The Office turns depressing

Article first published as The Office turns depressing on TheTVKing.

As NBC's The Office starts its wind down to the series finale in mid-May, the plot has turned really depressing. I expected to be taken through a more emotional segment of the journey, but maybe not for a sitcom to go quite as dark as it has. This week's episode, "Couples Discount," was absent of much joy, and yet, incredibly good.

Andy (Ed Helms) returns to his post after being gone for three months. He wants to act like he never left, and to be caught up on all the latest going-ons, but is it because he cares, or because he is covering his butt with his boss, David Wallace (Andy Buckley)? He should have returned humble and contrite, and instead, chooses the opposite tack, attempting to re-assert dominance and control.

When Andy sets sail last fall, he is a beloved character who has earned his place among the staff, and is finally settling into the boss's job. He is part of the group, someone who doesn't always do right, but who tries hard, and seems like a good man. Considering where he starts from, as the detestable invader from another branch with anger management problems, it is a satisfying place.

However, Andy has been totally and permanently ruined. From the moment he walks back in the door, it is clear that he no longer belongs. He tries to take credit for the work the staff has done, and accepts a bonus for the quarter he is gone. This ruffles a lot of feathers, to be sure, and it's no wonder that everyone turns on him. It's heartbreaking to see this happen with Andy.

Even worse, Andy single-handedly screws up the biggest account the office has ever landed, Jan's (Melora Hardin) white pages, ruining a lot of hard work that Dwight (Rainn Wilson) and Clark (Clark Duke) put in. Fans will feel just as shocked and betrayed as Dwight and Clark upon seeing this, and it's a rough moment to get through.

In the end, no one is mean enough to really rat Andy out to David, but Erin (Ellie Kemper) accidentally tips him off. This is how it should be. Andy will get his comeuppance, probably making this episode a one-time return, rather than a rejoining for the character, and no one has to be thought of as a bad guy for getting rid of Andy. The rest of the employees may be mad at him, but they're not so cruel as to be the one that stabs him in the back, and this twist saves any of their characters from that damnation. A few small lies that they tell Andy can be written off as justifiable, but revealing to David the truth would have gone too far.

At least Erin can finally be with Pete (Jake Lacy), free and clear. When Pete first arrives, he seems like an interloper, moving in on Andy's girl. But at this point, it's clear his feelings for Erin are pure, and he certainly deserves her more than the absentee boyfriend. Good for them!

So who will be the new boss? Last season, The Office floundered as it searched for a manager. It was not a good year for the series. However, these past three months without a boss have worked really well, both for the characters, and the series. Everyone knows their jobs at this point, and even if they goof off a little, they don't need a babysitter to keep them in line. Maybe this is how it is supposed to be. Maybe David doesn't need to appoint a replacement. Though that is pretty radical thinking for such an environment.


The other major development in"Couples Discount" comes when Jim (John Krasinski) learns the full truth about how Pam (Jenna Fischer) has been hnadling his absence from Brian (Chris Diamantopoulos), the fired boom guy. This takes the couple to a major make-it-or-break-it-point, where their relationship could go one of two ways. Jim, sadly, picks the wrong one, wanting to head back to Philly and avoid a fight, which would probably end their marriage, since it cuts off communication, and could even drive Pam into the arms of Brian, who is most definitely interested. But Pam chooses Jim, fights and all, and in doing so, puts them back on the right path.

It's a teary moment when Pam tells Jim that she wants to fight. What is she saying? That she wants to fight about what's gone on between them? Or that she wants to fight for their marriage? Jim and Pam have come so far in the past nine seasons. To see them fall apart now would be intolerable, and because they're working it out, they will only be stronger for the experience.

Lastly, there's a blink-and-you-miss-it moment when Darryl (Craig Robinson) almost turns Oscar (Oscar Nunez) down on acting like a couple for a mall discount, and then, seeing the camera, changes his mind. Setting aside that this leads to a fantastic genuine moment later on, where Darryl defends Oscar's homosexuality, it also is a sign of the changing tone of the documentary being made.

Before, this kind of thing hasn't been seen, so it was likely cut in the editing room. Now, this isn't the first slip up allowed in, and it makes me wonder what is going on with the rest of the crew. Brian's incident definitely isn't the only thing of interest happening behind the camera, and I can't wait to find out more.

"Couples Discount" is a superb episode of The Office. It may not be as laugh-out-loud funny as it has been in the past, but the real emotional heft more than makes up for it. This has been a terrific season, and a fitting bounce back from the weakness of last year. Catch more episodes of the final season Thursdays at 9 p.m. ET on NBC.

Want to read some of my fiction? It's on my website, JeromeWetzel.com! Also, for the latest updates and article links, as well as commentary on episodes I don't fully review, please follow me on Twitter.

The Office lands "The Whale"

NBC's The Office continues its great final season this week with "The Whale." Dwight (Rainn Wilson) is given the opportunity to double Dundler Mifflin's growth when a new potential client asks for a meeting. Learning the meeting is with a woman, and knowing how bad Dwight is with relating to women, several of his female co-workers try to intervene and improve upon his manners. But no one is prepared when they learn who Dwight is actually being sent to talk with, and it will take everything Dwight has to land this impossible account.

Yep, Jan (Melora Hardin) is back! Jan is one of those character who is a delight every time she arrives on screen, mostly because she makes everyone squirm. This is the type of humor that The Office frequently lands, so it hits the perfect tone when it is returned to. We haven't seen Jan in awhile, so it's a great surprise (if you avoided NBC spoiler-filled promos), and the way it's played as a horror film moment when it slowly dawns on Pam (Jenna Fischer) and Dwight just whose office they are in is priceless.

This being the final season, we are likely to see a good many familiar faces in the coming weeks. Even former boss Michael (Steve Carell) is rumored to be making an appearance by series end. It's a well deserved victory lap, nine years in, to revisit these past people.

But it's not just done for nostalgia's sake. Jan's reemergence allows for a really good Dwight story. He may not be best at dealing with girls, but he is an expert salesman for a reason. Even Jan, who has absolutely no intention of dealing with her former employer, and is just taunting them, comes around to Dwight's skills when he uses what he knows about her to change her mind. Meaning, he dangles Clark (Clark Duke) as a sex object. And Dwight and Pam get a very nice friendship moment.

This continues the trend of giving the characters nice payoffs this year. While last season floundered as the company searched for a new manager, this year is back to the basics, exploring the main characters, reminding us who they are, allowing them to make some big decisions, and hopefully sending them on their way with sweet, satisfying endings.

There is drama. Jim (John Krasinski) is trying to start a business on the side. Andy (Ed Helms) is taking advantage of Erin (Ellie Kemper), driving her away. Angela (Angela Kinsey) seems to have realized that her husband, the Senator (Jack Coleman), is sleeping with Oscar (Oscar Nunez) and other men. But all this should be resolved, probably with happy results, by the end of the year. So rather than sweating it, as might have been done in earlier seasons, there's a sense that all of this is just the last few bumps in the road.

If you drifted away from The Office, as many have done, now might be a nice time to catch up. However it ends, it should be memorable.

The Office airs at 9 p.m. ET Thursdays on NBC.

If you like my reviews, please follow me on Twitter! Check out my website, JeromeWetzel.com! First posted on TheTVKing

Play for me, Wedding Band!

TBS premiered a new hour-long dramedy series this past Saturday night called Wedding Band. Yep, the network known for Tyler Perry sitcoms and stale comedies, both new and in syndication, began a show of a different format on a night where virtually no one airs any new television episodes. It has to suck, right?

Actually, quite the opposite. It's compelling! The characters are well thought out, the cast is terrific, fantastic music with interesting arrangements adds to the fun, and the first story is both entertaining and moving. Let's hope, with virtually no competition on Saturdays, save BBC America, Wedding Band can find an audience. Let's also help, with Wedding Band and the-soon-to-launch fourth season of Cougar Town, TBS has finally become a network worth watching! Sure, it's only two shows, but it's a start!

Wedding Band follows four guys who play have their own band that performs at weddings and various other functions. There's Tommy (Brian Austin Green, Desperate Housewives, Terminator: The Sarah Connor Chronicles), the lead singer, who is somewhat of a player, but only until he finds the right woman; Eddie (Peter Cambor, NCIS: Los Angeles, Notes from the Underbelly), who has to balance fatherhood with his passion; Barry (Derek Miller, Secret Girlfriend), the goofy drummer with a knack for pyrotechnics; and Stevie (Harold Perrineau, Lost, Sons of Anarchy), the new guy who is tired of being a studio musician and wants to hit it big as a real part of a band. He thinks that he has found his chance in this group.

Stevie may be right. I don't know if the actors are doing their own singing or playing, but if it's fake, it isn't obviously so. They perform arrangements of popular songs, both new and old, crossing genres, and they sound really, really good. They take what they're doing very seriously, which shows. It's no wonder that, by the end of the "Pilot," they are being sought out by Rutherford (Melora Hardin, The Office, Monk), Seattle's top wedding organizer, who previously had hired their arch-nemesis group, led by a real douche (Ken Marino, Childrens Hospital).

In the "Pilot," the gig that gets them Rutherford's attention is one in which they are playing for Tommy's ex, Sara (Bree Turner, Grimm). Yet, as hokey as the sounds as a premise, it is executed with the utmost sincerity. Sure, Tommy still has feelings for Sarah; she's the one that got away. But he also loves his buddies, and he's not about to (intentionally) do anything to jeopardize the band. This isn't just a weekend hobby for the guys. it's something they want to devote their life to. Rutherford can help that.

Which doesn't mean there aren't any shenanigans. One of the group does hook up with Rutherford, and the boss's adorable assistant, Rachel (Jenny Wade, The Good Guys, Reaper), who happens to be engaged, catches Tommy's eye. Yet, all of the main characters are upstanding citizens who seemingly would not cheat on their significant others, which actually makes them all the more charming and easy to root for.

The non-band and non-romance scenes are also great. There's a birthday party that lets everyone show off a bit of their personalities, and an hour does not seem too long a format, given the way it plays out in the first hour. There's some drama, to be sure, especially when Sara makes a play for Tommy, which results in a boob mishap, and as Eddie lies to his wife, Ingrid (Kathryn Fiore). But none of it plays out in a completely predictable or boring way.

This band needs to find success. I'm not just talking about within the story, because I want the show itself to get some attention. It's a special series that could easily slide onto a broadcast network and not look out of place. It deserves to do well. It's doing it's part, making quality, now the audience just needs to find it.

There's nothing else on TV Saturday night. What have you got to loose by checking out Wedding Band, which airs at 10 p.m. ET on TBS?

If you like my reviews, please follow me on Twitter! Check out my website, JeromeWetzel.com! First posted on TheTVKing

The Office takes time for Michael

     I realize that Michael Scott (Steve Carell) has always been a major focus of NBC's The Office, but he's always been more than bit clueless, especially about himself. With Carell's days with the show dwindling, the series promised that they would stretch Michael in new and interesting ways, fully taking advantage of the actor's talents before he is gone for good. Last week's episode, "Sex Ed", though the title applied more to the other plot going on, was one of Michael's best episodes of the series.

     Michael gets a cold sore, and thinking that he has the same kind of herpes you get as a sexually transmitted disease, he revisits all of his ex-girlfriends to warn them. It was very satisfying to see or hear again all of the women Michael has been involved with over the years, there are quite a few of them, including one that hasn't been seen in many years. I think my favorite was Jan (Melora Hardin), who lost a lot of the crazy after being apart from Michael for an extended period of time. She has previously been represented as a sane person, but during her relationship, she and Michael fed off each other in such a bad way, dragging them both down in ways far from healthy. But Jan now seems much more stable and well-adjusted in her new job, raising her child as a single mother, and without Michael around.

     What Michael discovered, and what attentive audience members have always suspected, on some level, though it was sometimes not obvious, is that Michael builds things up in his mind to be bigger than they actually are. Sure, plenty of times, we've seen that in Michael. But often with the women, that part is left off screen. I was fully invested in Jan and Michael once upon a time, and I liked his relationship with several of the others. Michael, though, is the perspective we are most often treated to, and he was much more serious about these girls than they were about him. Especially in retrospect, remembering them. Michael just doesn't do this with women, but that was the case this week. And for the first time, Michael realized that was what he does.

     Which makes what Holly (Amy Ryan) said that much more heartbreaking. When I said Jan was my favorite, I wasn't counting Holly, as she is in a category all by herself. What she and Michael had was really real. They were perfect for each other, clicking so well. Unfortunately, after her forced transfer far away, she has been in a steady, long-term relationship for some time with another man. When she told Michael that he built them up, she was lying to spare his feelings. I was so gratified to see Michael realize this. Although, I'm not convinced that he's convinced. Michael is still deeply in love with Holly, and as he told the camera that it was different with her, he seemed to be trying to convince himself as much as the audience. I firmly believe that he is right, and for evidence, I point to the fact that Ryan is expected to appear in at least half a dozen more episode before Michael bows off the show at the end of the year.

 

     Clearly, The Office's writers, instead of going just for the laugh (which they very often do admirably), are going to take Michael through a journey of self-discovery, relishing the depths of a character who, at first glance, appears so surface. It's incredibly awesome to tune in and see it, and I say kudos to everyone involved.

     The Office continues tonight at 9pm on NBC.

For frequent mini-reviews and occasional tv news, follow Jerome on Twitter.

Article first published as TV Review: The Office Takes Time for Michael on Blogcritics.

Monk takes a bow

***THIS REVIEW DOES CONTAIN SPOILERS.  IF YOU HAVE NOT WATCHED THE FINALE EPISODE YET AND PLAN TO, PLEASE BOOKMARK IT AND COME BACK AFTER YOU HAVE.***

     USA's longest running drama, Monk, starring Tony Shalhoub (Wings) as former detective Adrian Monk, ended its eight season run last night, and not without a few tears.  As someone who only occasionally watched the show (until this final season), I still enjoyed it, and I was able to follow along with relative ease and appreciate it on many levels.  To make it easier for viewers, USA ran marathons this week or relevant past episodes, to catch you up on the plot that should be remembered.

     Twelve years ago, several years before the series began, Adrian Monk's wife, Trudy (The Office's Melora Hardin) was killed, and it is the one mystery he was never able to solve.  As the series came to a close, in the final two hours Monk inevitably found the final clues he needed to put things together.  That the show would end this way was pretty much a given long ago, but its execution was wonderful.  From a poison, to a long ago murder, new intrigue, and a video tape that Monk should have opened a dozen Christmases ago, it did not stretch believability much, as I expected to happen.  There was a reason for the new crack in the case, and it wasn't just coincidence that it all tied up now.

     Welcome was the fact that almost every main character got a satisfying ending, not just the title character.  Randy (Jason Gray-Stanford) moved to New Jersey and became a police captain.  Though I can't imagine how a viewer would find him actually capable of such a position, as Randy's cluelessness was the butt of many a joke, it was nice to see him end up with Monk's former assistant and longtime crush, Sharona (Bitty Schram).  While Sharona herself wasn't in the finale, she got to return and have her ending a few episodes early.  Likewise, Captain Stottlemeyer (Ted Levine) was married to his recent girlfriend T.K. (Virginia Madsen).  While T.K. was only a guest star in a couple of last season episodes, the Captain was remarried to a woman that appreciates him, and that was what was special about that.  Natalie (Traylor Howard, Two Guys, A Girl, & A Pizza Place) alone had nothing special in the finale, but she still played her ever helpful assistant role.  None of the major recurring characters had serious endings in the finale or the episodes leading up to it, but those people were less important to this series than many other television shows.  Monk only ever centered on four people at a time.

     Monk, himself, had a surprisingly emotional ending.  After realizing an episode early that he didn't really want to be an official detective again, the surprise twist of him finding out his late wife had a daughter, and his connection with her, gave his character growth and a bright future as the ending credits rolled.  While I find it hard to swallow that a strange would take so quickly to the neurotically screwed up character of Adrian Monk, the story wasn't about her anyway.

     While not without its faults, longtime viewers should find themselves choked up and moved by the finale, which provides a nice cap, goes somewhere, but doesn't ruin the show that came before it.  USA will have a hard time filling the hole left behind.

M-M-M-Monk's Sharona

    If you tuned into USA’s Monk this weekend, you saw a familiar face. Bitty Schram, who played Sharona Fleming, Monk’s assistant for the first two and a half seasons of the show, returned. It was her first appearance since her abrupt departure five years ago, when she remarried her ex-husband and moved to New Jersey, and will likely be her last appearance on the show, which is scheduled to conclude its eight season run on December 4th.

      This episode was predictably fun, but as Monk often does, it stayed too true to the formula instead of allowing itself to roam free. Though there was no official police investigation, leading to little screen time for Randy and Stottlemeyer, the show stayed on the murder plot too much, allowing only a bit of clashing between Sharona and her replacement, Natalie. Near the end of the episode, their bickering did cause Monk to have a little bit of a breakdown and run off, but there was prime opportunity here to deal with a Monk who was hurt very deeply by his assistant leaving, and this was overlooked completely. Instead, their first meeting dealt only with Monk trying to find out what happened to a shirt that she took to a dry cleaner’s shortly before she left, one that he never did find.

      There was a bright spot, however, in that the episode did, albeit very briefly, delve into Randy’s crush on Sharona. It was an ongoing plot never resolved in the early seasons of Monk, and as Sharona left, the audience did get to see her give him a little kiss. Unfortunately, it is left up to your imagination whether anything more will happen with them. With only a few weeks left, and Sharona not announced as returning again, it is unlikely that they will end up together, though one can hope that that may be a surprise tucked into the series finale.

      Check back in this column after Monk comes to end for a review of the series finale, and make sure you watch on Friday nights, as Monk will reportedly finally solve his one still-open case, the murder of his wife, Trudy.