kinsey) baby, who looks an awful lot like a Schrute. Suddenly, Dwight has the much more important thing of fatherhood to worry about than a feud with Jim.

It's long been known to viewers that Angela's husband, The Senator (Jack Coleman), is gay. But until the baby is born a "month early," at over nine pounds, it's unclear whether somehow he impregnated her or not. Why the Senator remains oblivious to the truth of the matter is unknown, but perhaps he is so caught up in his lie that he doesn't question it. Presumably he does have sex with Angela at least once, so it could be his, right?

Angela and Dwight's relationship has been a very slow burn over the years. Never getting too much focus in The Office, there has always been something special between them. Even as Angela tries to push Dwight away, it's hard not to hope that they will be together. They are strange in very different ways, and yet, their pairing works somehow. Both have taken turns being in pursuit of the other. This baby born in "Jury Duty" changes everything, and could possibly set up a happy ending for the two. Which would be ideal. Though, given how The Office has handled things so far, it could be years before Angela even acknowledges publicly that the baby is Dwight's. That would be a shame, because it's likely that The Office will be off the air by then.

Unless Dwight is wrong. However unlikely that possibility seems, it is a possibility. While the timing lines up much better for the child to belong to Dwight, there is always the chance that, in the end, he could be wrong. Dwight surely sees what he wants to see in the child's features, and often thinks he knows things that he doesn't. Mightn't the more unexpected and exciting option be that the baby is not Dwight's?

Nah.

Being a daddy finally gives Dwight a way to connect to Jim. Dwight always has a fondness for Pam (Jenna Fischer), but it's not until he learns he is a father that he shows any respect towards Pam's husband. Now, this stuff in "Jury Duty" will not herald a new dawn between the two; they will always hate each other. Dwight is only kind in a moment of weakness because of his own excitement. But a new understanding could crop up, and that could change their interaction in a way that no one quite knows yet. It would be an interesting cap to a long-standing rivalry.

Lots of laughs this week, too. Some "Jury Duty" comedy highlights: Kevin (Brian Baumgartner) begins calling Angela's baby "Little Kevin." Oscar (Oscar Nunez) once more is shown to be ridiculous in how he "prepares" his co-workers to see the "premature" baby. The staff's anger at Jim for lying turns to distaste for his kids, whom they can't wait to send away. Ryan (B.J. Novack) agrees that Angela having a black baby would be slightly more exciting than a Chinese one. Creed (Creed Bratton) thinks Pam has brought in Angela's baby, or possible that Pam is Angela. Wonderful episode!

     The Office airs Thursdays nights at 9 p.m. ET on NBC.

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The Office faces the battle of "Gettysburg"

     This week, on NBC's The Office, Andy (Ed Helms) takes part of the staff to "Gettysburg," trying to inspire them to approach their job as a battle. Unfortunately for him, while his employees to go, and even wear his stupid hats, they show no enthusiasm for the idea. Jim (John Krasinski) finally tells Andy to give it up and stop trying so hard. Back at the office, Robert (James Spader) presses the staff for bold new ideas to improve sales. He believes Kevin (Brian Baumgartner) may be onto something with metaphors about cookies, until Ryan (B.J. Novak) proves that Kevin is only talking about food.

     This is not the first interaction Robert has with Kevin, who fascinates him. This is funny, because Kevin is the most idiotic simpleton on staff. If someone needs to be fired for downsizing, Kevin's name will be at the top of the list. But Robert is such an outside-of-the-box thinker, he assumes others are the same, and sees a kindred spirit in Kevin. That is, until a jealous Ryan proves the truth of what Kevin is really talking about. A pity, really, as watching Robert be in awe of Kevin is really quite funny.

     The opening of the episode veers too far from the beliveable path. Apparently, Pam (Jenna Fischer) keeps faking going into labor to get out of things she doesn't want to do. In "Gettysburg," she even adds a bottle of water hidden between her legs to make the whole thing seem more authentic when Gabe (Zach Woods) holds a long, boring meaning. This takes away all credibility Pam has with her co-workers, as now they will find it hard to trust anything she says, let alone something important. God forbig she actually go into labor and need help from one of them! Though it is strange the others don't embrace the fake labor in this instance, even if they know it to be a ruse, if not just to get out of Gabe's boring lecture.

     Andy is a different boss than Michael Scott (Steve Carell). He does verge on Michael-like antics while pulling them around an historical site he isn't really respecting, but Michael would have been far more offensive in his actions. Yet, Jim is telling the truth when he tells Andy the staff likes him. Andy lets them do their jobs, for the msot part, instead of pulling them into personal obsessions. Even the Gettysburg trip, while taking them away from their work, has business purpose, in Andy's head anyway, and is not just a flight of fancy. Surely, productivity must be up under his reign.

     The adjustment of Andy not being buddy-buddy with his employees isn't too bad, either. Perhaps this is because Andy is kind of a loser, and never does develop many close friendships within the office. Everyone tolerates him, but no one wants to have him over to their house. Well, except for Erin (Ellie Kemper), of course, but Andy is involved with someone else now, and unavailable. A boss should have authority and respect, and Andy has at least the latter of those things. He makes a serviceable manager.

     There is a funny little side plot where Gabe is mistaken for an Abraham Lincoln impersonator, and must perform a show at Gettysburg. Gabe is kind of a dumb characters, and so it's great that he gets to be humorous, and make people laugh. Meaning the tourists, more than The Office fans, but still...

     Even better is the argument of "facts" between Dwight (Rainn Wilson) and Oscar (Oscar Nunez) over the Battle of Schrute Farms. Awesome watching the two go at it. There could not be a test of will between two more know-it-all characters, with fans rooting for neither to be right. In the end, Dwight's humiliation at what really happened is worse than Oscar's for being ignorant of the whole situation, and that's OK.

     The Office airs Thursdays nights at 9 p.m. ET on NBC.

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The Office makes "The List" of favorite shows

     When NBC's The Office returns with "The List," a new boss has finally been named. Andy (Ed Helms), a failure as a salesman, now gets the corner officer overlooking the workers. Next door in the conference room, new CEO Robert California (James Spader, Boston Legal) has also moved in, and been added to the opening credits.  The staff finds a list Robert has made, separating them into two columns. When he invites one side of the list to lunch, they begin panicking that he has sorted them into winners and losers, a fact that he confirms. Andy proves his mettle by standing up for his employees.

     Andy was my second choice for boss, after Pam (Jenna Fischer), but considering she will still get plenty of other plot, he's a good choice. He wasn't really contributing much to the company in his former position. He is educated and has proper qualifications. He cares about the people that work there. His willingness to stand up to Robert is exactly why he deserves this promotion, pointing out the value of (almost) every single employee on the payroll. Helms is a fine comedic actor, and definitely deserves his increased role. He will likely work out very well, bringing a bumbling, yet different, direction. The only downside is this means he probably can't be with Erin (Ellie Kemper), at least for now, as that would just open things up for a sexual harassment lawsuit.

     Spader's addition is also welcome. His character is hilarious in last year's season finale, and works even better as a regular cast member. He shakes things up, but not too much. While he does judge his workers, he also seems like he will keep an open mind if he is wrong. He is certainly having doubts about Andy's promotion until the end of the episode, where he looks impressed by Andy's rant. Robert will allow the series to continue to grow, without ruining everything that makes it best. And if The Office gets canceled at the end of the year, perhaps he will extend his The Practice / Boston Legal trend and headline a spin off.

     How Dwight (Rainn Wilson) will ultimately take being passed over remains to be seen. Wilson has mastered the character in ways unexpected and exciting. He is upset, obviously, but is willing to be Andy's number two man; his enforcer. There is a certain subtle resignation to his lot in life that shows up in Dwight in "The List." It's a little sad, but he is just not temperamentally suited for the position. He has many good qualities, and management in other areas may work for him. But not here, with these people.

    It's a little baffling that Robert doesn't think Pam is a valuable asset, given everything that she does. And Kevin (Brian Baumgartner) made the list?! But Jim's (John Krasinski) incredibly sweet gesture of his own list, and the way he stands by his family, more than makes up for any misjudgments Robert might make about Pam.

     Jim and Pam are expecting again! This time, Pam really looks pregnant. Apparently, many months have passed over the hiatus, as she can't possibly only be three or four months along. It's kind of refreshing that the attention and reaction to this second child is more subdued, as fits with reality. Their lives continue, and their family grows. Might Pam seriously talk Jim into naming the baby after Michael? Distance does make the heart grow fonder.

     The question is, is Angela (Angela Kinsey) also actually with child, considering that her "lover" is gay, or is she faking it? If she isn't faking it, who is the father? Is it too much to hope for it to be Dwight?

     The essential element of The Office is the large, zany ensemble. "The List" does not disappoint with continued antics, as the episode opens with several employees practicing planking, a current internet trend. This is completely in character, and it's little bits like this that make The Office so charming.

     The Office airs Thursdays nights at 9 p.m. ET on NBC.

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The Office says "Goodbye, Michael"

     Last night, Michael Scott (Steve Carell) did his final episode of NBC's The Office, appropriately titled "Goodbye, Michael." Michael tells everyone his last day is a day after his real one, to avoid drama and tears. He subtely make sure he spends a moment with each member of the staff so they have a goodbye they can remember, and gives many gifts. Jim (John Krasinski) is the only one who picks up on the deception, as Michael keeps asking for Pam (Jenna Fischer), who is out of the office during his last afternoon, but Jim plays along with a scene that has both men in tears. At the end of the day, Michael slips out, and the staff doesn't realize until the next day, as they wait at a goodbye party they have planned, that Michael is not coming back. Pam does find Michael, though, and get her own goodbye at the airport.

     The Office will not be the same without Steve Carell, and no one will ever replace him. Sure, the company will get a new manager, and someone else will sit behind Michael's desk, but the series will change in ways both big and small without its main man. Current replacement, Deangelo Vickers (Will Ferrell) has a mere one episode left, and Dwight (Rainn Wilson) is still lobbying for the position. Plus, The Office is bringing in a ton of guest stars to interview for the job in their season finale in three weeks, including Jim Carrey, Ray Romono, James Spader, Will Arnett, and series creator Ricky Gervais, but none are likely to stick.

     The thing about Michael is, despite his many mistakes and uncooth approach, he got the job done. Apparently he is a heck of a salesman, though that competence rarely translated on screen. His employees would grow frustrated with him for insulting and politically incorrect things he said. But in the end, they all realize that he realy cares about them. The job has never just been about paper to Michael. It's always been about the people. Jim sums it up best when he tells Michael that he is the best boss Jim has ever had, a pay off, considering how often Jim disagreed with the way Michael runs things.

     Perhaps most likely to take over the manager position, if the job stays in house, as it should, with the large and talented cast is Dwight. Dwight has had a chip on his shoulder ever since finding out Michael did not recommend him as a replacement. In Michael's opinion, he never felt like he had the authority to choose his successor. As he tells Dwight in his final episode, he doesn't own the company. Yet, Michael does leave Dwight with a glowing, to put it mildly, letter of recommendation, and the two make up over paintball. It is a necessayr resolution, considering they were once so close, and it would be painful to part ways on such bitter terms.
     Personally, I believe that Darryl (Craig Robinson) should be the new boss. Despite not being one of the original cast, Darrell has risen through the ranks from the warehouse, and now has an office up on the business floor. While Dwight is combatative, Darrell is universally liked, and seems to have good business sense. The owener of the company has already placed a great deal of faith and trust in him. It seems logical to expect that if anyone currently working at the paper company were to be promoted, it would be Darrell.

     This could be a longer article, but like Michael believes, goodbyes work better when they are short and don't dwell too much on the loss. No matter how things shake down, The Office will continue. The Office airs Thursday nights at 9 p.m. ET on NBC.

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The Office holds a "Garage Sale"

WARNING! SEVERE SPOILER ALERT! DO NOT READ UNTIL AFTER WATCHING THE OFFICE EPISODE "GARAGE SALE"!

     I admit it. I cried like a baby while watching this week's episode of NBC's The Office. It started when Michael (Steve Carell) begins taking Holly (Amy Ryan) on a tour of all the places that played an important role in their relationship in the Dundler-Mifflin building. That place is Michael's life, and it only makes sense that his true love would share his fondest memories there. It got worse as Michael opens the door and reveals the staff, all of whom have shown up to support him. Truly, his family, there to shower the two with love and share in their special moment. Of course she says yes! She has to! Though I knew the announcement would eventually come, but didn't expect it to come right then, Michael tells his co-workers he is leaving the company, leaving them, and they all stare back, speechless and stunned.

     It is necessary to walk through those moments again, certainly among the most powerful The Office has yet produced, to get just how great this is. For all the squabbles and antics the staff of Dundler-Mifflin goes through, they are a tight-knit group. When it was announced long ago that this would be Steve Carell's final season with the show, it was a sad day indeed. But it didn't really sink in to me until Michael broke the news to the other characters. Their looks tell it all. I'm tearing up just remembering it. Their boss, leader of the gang of misfits, is going away. They are just beginning to cope, and now it's time for us, the fans, to do the same.

     The fact that the writers chose to bundle that news with Michael's proposal to Holly make the emotional impact a double punch. One second, it is tears of joy pouring forth, the next, tears of sorrow. A better time could not have been chosen to make the biggest possible impact. When Michael is fondest in our hearts, they rip him away. I am not complaining; it's the gripping intensity that made the scene so good. Michael still has a few episodes left (Holly will be leaving sooner), but now there's an end in sight. A ticking clock, if you will. Evey moment that Michael Scott is on screen from now until the end will be infused with sadness at his imminent departure. Keep the tissues handy.

     Now who will be the new boss? Rumors abound, as everyone has an opinion. Will Ferrell (Saturday Night Live) will begin a several episode arc next week. Recent reports that Will Arnett (Arrested Development) will be in this May's season finale have also sparked speculation. After all, series creator Ricky Gervais, who starred in the British version, has said Arnett would be 'amazing', and nominated him for the job to NBC. Gervais himself will appear in the finale, too, I assume to reprise his British character for a second time (he had a cameo in an opening this past January), but I find it highly unlikely he could be drawn to the show on a permanent basis. He has too many other things going on, and as much as I enjoy David Brent, he doesn't match the American tone well enough for an extended stay.

     Myself, knowing three new staff members will soon be added, am in favor of internal promotion. There is no need to take away any more screen time than necessary from the central cast, and plenty of staffers could take the baton. My top suggestions are Darryl (Craig Robinson), Stanley (Leslie David Baker), and Toby (Paul Lieberstein), each of whom would bring something very different to the table. Pam (Jenna Fischer) could also work. I am not in favor of either of the obvious choices, Jim (John Krasinski) or Dwight (Rainn Wilson) because both have temporarily taken control before, and neither went very well.

"Michael, you've had two ideas today. And one of them was great. And the other one was terrible." ~ Pam
"I am not in the mood for riddles, Pam." ~ Michael

     Those lines are spoken as Pam catches Michael in the middle of executing his first proposal idea, spelling out his question in gasoline in the parking lot, dangerously near everyone's cars. Of course, the road to asking Holly is quite bumpy. Michael only pulls off his great success (even the sprinklers going off didn't detract) with the help of Pam, Jim, Oscar (Oscar Nunez) and Ryan (B.J. Novak). It is those people who care about Michael most that help him with the biggest task of his life.

     I think the writers knew it would be folly to make this episode anything but touching. While there are some funny bits, the B stories focus on relationships, too. Andy (Ed Helms), Darryl and Kevin (Brian Baumgartner) engage in a round of Dallas: The Board Game, making up their own rules as they go. Andy and Darryl have been hanging out more and more, and their buddy-buddiness is a highlight. Two wonderful actors, brought into the series as their careers were taking off. Both do movies (The Hangover, Hot Tub Time Machine), but both still have time to have fun on a brilliant sitcom.

     The second subplot involves Jim tricking Dwight. A good prank between the pair has been a staple of The Office from its earliest days. Getting back to that chemistry is always a good time, and this is no exception. Jim convinces Dwight he has magic beans, so to speak, and Dwight, while continually insisting he won't fall for it, can't bring himself to pass up the possibility. He trades Jim a telescope with a $150 price tag for the legumes. The final teaser shows Jim replacing the soil-filled pots Dwight has planted with large stalks. Talk about commitment to the joke!

     Relationships don't have to be all nice and romanticized to work. I think Jim and Dwight are a great pairing. We have seen that they are willing to come through for each other when the chips are really down, but most of the time, mild animosity rules. It is perfectly realistic to believe you can be friends, of a sort, without liking each other. They may not hang out much in their off-work hours, but there is a certain level of respect and trust between them, and I do not see either one ever getting malicious. It's more of a sibling vibe. I definitely think Jim would not put up with someone else being seriously mean spirited towards Dwight, and vice versa.

     I will likely be covering The Office again soon, as the rest of this season has some big changes ahead! Make sure you do not miss out. The Office airs Thursday nights at 9 p.m. ET on NBC.

Article first published as TV Review: The Office - "Garage Sale" on Blogcritics.

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The Office Ricky Gervais Stunt Disappointing

     Fans of the British version of The Office have longed for Ricky Gervais' David Brent to stop by NBC's American remake for years, making it an official spin-off instead of just a remake. The news came that it was finally happening in this week's episode, and I got very excited. Looking back, it was said that Gervais would appear only in the opening, but the result was still a wasted opportunity! The show could easily have built an episode around him, not to mention an entire multi-episode arc, if they wanted to. Instead, we just got David and Michael (Steve Carell) talking weirdly to each other for a few seconds.

     I try not to look a gift horse in the mouth, and I am still thrilled that Gervais appeared at all. I'm sure the fact that it was a small part was of his choosing. However, there was no explanation for how or why David was where he was; really, no story at all. As one of the most unique TV characters of all time (before he was imitated repeatedly by others), David Brent is a very entertaining creation that deserves more. Not only that, but I was still trying to decide if Gervais was really bringing the Brent I know and love alive when his short scene ended. I'm not convinced he really acted the character, at least not as well as he used to. I can't help but feel it was too quickly done and that a longer part would have captured Brent better.

     Other than the opening, though, it was another excellent episode in this strong season of The Office. With Carell's episode count dwindling (he will be leaving the series for good four episodes before the season finale), Michael Scott has gotten more focus that ever. The arc most people want to see tied up is Michael's love for Holly Flax (Amy Ryan). Michael's other ex-girlfriends were all brought back earlier in the season and sent off one last time, but Holly is more than that. Holly is his soul mate, and the last few episodes have only confirmed that point. She actually gets Michael, and enjoys his zany antics. What more can you ask for in a partner?

     Holly is back at Dunder Mifflin Scranton, and has recently broken up with her long-term boyfriend, the one she got after she and Michael split following her transfer to a far-away branch of the company. The seeds have been sewn, and it seems that Holly is falling once more for Michael. Their interactions this week were heartwarming, especially Holly's brief comment to the camera, which was more about the look on her face than what she said. Or didn't say, for that matter. I predict a ride off into the sunset for the two of them, an  event many fans want to see. I think Michael will get the ending he deserves.

     I am hoping that Michael is not replaced by an outsider to the show, and I am pretty confident at this point that that will not happen. Writers on The Office have pledged more of an ensemble piece, with all of the very talented support staff getting more plot, following Carell's departure. The four episodes after Carell leaves will see the return of company owner Jo (Kathy Bates, who will be done filming the first season of Harry's Law by then) as she searches for a replacement, and various characters battle for the job and Will Ferrell will be doing a multi-episode arc as well.  My vote is for Darryl (Craig Robinson) to take over the office, as I think he will best be able to handle the mix of professional and personal relationships within it. As sad as Carell leaving is, I'm excited about this concept.
 
     The final season has not been all about Michael.  Jim (John Krasinski) and Pam (Jenna Fischer) haven't gotten much of a story though after they've gotten very large arcs in the past couple of years. Instead, we have been getting tons more Andy (Ed Helms), Dwight (Rainn Wilson), Darryl, and Erin (Ellie Kemper). Dwight is an old hand, and Andy was added years ago, though only recently to the opening credits. Darryl has been around since 2005, but once he got an office upstairs, has had so much more involvement with everyone. Erin is pretty new to the cast.  All three however shine so well when let out.

     Andy has lost every woman he ever goes after, and his would-be relationship with Erin is no different. Yet, unlike Angela (Angela Kinsey), there is actually some hope that Andy can get Erin back from Gabe (Zach Woods). In this week's episode, Erin was once again losing a game of Scrabble to Gabe, which meant that Gabe got to choose their movie night film, and he never chooses anything Erin wants to see.  Unlike Gabe, Andy understands Erin, they have complementary interests, and Andy would let her take as many turns choosing as she wants. Gabe and Erin have been portrayed as not working too well, which can only mean one thing: a happy ending is not out of the question for Andy and Erin. Andy just needs some more confidence to win her back, something he was building this week with the seminar he held this week.

     Dwight has undergone enormous growth. As owner of the building that they all work in, Dwight tried his own tricks and crazy leadership 'skills.' They failed. He tried outmaneuvering Andy again this week, and again, he failed. Dwight is at his best when he is actually showing compassion and bonding with the other characters, especially Pam. While a Dwight - Angela rekindling, which I have hoped for, is apparently not in the offing anytime soon, Dwight is showing real feelings of fondness for most of his co-workers. The gradual softening of Dwight has been a triumph, but he still has a long way to go. I just don't see his changes to this point being enough to get him the boss's job, despite his British counterpart having become Brent's replacement.

     The above are only some of the great characters showcased in the series, and The Office is as good as its ever been. Please watch it Thursday nights at 9pm on NBC.

Article first published as TV Review: The Office - Ricky Gervais Stunt Disappointing on Blogcritics.


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