24's LEGACY Intact

Article first published as 24 LEGACY Review on Seat42F.

24 is back tonight! OK, so it’s not classic 24, as our hero, Jack Bauer, is nowhere in sight. But other than missing Jack, this version is pretty much the same thing. There are terrorists and sleeper cells, betrayals and moles, CTU agents and politicians, people who just won’t listen even though their deafness gets in the way of saving the day, and, of course, the ticking clock as events unfold in real time.

Our new protagonist is Eric Carter (Corey Hawkins, The Walking Dead, Straight Outta Compton), the leader of an elite CTU squad that took out a major terrorist six months ago (think SEAL Team Six and bin Laden). Back in the states, Eric is trying to move on with his wife, Nicole (Anna Diop, The Messengers). But he isn’t doing a good job of it, Nicole even hypothesizing that Eric misses the killing and the danger. Can he settle into suburbia?

24: LEGACY quickly proves he doesn’t have to. The son of the assassinated terrorist is in town with a squad, and begins picking off Eric’s team one by one. With only Eric and mentally unstable Ben Grimes (Charlie Hofheimer, Mad Men, Black Hawk Down) left, Eric has to go on the offensive, trying to stay alive and stop the son from recovering his dad’s sleeper cell list. This means Eric is like later-seasons Jack, already violent and willing to do what needs to be done, even if it’s against the law, so yeah, I’m sure he can do it.

Of course he can. That is never in doubt. This is 24, so the bad guys will get to kill some people along the way, but not as many as they’d like. In fact, the blood starts flowing (in a not-particularly-gory way) only moments into the first hour. There are always casualties in war, but 24, taking its queue from the superhero genre, always makes sure that our hero wins the day, albeit with some cost. 24: LEGACY looks to follow that same format.

Also, as in other seasons of 24, high-level politicians enter into the story. This time we have Rebecca Ingram (Miranda Otto, Homeland, The Lord of the Rings), the former head of CTU, whose husband, Senator John Donovan (Jimmy Smits, Sons of Anarchy, The West Wing), is running for president. This dynamic allows for the in-agency stuff to tie in to election drama in a satisfying way.

Having watched two hours so far, 24: LEGACY almost makes me forget about Jack Bauer. They wisely have brought in a heavy cast, which also includes Dan Bucatinsky (Scandal), Teddy Sears (The Flash), and Gerald McRaney (This Is Us), who along with those above, make the story gripping and well-acted enough that, even with the popcorn-style, unrealistic plot, it’s a lot of fun. So much going on with so many fine performers, and family drama tossed in, too, keeps us from dwelling on what we don’t get.

Which isn’t to say that 24: LEGACY isn’t without its ties to past seasons. One of the new CTU staff members is Mariana Stiles (Coral Pena), the cousin of Edgar Stiles, whom this new version reminds us was one of the best the organization had to offer. But it also stands enough on its own that new viewers could jump right in without missing a beat.

Like the last Jack-led season, 24: LEGACY will only present twelve of the twenty-four hours in this all-important day. This is a wise move, as most seasons of 24 suffered from dragging or vamping in the middle, and the twelve hour format (with hours skipped to still cover an entire day) is a tighter, more enjoyable one. 24 banks on intensity, and the shorter season makes it easier to keep up the adrenaline.

My overall impression of 24: LEGACY is that the franchise is resilient and will fare just fine without its lead. As much as I hope Jack does return for future installments, the rest of the 24 ensemble has always been rotating, and the format works as long as the cast stays strong, which it does here. 24 isn’t the best show on TV, not by a long-shot, but it’s action-packed entertainment that gets your blood pumping, and as a fan or the original, I’m not disappointed at all by the latest incarnation.

24: LEGACY premieres tonight after the Super Bowl, then moves to its regular timeslot tomorrow at 8/7c.

AGENT X Not the Spot

Article originally published as AGENT X Review on Seat42F.

TNT’s latest drama is AGENT X. Apparently, there is a secret section in the Constitution that outlines the Vice President’s real power, and remains unknown to the public, or even the President, to this day. These words give the VP the ability to use an unnamed agent to do the bidding of the U.S. that must be kept off books. AGENT X is that agent, and the new Vice is ready to use him.

(Yes, this is fiction. No such article exists.)

The center of AGENT X is Natalie Maccabee (Sharon Stone, Casino). The first woman to hold the second highest office in the land (have they never heard of Selina Meyer?), she is surprised to learn about the Agent X program from her new right-hand man, Malcolm (Gerald McRaney, House of Cards). Having to take control with barely any direction, President Thomas Eckhart (John Shea, Smallville) himself must deny his knowledge now that he’s been promoted to the top spot, Natalie is nervous at first, but settles into the job quite nicely.

On the other side of the show is Agent X himself, John Case (Jeff Hephner, Chicago Fire). He is an almost-superhuman agent who can slide in and out without being seen. In the first couple of episodes he tangles with Olga (Olga Fonda, The Vampire Diaries), an enemy spy who is quite formidable, and still bests her without too much trouble. He’s the sexy eye candy for the ladies, bursting with the testosterone that keeps the guys coming back.

So AGENT X splits its time between two different types of shows. One part is adrenaline-fueled action, James Bond on steroids, and the other deals with politics and conspiracy theories, a more grounded version of The Librarian. Both go for a simplistic world view, without getting too deep, and with the same type of attitude with which the main player in 24 approached the world. It’s light, popcorn fare that is entertaining, but refrains from going too deep.

The cast is good. Stone and McRaney are always likeable, and Hephner fits well into the archetype. James Earl Jones (Star Wars, The Lion King) shows up as the Chief Justice of the Supreme Court, which lends some gravitas to the series. This isn’t a character study type of program, so it’s unlikely any of these actors will get to deliver an impressive, Emmy-worthy performance. But they do just fine in the roles they’ve been given, and make the show pretty watchable.

My problem with TNT series these past few years is that they lean too heavily on the action, not paying enough attention to plot and the cast. AGENT X improves in this category, still giving the basic element that TNT fans have come to expect, but with a bit better foundation to back it up. As I’ve said, it’s not deep, but it also doesn’t flit over things as quickly as Falling Skies or The Last Ship, marking a noticeable improvement for the content of this network.

That being said, I’m still not going to watch Agent X. There are a ton of very high quality series out right now that are just plain better than this one. This is a sign TNT is moving in the right direction, but it’s not there yet. If you want mindless entertainment, this is one of the best examples I’ve seen in awhile and will serve you well. This show itself, given time, might even become more worthy. But for now, if you’re looking for the biggest talent in the writing and production department, there are plenty of choices on AMC, FX, HBO, Starz, and others that run circles around this one. When there were fewer choices on television, AGENT X would have stood out. Today, it just doesn’t measure up.

AGENT X airs Sundays at 9 p.m. on TNT.

HOUSE OF CARDS Season 2 Finale Review

Article first published as HOUSE OF CARDS Season 2 Finale Review on TheTVKing.

Everyone watches House of Cards at different speeds. Some will plow through a batch of thirteen episodes within two days of its release. Some may watch a single hour per week, like most TV shows air. I decided to go for a middle ground when picking when to post this review. If you watched two episodes per week every week since season two was posted, you'd be right at the season finale now, as I am.

IMPORTANT: If you have not watched all of season 2 of Netflix's House of Cards yet, I recommend stopping here. Important story points will be spoiled if you continue. You have been warned.

"Chapter 26" is undeniably a big one for House of Cards. Francis Underwood (Kevin Spacey) is losing his tenuous grasp on power as President Walker (Michael Gill), Raymond Tusk (Gerald McRaney), and Linda Vazquez (Sakina Jaffrey) plot to see Francis wind up behind bars, pinning the whole mess with the Chinese on him. His wife, Claire (Robin Wright), who has come through on her end of the bargain, basically tells Francis to step up, no excuses, and complete their scheme. So he does.

Claire has every reason to be frustrated with Francis. While they are a team, and have been so even more in the second run than the first, they respect one another because of their strength and commitment to the cause. Claire hurts people she cares about, playing on First Lady Tricia Walker's (Joanna Going) insecurities, secretly betraying their friendship while seducing her, all the while destroying Megan (Libby Woodbridge), a girl Claire works with. This costs Claire much emotionally, as we see in a private moment on the staircase.

Yet, Claire can live with her actions because, in her mind, the ends justify the means. She resolves not to care about others, even as she can't help but let a little humanity slip through, but in the end, she still is willing to sacrifice them. She's the queen on the chessboard, and sometimes pawns and bishops alike must take the fall.

Francis can learn a lot from his wife, and he does. Many of his power plays have been ruthless, smiling while slipping the knife between the ribs. In "Chapter 26," Francis takes a page from Claire's playbook and uses affection to win over Walker. Kind words, perfectly crafted to appeal to both Walker's ego and soul, worm their way into Walker's head and turn him to Frank's side, which, in the end, results in Francis winning the day and Walker resigning in disgrace, all the while believing Frank has only Walker's best interests at heart.

More impressive than how Frank and Claire carry out their plans is the emotional depth, not lack of emotion, in which they do it. They care about themselves and each other, and they do have things and people they value, but because their frame of reference is so different from most viewers', it's almost like the actors are playing aliens. While a select few grow wise to their methods, many others continue to believe in them. The couple is reptilian in nature, cold-blooded. They can put on a front so completely and sincerely as to draw their prey in, as a true predator does, then somehow manage to keep those masks in place. It's not only brilliant writing, but supreme acting talent that delivers the subtlety needed to pull such characters off, and House of Cards blows me away once again in this season finale.

Now, Frank is the president and the Underwoods seem to have realized their dreams. From here, Francis can't go up, so he must go down. The ending of "Chapter 26" implies that next year's third outing will be the show's last, mirroring the British model's trio of (much shorter) miniseries. Netflix could stretch things out (no ending has yet been announced), having Frank hold onto power longer, but it seems unlikely. With such a high-quality show, working through defined arcs, the end feels nigh.

Frank must lose because viewers will never be able to stomach him winning. He's too conniving, corrupt, selfish, and evil to be allowed to keep the Oval Office. As much as we root for him not to get caught because that will end the game, that is what we want to see in the end. Season two forestalled this feeling by pitting Frank against those almost as bad as he is, Tusk chief among them. Now, it's time for Francis' rule to come to an end.

There are no shortage of people who could and would bring Frank down. If they can unite, he doesn't stand a chance. Hacker Gavin Orsay (Jimmi Simpson), along with his fan-favorite guinea pig, Cashew, knows the government is bad, and seeks to free Lucas (Sebastian Arcelus), who might just be dumb and idealistic enough to go back into the fray. Jackie (Molly Parker) has a bone to pick, as do Tusk and Remy (Mahershala Ali). Rachel (Rachel Brosnahan) could be the key to finding Francis guilty of murder, and with her guardian, Doug (Michael Kelly), now dead in a surprise twist, she's available to assist. And these are only the tip of the iceberg.

Which is why I think time is running out for the Underwoods. Francis and Claire have their day, as many do, but it won't last. I will enjoy seeing them in the seat of power until they aren't any more, and will revel just as much in their downfall. Whatever twists and turns the writers come up with, season three should not be boring in getting to that final destination.

House of Cards will return to Netflix next winter.

House of Cards Season 2 Midpoint Check-in

Article first published as House of Cards Season 2 Midpoint Check-in on TheTVKing.

Note: This review is written after having viewed season two, episode seven of House of Cards, "Chapter Twenty." If you are not that far along yet, please watch some more, then come back to this column.

Season two is shaping up to be a great one for Netflix's House of Cards. There are a number of personal stories interwoven around the main plot, but the central thrust thus far has been a war between Frank Underwood (Kevin Spacey) and Raymond Tusk (Gerald McRaney, Simon & Simon, Major Dad). Which has more influence in Washington: money or power? I believe we'll find out as this year continues to play out.

By "Chapter Twenty," Frank has successfully sabotaged Raymond's sway over President Walker (Michael Gill). Rather than being defeated, though, this makes Tusk more determined to have control, switching his allegiances to the other political party, without it being publicly obvious that he has any affiliation with either side of course. This isn't something Frank can stop, and his meeting with Tusk's business partner, Lanagin (Gil Birmingham, Twilight), as well as Stamper's (Michael Kelly) efforts with another partner, Feng (Terry Chen), come to nothing.

That doesn't mean Frank is done, by any means. Frank has wormed his way back into Walker's good graces, expertly dismantling a feud and forming a friendship. It's all an act, from Franks' perspective, just another strategic move in his game, but Walker seems completely taken in, and while money can buy elections, those still in office do have influence.

One wonders how this could end up. Frank wins by manipulation, something easy to do in the halls he's so familiar with, but much harder to do on a national scale in terms of elections. On the other hand, Tusk may be shut out of the White House, but he can buy up as many TV spots as he likes, which can sway public opinion. Frank seems to be scoring minor victories, but is losing overall. I wonder who will come out on top?

It's interesting that Frank is building a Civil War battle model in "Chapter Twenty" of a conflict that resulted in heavy losses on both sides and no clear winner. Might this be how House of Cards lets this war play out? Or is this just how Frank sees things as they are, leading to so much frustration that he smashes his work?

We don't yet know Grayson's (Derek Cecil) true loyalty, which could shift the balance. He confesses to Frank that he's been working for Remy and Tusk, but professes that he thinks Frank is the better man to back. I'm not sure if this is true or if Grayson is really good at what he's doing for Tusk. Grayson does get Remy to remove Ellis (Sam Page), an obstacle, from the Underwoods' circle, but is that Grayson playing Tusk or trying to accomplish his mission? This arc still has too much mystery to make anyone comfortable, but it's this kind of suspense that drives the series.

Luckily, Frank has something Tusk lacks: Claire (Robin Wright). Claire isn't directly involved in the current machinations, but she's there to support Frank, taking him on a run to calm him down. She also helps Frank throw a dinner for Walker and the First Lady, Tricia (Joanna Going), whom Claire befriends, giving the couple even more of a bond to the Underwoods. I've learned never to underestimate Claire, so the fact that Tusk may soon be fighting the two of them, not just Frank, is what should have Tusk worried.

I'm a little confused about why Claire is sabotaging Christina's (Kristen Connolly) reputation. Is Christina merely collateral damage, a way for Claire to get in with Tricia? Or did Christina sleeping with her boss really offend Claire so? Or does conflict in his marriage make Walker confide even more in Frank? Or maybe I just missed something.

Something that might make Frank's life more difficult would be a defection in his own ranks. Jackie (Molly Parker) doesn't seem like the loyal little soldier any more. I guess it's true; once a backstabber, always a backstabber. She has a history of this behavior. Her rebellion would only ever be a minor setback for Frank, he's dealt with worse, but she's playing with fire that could destroy her. Do not ever, ever betray Frank. He might push you in front of a subway or fake an overdose. We're not talking career suicide, we're talking literal suicide.

To make matters worse for her, Jackie is shacking up with the enemy, sleeping with Tusk's man, Remy (Mahershala Ali). I like what we see in Remy, that he's not content for casual sex, revealing something more about him than has been obvious, a noble moral compass. But Jackie is probably just trying to advance her status, and not doing a very good job of it since she doesn't fake the emotions that will help her attain her goal. She is no Frank, and these weaknesses will be her downfall.

It does appear that one of the threats to Frank, the media, has been neutralized. With Lucas (Sebastian Arcelus) discredited and in jail and no one coming to his aid, Frank may have defeated this branch of enemy. Or it may just be dormant, meant to be revived later, possibly with the help of Gavin Orsay (Jimmi Simpson), who seems sympathetic to Lucas' cause.

Amid all this chaos, love may be blooming for Stamper and Rachel (Rachel Brosnahan). Suddenly, Stamper is refusing pretty women in China (ridiculous!) and calling her just to check in. His harsh words on her voice mail are clearly just a cover, though. Who would have thought this might happen? Does it have any chance of working, Rachel being broken enough to be drawn to the man who would protect her? Or is this a distracting side story that doesn't mean much?

Speaking of odd subplots, in "Chapter Twenty," Freddy (Reg E. Cathey) finally gets his own focus. There's a really sweet scene with him meeting the Walkers, but more important, he's suddenly in the press and being offered franchise deals. Is this a sneaky plot by Tusk to knock Frank off his game, trying to steal away Frank's beloved ribs? Or is this a completely separate story? The former seems much more likely given the tight writing of House of Cards, but I appreciate that no ulterior motive has been given for Freddy's fame yet, making it seem like he's earned well-deserved recognition.

By "Chapter Twenty," there's plenty of exciting plot to watch, but no real clear vision of how the season will play out yet. This is completely fine, as House of Cards is great at tying up unexpected threads at just the right time, one in which we don't quite see it coming, but it makes sense in retrospect. It's full of incredible writing and acting, and season two has maintained the quality of the first year, even as the mystique has started to fade away, fans finally figuring out what the DNA of the show is. As long as it keeps up the good work, we should all be satisfied.

Both thirteen-episode seasons of House of Cards are available now streaming for Netflix subscribers. Join me in a couple of weeks for my season two finale review, date TBA.

Undercovers - Season One

     Though tomorrow is Wednesday, don't expect to see J.J. Abrams's Undercovers. Pulled from the schedule in mid-November, it did air three of the five Wednesdays in December, including the last two weeks. But even though there are two episodes left, no air dates have been set for them. The final two episodes, "Dark Cover" and "The Reason", are said to be more heavy in mythology and wider arcs of the series, which may be why NBC is no hurry to air them, since no more episodes will be made to continue the stories they set up. What is most disappointing is, if those episodes don't see the light of day, we won't know why Steven (Boris Kodjoe) and Samantha (Gugu Mbatha-Raw) Bloom were brought back to the CIA in the first place. Though, given that the final episode is a cliffhanger, perhaps it's better to be left in the dark.

     Sadly, this show was not as good as some of J.J.'s previous efforts. It most closely resembled Alias, which got only five seasons, but Undercovers may only have been half as good as its forefather. However, half as good as Alias is still better than much of what is airing on TV currently. Looking at why exactly the show failed is difficult, given that I don't have a clear idea why. But then again, why does any show fail?

     The leads were wonderful. Mbatha-Raw and Kodjoe have great chemistry. They were very believable as a devoted couple whose life had grown boring after their departure from the CIA. Reactivated in the pilot, the two came alive again, and their romance rekindled. Though they promised to keep their past missions a secret from each other, a few details had leaked out, and surely, over time, more would have followed. Their characters were trying mightily to balance normal careers as caterers and their less-normal careers in espionage. As they spent more and more time away from catering, I knew their staff would grow suspicious, and the whole thing was bound to fall apart. I wish the series had lived to see that. If there was a failure with Undercovers, it was not from these two, in either writing or acting.

     Similarly, strong props go to the mythology that was laid out. Samantha's former mentor was obviously a part of something big. The Blooms' boss, Shaw (Gerald McRaney), knew more than he let on, but his boss, finally revealed to be played by Alan Dale in last week's episode, knew even more. With two such great men playing the keepers of secrets, I was anxious to hear them. They were set up beautifully, but never got a chance to make the serve.

     The supporting cast was also solid. I loved Hoyt (Ben Schwartz) as the hero-worshiping geek, who managed to prove himself in the field on more than one occasion. Sam's sister, Lizzy (Mekia Cox), barely got enough screen time, but her role seemed to grow with each subsequent episode, providing a balance to the show that had nothing to do with secret agents. Leo (Carter MacIntyre) was fun, but sitting out a number of episodes, he hadn't fully gelled into the Blooms' team. I figured that would come with time, and after some plot twist I hadn't yet envisioned, possibly involving Lizzy. I was enjoying the Blooms' staff as well, even if I only knew two of their names, as they provided some quality comic relief.

     Each episode was fairly procedural, but there were some connecting threads, many involving the Blooms' relationship, and how they adjusted to being spouses and partners. Other arcs involved the aforementioned mythology, which was mentioned in most episodes. For some reason, most TV viewers are against a good serial steeped in slowly unfolding story, which is what I prefer. Lost, which J.J. was involved in the creation of, managed to break that rule. Alias did, too, which was part of why it struggled to retain its audience, and frequently moved time slots. This show tried to find a balance by not committing to that format, instead giving viewers an action-laden plot they could tune in to without knowing the background. Yet, that wasn't enough.

     My best guess on why the show was canceled? It didn't have J.J.'s good luck charm, Greg Grunberg, in it (yet). It did have his brother, Brad, but it just wasn't the same.

     Perhaps Undercovers was just missing that undefinable magic that lets shows build a big following. I admit, it didn't capture me as fully as I expected it to. It certainly wasn't bad, though, and I will miss it. Hopefully, NBC will decide to show us those final two hours soon, as if they hold them til summer, even those of us who enjoyed Undercovers probably won't care anymore. And if a cable network would like to try something new, I have a great candidate for you. I'll give you a hint. It stars Boris Kodjoe and Gugu Mbatha-Raw. Given another 13 episodes or so to grow, it could have been something special.


For frequent mini-reviews and occasional TV news, follow Jerome on Twitter.

Article first published as TV Review: Undercovers - Season One on Blogcritics.

Undercovers popularizes sexpionage

    For those viewers still missing Alias, among which I count myself, NBC's new show, Undercovers is the next best thing.  It has action, excitement, adventure, international travel, romance, cooking, and J. J. Abrams.  All of the necessary ingredidents to create one hell of a spy show.  Plus, after just one week, it has coined a term sure to grown in the pop culture lexicon: sexpionage.

     The series stars Boris Kodjoe (Soul Food) and Gugu Mbatha-Raw (Spooks, Doctor Who) as husband and wife Steven and Samantha Bloom.  Both were top spies for the C.I.A., but kept the details of their classified lives from each other.  When they decide to tie the knot, the gave up the job to run a catering business together, retiring from the dangerous but titilating game they played.  By the way, Samantha's somewhat inept sister, Lizzy (Mekia Cox, 90210) works for them, so they have someone to keep them grounded.  As the pilot begins, they have been in this comfortable, but boring, state for five years.  But it doesn't stay that way for long.

     Leo Nash (Carter MacIntyre, American Heiress), a former partner and boyfriend of Samantha's, who trained with Steven, has gone missing, and may be defecting from the U.S.  Unknown to his friends, Leo has been captured by some Russians, but that's all part of his strategy to take down a dangerous man.  Agent Shaw (Gerald McRaney, Jericho, Major Dad) is reluctantly sent to bring the Blooms back into the fold, enlisting their help to find Leo.  Shaw is not happy about re-recruiting them, but he also isn't telling them (or the audience) the real reason why it is so essential the reactive the Blooms, when there are plenty of capable agents working already.

     Steven and Samantha both claim to be happy in suburbia, but separately approach Shaw to accept the job, on the condition that the spouse not be told.  It is quickly revealed that they both have the same idea, and with the help of Bill Hoyt (Ben Schwartz), who worships Steven, they set off to do the job.  It's a good thing they've both kept in shape and their skills remained honed.  Boy, would it have been embarassing if Steven's beer gut got in the way!  Yet, somehow despite their unhappiness with the status quo, they are still the same people who left the spy business, which makes for much sexier television.  The Blooms, despite having never worked together until after their wedding, already have a great rhytm and chemistry down.  I assume this is because that they are both so dedicated to their relationship, which while suffering a bit of a dry spell, is not what they want changed in their lives.  Once the thrill come back, they are able to swiftly reconnect in all aspects of their lives.

     Ok, so as you can see from my last paragraph, there is a bit of cheesiness.  But it's soon forgotten, because the rest of the elements are so nicely laid in place.  It's a fun ride, and well worth a TiVo season pass.  It's telling that I've forgotten to mention til now that it's the first show of it's kind starring an Afrian-American couple.  It's nice we've finally reached a point where that's not a necessary thing to mention, as it's not the slightest bit crucial to the show itself.  The couple is as sexy, inspiring, and heroic as any pair that have come before them.

     And although J. J.'s goodluck charm, Greg Grunberg is nowhere in sight (yet), imdb.com lists his brother Brad Grunberg in 7 episodes so far.  Perhaps a new era of Grunberg will emerge?

     The second episode of Undercovers airs tonight at 8pm on NBC.