HEROES REBORN Rises From the Dead

Article originally published as HEROES REBORN Review on Seat42F.

More than five years ago, NBC’s Heroes ended their four-season run with a barely-begun Volume 6, “Brave New World,” and the words To Be Continued… Now, HEROES REBORN finally gives us that “Brave New World,” the title of its first episode back, as it begins a new Volume 1.

Because a number of years have passed since the events of Heroes, the new show can’t just jump right in. We get a series of flashbacks to introduce a number of the new players, as well as a huge, traumatic event that shakes the world. Then, the action picks up one year later, with the world living in fear of the Evos (what those with powers are called), and a fresh batch of heroes in hiding. The one man who may be able to usher them into a new era is the one who resisted attempts to change the world in the first place, and a familiar face.

Yes, Noah Bennet, a.k.a. HRG (for Horn-Rimmed Glasses), is the bridge between Heroes and HEROES REBORN. Having lost his estranged daughter, Claire, in the big attack, Noah (Jack Coleman) is trying to build a new life for himself. But HRG was never one able to sit on the sidelines, and as soon as Quentin Frady (Henry Zebrowski, A to Z) enters his life, it takes little prodding to get him back on track.

HRG is the perfect character to continue the story. He is involved with many of the heroes, but isn’t a hero himself. He also has history with The Company, which is very much a part of the new conspiracy and story. He is the relatable everyman, while also being the mysterious guy in the know. And his presence, a strong one in the new miniseries, is part of the reason that HEROES REBORN feels just like another season of Heroes.

Now, Heroes itself was a mixed bag, but in the early days, it was very good, and HEROES REBORN gets us back to those early days. There’s a lot going on that the audience doesn’t realize and must figure out. There is a high school student just learning how his abilities work. There are a pair of adorable Japanese geeks. There is a man who resists stepping up, but must in order to protect those he cares about. The Haitian (Jimmy Jean-Louis) may hold the answers. Mohinder (Sendhil Ramamurthy) is on the run from the law, presumably framed for something he didn’t do. So yep, pretty much the same stuff.

I mention Mohinder and The Haitian, and both are part of the two-hour premiere, sort of. They are not the only people who get shout-outs from the past, and I’m sure there will be others. One former player, in particular, has a surprising role in the second hour. But like Heroes, which introduced new players each season, HEROES REBORN keeps the world alive and growing, while bringing in fresh elements, with a bit more overhaul than previous new seasons.

There are a bunch of faces we’re seeing for the first time that are quite welcome. Tommy (Robbie Kay, Once Upon a Time) is the aforementioned high schooler who, like Claire, is hunted and must stay in the shadows. Kaye is a very talented young actor, and the perfect choice to continue this tradition. We also meet Luke (Zachary Levi, Chuck) and Joanne Collins (Judith Shekoni, The Twilight Saga: Breaking Dawn – Part 2), who have lost a son and seek revenge, as well as a mysterious man (Pruitt Taylor Vince, Deadwood), whose intentions are unknown. This grouping is the second big story, aside from HRG’s, that plays into the main mythology.

HEROES REBORN also needs a bit of humor, as Heroes had, and that’s where Miko (Kiki Sukezane, The Yokai King) and Ren (Toru Uchikado) come into play, serving much the same purpose as Hiro and Ando did in the first go-round. They’ll get involved with everyone else, eventually, but first they have their own quest.

Basically, HEROES REBORN re-creates what was great about Heroes, makes good use of its forbearer, and still manages to seem fresh and interesting. I hope this miniseries ends up being the start of another multi-season run, as the initial installments prove that the franchise has plenty of life left in it. As long as this time quality is maintained, perhaps partially by keeping the seasons shortened to thirteen episodes, as this one is, it would be great to get another four years.

HEROES REBORN premieres Thursday, September 24^th at 8 p.m. ET on NBC.

Fire Goes Out On BURN NOTICE

Article first published as DVD Review: 'Burn Notice - Season Seven' on Blogcritics.

USA’s Burn Notice came to an end last summer after seven seasons. The story of Michael Weston (Jeffrey Donovan), a burned CIA spy, wrapped itself up relatively neatly as Michael and his friends faced some of their most difficult challenges yet. Now, those last thirteen episodes are available in a four-disc DVD set.

Season Seven begins with “New Deal.” Michael has negotiated the freedom of his compatriots in exchange for serving the government. Specifically, Agent Andrew Strong (Jack Coleman) tasks Michael with going undercover to report on an old friend, Randall Burke (Adrian Pasdar). These Heroes alum are Michael’s final mission, sort of, as doing this job will supposedly earn back the life Michael has longed for all these years, as well as protect the people he cares about.

Of course, Michael is strongest when he is with his friends. Season Seven begins with Mike off on his own, separated from those who love and ground him. It doesn’t take long for Fiona (Gabrielle Anwar), Sam (Bruce Campbell), Jesse (Coby Bell), and Maddie (Sharon Gless) to find out what’s going on and get involved, but from the start, there’s a level of distance between Michael and the crew that is sure to make long-time fans uncomfortable and the plot unpredictable, especially as this new dynamic continues well past the first few hours.

Besides identifying and stopping the bad guys, Michael has some personal challenges to get past in season seven. Maddie is still angry at Michael for the death of his brother, Maddie herself taking on the responsibility of raising her grandson. And Fiona, Michael’s true love, has moved on with someone else, Carlos (Stephen Martines), who seems a good match for her. All of this makes coming home hard for Michael, and puts his loyalties in doubt, especially as he suffers the effects of long-term, deep-undercover work.

Unlike the first six season, the final season has a very serial format, trying up some loose ends and giving closure. However, given series format of serial chapters and mini-arcs, the final season isn’t really a culmination of the entire seven years. Only two returning guest stars, Tim Matheson and Garret Dillahunt, figure into this plot, and only in limited ways. But these 13 episodes do tell a tale that feels like a fitting ending for the characters.

The series finale itself, “Reckoning,” is fairly solid. There’s some disappointment, such as the unnecessary death of one of the main characters, and the very small, far-too-late role the great Alan Ruck is given, but overall, most Burn Notice viewers should nod and smile and anxiously await the rumored TV movie or movies that could continue the tale. Plus, Sharon Gless delivers another memorable moment, and Donovan surprises everyone by showing some real acting chops.

I watched Burn Notice from the beginning, and although I considered giving it up a few times in the middle of the series, I do think season seven is some of the best work the actors and writers delivered over the whole run. I did find the ending a little hollow, but no more so than fit the tone of the rest of the show. It’s popcorn entertainment, it never pretended to be anything else, and it ended in the same vein.

As far as extras go, there’s a great audio commentary for the episode “Forget Me Not,” which is the second episode of the season and the 100th episode of the series. A featurette about the ending of the show is present, and a gag reel and deleted scenes round out the bonuses. One could justifiably wish for more, but there’s enough here to avoid complaints that fans were robbed.

Burn Notice Season Seven is available now.

SCANDAL Makes a Heck of an "Exit"

Article first published as SCANDAL Makes a Heck of an "Exit" on TheTVKing.

I am ashamed to say I fell behind on ABC's excellent Scandal this fall. But marathoning through the recent installments, culminating in "A Door Marked Exit" this past Thursday, I was very impressed. The entire run has been built expertly, stringing along various bits that mesh together in the most exciting and unexpected of ways, and ending with a number of absolutely stellar performances by several cast members.

The biggest shocker going into the finale is when Vice President Sally Langston (Kate Burton) kills her husband, Daniel Douglas Langston (Jack Coleman). Daniel has been cheating on Sally with James (Dan Bucatinsky) and is intent on leaving her, destroying her political career, but I think it's more Sally's personal pain that causes her to snap and lash out. She's been played for a fool by a man she loves and trusts, and she isn't the type to let him get away with it.

Sally calls Cyrus (Jeff Perry) to clean up the mess. Since James is Cyrus' husband and Cyrus is aware of the cheating, something he and Mellie (Bellamy Young) set up, though Cyrus hadn't expected James to go through with it, this may not be the best situation for Cyrus to go into. Cyrus keeps things together enough to get rid of the body in a non-suspicious way, using his power and influence. But he is also deeply affected, vomiting in a moment of weakness.

The performances by Burton and Perry are both amazing. Burton's shock and Cyrus's grief, both knowing that they bear direct responsibility for the circumstances and not being sure how to handle it, comes through. Both manage to capture all of the layers of the event, making them sympathetic, in spite of the despicable things they have done. Wow, they've come a long way since their days as Meredith Grey's parents!

The full weight of Douglas' death had not yet settled. Mellie Grant, at least, thinks she has Sally right where she wants her, blackmailed into not running against President Fitzgerald "Fitz" Grant (Tony Goldwyn) in the upcoming election. But once Sally starts thinking clearly again, she may decide revenge is the best strategy, as she has every reason to blame Mellie and Cyrus for pushing her into the deed. With the deliciously calculating Leo Bergen (Paul Adelstein, Private Practice) figuring out the truth and wanting to help Sally win, she might have a shot.

The more interesting question is, will Cyrus and James' marriage survive? They've been pushed to their limits before by one another, but unlike in the past, Cyrus is utterly broken when James leaves this time, a man who has lost the most precious thing in the world to him, and he's too upset to try to manipulate James back home. Instead, he offers James his dream job, something that could lead to professional trouble for Cyrus, and that only brings James back to the house, not doing anything towards repairing their emotional bond.

This raises the debate of when is a relationship dead? James has always used Cyrus for his own gain, but now it appears that's all that's left between them. Can Cyrus really be happy if James never forgives him, James only sticking around because he would have to give up the lifestyle to which he is accustomed if he left? I really hope they can move past this because, despite what Cyrus has done, he definitely cares about his partner.

Other relationships also remain broken. Huck (Guillermo Diaz) has no intention of welcoming Quinn (Katie Lowes) back into the fold, even though she can forgive him for torturing her, pushing her into the arms of Charlie (George Newbern), who would turn on her if ordered to do so. Jake (Scott Foley) has given up on having a relationship with Olivia (Kerry Washington), since Olivia is back to sleeping with Fitz. And Olivia isn't on good terms with either of her parents.

Olivia's mother, Marie (Khandi Alexander, Treme), is an escaped con who returns to D.C. with unknown motives. She may want to get even with her husband, Rowan (Joe Morton), for locking her up all of these years. She'll definitely want to get to know Olivia, and probably won't like it when Olivia turns less than receptive, now that Olivia knows how bad a person Marie is.

Rowan also can't be happy with his daughter, knowing Olivia's boyfriend has him removed from his post, with Jake taking over the shady organization.  Rowan surely has connections that can help him retake his position. And Jake's seat gives Fitz new powers no president should have. Time will tell if Jake can be a better leader than Rowan, with or without POTUS consent. It's all kind of a mess.

Not to mention, David Rosen (Joshua Malina) will now be on Sally and Cyrus' scent for the coverup of Daniel's death, even if lead James recants, now that a second person, Shelby Moss (Julia Cho, The Lizzie Bennet Diaries), has come forward with solid evidence.

Scandal delights at keeping every character off balance, each always scheming, forming alliances when it suits them, and working to take others down. It's not like Dallas, in which everyone vies for their own power, as some actually have noble intentions. But it is a well-written, well-performed Shakespearean drama of screwed up people, ripe with constant betrayals, murders, and secrets, making for a fast-paced, compelling series.

Scandal will return for its uninterrupted spring run on ABC in a couple of months.

BURN NOTICE Gets Its "Reckoning"

Article first published as BURN NOTICE Gets Its "Reckoning" on TheTVKing.

*WARNING: If you have not yet watched this episode, there are major spoilers within this review.

USA's Burn Notice came to an end after seven season this week with "Reckoning." The original premise, former spy Michael Weston (Jeffrey Donovan) looks for those who burned him so he can try to get his life back, is long gone. In the final year, Weston discovers the CIA a cold, unforgiving place, and emotionally messed up, considers leaving the agency on his own terms. This comes to a head in the series finale.

Because of the plot arcs going into the year, Burn Notice chooses to mainly end the recent tale told, rather than culminate the entire show's run. I guess the writers feel like they've already tied up most of that, and there's no sense in revisiting it. This is a bit of a let down, since Burn Notice has such larger swings in earlier years, and the ending just comes across as a little anti-climatic.

And, for some reason, the great Alan Ruck shows up in a small role in this episode, a guest part that comes out of nowhere and seems wasted.

A central theme of Burn Notice has always been relying on one's friends. Michael has never been alone, much as he frequently tries to be, with Sam Axe (Bruce Campbell), Fiona Glenanne (Gabrielle Anwar), his mother, Maddie (Sharon Gless), and, in later seasons, Jesse Porter (Coby Bell) helping him out. In the end, it's these people that save him and stand with him against the Big Bad, James Kendrick (John Pyper-Ferguson).

Early on, the story sets up a major turning point. Michael chooses to hang onto his love for Fiona, burning his bridge with Kendrick. Because Kendrick is now mad at Michael, Michael can't finish his mission to bring Kendick in, infuriating his CIA boss,  Andrew Strong (Jack Coleman), so everyone is against Michael and crew. Sort of just how it should be, since no organization has ever really embraced them, brave rebels on the frontier.

I was disappointed when Jesse splits off to protect Maddie and her orphaned grandson, Charlie (Wilson Pennell). After all, Maddie is frequently on the outside, but Jesse is not. We get some great Jesse / Sam moments early and late in the episode, but for awhile, it's just the original trio fighting the bad guys, which has a poetic justice, but doesn't quite serve Jesse's character, making him unjustly feel he has not earned him place with them.

Story-wise, Jesse must be with Charlie and Maddie because that leaves Maddie to sacrifice herself. It's a triumphant moment for Gless, even if it is a frustrating one for the viewers, not feeling right to lose Maddie. It would be much easier to accept one of the gang going down than the mostly-innocent mother of Michael. Jesse gets a touching moment with Maddie, Michael has a teary goodbye call, and Maddie herself gets to go down in a very cool way. Yet, one cant help but feel that there weren't that many soldiers nearby, and Maddie and Jesse could have dispatched them easily enough without having to kill off the beloved matriarch of the series.

Meanwhile, Michael, Sam, and Fiona have a confrontation with Kendrick. For some reason, Sam escapes, leaving Michael and Fiona alone. This is sets up the ending of the episode fine, but again, feels false and doesn't quite fit with the bond between the three. Why doesn't Sam stick by Michael the way Fiona does? It doesn't seem like he really has a vital purpose to get away to.

"Reckoning" seems to kill off Michael, Fiona, and Kendrick, but this triple death never felt real to me. Even as the story proceeded as if Michael and Fiona were dead, I knew it had to be a trick. In this, the show failed to build the appropriate tension and grief. Sure enough, a few minutes later, they are revealed to have escaped. Ick.

Months later, we first get Sam and Jesse's ending. I love that the two pals end up together, doing what they do. Sam gets a cheesy, fan-pleasing line, and they get to honor Michael's sacrifice. It's not clear if they know Mike and Fiona made it out alive, but they better have. Otherwise, Michael is a total douche. But for them, this finale is right.

Lastly, we glimpse Michael and Fiona, snug in a cabin with Charlie. Look, I know this is the emotional conclusion everyone wants, and the dialogue calls back the opening sequence in a satisfying way, but it just doesn't make sense. I can't imagine Michael and Fiona would ever settle down, under any circumstances, maybe being together comfortably, but not getting out of all dangerous games. And where does everyone think Charlie is? Surely, the CIA would have kept tabs and noticed the orphan, who was presumably in foster care, gone missing? Maybe it was a reward by the CIA to give them this set up, but then, why would they also honor Michael's "heroic death"? It doesn't gel.

At the end of the too-quick hour, one is left with a disappointing, hollow feeling. Burn Notice has never been high-quality entertainment, frequently falling short of its potential, too neatly resolving stories, stretching out others too long, forcing case-of-the-weeks for years, and introducing great characters, only to kill them off long before they should have been. The last couple of years have shown improvement, but apparently not enough. In a way, it is fitting the series finale should echo flaws of the previous years. But on the other hand, Burn Notice could have redeemed itself in this final hour, something I held out enough hope for to stick around all those times I considered giving up on it. It did not. It was somewhat entertaining popcorn action, but not much else, lacking the true depth and consistency many discerning viewers wish for. Burn Notice died how it lived.

The Office lands "The Whale"

NBC's The Office continues its great final season this week with "The Whale." Dwight (Rainn Wilson) is given the opportunity to double Dundler Mifflin's growth when a new potential client asks for a meeting. Learning the meeting is with a woman, and knowing how bad Dwight is with relating to women, several of his female co-workers try to intervene and improve upon his manners. But no one is prepared when they learn who Dwight is actually being sent to talk with, and it will take everything Dwight has to land this impossible account.

Yep, Jan (Melora Hardin) is back! Jan is one of those character who is a delight every time she arrives on screen, mostly because she makes everyone squirm. This is the type of humor that The Office frequently lands, so it hits the perfect tone when it is returned to. We haven't seen Jan in awhile, so it's a great surprise (if you avoided NBC spoiler-filled promos), and the way it's played as a horror film moment when it slowly dawns on Pam (Jenna Fischer) and Dwight just whose office they are in is priceless.

This being the final season, we are likely to see a good many familiar faces in the coming weeks. Even former boss Michael (Steve Carell) is rumored to be making an appearance by series end. It's a well deserved victory lap, nine years in, to revisit these past people.

But it's not just done for nostalgia's sake. Jan's reemergence allows for a really good Dwight story. He may not be best at dealing with girls, but he is an expert salesman for a reason. Even Jan, who has absolutely no intention of dealing with her former employer, and is just taunting them, comes around to Dwight's skills when he uses what he knows about her to change her mind. Meaning, he dangles Clark (Clark Duke) as a sex object. And Dwight and Pam get a very nice friendship moment.

This continues the trend of giving the characters nice payoffs this year. While last season floundered as the company searched for a new manager, this year is back to the basics, exploring the main characters, reminding us who they are, allowing them to make some big decisions, and hopefully sending them on their way with sweet, satisfying endings.

There is drama. Jim (John Krasinski) is trying to start a business on the side. Andy (Ed Helms) is taking advantage of Erin (Ellie Kemper), driving her away. Angela (Angela Kinsey) seems to have realized that her husband, the Senator (Jack Coleman), is sleeping with Oscar (Oscar Nunez) and other men. But all this should be resolved, probably with happy results, by the end of the year. So rather than sweating it, as might have been done in earlier seasons, there's a sense that all of this is just the last few bumps in the road.

If you drifted away from The Office, as many have done, now might be a nice time to catch up. However it ends, it should be memorable.

The Office airs at 9 p.m. ET Thursdays on NBC.

If you like my reviews, please follow me on Twitter! Check out my website, JeromeWetzel.com! First posted on TheTVKing

Castle weathers the storm

Grade: 86%

CASTLE begins season five much in the same way that season four ended. In fact, the action picks up the morning after last spring’s finale, which is probably why the premiere is titled “After the Storm,” a reference that could apply to the confrontation at the station going down, or the alter ego of the fictional Nikki Heat finally falling into bed with the man behind Derrick Storm.

“After the Storm” begins on a light note, Castle (Nathan Fillion) and Beckett (Stana Katic) almost being caught in bed together by the early return of Martha (Susan Sullivan) and Alexis (Molly C. Quinn). This scene nearly repeats soon after at Beckett’s apartment with Ryan (Seamus Dever). Beckett and Castle have a warm connection that begs to be handled in a fun way, and this episode delivers that.

What can be said about the new couple’s decision to sneak around, rather than let family and friends in on the fact that they finally hooked up? Is it immaturity, as Beckett (not unjustifiably) accuses Castle of? Or is it embarrassment, as they both ask the other? I don’t think it’s either. I think that Castle is sincere when he says he’d like to keep her for himself just a little while longer. Given Beckett’s lack of enthusiasm for public sharing, it’s not so surprising that she agrees.

Letting the leads of a series get together always carries a risk. After the disaster that was Moonlighting, dramas that are about more than sex have been a bit gun-shy in pulling the trigger. However, Chuck and Fringe did it just fine, and Bones hasn’t suffered any negative backlash. Perhaps these success stories are what finally prompted CASTLE, four years in, to try making the move themselves.

The important thing to maintain after getting those characters together is the chemistry. If sex changes the witty banter and tension between them, it can ruin the moment. Unless the relationship develops into something much deeper than before, which can keep things interesting. CASTLE has chosen the former option, allowing Beckett and Castle to trade their barbs as usual, which not only means they will be able to keep their secret from their loved ones for awhile, but also allows CASTLE to not change its formula very much. This is probably wise for now, though eventually, should the show continue more than another year or two (a very likely possibility), there will have to be some shift to here the romantic feelings become more than just playful.

Romantic affection isn’t the only type to be found in “After the Storm.” Esposito (Jon Huertas) and Beckett remain suspended from the force, leaving Ryan to try to work the case of who killed Beckett’s mother on his own. He quickly realizes that’s not going to fly, and recruits Beckett and Castle to help him out. When the three discover that Esposito has been chasing his own leads, they come together, despite lingering tension between Esposito and Ryan.

At first, CASTLE was a two person show about the titular male lead and his professional partner and inspiration, Detective Kate Beckett. As the years have gone on, though, Ryan and Esposito have slowly become more developed as characters. “After the Storm” features both on their own, showing off their cop skills, as well as revealing the deep loyalty they still feel towards Kate. This team mentality is not only inspiring, it will likely be the norm going forward, as it should be.

Gates (Penny Johnson Jerald) may not seem the fuzzy type, but she would like in on some of that love. She doesn’t say so explicitly, but she does get to give a peek at a side of herself we haven’t seen before, praising Beckett for her loyalty to Montgomery, and expressing hope that she may one day be seen in the same light. It’s a touching moment, more than a throw away, and at the time, Gates seems like she may deserve it. True, she’s tough, and refuses to let Beckett and Esposito cut their suspension short (providing an excuse to skip a few months to account for the summer before next week’s episode). But that doesn’t make her a bad guy.

Yep, status quo is not quite restored at the end of “After the Storm.” But it soon will be. It’s kind of a shame because this is the opportune time to shake things up. Beckett and Castle getting together is some movement, but the placement of Beckett’s mom’s case on the back burner once more is disappointing. It will probably be a series-long arc, but knowing that doesn’t make it any better. Ah, well. This is the curse of the procedural.

Overall, CASTLE returns with charm and humor intact, wonderful guest stars like Jack Coleman (Heroes, The Office), Geoff Pierson (Dexter, 24), and Tahmoh Penikett (Dollhouse, Battlestar Galactica), and a thrilling, action-packed piece of mystery for it’s newest hour. For a case-of-the-week crime show, that’s about all a fan can ask for.

Don't bring your children to The Office

This week's outing of NBC's The Office is called "Jury Duty" because that's what Jim (John Krasinski) says he is doing when he misses a week of work. But Dwight (Rainn Wilson) grows suspicious, and goes on a quest to get his nemesis fired. Knowing he's in trouble, Jim confesses the truth to Andy (Ed Helms), that he was at home with his kids, who only makes things worse by trying to continue the cover up. Luckily, before Dwight can get corporate involved, he stops by the hospital and sees Angela's (Angela Kinsey) baby, who looks an awful lot like a Schrute. Suddenly, Dwight has the much more important thing of fatherhood to worry about than a feud with Jim.

It's long been known to viewers that Angela's husband, The Senator (Jack Coleman), is gay. But until the baby is born a "month early," at over nine pounds, it's unclear whether somehow he impregnated her or not. Why the Senator remains oblivious to the truth of the matter is unknown, but perhaps he is so caught up in his lie that he doesn't question it. Presumably he does have sex with Angela at least once, so it could be his, right?

Angela and Dwight's relationship has been a very slow burn over the years. Never getting too much focus in The Office, there has always been something special between them. Even as Angela tries to push Dwight away, it's hard not to hope that they will be together. They are strange in very different ways, and yet, their pairing works somehow. Both have taken turns being in pursuit of the other. This baby born in "Jury Duty" changes everything, and could possibly set up a happy ending for the two. Which would be ideal. Though, given how The Office has handled things so far, it could be years before Angela even acknowledges publicly that the baby is Dwight's. That would be a shame, because it's likely that The Office will be off the air by then.

Unless Dwight is wrong. However unlikely that possibility seems, it is a possibility. While the timing lines up much better for the child to belong to Dwight, there is always the chance that, in the end, he could be wrong. Dwight surely sees what he wants to see in the child's features, and often thinks he knows things that he doesn't. Mightn't the more unexpected and exciting option be that the baby is not Dwight's?

Nah.

Being a daddy finally gives Dwight a way to connect to Jim. Dwight always has a fondness for Pam (Jenna Fischer), but it's not until he learns he is a father that he shows any respect towards Pam's husband. Now, this stuff in "Jury Duty" will not herald a new dawn between the two; they will always hate each other. Dwight is only kind in a moment of weakness because of his own excitement. But a new understanding could crop up, and that could change their interaction in a way that no one quite knows yet. It would be an interesting cap to a long-standing rivalry.

Lots of laughs this week, too. Some "Jury Duty" comedy highlights: Kevin (Brian Baumgartner) begins calling Angela's baby "Little Kevin." Oscar (Oscar Nunez) once more is shown to be ridiculous in how he "prepares" his co-workers to see the "premature" baby. The staff's anger at Jim for lying turns to distaste for his kids, whom they can't wait to send away. Ryan (B.J. Novack) agrees that Angela having a black baby would be slightly more exciting than a Chinese one. Creed (Creed Bratton) thinks Pam has brought in Angela's baby, or possible that Pam is Angela. Wonderful episode!

     The Office airs Thursdays nights at 9 p.m. ET on NBC.

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Heroes begins a brave new chapter

     Last night NBC's Heroes completed their fourth season, fifth volume.  While it was a good ending to Samuel's (Robert Knepper, Prison Break) carnival, the most interesting parts of the episode had nothing to do with this season's new characters.  Instead, Heroes will continue to fuel a new creative resurgence by making its core characters interesting again.  For example, Hiro (Masi Oka) also got a bittersweet ending to his quest, finding his beloved Charlie (Jayma Mays, Glee) had already lived a full life without him. She helped Hiro understand what Ando (James Kyson-Lee) had been hinting at, that Hiro would only interfere more with her for him own sake, not hers.

     Sylar (Zachary Quinto, Star Trek) appears to finally be ready to make amends and become a full fledged hero.  This plot has been toyed with before on the show, but the writer's threw circumstances and obstacles at him to drag him back down.  Despite some bad choices (his plot for the entire first half of the season), leaving him and Peter (Milo Ventimiglia, Gilmore Girls) alone in a mind trap for five years, to their perspective, led to acceptance and forgiveness I never thought possible.  It allowed Sylar the time, free from distractions, to come to grips with who he is versus who he'd like to be, something he was already grappling with before his entrapment.  And Peter, who is often dull, got to deal with the death of his brother, and proved that he is a real hero in how he relates to others.

     The best part of the episode, however, though I never expected to write these words, was Claire (Hayden Panettiere).  She came to terms with the dark side of her father, Noah (Jack Coleman, Dynasty) and grew up enough to make her own life choice.  In fact, this development made the Volume Six teaser at the end not only Heroes's most exciting one, but also more stunning than the actual Volume Five finale.  Deciding to reveal who she was to the world at large, and that there are people with gifts walking among us will rock the Heroes universe in a way that no other plot twist has.  Again, this direction was played with earlier in the series, but abandoned.  It's nice to see it embraced.

     Sadly, there was no similar fitting revelations or triumphs for one my favorite actors, Greg Grunberg, (Alias) who plays the character of Matt Parkman, and seems to have run his course at present.  Hopefully, that will be corrected early next season.  Heroes will likely return to NBC in the fall, though the decision to renew it is not yet final.  However, if this was the end, a lot of fans will be very angry at the giant cliffhanger and enormous potential left untapped.