VINYL Comes to Blu-ray

Article first published as Blu-ray Review: 'Vinyl - The Complete First Season' on Blogcritics.

HBO’s new drama is Vinyl, which only recently completed its freshman run, will soon be available on Blu-ray, DVD, and digital HD. Created by Mick Jagger, Martin Scorsese, Terence Winter, and Rolling Stone contributing editor Rich Cohen, Vinyl is set in the New York City music industry of the 1970s, and although lots of familiar names are dropped, the main characters are fictional. With deservedly mixed reviews, it isn’t HBO’s strongest entry, but I found it worth watching just the same.

At the center of Vinyl is Richie Finestra (Bobby Cannavale,Ant-Man, Nurse Jackie), an exec trying to sell his struggling company. Richie once had a real love of music, as viewers get to see in flashbacks peppered throughout the installment, but now he’s older and settled. Married to Devon (Olivia Wilde, Rush, House), Richie seems ready to get away from the chaos and cacophony. Were he able to get back to what he loved about the art form, he might stick around, but surrounded by business crap, he’s ready to be done. If he can just make one last deal to get himself out.

Surrounding Richie is a delightful cast. Among those performers joining Bobby at the office are Ray Romano (Parenthood), Max Casella (Inside Llewyn Davis), P.J. Byrne (The Wolf of Wall Street), and Juno Temple (Maleficent). With this ensemble, I would watch just about any series they choose to do.

Despite this, though, like Winter and Scorsese’s last HBO show, Boardwalk Empire, Vinyl starts slow. Really slow. After hour one, I started distractedly playing games on my phone. I feel bad that I wasn’t giving the show my full attention, but it doesn’t seem like anything very interesting is happening, and that is disappointing, considering everything the series has going for it. Richie is boring and the flashbacks don’t really add anything to the present-day storyline, other than to flesh Richie out a bit. It feels tired.

Thankfully, by hour two, things really take a turn. Part of it is Andrew Dice Clay’s (Entourage, Blue Jasmine) character and the events surrounding him. But part of it is that who Richie truly is comes to the surface.

Richie isn’t the bland, typical personality one thinks he is at first. We see him doing drugs and lying to his wife, and it’s easy to pigeonhole him as just another blowhard in a crazy world who puts himself first and gives into his passions. Except, he’s not, and once that is realized, Vinyl comes to life. Once we’re able to see that Richie really does love Devon and is trying to do right by her; once we see the pressure he is under and how much he struggles to cope with it; that’s when the series becomes unique and fresh and makes its mark.

Though, it remains uneven throughout the 10 episodes, never hitting the potential established in the double-length pilot. I kept wanting Vinyl to be something better than it is, do something more. It’s good, but it’s not as great as it could be. Maybe we’ll get to see it reach the peak in season two.

The argument for going HD on this one is how dark many of the scenes are. Set in clubs and nighttime streets, you’ll want to get the best picture quality to see the layers of grey and what’s happening in the shadows. Also, with some great music, it’s worth it to make the best use of the soundtrack. So, as always, I recommend choosing Blu-ray or Digital HD over standard.

The extras are sadly few. We do get an extended version of “Making Vinyl: Recreating the ’70s,” which is appreciated, though mostly seen before if you’re a frequent watcher of the network. We also get the “Inside the Episode” bits that HBO now regularly features as part of their broadcasts. Besides collecting material already released, the only thing new on the discs are audio commentaries. Thankfully, Cannavale, Wilde, Winter, and others participate, so they are worth listening to. Still, I’m hoping season two provides a bit more, this release basically hitting the minimum on bonus features, which far too many seasons do these days.

Vinyl: The Complete First Season is available now for digital download and will be released on disc June 7, 2016.

VINYL Not as Worn as First Appears

Article first published as VINYL Review on Seat42F.

HBO’s newest drama is VINYL, which premiered its two-hour pilot last night. Set in 1970s New York, the series is about the music industry and a particular era of rock ‘n’ roll music. While the main characters are fictional, the band names and music are mostly real. Created by Martin Scorsese, Terence Winter, Mick Jagger, and Rolling Stone contributing editor Rich Cohen, its bona fides are legit.

At the center of VINYL is Richie Finestra (Bobby Cannavale, Ant-Man, Nurse Jackie), an exec trying to sell his struggling company. Richie once had a real love of music, as viewers get to see in flashbacks peppered throughout the installment, but now he’s older and settled. Married to Devon (Olivia Wilde, Rush, House), Richie seems ready to get away from the chaos and cacophony. Were he able to get back to what he loved about the art form, he might stick around, but surrounded by business crap, he’s ready to be done. If he can just make one last deal to get himself out.

Surrounding Richie is a delightful cast. Among those performers joining Bobby at the office are Ray Romano (Parenthood), Max Casella (Inside Llewyn Davis), P.J. Byrne (The Wolf of Wall Street), and Juno Temple (Maleficent). With this ensemble, I would watch just about any series they choose to do.

Despite this, though, like Winter and Scorses’s last HBO show, Boardwalk Empire, VINYL starts slow. Really slow. After hour one, I started distractedly playing games on my phone. I feel bad that I wasn’t giving the show my full attention, but it doesn’t seem like anything very interesting is happening, and that is disappointing, considering everything the series has going for it. Richie is boring and the flashbacks don’t really add anything to the present-day storyline, other than to flesh Richie out a bit. It feels tired.

However, late in the second hour, things really take a turn. Part of it is Andrew Dice Clay’s (Entourage, Blue Jasmine) character and the events surrounding him. But part of it is that who Richie truly is comes to the surface.

Richie isn’t the bland, typical personality one thinks he is at first. We see him doing drugs and lying to his wife, and it’s easy to pigeonhole him as just another blowhard in a crazy world who puts himself first and gives into his passions. Except, he’s not, and once that is realized, VINYL comes to life. Once we’re able to see that Richie really does love Devon and is trying to do right by her; once we see the pressure he is under and how much he struggles to cope with it; that’s when the series becomes unique and fresh and makes its mark.

I find myself wondering if there is anything VINYL could have done to hook viewers in sooner. I mean, the music is great from the start, and that is what first interests me, before the story starts to drag. Some of the supporting characters are also intriguing, but aren’t in it as much as Richie, and so get forgotten between scenes. But could the audience have understood Richie and his world without getting all the set up first, even if the set up didn’t play out as entertaining as it should have?

In the end, I have a hard time judging VINYL harshly, and actually want to go back and re-watch it more closely. By the credits of the premiere, I am fully on board with VINYL. It just takes awhile to get there. Had the show done a traditional single-hour kick off, it could easily have gotten skipped by me. But with the two-hour format, the program does its job and proves itself. If you tuned out early, go back and give it another chance. It’s worth it.

VINYL airs Sundays at 9 p.m. on HBO.

"May God Bless and Keep You Always," PARENTHOOD

Article first published as TV Review: 'Parenthood' Series Finale - "May God Bless and Keep You Always" on Blogcritics.

 

The one word that best sums up NBC’s Parenthood series finale, “May God Bless and Keep You Always,” is beautiful. From start to finish, it’s chock full of moving moments, paying off character relationships, and setting up the various players for bright futures. It’s sweet and tear-worthy, sad, and promising. It makes me miss the show already, and it’s only just left us.

The meat of “May God Bless and Keep You Always” revolves around Sarah’s (Lauren Graham) wedding to Hank (Ray Romano), which is a natural place to go. For one, it allows Sarah a romantic ending, something that eludes her over the six seasons of the show. For another, events like this bring everyone together and make them rethink their priorities. It spurs big decisions and tender moments.

One of the best moments of Parenthood is Zeek (Craig T. Nelson) asking Sarah if he’s a good father as the two sit on the porch together. They’ve had their ups and downs, as everyone has on Parenthood, yet they come through stronger than ever. It’s a familial bond echoed among all of the characters, and while it may be inappropriate for Zeek to tell Sarah that she’s his favorite, it’s true enough in the moment, and it means everything to her.

There are a myriad of other examples of the same throughout the too-short hour. Adam (Peter Krause) shows Crosby (Dax Shepard) he’s proud of him as Crosby steps into his own. Zeek and Camille (Bonnie Bedelia) ask Amber (Mae Whitman) to move in with them, providing much-needed help with her infant. Haddie (Sarah Ramos) returns and tells Max (Max Burkholder) how much she appreciates him being her brother. Hank asks Drew (Miles Heizer) to be his best man, leading to an awkward, in-character speech. All of these are homeruns.

Some viewers have complained that everyone gets their happy endings, but optimism has always been a central tenant of the show. We get flash forwards showing where each character is just a few years down the road, and no one is sad. But how is that any different than Kristina (Monica Potter) successfully fighting her way through cancer or Joel (Sam Jaeger) and Julia (Erika Christensen) making their marriage work? It’s not. Having Joel and Julia end up with four children, echoing the Braverman clan, makes it even more perfect.

There’s sadness in “May God Bless and Keep You Always,” too. Zeek’s season-long arc comes to an end when he passes away. This is necessary because it’s realistic and it serves the story Parenthood has been telling in year six. But interspersing his memorial baseball game with the flash forwards emphasizes the cycle of life, and that this marvelous family Zeek and Camille built will keep their heart-warming traditions alive, continuing to grow and being loving towards one another. 

Parenthood is a sappy series, and never more so than its final episode. That isn’t a complaint, though. It’s the perfect family drama, giving us authentic relationships with usually-genuine conflict, but showing how such can be overcome. In a world where this type of family is rapidly disappearing, I’m lucky enough to belong to a clan very similar to the Bravermans (as the eldest grandchild), and I’ve very much enjoyed seeing that experience shared with the viewing public in general. This does exist, and can for more families (though not all) if they really work at it.

If I have one complaint about the final episode of Parenthood (and about the series in general) is that it’s too short. Each of the many players are served, but we’re left craving more. How does Amber meet the man she settles down with (Friday Night Lights’ Scott Porter)? What does Max make of his life? Does Drew marry Natalie (Lyndon Smith)? Many popular recurring characters show up at the wedding, too, and they don’t have time for story. An important cameo with Seth (John Corbett) is completely cut for time, though thankfully available online.

I would have liked to have seen further glimpses farther into the future, too. But the reason that isn’t done is clear, because Parenthood wants to keep its fantastic young actors, who would have had to be recast for such scenes, at its core.

Honestly, though, I do have one more complaint, and that is that it seems off that Kristina steps away from the school she builds and hands it over to Adam. It’s not that she doesn’t love her husband or that he doesn’t deserve to be happy, but couldn’t they have run it together? She worked so hard creating it, and then she just walks away. A single regrettable misstep in the almost flawless hour.

Now, Parenthood’s finale does echo Jason Katims’ previous show, Friday Night Lights, ending, but I don’t see that as a bad thing. Despite sharing a number of performers, Parenthood and Friday Night Lights also briefly share characters (as does Katims’ slightly inferior About a Boy), so they are in the same universe, thus making it acceptable to share DNA. Knowing this, I cannot wait to see what movie Katims turns into a beloved show next, and which actors cross over to it.

Thank you to all involved in Parenthood, which also starred Joy Bryant, Savannah Paige Rae, Tyree Brown, and Xolo Mariduena, for six years I am likely to revisit and will never forget.

"It Has to Be Now" for PARENTHOOD

Article first published as "It Has to Be Now" for PARENTHOOD on TheTVKing.

NBC's Parenthood has always been a critical darling that struggled in the ratings, leading to a number of truncated seasons with reduced episode counts. Finally, though, as season five premieres this week with "It Has to Be Now," fans have been promised a full fall-through-spring offering of the family drama that makes you feel good.

"It Has to Be Now" picks up many months after last January's finale, with Jasmine (Joy Bryant) quickly going into labor for the baby we just found out she was pregnant with in the previous installment. Setting aside the extreme oddity that overbearing grandmother Renee (Tina Lifford) is completely absent from the episode, it's a great moment for Parenthood, showing a happy, monumental moment in the clan's life.

Crosby (Dax Shepard) does not adjust well to the infant. He tries staying awake whenever Jasmine is, but that makes them both sleep-deprived and on edge. Jasmine admits this baby is far more work than Jabbar (Tyree Brown), whom Crosby missed out on, was, so we know it's not just the normal level of difficulty Crosby faces. It doesn't help that they haven't agreed on a baby name, or that Crosby's family invades their home for an extended period of time to meet their newest member.

Luckily, Crosby has Adam (Peter Krause) to talk to. The brothers have a very interesting, close relationship. They have plenty of differences, and certainly approach rearing children in varied ways, but their love is enough to give them the connection. Adam doesn't understand why Crosby doesn't feel connected to his baby, but he does offer words of encouragement. Crosby will get through this.

At first, I though Parenthood was setting up Crosby and Jasmine for more conflict, evidenced by their constant bickering throughout the hour, and we've had more than enough of that. Thankfully, it's only a realistic portrayal of frayed nerves parents would have in such a situation, and they are in a good place by the end of "It Has to Be Now." They can make it through, as long as they stick together.

Interestingly, this rocky couple is perhaps the most stable in "It Has to Be Now," in which two of Crosby's married siblings go through rough patches with their own spouses. Julia (Erika Christensen) can't find a job because of her vindictive ex-boss, meaning she has to stay home, something she isn't really glad to do, no matter how what she says. And Joel (Sam Jaeger) is working for a girl (Sonya Walger, Lost) who you can just tell will be bad news.

I know Parenthood is a drama, but does it have to threaten to destroy seemingly stable marriages? It wasn't enjoyable to watch Joel and Julia fight last season about a kid they took in, and it won't be fun to see them at odds again this year. Strife is one thing, but if Parenthood splits them up, that could be nearly unforgivable.

Eh, who am I kidding? Parenthood is so emotionally satisfying each and every week I'll keep watching no matter what they do, even hurt beloved characters. For every raw, angry scene, there are three that make viewers tear up a bit, in a good way. This is is the case with "It Has to Be Now," and nearly every episode that came before it, the show not having lost even an ounce of quality over the past few years.

The issues between Adam and Kristina (Monica Potter) seem less fundamental and more just that the two are out of sync with one another right now. Kristina wants to run for the office of mayor because her pal, Gwen (Rose Abdoo), reminds her that cancer survivors should not put things off. Adam is more cautious, worried Kristina will get sick again if she doesn't take it easy, which is the last thing she wants to do, grateful for every day, and wanting to get the most out of life while she still has it. They'll get on the same page eventually, once Adam sees she's OK and happy.

They also are a little upset over their son, Max (Max Burkholder) hanging out with Adam's sister's ex-boyfriend, Hank (Ray Romano). Adam is worried that Hank is trying to get back with Sarah (Lauren Graham) through Max, but when confronted, Hank insists the break up was mutual, and Max is seeking him out, not the other way around. Adam seems mollified.

I understand Adam's hesitation, but I'm glad that it's passing because Hank and Max really connect. I don't know if Hank shares some of Max's limitations, though if he does, Hank is a much more mild case on the autistic scale. But neither are particularly people persons, and they share an interest in photography they can bond over. Max could use a good mentor who doesn't mind his at-times grating personality, and Hank seems to fill those shoes perfectly.

Admittedly, when hearing Romano was returning to the show I assumed his reconciliation with Sarah was inevitable. But now, I couldn't care one way or the other if he gets back with Sarah (though I'll cheer for it if it happens). Hank's relationship with Max is great and extremely satisfying on its own. If that's the way Parenthood wants to keep Romano, who is absolutely wonderful on the show, around, I doubt they'll be many complaints.

Besides, Sarah has enough to worry about without Hank re-entering her life. She is the landlady of a building with some not-so-responsible tenants, one of whom will probably be a love interest, and she feels neglected by her college student son, Drew (Miles Heizer). Daughter Amber's (Mae Whitman) comments about Sarah to Drew are spot on and hilarious, the little dysfunctional family working just as well as any family can. But it's good Drew eases Sarah's tension before the end of the episode.

With all the drama unfolding at the start of the season, Parenthood needs something joyous to end the hour with, book-ending the birth at the beginning of "It Has to Be Now." This comes when Ryan (Matt Lauria) returns from war and proposes to Amber, who enthusiastically accepts. They are young, and just coming away from a bad place, Ryan may be acting a little irrationally. However, they have weathered a couple of storms already, and it would not be unwelcome for them to actually tie the knot.

Parenthood takes us up and down the roller coaster of family life, but it's always a fun ride that you're glad you went on. This season's premiere promises another great batch of Braverman stories.

Parenthood airs Thursdays at 10 p.m. ET on NBC.

Parenthood has its rewards

Article first published as Parenthood has its rewards on TheTVKing

The season finale of NBC's Parenthood, entitled "Because You're My Sister," was very busy. The Braverman clan is a large family, and it takes quite a bit of time to serve each family member in their story. Not every episode makes it around to everyone, but this one did better than most at serving a large number of the cast.

A huge part of the sweetness this week comes when Victor's (Xolo Mariduena) adoption is finalized. The entire family piles into a single courtroom, and many of them get to take turns telling Victor how glad they are that he is a part of their clan, and what they are willing to do for him. Every Parenthood season finale needs an organic group scene like this. We see Julia (Erika Christensen) struggle in previous episode with the decision to accept Victor, and it's great to see her affection grow towards him. But it's also wonderful when everyone else jumps on, and this finally makes Victor seem like one of the Bravermans and not just one of the Grahams.

Of course, the road to the courthouse isn't without incident. I'm not talking about Victor breaking the expensive bowl, because it almost seems like a test of Julia done on purpose. At minimum, it's an accident that scares Victor. It isn't until that moment that Victor knows he is fully welcome in their home. But by that time, the drama of doubt is over, as Julia has already made her decision, and she's not going to go back on it.

No, I'm talking about Sydney (Savannah Paige Rae) telling Victor that he isn't her brother. It's a natural thing for a kid to feel or say, acting out against change. However, that doesn't make it any less cruel. I feel like Victor understands that Sydney is just blowing off steam, because he's had enough practice at doing the same thing himself lately. He's also anxious to be part of the family after Julia accepts him, and so does what he needs to do to win Sydney over. It's gratifying when Sydney comes around, too, even if it doesn't take some big event to move her.

Part of what Parenthood does well is write authentically for the children, and actually give them something to do. Many series with kids running around ignore the youngsters, or use them only as comedic gags against the adults. Parenthood lets Sydney and Victor act their age, and have a bit of real story between them. Very cool.

Victor isn't the only new face joining the Bravermans. Crosby (Dax Shepard) and Jasmine (Joy Bryant) learn they will soon be having a new baby. As the youngest of the Braverman couples, and the most ready for a new addition, this is great news. It might be slightly unexpected, as it hasn't been addressed in the story that they are trying, but at the same time, it just feels like a natural part of life moving on.

The news of a baby makes Crosby take stock of his situation with his mother-in-law, Renee (Tina Lifford). It's not that Crosby is wrong in his argument with Renee, but it's more that he needs to just let his anger go. Renee does overstep with her grandson, but she's family, and Crosby understands that. Renee has done a lot for them, especially Crosby's son, Jabbar (Tyree Brown), so sometimes, one should overlook her faults. I don't know that she will be moving back in with them anytime soon, but it's nice to see peace, and I like what having Renee around does to Crosby, forcing him to mature, eventually anyway.

 A tragedy is averted in "Because You're My Sister" when we learn that Kristina (Monica Potter) has beat her cancer. She's not cured, but she is cancer free. Honestly, I feel like cancer is the go-to crisis in family dramas, and I never cared for the story. It's great to see Kristina healthy, if for no other reason than it puts this arc to rest. Hopefully, the illness with not come back.

Other good news in the episode comes for many other characters. Drew (Miles Heizer) gets into a great school, the first in his immediate family to attend college, even if it takes him far away from Amy (Skyler Day), who things are over with anyway. Amber (Mae Whitman) reunites with Ryan (Matt Lauria), something she is afraid of, with cause, but wants, and maybe he could make her happy.

Lastly, though, after all of this happiness, is the tear jerker story. Sarah (Lauren Graham) has to choose between Mark (Jason Ritter), who makes a play to win her back, and Hank (Ray Romano), who she is currently with. Sarah chooses Hank, who then promptly announces he's moving to Minnesota to be with his daughter.

This is rough, but there's little that could be done to make it better, and it all unfolds very naturally. Some argue that Sarah always chooses the wrong guy, but I think that she is right in picking Hank. After all, she has made several attempts with Mark, and they just don't seem to work for all that long. Hank cares about her, and he's good to her. There is no doubt in my mind that he could make her happy. The twist with his daughter only presents him as a better man. Plus, how much would Hank shake up the dynamics when the whole clan comes together?

So what should Sarah do now? Should she move with Hank to Minnesota? I really want her to, but only if the series follows her, and they find a way to come back at some point next season. I don't think that she can go back to Mark now, not after telling him she chose Hank. It will make him feel like second place, which will only implode their next relationship more quickly. Or she might find someone else, which is a little bit of a shame, given that she already has two amazing actors after her character. It would take someone really, really good to be worthy at this point.

The mostly feel-good plots of "Because You're My Sister" allow Parenthood to end on an uplifting note, even as some sadness is mixed in. All of it tugs at the heart perfectly, and it remains one of the best family dramas in recent memory. Hopefully this won't be a series finale, but if it does turn out to be so, at least the series finished well.

Want to read some of my fiction? It's on my website, JeromeWetzel.com! Also, for the latest updates and article links, as well as commentary on episodes I don't fully review, please follow me on Twitter!

Parenthood keeps on rowing

Parenthood - "Keep on Rowing"
Grade: 88%

NBC's Parenthood returns this week for the final few episodes of the fourth season with "Keep on Rowing." Kristina (Monica Potter) tries to reward her husband, Adam (Peter Krause), for putting up with her behavior lately. Crosby (Dax Shepard) considers helping out his mother-in-law, Renee (Tina Lifford). Julia (Erika Christensen) begins to have second thoughts about adopting Victor (Xolo Mariduena). And Hank (Ray Romano) helps Sarah (Lauren Graham) get over her ex.

Parenthood has gone a little more melodramatic this season, taking the story into areas it doesn't necessarily need to go to keep the drama up, and getting a bit preachy at times. Thank goodness the Bravermans remain the same engaging, lovable characters they always have been, or else this slightly less than stellar storytelling could begin to drag the series down.

The most frustrating arc has been Kristina's cancer. It's a common card pulled out in a family drama after a few years on the air, when the ideas start to run a bit dry. However, without the drama behind the scenes, a la Brothers & Sisters, there seems little chance that Kristina will actually perish, as the sensibilities of the show are lighter than that. Thus, each attempt to make her situation seem dire just comes across as hokey.

That being said, it's sweet to see Adam being a good husband. I mean, we know that Adam is a good husband, but it's nice to be reminded of just how sweet he is. And then for Kristina to not only acknowledge that, but also to try to repay him a bit for his patience and support, well, that gets genuinely moving. Plus, she looks good with the red hair, and the surprise cameo by Ryan Hansen (Veronica Mars, 2 Broke Girls), hitting on a vivacious Kristina in the bar, is fun.

The sucky story of "Keep on Rowing" goes to Crosby. Adam has to talk him into agreeing to loan Renee money, and then Jasmine (Joy Bryant) practically bullies her mother into their house. Taking care of family is important, something Crosby ought to understand, given his upbringing, and the people that make up his own relations. Perhaps he may not want Renee in his house, and that's understandable. But that doesn't mean that he can protest and still be a sympathetic character. In the end, Crosby does the right thing, but it feels a bit too little, too late for viewers who have to sit through his selfish whining.

I also am not a fan of Julia turning against Victor. I can see why she'd be upset, with Victor throwing a bat near Sydney (Savannah Paige Rae). I even feel Joel (Sam Jaeger) may have under-reacted at first to the incident. However, stretching this into Julia considering not keeping Victor may just go too far, especially after only one occurrence of this nature, and one that can so clearly be chalked up to an accident.

The thing is, everything about this incident is understandable. From Sydney being a brat and running her mouth, to Victor's response and feeling bad about it later, to Julia's fear for her daughter, it all makes sense, given the characters and the circumstances. I don't like the story because I want to see Julia win Victor over, and Victor to eventually feel like part of the family. Yet, it's done in such an authentic way, and acted well, that it doesn't deserve to be complained about.

I am extremely disappointed to see things between Sarah and Mark (Jason Ritter) come to an end. There is so much working against them, it is satisfying when they finally find a way to be happy as a couple. Still, there are enough issues in the relationship that the fact that it ends isn't entirely surprising, even if there is also real love present.

Now that Mark is gone, though, the door has really opened for Hank, who seems a much better match for the elder Braverman daughter. He relates to Sarah, and it seems like he feels lucky to be with her. This means that he will treat her well, and she is certainly smitten with him, too. They started things way too soon, to be sure, with Sarah and Mark having only recently split, but at the same time, they kind of act like soul mates. Hank also brings a new personality to the series that isn't there until he arrives, which should shake up the dynamics nicely.

Only time will tell if Parenthood can find a way to make Hank a main character, as he deserves to be. That is, should Parenthood get a fifth season, which is not a certainty at this point.

"Keep on Rowing" is a solid episode in a solid season. Even when the plots stray a bit too far away from where I'd like them to go, this show remains compelling, and I look forward to watching each new episode. I think the missteps are just disappointments because I know how amazing Parenthood is at its best, so when it stumbles to only better than average, it feels like a slight let down. If it does go off the air, I will be disappointed and miss it. I consider that the true test for if a show is good or not, and on that scale, Parenthood definitely passes.

Parenthood airs Tuesdays at 10 p.m. ET on NBC.

Want to read some of my fiction? It's on my website, JeromeWetzel.com! Also, for the latest updates and article links, as well as commentary on episodes I don't fully review, please follow me on Twitter!

Article first published on TheTVKing.com

Parenthood a "Family Portait" of characters

Grade: 89%

NBC’s PARENTHOOD returns this week with “Family Portrait.” Picking up five months after where last season left off, which makes sense, since it ended in late February, the Braverman clan gather to take a picture together. As one might expect, the road to get there is a little rocky, but it all comes together in the end, and there are some fantastic snapshots to show for it. Which doubles as a great summary of the series, too.

Sarah (Lauren Graham) is upset because Camille (Bonnie Bedelia) won’t let Mark (Jason Ritter) into the picture, even though they are engaged. The couple has not set a date yet, and Mark hasn’t even put a ring on her finger yet, so one might understand Camille’s hesitance, especially when there is a cautionary tale involving Crosby (Dax Shepard) already in the family’s history. But engaged means something, right?

Well, maybe not. Ritter is still only a recurring player, and PARENTHOOD quickly introduces someone else with their eye on Sarah, played by Ray Romano (Everybody Loves Raymond, Men of a Certain Age). Ray is a grumpy guy who has been hurt, but may come out of his shell a bit for Sarah. Plus, he has great chemistry with Drew (Miles Heizer), and also more age appropriate, as Mark shows some immaturity when dealing with the picture situation. No one wants to see Ritter leave, but if he does, it’s nice to know someone as fantastic as Romano is waiting in the wings to take his place. He is good in episode one, much, much better in episode two.

Adam (Peter Krause) and Kristina (Monica Potter) face their own impending departure as it’s time for Haddie (Sarah Ramos) to leave for college. Interestingly, Ramos continues to be listed as a main character, though she is absent from episode two, and there haven’t been any hints that the series might follow her to school. Whether she comes back a lot or a little, PARENTHOOD handles her leaving, withd all the pressures and mixed emotions that go with it, as wonderfully as one has come to expect from the show. Even better, these things continue for her parents into the second episode of the season in a very cute way.

Julia (Erika Christensen) is in a completely different stage of parenthood, still walking on egg shells around her newly adopted son. While Joel (Sam Jaeger) is ready to start treating the boy normally, as Sydney (Savannah Paige Rae) doesn’t understand the special circumstances so well, Julia is so afraid that he won’t be comfortable with them that she goes overboard in trying to make him feel accepted and welcome. Who is right? The answer may surprise you.

Things are not all peaches for the fourth Braverman offspring, either. Crosby and Jasmine (Joy Bryant) seem like a solid couple now, but that doesn’t mean that they don’t still have challenges. Crosby slipped back into less domesticated ways during their time apart, and getting back into the swing of things will not be easy. He may want to be a great husband, and he’ll try, but that doesn’t mean he can do everything that he wants to do. Look for a shifting balance here as the couple figures out what a mature marriage looks like. Frustrating for Crosby, it looks a lot like what Adam and Kristina have, though surely this younger pair will find their own way to do it.

The other story of note in “Family Portrait” belongs to Amber (Mae Whitman). When last we saw her, she made a very adult decision, picking a possible career over a boyfriend. In the first episode back, she makes the mistake of sleeping with a guy who is otherwise involved. Adam rushes to her rescue, his feelings about Haddie possibly clouding his judgment. What is impressive is the way in which Amber deals with the situation, showing how much she has grown. Her maturation has been a true pleasure to watch, and seeing her enter the real world with grace and good decision making skills is terrific.

Overall, “Family Portrait” feels a little long, possibly because it takes time to catch up with the Bravermans, for whom much time has passed. But by episode two, things are flying by again, even if a little forced, somewhat over the top drama is tossed in late in the second episode. Bottom line, television’s favorite, heart warming family is back with the same quality of heart, humor, and realism fans have come to expect. It feels good.

"Hold Your Finish" Men of a Certain Age

     TNT's Men of a Certain Age brings its second, far too short, season to a close with "Hold Your Finish." The men all face new challenges. Joe (Ray Romano) competes in the Senior Golf Tour, and after a bit of luck, makes it to the next round. Terry (Scott Bakula) quits his job as a car salesmen to pursue directing as a new career path. Owen (Andre Braugher) is disturbed to learn Owen Sr. (Richard Gant) has decided to sell the dealership, after Owen has been working so hard to dig it out of the debt his father left it in. What is next for these guys?


     Poor Owen keeps getting set back over and over again. He tries to do things his own way when taking over the business, but the nasty surprise of deep debt that his father leaves him prevents him from doing much. Then Owen embarks on a new marketing strategy of cheesy commercials and free car washes to lure potential customers onto the lot. He even comes clean with the staff, letting them know exactly what is going on with the company. Owen Sr. doesn't approve, but Owen knows he has to be his own man and do something, or it's not likely Thoreau will survive. It is too early to tell if it's working from a business stand point, but Owen has certainly made a positive difference to the people working for him.

     Then Owen Sr. decides to sell to their biggest competitors. It's a huge blow. A personal insult to Owen, a sign that his father does not approve of what his son is doing, and wants to protect his name from any further mistakes. It's a vote of no confidence against Owen's business strategies. It ignores how hard Owen is trying; the long hours put in apart from his family. It's a genuine slap in the face, pulling the rug out from under Owen's career. And Owen Sr. telling his son he will make sure he is taken care of financially is even worse, an extra insult implying that Owen cannot provide for his wife and children. Owen may choose a different path than his dad, but his decisions are just as valid.

     It's not fair. The growth Owen has shown as a man and a professional over the two seasons of Men of a Certain Age is phenomenal. Owen once didn't care about selling cars, but now he does. He proves to his father that he is worthy of taking over the business, and now that he has, he gives his all to keep it going. Even the final confrontation of "Hold Your Finish," when Owen calmly goes to his father and lets him know how much he wants to keep working on the business is an improvement over the earlier, hot tempered fights the duo enganged in. Owen has matured, even if Owen Sr. has not. It's unclear whether it's enough for Owen Sr. to allow his son to keep the business, but signs are hopeful as the episode comes to an end.

     There is Emmy talk for Braugher, and how can there not be? His performance is nuanced, with much depth, and plenty of growth over the series. It isn't a showy part, but it does allow for some heavy drama and deep pathos. It's easy to forget that Owen is not a real person, with the level of art and realism Braugher commits to him. It's worthy of any awards anyone would like to give. There are others doing as well on television today, but few, if any, who are better.

     Terry has undergone just as dramatic a shift, himself. When introduced, Terry is lazy and has trouble holding a job. He says he is an actor, but he rarely gets any work in that field. He sleeps with a variety of women, mostly far too young for him, but that works, because he's looking for sex, not love. This season, that all changes.

     Terry reconnects with Erin (Melinda McGraw), a woman he did a series of commercials with many years ago, who is now a school teacher. Terry feels all kinds of feelings for a girl that he never has allowed himself to have before. It's a bit of a rocky adjustment, and they take a break, but soon enough Terry is asking her to move in, and she accepts. They have a really nice emotional bond, and she makes Terry want to be a better person. Suddenly he sees the value of hard work, and what pay offs it can bring. He fully, sincerely commits to her.

     This change in Terry extends to his professional life, as well. He works very hard for Owen, and becomes a top car salesman. He is the one that suggests that cheesy commercials that are soon bringing people to the lot. Which is why when Terry suddenly quits to become a director, it is possible to believe him when, as he tells Erin, this time it's different. He wants to be a director, something he finds himself good at while doing the commercials. It's a creative outlet that actually has paying work he may be able to get, and uses his talents. It's something he really wants to do, instead of just bring home a pay check.

     Erin is hesitant, as she should be, to believe Terry. But Terry says he will only give it a year, and he has also begged for his landlord job back to help support the couple financially. These are things the old Terry would never do when chasing a dream, and show that the maturity he is gaining is sticking. He wants to do something he loves, but he is also willing to sacrifice to get it. It's a new leaf, and one welcome.

     Of course, Bakula, a veteran of screen, knocks the part out of the water. It's funny to see him play an out of work actor, when Bakula himself has had a pretty good career. Yet, he is able to play the cheesiness and sincerity in unexpected ways that really sell the part. This is a series he will be remembered for, with good reason.

     Finally, there's Joe. He has some struggles in season two, as his attempts to be a good friend to Manfo (Jon Manfrellotti), who is dealing with cancer. But that connection drags Joe back into the world of gambling. Joe successfully pulls himself out once more, but not before angering Manfro, and losing his friendship. Overcoming that particular obstacle, again, is good, because it clears Joe's head up to do what he really wants to do: golf.

     As Joe begins the Senior Tournament qualifier, the focus is on the game itself. He has an early stumble with a penalty, which shakes him. But then he comes back in spectacular fashion, and only falters again on the final hole. Luckily, a well timed rain shower causes others to screw up more, and Joe ends up, albeit backwardly, making it through to the next round.

     And that's when it's clear that Joe's golf story is no longer about golf. Not only does Terry show up to offer his support, but both of Joe's children, Albert (Braeden Lemasters) serving as caddy, and Lucy (Brittany Curran), following as a spectator, are ecstatic to see their father do well. The plot is really about how Joe realizes his kids still love him, and what that does for his self image, which desperately needs help at this point. The sweet victory as the kids cheer as another man misses a hole, and dance around Joe with excitement, is worth for more to him than any trophy or big finish. Joe is a family man, which he sometimes finds difficult to perform as, but his kids mean the world to him. Seeing they care about him the same is the real victory.

     This is why, at the end of the episode, Joe is able to bring himself to call Dory (Sarah Clarke). Despite messing up his relationship with her, Joe is ready to try for another chance. He may deserve it, considering how far he has come, and the correct choices he keeps making, and she seems to see that. Joe is proving he is not a bad guy, but like everyone, has some things he must overcome. It will be a constant battle throughout the rest of his life to stay on the straight and narrow, but as "Hold Your Finish" ends, Joe is doing well.

     Who would have thought that sitcom star Romano had such gravitas in his repertoire? Yet, after a mere two years, Romano has permanently destroyed any pigeon hole the comedian may have been stuck in. He holds his own against two dramatic heavyweights, and makes it look easy. It's enough to spark regret for ever doubting him. With creator credit to his name, too, Romano has made something wonderful in Men of a Certain Age. Hopefully, it will run for years to come.


     Men of a Certain Age has not yet been ordered for a third season, but if the universe is fair at all, it will get one.

     If you like my reviews, please follow me on Twitter!

     To order Men of a Certain Age on DVD, please click here.

Article first published as TV Review: Men of a Certain Age - "Hold Your Finish" on Blogcritics.

Men of a Certain Age "The Pickup"

     TNT's Men of a Certain Age takes a very depressing turn in "The Pickup," with two of the three guys' lives heading in the wrong direction. Terry (Scott Bakula) is letting work slip as he looks for women to sleep with to help take his mind off of Erin (Melinda McGraw) dumping him. Even his surprise 50th birthday party is a miserable affair for him. Things come to a head when Terry finally pushes Marcus (Brian J. White) too far, and Marcus slugs Terry before quitting the dealership. Owen (Andre Braugher) refuses to let Terry quit, too, telling him he needs to grow up and clean up the mess he causes Owen by prompting Marcus to leave. Meanwhile, Joe's (Ray Romano) golf game is suffering, and he allows himself to get pulled back into the gambling world.


     A gambling addiction has long plagued Joe, and while addiction is something that must be battled long after the habits stop, and relapse frequently occurs, it is sad that it is happening to Joe again. He works so hard to avoid anything that might tempt him, which is not easy for him. But by being a good friend to Manfro (Jon Manfrellotti) and helping him out while Manfro undergoes chemo, Joe is drawn back in. It's a tough call to make, because to remove temptation, something right for his life, Joe must abandon a friend in his hour of need, which is not a very nice thing to do. Is staying clean more important than the care one has for a close friend?

     Neither option is appealing, and Joe doesn't really make the choice, which is where he gets into trouble. By being a half-hearted friend to Manfro, Joe isn't really being there for him as he needs to be, nor is he avoiding the triggers of his condition. Manfro has to convince Joe to do the favors Joe is doing, and Joe only somewhat fights back. One could argue Manfro isn't being a very good friend by putting Joe in these situations in the first place, but Manfro is sick and suffering, so he likely isn't thinking things through all that clearly. He needs errands run, and he asks Joe to do it. Simple as that, to Manfro. Not so simple to Joe.

     This is probably why Joe's golf game isn't going too well. To play any sport focus is a primary component, or so I hear. Joe's focus is on Manfro and on his own gambling addiction, rather than the game. While it's too bad Roy (Damien Leake) isn't asking the right questions to figure out why Joe isn't doing so well, as he is the one really seeing the effects, it's not like Roy is really a friend, either. So it looks like Joe is losing his coach, his best chance at making it onto the Senior Tour. The addiction is costing Joe yet another thing he really cares about. He needs help badly.

     Too bad Joe isn't able to draw enough strength from Albert (Braeden Lemasters). Albert is inspired, with his father's help, to overcome his own anxieties and take the stage to perform with his band at school. The performance is a rousing success, and for a minute, it appears Joe will be inspired in turn by Albert. And he is, to a degree. But instead of taking Albert's lesson and applying it towards life, he only tries to use it for golf. He should take another look at his son and see that Albert uses Joe's advice, which is geared towards golf, in everything. If Joe brings the right attitude towards the gambling problem, maybe he stands a chance at escaping yet again. His determination kick the habit cannot be at half strength.

     Terry is nearing rock bottom. Hopefully, he will not need to hit it to clean things up. Sleeping with random, mostly younger, women will not help him forget about Erin. She is a very special person, who matured Terry romantically for awhile. For the first time in his life, Terry is ready to give up his playboy ways and commit to one person. Sadly, she is not in the same position as he is. But Terry needs to look for a woman that will make him happy for years, not just a few minutes in bed. Sleeping with his birthday party caterer is a big step in the wrong direction.

     Unfortunately, the maturity Terry finally finds in his romantic life does not extend at all to his professional one. He allows himself to let everything important slide while grieving over the loss of his relationship. Many teenagers have made a similar mistake, but not most fifty year olds. Perhaps because the experience of losing love is so new to Terry, he cannot help but act in this manner. Sadly, society does not allow such mistakes in the real world, and if Terry expects to have a decent life, he needs to get past it quickly.

     There is nothing mature at all about the way Terry feuds with Marcus. While Marcus is usually the biggest jerk in any episode, this time, Terry starts the trouble, and is much more in the wrong. A bigger man would let Terry slide, even though that's not what Terry needs. Marcus is far from a bigger man, and quits instead, causing a scene in the process. Most people would not act as Marcus does, but hopefully that will be the kick Terry needs to get things back on track. He is called on his crap.

     Also helping Terry is Owen. Owen is a good friend who is willing to sit silently and let Terry unload his problems. However, Owen also has a business to run, and Terry is messing up that business. Owen tasks Terry with making up for it, and blatantly tells him his behavior is not acceptable and cannot continue. This combination of sympathy and firmness may be what Terry needs. It's a calculated discipline designed to kick Terry's butt without being cruel about it.

     It also proves Owen is surely the most put together of the three main characters. Thanks goodness one of them is doing well.


     Men of a Certain Age airs Wednesdays at 10 p.m. ET on TNT.

     If you like my reviews, please follow me on Twitter! Click here for all of my Current Season Reviews.

     To order Men of a Certain Age on DVD, please click here.

Article first published as TV Review: Men of a Certain Age - "The Pickup" on Blogcritics.

Men of a Certain Age attempts "The Great Escape"

     TNT's Men of a Certain Age is back. Although the first season is uneven, the second is solid, including the mid-season premiere tonight, "The Great Escape." In the episode, Owen (Andre Braugher) considers an offer to sell the dealership. His wife, Melissa (Lisa Gay Hamilton), is totally on board when she realizes Owen will be home with the kids, so she can pursue her writing career. Joe (Ray Romano) comforts his sick friend, Manfro (Jon Manfrellotti), on the eve of his chemo. He also offers solace to his ex-wife, Sonia (Penelope Ann Miller), who has just broken up with the guy she left Joe for. Terry (Scott Bakula) is ready to get serious with Erin (Melinda McGraw), just as she decides to go back to her ex.


     While much of the series is not about the three central men's love life, this episode very much is. And why not? Two of them are single, one by divorce, one because he's a habitual bachelor. At this point in their lives, it's time to settle down, not sow the wild oats. As such, it is perfectly reasonable that both Terry and Joe are interested in long-term relationships.

     Joe should not go back to Sonia, no matter how much he wants to. His wife cheated on him, and he is far too willing to forgive her mistakes. She trades a stable married life to Joe for a mid-life crisis that is now falling apart. Joe is a nice guy, and he deserves better. While both feel it would be awkward to act on their rekindled feelings now, Joe is certainly planning on letting things build, and trying again. If he does so, Owen and Terry should stage an intervention and stop it.

     Very touching is Manfro's story. It is nice that the bookie is back in Joe's life, despite Joe's gambling problems, because Manfro is a good, non-judgmental friend. Unlike Terry and Owen, he has not known Joe his entire life, so his judgment is not clouded by history. He, more than the other two, could possibly talk Joe out of a reconciliation with Sonia. Or at least keep an open mind about it, if that's what Joe needs.

     Even better, Manfro gets his own love interest this week. On the eve of receiving chemo treatment, he meets a kind stripper with a heart of gold. While she does keep relating Manfro's situation to her father's, at least she knows what she is getting into, so there will be no surprises. She won't leave him halfway through treatment. It's just what Manfro needs, and hopefully more of the happy couple is on docket for later this season.

     Sadly for Terry, Erin is not going to happen. While she appears perfect for him, she's already taken. Perhaps he can go back and see Annie (Carla Gallo), who he runs into this week, at the coffee shop to help him get over Erin? As delightful as Gallo is, she is likely not poised to join the cast full time, and so a long-term relationship between the two probably won't happen. But in the meantime, any episodes Gallo wants to do will be welcome.

     Terry needs to find a girl like Erin, but one who is not in love with someone else. His potential mate will likely be divorced, as it is unrealistic to expect a nice, pretty girl good enough for Terry will still be single at fifty. Unless this woman is in the same boat as Terry, ready to settle down after a long time of playing the field. Her past may make Terry uncomfortable, and provide some growth. Honestly, the second option might be better in the long-term.

     Poor Owen cannot escape from his father's shadow. As much as he'd like to sell the dealership for his family, when the times comes for Owen to tell Owen Sr. (Richard Gant), he only says he is determined to bring a body shop into the mix. Is this the truth? Or he is avoiding a difficult situation? It appears Owen and Melissa have made up their minds, but then Owen chickens out when announcing the decision. It's hard to tell if he is serious with his father or not.

     If Owen does go through with selling, it will likely wound his father very deeply, and justly so. Owen Sr. only recently gives Own the dealership, and if Owen parts with it so quickly, it's kind of being rude with a gift. On the other hand, Owen Sr. springs a bad financial surprise on Owen post-deal, so it's understandable that Owen is tempted to get out from under the debt. It's a complex situation with no right answer. Unhappiness will follow either decision. Let's hope Owen and Owen Sr., who are finally getting along, can weather the storm and keep their relationship on firm ground.

     Melissa, of course, is also a part of the equation. She has given up her life to take care of the kids for many years, and she is right to expect Owen to take a turn when a good opportunity arises. As his wife, Owen should likely put more weight on hurting Melissa than his father. She deserves the chance to do something she is passionate about, and not selling will deeply disappoint her.


     Men of a Certain Age is off to a great start! Tune in Wednesdays at 10 p.m. ET on TNT.

     If you like my reviews, please follow me on Twitter! Click here for all of my Current Season Reviews.

     To order Men of a Certain Age on DVD, please click here.

Article first published as TV Review: Men of a Certain Age - "The Great Escape" on Blogcritics.

The Office forms a "Search Committee"

     NBC's The Office ended its season last night with a special one-hour episode entitled "Search Committee." In it, Jim (John Krasinski), Toby (Paul Lieberstein), and Gabe (Zach Woods) interview a wide variety of candidates vying for the manager position at Dundler Mifflin Sabre. Jo (Kathy Bates, whose NBC series Harry's Law was just renewed) returns to check on the process, but gives little input on who should be chosen. Jo does send Gabe back to Florida, though, when it's clear that he has gotten too personally involved in office drama, and replaces him on the panel with Kelly (Mindy Kaling). Angela (Angela Kinsey) gets engaged to her senator boyfriend, and the staff wonders if they should tell her that he's gay. Phyllis (Phyllis Smith) wonders if she might be Erin's (Ellie Kemper) mother. Ellie makes a play to win back Andy (Ed Helms). And Pam (Jenna Fischer) tries to keep acting manager Creed (Creed Bratton) from losing all their clients.

     The Office brings in some heavy star power to apply for the top job, though few are serious contenders. Jim Carrey (Eternal Sunshine of the Spotless Mind) is the briefest cameo, complete with funny accent, concerned with getting back to his family in the Finger Lakes. Real life Berkshire Hathaway CEO Warren Buffett is similarly quick, but surprisingly funny as he tries to negotiate a salary. Ricky Gervais (The Invention of Lying) reprises his British The Office character of David Brent for the second time this season. Will Arnett (Arrested Development) leaves surprisingly little impression, while Ray Romano (Everybody Loves Raymond, Men of a Certain Age) kills as a bumbling nervous applicant.

     Neither Carrey or Gervais, who have movie careers, Arnett, who is already starring in a new series next season, Romano, who has a show on TNT, nor Buffett, a real CEO, will be the boss. All have prior, more important commitments. They are a welcome diversion in a fantastic and memorable episode, but that is all they are. While speculation will continue to reign over who will ultimately get the job, it is not worth talking about any of those applicants in any serious manner.

     Perhaps the only two possible contenders from the guest star list are James Spader (Boston Legal) and Catherine Tate (Doctor Who). Tate's character is completely unpredictable, changing her opinions constantly, but she is a friend of Jo's, and that gives her a leg up. Spader delights as a creepy salesman who insists there are no products to sell, just sex. His time on screen is short, though longer than the other guest stars, and it reminds viewers just how good he is, and how he should be back on series television as soon as humanly possible. Either Spader or Tate could fit well with the current ensemble.

     There are also applicants from within the office vying for the position in front of the "search committee." Jim's favorite, and the frontrunner going in, is Darryl (Craig Robinson). Sadly, Darryl botches his interview, doesn't have a resume, ends up making a terrible resume, disappoints Jo, and resorts to cheap tricks with his daughter to try to win the position. Even Jim begins to look exasperated with him by the end. This likely spells the end of his efforts. Kelly fares worse, being laughed out of her interview almost as soon as it starts.

     Andy could possibly be the new front runner. He is underwhelming, but as he says, he will not make waves or changes. Dunder Mifflin Sabre has been through a lot lately, and Andy's leadership style may be just what they need. Though not an early favorite, as Gabe goes on the attack during the initial interview out of jealousy over Erin, he distinguishes himself as he decides to really go for it. He is educated and qualified, and isn't contributing much to the company as a salesman. It could be a perfect storm, or lack of other options.

     Dwight (Rainn Wilson) redoubles his efforts, determined to prove that he can do better than he did in his recent, brief stint as manager. He uses disguises and bribes to try to work his way into the top spot. Jim is dubious, and refuses to actually consider him, even after Jo asks him to. Considering Jim seems to be the decision maker, does Dwight still have a chance?

     Or could Jim reluctantly step in? Despite Spader and Tate's memorable performances, The Office has such a large cast already, it would be good to keep it in house. Dwight is risky, at best, and Andy doesn't blow anyone away. While Jim is previously reluctant to stay manager after his run as co-manager with Michael (Steve Carell), perhaps he will try again, given the lack of options, and the way a poor choice would reflect badly on him and his career.

     Pam is stuck handling Creed for much of the episode, who is every bit as bad a manager as one would expect. Pam often has to put out metaphorical fires around the office, and has the respect and affection of nearly everyone. Throughout "Search Committee," it is Pam who keeps the place running smoothly. For this reason, it is possible that Pam could be a dark horse choice for manager.

     Any way they go, it is crummy that the season ends without a choice being made. The office has been in a state of flux for awhile now, ever since Michael announced his intention to leave, and the instability leaves the viewer feeling uneasy at the end of the episode. Perhaps the choice will be stronger, given that the writers are taking time off to consider the options one last time. But it certainly does no favors to fans in the short term.

     Should the staff tell Angela that her Senator boyfriend is gay? They opt not to, out of kindness, but their patience is stretched as Angela continues to brag about her fiance and their upcoming nuptials. While the decision is made not to do so, it seems only a matter of time before the truth comes out, likely in a retort from a co-worker after Angela makes a particularly snide comment. Angela is a bit delusional, but it is doubtful she will go through with a sham marriage once that lie is exposed. And then perhaps she will revisit Dwight again.

     It is with great disappointment that Phyllis discovers she is not Erin's biological mother. In a previous episode, the clues are set up perfectly for the mystery of Erin's mother and Phyllis's daughter to be solved. The two women exhibit the same mannerisms, and the timing works out. It is not very realistic that they should be related and coincidentally end up in the same workplace. For that reason, it is good the writers did not go through with making Erin Phyllis's daughter. But considering how happy they are when they think it's a possibility, it's very sad that it doesn't work out. How long before Phyllis breaks the news to Erin, or will they continue to act like it might be true? Or perhaps they will decide tests don't matter, and they can maintain the relationship they've started, both filling a gap in the other's life.

     Equally disappointing is that Andy turns Erin down for a date. The two are so obviously perfect for each other. Andy's hurt feelings are understandable, and considering how much he put himself out there for her, and she continuously rejected him, and he does need some time to make her sweat. She deserves as much. Knowing Andy is as nice a guy as he is, he won't make her wait long. He basically says he still likes her in his camera interview. One more romantic gesture from her, and he will probably give in. As he should. Petty feelings cannot take the place of true love. Make no mistake about it, Andy and Erin have true love, and deserve to be happy together. They are the second Jim and Pam of The Office.

     Is Gabe gone for good? Added as a main member of the cast relatively recently in the show's run, he has fit well into the group. Although his immediate plots, a relationship with Erin, and severe jealousy after losing her, have run their course, that is not to say other stories could not be given to Gabe. He has acted completely unreasonably lately, but so have plenty of other characters over the years, and that has never resulted in them being kicked out. It's hard to see how Gabe may continue, and feelings are torn whether he should. It is not in doubt, though, that Woods has so far been completely satisfying on The Office, and should he be gone, it is not due to any fault of the actor's.


     The Office has been picked up for another season, and will continue with someone as the new boss next fall on NBC.

     If you like my reviews, please follow me on Twitter! Click here for all of my Current Season Reviews.

     To buy The Office DVDs, streaming episodes, and other merchandise, please click here.

Article first published as TV Review: The Office - "Search Committee" on Blogcritics.