24's LEGACY Intact

Article first published as 24 LEGACY Review on Seat42F.

24 is back tonight! OK, so it’s not classic 24, as our hero, Jack Bauer, is nowhere in sight. But other than missing Jack, this version is pretty much the same thing. There are terrorists and sleeper cells, betrayals and moles, CTU agents and politicians, people who just won’t listen even though their deafness gets in the way of saving the day, and, of course, the ticking clock as events unfold in real time.

Our new protagonist is Eric Carter (Corey Hawkins, The Walking Dead, Straight Outta Compton), the leader of an elite CTU squad that took out a major terrorist six months ago (think SEAL Team Six and bin Laden). Back in the states, Eric is trying to move on with his wife, Nicole (Anna Diop, The Messengers). But he isn’t doing a good job of it, Nicole even hypothesizing that Eric misses the killing and the danger. Can he settle into suburbia?

24: LEGACY quickly proves he doesn’t have to. The son of the assassinated terrorist is in town with a squad, and begins picking off Eric’s team one by one. With only Eric and mentally unstable Ben Grimes (Charlie Hofheimer, Mad Men, Black Hawk Down) left, Eric has to go on the offensive, trying to stay alive and stop the son from recovering his dad’s sleeper cell list. This means Eric is like later-seasons Jack, already violent and willing to do what needs to be done, even if it’s against the law, so yeah, I’m sure he can do it.

Of course he can. That is never in doubt. This is 24, so the bad guys will get to kill some people along the way, but not as many as they’d like. In fact, the blood starts flowing (in a not-particularly-gory way) only moments into the first hour. There are always casualties in war, but 24, taking its queue from the superhero genre, always makes sure that our hero wins the day, albeit with some cost. 24: LEGACY looks to follow that same format.

Also, as in other seasons of 24, high-level politicians enter into the story. This time we have Rebecca Ingram (Miranda Otto, Homeland, The Lord of the Rings), the former head of CTU, whose husband, Senator John Donovan (Jimmy Smits, Sons of Anarchy, The West Wing), is running for president. This dynamic allows for the in-agency stuff to tie in to election drama in a satisfying way.

Having watched two hours so far, 24: LEGACY almost makes me forget about Jack Bauer. They wisely have brought in a heavy cast, which also includes Dan Bucatinsky (Scandal), Teddy Sears (The Flash), and Gerald McRaney (This Is Us), who along with those above, make the story gripping and well-acted enough that, even with the popcorn-style, unrealistic plot, it’s a lot of fun. So much going on with so many fine performers, and family drama tossed in, too, keeps us from dwelling on what we don’t get.

Which isn’t to say that 24: LEGACY isn’t without its ties to past seasons. One of the new CTU staff members is Mariana Stiles (Coral Pena), the cousin of Edgar Stiles, whom this new version reminds us was one of the best the organization had to offer. But it also stands enough on its own that new viewers could jump right in without missing a beat.

Like the last Jack-led season, 24: LEGACY will only present twelve of the twenty-four hours in this all-important day. This is a wise move, as most seasons of 24 suffered from dragging or vamping in the middle, and the twelve hour format (with hours skipped to still cover an entire day) is a tighter, more enjoyable one. 24 banks on intensity, and the shorter season makes it easier to keep up the adrenaline.

My overall impression of 24: LEGACY is that the franchise is resilient and will fare just fine without its lead. As much as I hope Jack does return for future installments, the rest of the 24 ensemble has always been rotating, and the format works as long as the cast stays strong, which it does here. 24 isn’t the best show on TV, not by a long-shot, but it’s action-packed entertainment that gets your blood pumping, and as a fan or the original, I’m not disappointed at all by the latest incarnation.

24: LEGACY premieres tonight after the Super Bowl, then moves to its regular timeslot tomorrow at 8/7c.

Yes, You Can MARRY ME

Article first published as MARRY ME Review on Seat42F.

From the creator of beloved, dead-too-soon series Happy Endings, David Caspe, comes MARRY ME, airing this fall on NBC. His new show is about a guy and a girl that have been together a long time, but while they both want to take the next step and get married, they may not be mature enough to do so, given the many bad things that happen when they try. Will they be able to make it work, or are they heading for an implosion?

Since Caspe is married to Casey Wilson (Saturday Night Live), it makes sense that she would be the cast member he brings over from his previous effort to play Annie, the female lead in MARRY ME. Annie is clearly designed to play to Wilson’s strengths, being a little obsessive and creepy, while still thoroughly likeable and charming, her foibles more funny than pathetic. She is the first one to screw things up in the pilot, but she won’t be the last.

Joining Wilson is the reliable Ken Marino (Childrens Hospital, Party Down) as Annie’s beau, Jake. Marino is very patient, but allows Jake’s annoyance and doubts about Annie to creep through. Jake’s not perfect, either, though, springing things on her in an inappropriate way and not always doing the understanding thing when he should, making for a good pairing.

What we get, then, are two people who do seem to belong together, but are self-sabotaging. The pilot swings back and forth from sweet and romantic to depressing and awkward. Can they stay on the former long enough to make it down the aisle, or will the latter stumble them up enough so that they never do? And if they break up, who else is going to want them?

The supporting cast is pretty good and familiar looking, even if names of the players may escape most viewers. Playing Jake and Annie’s friends are Sarah Wright (Parks and Recreation) as Dennah, John Gemberling (Broad City) as Gil, and Tymberlee Hill (Grey’s Anatomy) as Kay. None get enough development to really stand out in episode one, but each can deliver a one-liner, which is what’s really needed here.

Interestingly, only one of the three parents introduced is listed as a main character. Tim Meadows (the Ladies Man) plays Kevin 1, Penny’s dad. But Penny’s other dad, Kevin 2 (Dan Bucatinsky, Scandal), and Jake’s mom, Myrna (JoBeth Williams, Private Practice), are only guest stars. Given their equal roles in the leads’ lives and how good all three are, that’s a shame. One can only surmise that Bucatinsky is too busy with other projects to sign on, but hopefully he and Williams can appear early and often.

I like how rocky MARRY ME’s plot begins, even when it makes me uncomfortable. Too often, TV either shows us the early stages of a relationship, where exterior factors get in the way of the happy ending, or the later stages, when they’ve settled into their married roles. MARRY ME aims for a middle period, extending something often glossed over, as the couple portrayed is at an important turning point that could go either way.

That may not make a solid long-term premise on which to build a show, as certainly the writers will have to choose to keep things going. They’ll choose marriage, of course, because Caspe already did the opposite with Dave and Alex in Happy Endings and MARRY ME is focused on two leads, rather than an ensemble of six equals. But it’s a terrific, interesting starting point.

In a fall where cutesy dominates (see: A to Z, Manhattan Love Story), MARRY ME offers an alternative that feels authentic and is genuinely funny. I look forward to seeing more of it when MARRY ME premieres October 14^th on NBC.

SCANDAL Makes a Heck of an "Exit"

Article first published as SCANDAL Makes a Heck of an "Exit" on TheTVKing.

I am ashamed to say I fell behind on ABC's excellent Scandal this fall. But marathoning through the recent installments, culminating in "A Door Marked Exit" this past Thursday, I was very impressed. The entire run has been built expertly, stringing along various bits that mesh together in the most exciting and unexpected of ways, and ending with a number of absolutely stellar performances by several cast members.

The biggest shocker going into the finale is when Vice President Sally Langston (Kate Burton) kills her husband, Daniel Douglas Langston (Jack Coleman). Daniel has been cheating on Sally with James (Dan Bucatinsky) and is intent on leaving her, destroying her political career, but I think it's more Sally's personal pain that causes her to snap and lash out. She's been played for a fool by a man she loves and trusts, and she isn't the type to let him get away with it.

Sally calls Cyrus (Jeff Perry) to clean up the mess. Since James is Cyrus' husband and Cyrus is aware of the cheating, something he and Mellie (Bellamy Young) set up, though Cyrus hadn't expected James to go through with it, this may not be the best situation for Cyrus to go into. Cyrus keeps things together enough to get rid of the body in a non-suspicious way, using his power and influence. But he is also deeply affected, vomiting in a moment of weakness.

The performances by Burton and Perry are both amazing. Burton's shock and Cyrus's grief, both knowing that they bear direct responsibility for the circumstances and not being sure how to handle it, comes through. Both manage to capture all of the layers of the event, making them sympathetic, in spite of the despicable things they have done. Wow, they've come a long way since their days as Meredith Grey's parents!

The full weight of Douglas' death had not yet settled. Mellie Grant, at least, thinks she has Sally right where she wants her, blackmailed into not running against President Fitzgerald "Fitz" Grant (Tony Goldwyn) in the upcoming election. But once Sally starts thinking clearly again, she may decide revenge is the best strategy, as she has every reason to blame Mellie and Cyrus for pushing her into the deed. With the deliciously calculating Leo Bergen (Paul Adelstein, Private Practice) figuring out the truth and wanting to help Sally win, she might have a shot.

The more interesting question is, will Cyrus and James' marriage survive? They've been pushed to their limits before by one another, but unlike in the past, Cyrus is utterly broken when James leaves this time, a man who has lost the most precious thing in the world to him, and he's too upset to try to manipulate James back home. Instead, he offers James his dream job, something that could lead to professional trouble for Cyrus, and that only brings James back to the house, not doing anything towards repairing their emotional bond.

This raises the debate of when is a relationship dead? James has always used Cyrus for his own gain, but now it appears that's all that's left between them. Can Cyrus really be happy if James never forgives him, James only sticking around because he would have to give up the lifestyle to which he is accustomed if he left? I really hope they can move past this because, despite what Cyrus has done, he definitely cares about his partner.

Other relationships also remain broken. Huck (Guillermo Diaz) has no intention of welcoming Quinn (Katie Lowes) back into the fold, even though she can forgive him for torturing her, pushing her into the arms of Charlie (George Newbern), who would turn on her if ordered to do so. Jake (Scott Foley) has given up on having a relationship with Olivia (Kerry Washington), since Olivia is back to sleeping with Fitz. And Olivia isn't on good terms with either of her parents.

Olivia's mother, Marie (Khandi Alexander, Treme), is an escaped con who returns to D.C. with unknown motives. She may want to get even with her husband, Rowan (Joe Morton), for locking her up all of these years. She'll definitely want to get to know Olivia, and probably won't like it when Olivia turns less than receptive, now that Olivia knows how bad a person Marie is.

Rowan also can't be happy with his daughter, knowing Olivia's boyfriend has him removed from his post, with Jake taking over the shady organization.  Rowan surely has connections that can help him retake his position. And Jake's seat gives Fitz new powers no president should have. Time will tell if Jake can be a better leader than Rowan, with or without POTUS consent. It's all kind of a mess.

Not to mention, David Rosen (Joshua Malina) will now be on Sally and Cyrus' scent for the coverup of Daniel's death, even if lead James recants, now that a second person, Shelby Moss (Julia Cho, The Lizzie Bennet Diaries), has come forward with solid evidence.

Scandal delights at keeping every character off balance, each always scheming, forming alliances when it suits them, and working to take others down. It's not like Dallas, in which everyone vies for their own power, as some actually have noble intentions. But it is a well-written, well-performed Shakespearean drama of screwed up people, ripe with constant betrayals, murders, and secrets, making for a fast-paced, compelling series.

Scandal will return for its uninterrupted spring run on ABC in a couple of months.

SCANDAL Puts Its "White Hats Back On"

Article first published as SCANDAL Puts Its "White Hats Back On" on TheTVKing.

ABC's Scandal begins season two last fall with "White Hats Off" and ends it this week with "White Hats Back On." In between, we get a dark, twisted game of manipulation, struggles for power, torture, murder, and intrigue. The characters go to places lower than they consider possible before, and do things they will live to regret. It's a hell of a ride.

It's nice to see the "White Hats Back On" for Olivia (Kerry Washington) and crew. They've done enough, suffered more than their share. They need to refocus on a mission of helping people and making the world better, not participating in the kind of stuff they've been doing. Not if they want to hold their heads high and be proud of their work. Olivia's literal donning of a white hat late in the episode symbolizes this shift.

Olivia's turning point is motivated by selfish reasons. Going into the hour, she believes she can finally be with Fitz (Tony Goldwyn), coming up with a plan that will allow him to both stay in the White House and have her on his arm. It's smart, it's fairly simple, and it should be possible to enact it.

However, Cyrus (Jeff Perry) sabotages everything, not by ruining the plan directly but by poisoning the romance between Olivia and Fitz. Both have secrets to hide: Fitz murders Verna (Debra Mooney) and Olivia sleeps with Jake (Scott Foley). They, as a couple, could get past these latest setbacks when Cyrus tells each the hidden truth. But Olivia decides their relationship shouldn't be so hard, and calls it off.

Stepping back from the mess she's been embroiled in all season, stemming from the Defiance election rigging scandal, helps Olivia better live with herself. I do think she's sincere when she talks about how she's been bringing her team down, and wants to improve their situation. However, she wouldn't have the courage to do this just for their sake. It takes an epiphany, brought on by continued manipulation and rule-breaking, to change her mind.

The one person who may have a problem with Olivia's about-face is Harrison (Columbus Short). In her absence, he has often had to step up to fill the void. He isn't necessarily the de facto leader, and hasn't really served as replacement. But it's likely he thinks he has, based on the ego we've seen from him, and he may bristle against going back to being second banana.

Olivia's decision comes not a moment too soon for Quinn (Katie Lowes). The delight she takes in torturing Billy (Matt Letscher) is disturbing. Huck (Guillermo Diaz) is very worried about Quinn, but still dealing with his own failings and struggles, is not in a very good position to lend her a hand. Thus, Olivia coming back into the fold, concentrating on her own people, whom she has mostly stood apart from this season, could be just what Quinn needs. Maybe Olivia can salvage Quinn's soul, restore Huck, and do what she has done for her team before.

Which isn't to say that Scandal is now going to be "White Hate Backs On" all the time. That isn't the way this series works, and before this season finale comes to an end, a new problem rears its head: Olivia's affair with Fitz is outed. This takes her, and those connected with her, right back into the muck, and should provide an interesting conflict to begin season three on.

Who is responsible for outing Olivia? It's doubtful that Cyrus is behind it. He is so stressed with the White House politics that he has a heart attack, surprising only in that it doesn't happen before now. Cyrus fights to stop Olivia and Fitz's coupling, and telling the press about them will only drag the issue out, hurting Fitz's chances of  re-election. So he's likely innocent of this.

It could be James (Dan Bucatinsky), Cyrus's "better" half. The concern in James's eyes when he comes to Cyrus in the hospital bed is genuine, but he also still asks about Fitz's marriage, furthering his career as a reporter. James and Cyrus's marriage is rocky and fraught with complications, but there is love in there, which is why it's my favorite element of the series, tied with Cyrus and Olivia's friendship.

It would not be above James to hurt Cyrus's career for the sake of his own, as a journalist, but considering we don't see James finding out above Olivia yet, the exposure will probably come as a shock to him, too, throwing more flame to the fire fight in his union. Cyrus doesn't keep James in the loop, and James is just as likely to tell Cyrus before the rest of the press, to rub his snooping abilities in his husband's face, which is something that doesn't happen. It's probably not James.

Jake, who could be jealous of Olivia and Fitz, most likely isn't responsible, tossed in a pit and left to rot. I hope Olivia learns about Jake's fate, maybe through Huck, even though Huck wants to get away from that world, and saves him. With Fitz and Olivia on the outs, Olivia could use a new, steady love interested, and Jake has that potential.

It could be Mellie (Bellamy Young). Earlier in "White Hates Back On," Fitz makes it clear their marriage is over. This is before Olivia sends him right back to Mellie's arms. Mellie can be self-destructive, and thinking everything is ruined, she may have taken the nuclear option and leaked Olivia's name. Though that would work against her own professional goals, so while she is a serious possibility, I wouldn't rank her at the top of the list.

David Rosen (Joshua Malina) is also a suspect. He plays Olivia and the group to get back into his old position, with even more power. In doing so, it proves he is susceptible to the same game playing everyone else in the cast engages in, even though it's something he despises in them before. This could be a parting shot as David leaves the group, looking for some justice against Olivia. Though, David doesn't seem super vindictive, and may still harbor feelings for one of the gang, Abby (Darby Stanchfield), so like Mellie, while it could be him, he isn't my first choice.

No, the most likely culprit is Rowan (Joe Morton, Eureka). He is introduced recently, has tendrils in many places, is behind the locking up of Jake, and is shown to be plotting against Olivia. At first, it seems his scheme could be to kill her, as someone tries to shoot Olivia this week. However, now that we know, because of the shocking ending, that Rowan is Olivia's father, it is likely his techniques against her would be less lethal.

What is Rowan's goal? Why is he after Olivia? What does he want her to do? Would outing her help him accomplish this? There is still so much mystery surrounding who Rowan is and what his mission is that Scandal could go in any number of directions from here. This is a rich vein to tap.

Or it could be someone else, someone we may not even have met. Maybe it's a secret service agent with a beef against the president, or who considers themselves well versed in morality. Maybe it's a political rival. Maybe it's an old foe. Who knows?

This is a wonderful, exciting season finale, concluding some arcs, but also leaving the door wide open for any number of new stories. Scandal doesn't operate on a week-by-week basis, and in keeping with its serial nature, much is not wrapped up. Life goes on, and the past will continue to haunt the present.

Scandal, thankfully, has been renewed and will return to ABC next fall.

No one wins in a Scandal

Article first published as No one wins in a Scandal on TheTVKing.

I admit, I was growing tired of ABC's Scandal last fall. The case-of-the-week format was tedious, and the characters were growing less interesting to me by the minute. I had a hard time motivating myself to watch it.

Then came the voter rigging scandal arc. A vast conspiracy among many of the top people in the presidential administration, steeped in lots of cover up and mystery, information being leaked to us only in tiny bits. As the plot gets thicker and thicker, and the focus moves to the offenders, rather than Pope's team and their regular job, the series gets better and better.

All of this culminates in the most recent episode, "Nobody Likes Babies," as all of the truth is finally revealed, at least to certain parties, and the guilty have to face their sins. This episode is a lot about loss, and not just for those who deserve it. In a situation like this, there is plenty of collateral damage, and the fall out is devastating.

First, there's David Rosen (Joshua Molina). He loses everything: his career, his credibility in his field, a little bit of his sanity, and even the women he loves. Rosen may be a little more zealous than some would like, but his mission is justice, and he is trying to right a wrong. Yet, he makes the mistake of trusting the wrong people, something easily forgiven by viewers, but not by Rosen's peers. The lies of a few are enough to ruin him.

Will Rosen recover during the rest of the season? I hope so. He's a good man, and he deserves a break. Fans are often put in the position to root against him because Rosen's actions could hurt other main characters whom we adore. And yet, at this point, it's hard not to care about him, too. Knowing he is in the right only makes the situation more difficult.

Abby (Darby Stanchfield) loses Rosen. She learns that he really loves her, and while she wants to be with him, her loyalty to her colleagues wins out. Abby could be perfectly happy in a relationship with Rosen, but it would cost others she cares about dearly, and so she betrays him by stealing evidence, then denies it, though he sees through her.

Can Rosen ever forgive her? Abby only did what she thinks she has to to protect those she loves. Can't Rosen understand that? Even if she chooses Olivia (Kerry Washington) over him, Abby's feelings for Rosen are valid, too. If Rosen can find it in himself to take her back, it's likely this conflict of interest wouldn't come up again, and they would never have to be tested this way as a couple. The hard part is getting over this particular instance.

Quinn (Katie Lowes) loses her chance for revenge. She has the option to take out Hollis Doyle (Gregg Henry), but when Huck (Guillermo Diaz) makes her pick between her new life and her old, she chooses the new. After all, murdering Hollis won't undo what has been done to her, and she has come to rely on her current support system. It might feel good temporarily, but what Huck is trying to teach Quinn is that evil has great cost. I think she gets the message.

Huck should know. He has lost just about everything that he possible can. He struggles every day with who he is and what he has done. Huck doesn't suffer a particular loss in "Nobody Likes Babies," but he is far from making up for his past. He wants to spare Quinn the same price, and by doing so, he heals just a little piece of himself.

Olivia gives up the chance at a happy life as a senator's wife when she turns down Edison's (Norm Lewis) proposal. Edison doesn't understand why she would seek pain rather than serenity. Is it really love if it hurts? He has a point, and even though Olivia cannot stop herself, one has to wonder if it's worth it, even in that moment, before what comes after. Is she in a bad cycle she needs to break, or is there really a hope of something more if she can hold out just a little longer?

The best executed plot on this theme, though, belongs to Cyrus (Jeff Perry). He is faced with an impossible choice: his husband, James (Dan Bucatinsky), or his freedom and professional identity. There doesn't seem to be any clear way out for Cyrus, as he can't continue to lie to James and save his marriage, but telling the truth could land him in jail, disgraced.

Perry excels in several scenes, first with a raw confrontation, in wish the nakedness is emotional as well as physical, and then later, as he is forced to decide if he should order James's death to protect himself. Neither is easy, and I'm amazing at the way Perry plays it. Cyrus is a character who starts out as such a cut-and-dry cold SOB, but has quickly grown into a fully fleshed out, sympathetic man, warts and all.

In the end, Cyrus can't kill James. It's a good thing, as I don't think Cyrus would ever recover in the eyes of Scandal fans had James been shot. Somehow, though, I am surprised when Cyrus calls off the hit. I didn't expect to see the depth of his love for his husband, and all of the sudden, I am a huge fan of the actor and the character, much more so than previously, and that's saying something.


All of these situations make us questions ourselves. Everyone wants it all, but no one can have that. These are stories on a screen, to be sure, but the best such ones make us think. When there is no black and white right or wrong, it challenges our preconceived notions and ideals. "Nobody Likes Babies" does this as surely as considering the title of the episode does, over and over again throughout the hour.

One big shocker comes when we learn that Verna Thornton (Debra Mooney) is behind the attempt assassination of President Grant (Tony Goldwyn). Many, including the president himself, assume that the first lady, Mellie (Bellamy Young), is to blame. The evidence points to her, and she's heartless enough to do it. Verna is portrayed as being kind and compassionate.

However, the other thing to take into account is that Verna is dying. Arguments can be made whether her most recent missteps come from a place of guilt or a desire to protect herself. Is she ashamed? Is she arrogant? The fact that she calls Grant and Rosen to her death bed hint that she could be good, but the writing dances around motivating factors enough to leave everyone in doubt.

Then we get the second shocker: Grant murders Verna before she can confess to Rosen. Why does he do this? Is he not stupid, as Verna challenges, and knows about the conspiracy the entire time, even if he struggles to convince himself that he is wrong? Is he furious at her? Is he feeling so betrayed by Olivia that he has to lash out at the person in front of him? Is he complicit in the atrocities committed before?

This levels the playing field. Grant is held up as a noble leader throughout all the mud in this season. Others around him break the law so that he can stay clean. This calls into question if he ever was pure, and makes him more complex. Also, he could never really be in a fully equal romantic relationship with either Mellie or Olivia when still being so much more holier than they are.

It's interesting that Grant chooses Mellie over Olivia in the end. Again, the reason why isn't completely clear. Is he seriously mad at Olivia for lying to him, or for not believing in him? Does he find Mellie's honesty, brutal or not, refreshing, or is he trying to hurt Olivia by choosing Mellie? Except, Mellie isn't always honest, as Grant tells Olivia he knows Mellie induces labor and thinks she is hiding it from him. There are definitely negative emotions in play here, and the truth could well be a little of everything. I am curious as to how this will play out.

This episode, curiously delivered in February, rather than season's end, is huge. It's the best of the series so far, and all of the various twists and reveals make it extremely memorable. Sprinkled with Emmy-worthy performances, "Nobody Likes Babies" delivers everything fans of the show want, and more. This is definitely an A+ installment.

Next week, rumor has it, we get a big time jump, and then mostly go back to case-of-the-week stuff for the rest of the season. This is disappointing news. Yes, it's hard to follow up something so big as these past few months, but does that mean Scandal shouldn't try? Can it really go back to being an average series after such a triumphant story? Or will it surprise me, taking the time to really delve into the emotional fallout of "Nobody Likes Babies," and build into something great slyly, even as the main stories are smaller? Hopefully, the latter.

Scandal doesn't take a breath, picking right back up this Thursday at 10 p.m. ET on ABC.

Want to read some of my fiction? It's on my website, JeromeWetzel.com! Also, for the latest updates and article links, as well as commentary on episodes I don't fully review, please follow me on Twitter.

Not quite "Blown Away" by Scandal

Scandal - "Blown Away"
Grade: 88%

ABC's Scandal has a clever concept, big scales stories, and a terrific cast. But it still fails to deliver on its potential week in and week out. The issue may be the episodes that tackle large issues, and then seek closure at the end of an hour, keeping the series from breaking out into a true serial. Or it could be that when larger tales do play out, the situation keeps seeming worse and worse.

This week's fall finale, "Blown Away," is thankfully much more serial than procedural. Huck (Guillermo Diaz) is set up for shooting President "Fitz" Grant (Tony Goldwyn), but while his friends try to protect him, he doesn't do himself any favors, tracking down the real killer, Becky (Susan Pourfar), whom he is in love with. All of this plays out admist struggles for power, as the players in Washington won't even wait for Fitz to die before taking control of his office.

The action and mythology parts of "Blown Away" are what Scandal should be every week. The 'B' grade for the episode stems mostly from the fact that it doesn't feel like much of the rest of the season, and only now, well into a second year, are things ramping back up, as they did in season one. That, and things do get a tad predictable. As well as a couple of other issues that I'll get to shortly.

Poor Huck cannot be blamed for trusting Becky. His head is messed up as he struggles with his past and his addiction to killing people. It is because of the way he is trained by the government, and without Olivia (Kerry Washington) to keep a close eye on him, as she is wont to do, he begins to stray. It's no wonder he is easy pickings for another assassin on top of her game.

In the end, Huck decides to do the right thing, but like his relationship, he does so sloppily, giving Becky the chance at escape, but not before slaughtering people that Huck cares about, and leaving him on the hook for a serious crime. Viewers know that Huck will probably eventually be exonerated, even if Becky isn't caught. But that doesn't change the fact that he is in a dark place, and in no condition to handle what comes next. Hopefully, Scandal will allow Diaz to play out this plot to its fullest, taking Huck even deeper into the mire, and making it quite awhile before he can function as a full-fledged member of the team again.

Huck isn't the only one falling through the cracks. Quinn (Katie Lowes) is obsessed with figuring out what happened to her, finally having her suspicions that Huck and Olivia are involved confirmed in "Blown Away." Abby (Darby Stanchfield) is continually drawn towards what she sees as an unhealthy relationship with the "enemy," David Rosen (Joshua Malina). Harrison (Columbus Short) is basically left to run the group, a task he is not yet able to do effectively.

Perhaps a lot of the last few episodes have allowed the various members of Olivia's agency to stray because she herself has her attention divided. Back to flirting with Fitz, acting as the doting girlfriend, gossiping with Cyrus (Jeff Perry), and working at the White House, she has let other things slip, and she should blame herself at least as much as anyone else that her group is fracturing.

Not that I'm complaining about the Olivia / Cyrus scenes. They have been among my favorite parts of the fall run, revealing the depth of their affection for each other, and how they once worked together so well on the campaign.

But the fact of the matter is, Olivia's world is slimy. Politics are disgusting. Watching Vice President Langston (Kate Burton) assume the president's office, seeing Hollis Doyle (Gregg Henry, Bunheads, Hung) take control of the new leader, being betrayed by Justice Verna Thornton (Debra Mooney), it becomes more and more clear every day why Olivia left them behind. Her getting dragged back into it now makes her just as damaged as the rest of her team. Scandal is no West Wing by any stretch.

I do worry that the conspiracy story will ruin Olivia and Cyrus as sympathetic characters. Finding out that they rigged the election for Fitz, on top of everything else, and worked with the likes of Verna and Hollis, makes them difficult to root for. The more we learn about their actions, the more despicable they become. The writers may eventually try to smooth this over by giving a good reason why Fitz needed to win, but at that point, will it be too late to salvage their reputations?

There is also bound to be collateral damage before they can overcome their past. James (Dan Bucatinsky) is the most likely victim. It appears for a moment in "Blown Away" that he might be saved, when Cyrus agrees to give him a baby, and James vows to quit his job. But James is only fooling, knowing Cyrus is onto him. The love Cyrus has for James looks real, at least in as much as Cyrus is prepared to love another person. What will it do to Cyrus if James is killed? Or, at minimum, if their marriage is dissolved? Their union seems unrepairable at present.

By the end of "Blown Away," it appears that the writers have themselves in a corner. Will they be brilliant enough to get out of it, without tossing believability aside, or ruining all of the characters? Only time will tell, but there is no obvious path to redemption from here.

Scandal will return to ABC Thursday, January 10th at 10 p.m. ET.

Want to read some of my fiction? It's on my website, JeromeWetzel.com! Also, for the latest updates and article links, as well as commentary on episodes I don't fully review, please follow me on Twitter!

Article first published on TheTVKing

Web Therapy has no trouble getting it up

Showtime's Web Therapy, which mysteriously moved to Sundays a couple of weeks ago, ended its sophomore run last night with a delightful installment entitled "Electile Dysfunction." Robin (Julie Claire), to get even with a rude Fiona (Lisa Kudrow), released the sneakily recorded sex tapes featuring Kip (Victor Garber) and Ben (Michael McDonald). The result is that Kip is forced to drop out of the race. This is fine with Fiona, who is ready to be done with politics and her gay husband so that she can fly away with Austen (Alan Cumming). Unfortunately, there is a snag in that plan, too.

I want to say poor Fiona, as she is the protagonist of the show, and her luck seems to be bad, but I can't. Kudrow makes the character so detestable that, every time there might be an inkling of sympathy for her, it's quickly quelled. This isn't a complaint, but rather an observation about the way the lead is built. Her husband is gay. That sucks. No wonder she is uptight and repressed. But then Fiona sends her possibly dangerous stalker (David Schwimmer, Friends) after her own sister (Julia Louis-Dreyfus). Does she have zero moral compass?

Many great modern television series are built on the antihero, but almost none of those are comedies. That makes what Web Therapy is doing so original and genius. If one if watching a dark drama and the main character is a baddie, that's one thing. When one is laughing at the antics of the principal person, who then takes things way too far, it's hard to keep laughing. Somehow, this show manages to make the cruel funny, and therein lies its brilliance.

Besides all of the actors mentioned above, the cast is stuffed with familiar faces like Victor Garber, Lily Tomlin, Rashida Jones, Molly Shannon, Minnie Driver, Selma Blair, Rosie O'Donnell, Conan O'Brien (as a douche-y version of himself), and even Meryl Streep. What would attract such an elite group of performers to the small screen? When is the last time Streep guest starred in any television show, other than an award-winning miniseries (Angels in America) or a couple of quick voice cameos (The Simpsons, King of the Hill) in the '90s?

But it's not just those the audience already knows that sell the work. Web Therapy boasts a wonderful supporting cast which includes Dan Bucatinsky, Jennifer Elise Cox, and Tim Bagley. They may not may as instantly recognizable, but they're every bit as good as the more famous people, which is necessary to make the show gel together the way it does.

Season one of Web Therapy ended with Fiona being selfish (unlike the actress playing her, who allows everyone a chance to shine), giving up the chance at love with Austen to stand by Kip, hoping that would bring her status and political acumen. Is Austen's betrayal with Gina (Cox) payback? Would it have happened anyway? It's hard to say, but given the way that Fiona treats Austen, it's hard to believe their union would have been a happy one.

As much as Fiona stops in a dark place, the rest of the characters are looking pretty good. Gina has a great new job and is being pampered, Kip and Ben are happily off cavorting somewhere, and Fiona's mother, Putsy (Tomlin), has launched the competing Net Therapy, stealing Fiona's formerly loyal assistant, Jerome (Bucatinsky), away, paying him a more fair salary. So it's not a bad ending, since these are all better human beings who deserve good things more than Fiona. Let's see how Fiona can wreck their happiness next.

Web Therapy has not yet been renewed for a third season, but if there is justice for good TV, it will be. And if not, season two provides some nice closure.

If you like my reviews, please follow me on Twitter! Check out my website, JeromeWetzel.com! First posted on TheTVKing

Web Therapy is "Getting It Straight"

I admit it. I wasn't a big fan of the first season of Showtime's Web Therapy. Perhaps that is because those early episodes were just shorter webisodes edited together, and didn't have as cohesive a story for each half hour. As season two begins last night, though, with "Getting It Straight," all that changes. Though the episodes are still based on web clips, a number of new characters are introduced, and the story immediately seems more comprehensive.

Season two of Web Therapy is exactly what it should have been from the beginning, and sort of was, but really hadn't come fully together yet. It's about a self-obsessed online "therapist" named Fiona (Lisa Kudrow), who alienates everyone around her, but insists on being a contributing member of society anyway, in that she wants society to revolve around her. Things usually don't go her way, of course, but through manipulation and denial, Fiona chugs along, somehow getting by at the end of the day.

Kudrow is fantastic as Fiona. She makes Fiona so easy to hate, which I imagine is hard to do, considering that Kudrow is the brains behind the show. Who would intentionally make themselves come across as a terrible person? Kudrow does it so believably, and in a very funny way. She surrounds herself with talent, and really, plays as a springing board to make others look good. The actress must be the opposite of her character.

In "Getting It Straight," Austen Clarke (Alan Cumming, The Good Wife) sends Fiona's husband, Kip (Victor Garber), to an anti-gay camp in order to "fix" him, as he is campaigning for national office. Clarke was introduced as a love interest for Fiona, and seems intent to get Kip elected so that Fiona can leave her hubby for him. His motivations may be selfish, but he sure is working earnestly to help Kip!

Of course, in 2012, most people realize that gay cannot be "cured," nor should it be. But then again, the characters appear to know this, too. Actually beginning to talk about Kip's homosexuality is nice, instead of continuing to dance around it, as it reveals that Fiona isn't completely oblivious to others, and helps explain the state of her marriage, as well as, perhaps, some of personal issues. The straight camp seems to be more for image, much like Kip's play of making up a pet named Scruffy, rather than to change his personality. Which is a very tongue in cheek and smart approach to the subject.

At the camp, Kip is treated by Camilla Bowner (Meryl Streep, The Devil Wears Prada, Doubt), NOT pronounced boner, who is sincere about helping Kip recover. Interestingly, this center does not have a specific religious affiliation, thus avoiding alienating certain viewers. However, Streep brings to life a very specific character who not only wants to help Kip, but can also see how toxic Fiona is, and would like to remove her from Kip's life. It's a sincere attitude, and one that Fiona takes umbridge to. A battle of wills has been set up, and who will win?

It's such a rare treat to Streep on television, let alone in a recurring role! Not to mention, she is talking about boners, and in an outtake, her bra comes undone. For a legendary actress such as her to commit to a sitcom in a role like this is a testament to how good Web Therapy has become. This is a serious A-list get! And Kudrow holds her own against Streep! What a fantastic set up of an antagonist!

Also rubbing Fiona the wrong way in "Getting It Straight" is Austen's right hand woman, Maxine DeMaine (Rosie O'Donnell, Drop Dead Diva, The Flintstones). Austen promises to publish Fiona's book, which she makes Jerome (Dan Bucatinsky) write for her, but Maxine is the strong arm who will have none of it. That is, until she learns about Kip's campaign, and then she agrees to fix the book and put it out. This is a delightfully awkward situation, with Maxine walking the fine line between business woman and bitch. Another fine performance to help enrich the tapestry of Web Therapy.

All of these great actors, new additions and established leads from season one, coming together in such unexpected and humorous ways really give new life to Web Therapy. It's definitely a show that should begin to garner more attention and accolades, having found its stride.

Watch Web Therapy Mondays at 11 p.m. ET on Showtime.

Check out my new website, JeromeWetzel.com  If you like my reviews, please follow me on Twitter! Article first published as Web Therapy is "Getting It Straight" on TheTVKing.com

Web Therapy is "Exposed!"

     Things on Showtime's Web Therapy may be progressing a little slower than expected. In last week's episode, Fiona (Lisa Kudrow) discovers that her husband Kip (Victor Garber) is gay. But in the latest installment, "Exposed!," she does not actually expose him, as one might assume she might. Instead, she tries to get her mother Putsy (Lily Tomlin) to see that the son she thinks she's found after many years is an imposter. So the "exposed" of the episode title refers to the "son" and not to Kip. It's still Fiona doing the exposing, just not who viewers might expect.

     Too bad Putsy isn't willing to listen to reason (or even DNA test results). What's more conclusive than DNA testing? Perhaps whatever Putsy is smoking has something to do with her delusion, considering that she seems higher and higher in each subsequent scene.

     Thank goodness Tomlin is a comedy queen, or this silly plot might fall flat. Instead, not only does it work, but it's very easy to see where Fiona gets many of her less endearing characteristics. Hopefully Putsy will begin to see reason before Tic removes everything of value out of her house. On the other hand, if she doesn't, maybe she might move in with Fiona! That would be hilarious!

     But back to the original point: why isn't Fiona pressing Kip's secret more? True, discovering something as startling as discovering a partner's hidden homosexuality after many years of marriage is a trauma. Fiona may still be in shock.

     So why doesn't she confront Kip? The strange nature of Web Therapy, showing only scenes that take place at computers, may mean that Fiona already has already spoken with Kip before or during "Exposed!" If so, though, doesn't Kudrow owe it to the audience to discuss the effects of that conversation?

     Or maybe Fiona hasn't even brought the subject up to Kip because she's afraid that it will drive him away and ruin the one caring relationship she has in her life.

     Of course, Fiona isn't holding back because of scruples. She has few of those. Convincing Jerome (Dan Bucatinsky) to do illegal things as part of his "therapy," just so she can investigate her husband, proves that Fiona has little regard for most of those around her. While it is Jerome that takes things too far and gets not only fired, but escorted out by security, Fiona should know how fragile his psyche is, and what she is doing by manipulating him. Her behavior is unethical, at best.

     Now Jerome is actually worse off, working for Fiona. With Kamal (Maulik Pancholy) refusing to do any more of Fiona's dirty work without compensation, Fiona turns to the desperate Jerome and gives him a job. While not expressly stated, it is hinted that Fiona sabotages other interview opportunities to drive a frustrated Jerome close enough to the edge to accept such an arrangement. That she even charges him a supply fee for toiletries shows how little regard she has for him.

     Which is why Fiona doesn't really deserve a happy ending. Unlikeable main characters, who are still interesting enough to watch, are a relatively new thing on television. Kudrow seems to take things a little further than most other attempts, as Fiona is completely self-involved and has an annoying tenor to her voice, making her almost impossible to sympathize with. Yet, the actors in Web Therapy, pros, all of them, are plenty talented enough to hold a viewer's attention. It's what makes the web series version of Web Therapy so popular, and it's what will keep this television series running.

     Watch Web Therapy Tuesdays at 11 p.m. ET on Showtime.

     If you like my reviews, please follow me on Twitter!

     Click here to purchase Web Therapy.

Article first published as TV Review: Web Therapy - "Exposed!" on Blogcritics.

Login to Web Therapy

     Now on Showtime is Web Therapy. Web Therapy began life as a series of short webisodes available online. Now Showtime has ordered it to series, so what is airing on television is a compilation of the shorter bits, edited together with connecting scenes. In the first two episodes, we meet Fiona Wallace (Lisa Kudrow, Friends), who is starting a new "modality" for therapy - offering three minute sessions via web cam. This works for her, as she is lazy, and would rather avoid the human contact that comes with fifty minute meetings in person. To begin, Fiona calls upon some people she already knows in the "real world," hoping to establish a brand, then franchise it and become rich. Ideally, this will happen within a couple of months. The series is made up completely of web cam shots.

     Two episodes in, Kudrow has banished Phoebe from the minds of viewers. A different voice and mannerisms assure virtually no connection between the character Kudrow is most famous for, and the one she now inhabits. Fiona herself is odd, with an annoyingly lilting tone, and her own, distinct pattern of dialogue. One episode in, she is easy to despise. Two half hours, and suddenly she is incredibly enjoyable, even though it is still apparent she is a horrible human being. For instance, she tries to exploit a patient named Jerome (executive producer Dan Bucatinsky), who thinks he was unknowingly sleeping with his half sister (Rashida Jones, Parks and Recreation). Fiona takes the role of victim when it turns out the woman is not related to him. After all, she intends to use his story to get investors! How dare he be boring!

     Part of the reason Fiona may be the way she is could be the lack of affection she gets from her husband, Kip (the great Victor Garber, Eli Stone, Alias). Kips is, to keep with the show's format, only seen via web cam, too, whether he is on Fiona's computer, sitting next to her, or being called while in the bedroom on his own laptop. It makes for an odd communication style between the two, and most moments of their lives are missed by the viewers. However, there is enough insinuation to figure out that Kip wants to stay in the marriage, cares about Fiona, but avoids her sexual advances. Could he be gay?

     To compensate, Fiona acts inappropriately towards other men, but can't bring herself to go through with anything. One in particular, Richard (Tim Bagley, Monk, Will & Grace), she now counsels, and tries to interfere in his new relationship. You see, her departure from her previous job came after she made many advances, but she rejected Richard when he tried to act on them. Now she doesn't want him to be with anyone else, and he is confused. Wholly unethical, it's still a pretty funny situation, and actually exposes a vulnerable side of Fiona. Which is when she begins to be a character fans can get behind, if only slightly. What is shown most of the time is a persona, and this situation peels down into a deeper layer.

     High quality guest stars abound in the first season, including Jane Lynch (Glee), Lily Tomlin (Damages, The West Wing), Alan Cumming (The Good Wife), Courteney Cox (Cougar Town), Jennifer Elise Cox (The Brady Bunch Movie), Maulik Pancholy (30 Rock, Weeds), Julie Claire (24, Dirt), and more. It should be an exciting bunch of whackos, perfectly complimenting Fiona's insanity.

     Web Therapy is nowhere close to realistic, but it is pretty funny. Check it out Tuesdays at 11 p.m. EST on Showtime.


     If you like my reviews, please follow me on Twitter!

     Click here to purchase Web Therapy.

Article first published as TV Review: Web Therapy on Blogcritics.