Rescue 9-1-1

Article first published as TV Review: 9-1-1 on Seat42F.

Before watching, one can be forgiven for dismissing the new FOX series, 9-1-1, as a typical procedural. After all, it stars firemen, police women, and EMTs, and the people they help don’t carry over from week to week. But there is a lot more to it than that, even if it’s hard to define exactly what the quality is that it exudes. Let’s try to break it down, shall we?

First, there’re the brains behind 9-1-1: Ryan Murphy, Brad Fulchuk, and Tim Minear. These guys are known for a variety of high-quality cable shows in recent years, most notably American Horror Story, American Crime Story, and Feud. Given those credits, it’s hard to believe they would deliver anything at all close to a run-of-the-mill, case-of-the-week series. And they do not.

The next clue that this will be better than usual are the actors who signed up. Angela Bassett (American Horror Story, Olympus Has Fallen) is Athena Grant, the main police person we see in the cast. Peter Krause (Parenthood) is Bobby Nash, the fire captain. Kenneth Choi (Sons of Anarchy, Last Man on Earth), Aisha Hinds (Underground, Dollhouse), and Oliver Stark (Into the Badlands) all play characters who work for Bobby. Connie Britton (Friday Night Lights, Nashville) is a 9-1-1 operator named Abby Clark serving as go-between for all of these people, making it a rounded series. While it’s true that none of them have spotless resumes, to have so many great performers in one series says something.

The premise itself does feel a bit formulaic when described. In the pilot alone, the characters respond to several calls for help, and deal with the issues. One of the ensemble gets in trouble at work for acting inappropriately, one is a recovering alcoholic, and Athena is dealing with marital issues with husband Michael (Rockmond Dunbar, Prison Break). None of these things sound like they belong to a new, promising show.

However, there is something more to 9-1-1 that transcends the formula. It’s an ineffable element that is hard to define completely. The best way I can describe it is that there is an urgency, a pacing and tone, that belongs on a high-quality cable show, and feels very out of place on a broadcast network. No scene comes across as cheesy, everything is done with sincerity, and when paired with the performing talent, it rises above the sum of its parts.

The primary thing I can say is that numerous bits of the pilot moved me deep in my gut. I welled up, but not in the way This Is Us makes me. I experienced adrenaline rushes, but not as I do when watching 24. I was scared, but not like a bad slasher flick evokes. I really felt the emotions the characters were feeling, and I have to say, that is quite a feat to do in an hour procedural, let alone multiple times. Maybe it was the mood I was in, but having just reviewed a terrible show right before it, I don’t think so.

Some will dismiss this assertion and find it ridiculous. Everyone is entitled to their own opinions, and I’ve already seen some negative reviews of 9-1-1. But I loathe crime procedurals and watch far too much TV to think I haven’t become desensitized. What I can tell you is that this one feels different. This one makes me eager to watch more. It might be the best show FOX has aired in years, and I don’t think that’s making a questionable boast. This is what a procedural should be, the best of its genre.

9-1-1 airs Wednesdays at 9/8c on FOX.

THE CATCH Is Catchy

Article first published as THE CATCH Review on Seat42F.

SPOILER WARNING: It is impossible to talk about this program without revealing a “big twist” that occurs about a third of the way through the pilot (which is also on the show’s ‘about’ page at abc.com; I don’t watch commercials, so can’t speak to if it’s spoiled in the promos or not). I get to it about halfway down the page, so if you don’t know and don’t want to be spoiled, come back after watching the episode.

This week, ABC presents THE CATCH, which is sort of a Thomas Crown Affair-like series. A private investigator tangles with the con man that conned her, and because this is a weekly television show, lots of others in both of their orbits get drawn into the game. Who will come out on top, and could they ever be a real couple?

Produced under the Shondaland banner, THE CATCH feels like a good fit for ABC’s Thursday night lineup. It features a strong female protagonist, is fully of soapy drama and romance, and while it is hyper-realistic and not quite logical, it’s compelling when performed with a great cast.

Mireille Enos (The Killing) leads THE CATCH as Alice Vaughan, the P.I. She and her partner, Valerie Anderson (Rose Rollins, The L Word), run a very successful firm, which employs, among others, hacker Sophie (Elvy Yost, Bandslam) and the intelligent Danny Yoon (Jay Hayden, Battleground). Together, they accomplish great things professionally, building up an impressive client roster that they offer security to, but also are very close personally, and will support one another over doing their jobs. Think of them as sort of Olivia and her team from Scandal, but with the close bond of the docs in Grey’s Anatomy, hence why the show fits so well on this night and network.

Enter Christopher Hall (not his real name) played by Parenthood and Six Feet Under’s Peter Krause. Christopher is Alice’s fiancé, the perfect man, rich and loving. He’d do anything for her, and also to her as it turns out, considering he steals from Alice’s company and disappears from her life. Working with his lover, Margot Bishop (Sonya Walger, Lost, FlashForward), and friend, Reginald Lennox III (Alimi Ballard, Numb3rs), the trio prove a match for Alice’s group. Unless one of them defects.

Oh, and there’s also an F.B.I. agent (Jacky Ido, Taxi Brooklyn), whom I am highly suspicious of, given the twisty, turn-y nature of THE CATCH.

The reason I am OK with revealing Christopher’s true nature in this review is threefold. One, it’s on the show’s official website. Two, it’s obvious that he’s the villain right from the start to anyone who has watched at least a few examples of modern television, even if the show waits nearly twenty minutes to confirm it. Three, his betrayal is central to what THE CATCH is, at least for now.

The driving reason to watch THE CATCH is the relationship between Alice and “Christopher.” I think it’s clear there is real love there. Christopher has fallen for Alice authentically, and Alice’s passionate rage comes because she cares so deeply for him. I have to think the show is going to spend at least the first season keeping them apart, but they’ll have to be together again before we get too far in.

Now, I’m not saying there aren’t obstacles. But tell the truth: wouldn’t you watch any cat-and-mouse game starring the fantastic duo of Enos and Krause? THE CATCH may not be the best show on television, but it embraces what it is, and with those two leads doing what they do, I will gladly add it to my small list of guilty pleasure shows worth watching.

THE CATCH airs Thursdays at 10/9c on ABC.

"It Has to Be Now" for PARENTHOOD

Article first published as "It Has to Be Now" for PARENTHOOD on TheTVKing.

NBC's Parenthood has always been a critical darling that struggled in the ratings, leading to a number of truncated seasons with reduced episode counts. Finally, though, as season five premieres this week with "It Has to Be Now," fans have been promised a full fall-through-spring offering of the family drama that makes you feel good.

"It Has to Be Now" picks up many months after last January's finale, with Jasmine (Joy Bryant) quickly going into labor for the baby we just found out she was pregnant with in the previous installment. Setting aside the extreme oddity that overbearing grandmother Renee (Tina Lifford) is completely absent from the episode, it's a great moment for Parenthood, showing a happy, monumental moment in the clan's life.

Crosby (Dax Shepard) does not adjust well to the infant. He tries staying awake whenever Jasmine is, but that makes them both sleep-deprived and on edge. Jasmine admits this baby is far more work than Jabbar (Tyree Brown), whom Crosby missed out on, was, so we know it's not just the normal level of difficulty Crosby faces. It doesn't help that they haven't agreed on a baby name, or that Crosby's family invades their home for an extended period of time to meet their newest member.

Luckily, Crosby has Adam (Peter Krause) to talk to. The brothers have a very interesting, close relationship. They have plenty of differences, and certainly approach rearing children in varied ways, but their love is enough to give them the connection. Adam doesn't understand why Crosby doesn't feel connected to his baby, but he does offer words of encouragement. Crosby will get through this.

At first, I though Parenthood was setting up Crosby and Jasmine for more conflict, evidenced by their constant bickering throughout the hour, and we've had more than enough of that. Thankfully, it's only a realistic portrayal of frayed nerves parents would have in such a situation, and they are in a good place by the end of "It Has to Be Now." They can make it through, as long as they stick together.

Interestingly, this rocky couple is perhaps the most stable in "It Has to Be Now," in which two of Crosby's married siblings go through rough patches with their own spouses. Julia (Erika Christensen) can't find a job because of her vindictive ex-boss, meaning she has to stay home, something she isn't really glad to do, no matter how what she says. And Joel (Sam Jaeger) is working for a girl (Sonya Walger, Lost) who you can just tell will be bad news.

I know Parenthood is a drama, but does it have to threaten to destroy seemingly stable marriages? It wasn't enjoyable to watch Joel and Julia fight last season about a kid they took in, and it won't be fun to see them at odds again this year. Strife is one thing, but if Parenthood splits them up, that could be nearly unforgivable.

Eh, who am I kidding? Parenthood is so emotionally satisfying each and every week I'll keep watching no matter what they do, even hurt beloved characters. For every raw, angry scene, there are three that make viewers tear up a bit, in a good way. This is is the case with "It Has to Be Now," and nearly every episode that came before it, the show not having lost even an ounce of quality over the past few years.

The issues between Adam and Kristina (Monica Potter) seem less fundamental and more just that the two are out of sync with one another right now. Kristina wants to run for the office of mayor because her pal, Gwen (Rose Abdoo), reminds her that cancer survivors should not put things off. Adam is more cautious, worried Kristina will get sick again if she doesn't take it easy, which is the last thing she wants to do, grateful for every day, and wanting to get the most out of life while she still has it. They'll get on the same page eventually, once Adam sees she's OK and happy.

They also are a little upset over their son, Max (Max Burkholder) hanging out with Adam's sister's ex-boyfriend, Hank (Ray Romano). Adam is worried that Hank is trying to get back with Sarah (Lauren Graham) through Max, but when confronted, Hank insists the break up was mutual, and Max is seeking him out, not the other way around. Adam seems mollified.

I understand Adam's hesitation, but I'm glad that it's passing because Hank and Max really connect. I don't know if Hank shares some of Max's limitations, though if he does, Hank is a much more mild case on the autistic scale. But neither are particularly people persons, and they share an interest in photography they can bond over. Max could use a good mentor who doesn't mind his at-times grating personality, and Hank seems to fill those shoes perfectly.

Admittedly, when hearing Romano was returning to the show I assumed his reconciliation with Sarah was inevitable. But now, I couldn't care one way or the other if he gets back with Sarah (though I'll cheer for it if it happens). Hank's relationship with Max is great and extremely satisfying on its own. If that's the way Parenthood wants to keep Romano, who is absolutely wonderful on the show, around, I doubt they'll be many complaints.

Besides, Sarah has enough to worry about without Hank re-entering her life. She is the landlady of a building with some not-so-responsible tenants, one of whom will probably be a love interest, and she feels neglected by her college student son, Drew (Miles Heizer). Daughter Amber's (Mae Whitman) comments about Sarah to Drew are spot on and hilarious, the little dysfunctional family working just as well as any family can. But it's good Drew eases Sarah's tension before the end of the episode.

With all the drama unfolding at the start of the season, Parenthood needs something joyous to end the hour with, book-ending the birth at the beginning of "It Has to Be Now." This comes when Ryan (Matt Lauria) returns from war and proposes to Amber, who enthusiastically accepts. They are young, and just coming away from a bad place, Ryan may be acting a little irrationally. However, they have weathered a couple of storms already, and it would not be unwelcome for them to actually tie the knot.

Parenthood takes us up and down the roller coaster of family life, but it's always a fun ride that you're glad you went on. This season's premiere promises another great batch of Braverman stories.

Parenthood airs Thursdays at 10 p.m. ET on NBC.

Parenthood keeps on rowing

Parenthood - "Keep on Rowing"
Grade: 88%

NBC's Parenthood returns this week for the final few episodes of the fourth season with "Keep on Rowing." Kristina (Monica Potter) tries to reward her husband, Adam (Peter Krause), for putting up with her behavior lately. Crosby (Dax Shepard) considers helping out his mother-in-law, Renee (Tina Lifford). Julia (Erika Christensen) begins to have second thoughts about adopting Victor (Xolo Mariduena). And Hank (Ray Romano) helps Sarah (Lauren Graham) get over her ex.

Parenthood has gone a little more melodramatic this season, taking the story into areas it doesn't necessarily need to go to keep the drama up, and getting a bit preachy at times. Thank goodness the Bravermans remain the same engaging, lovable characters they always have been, or else this slightly less than stellar storytelling could begin to drag the series down.

The most frustrating arc has been Kristina's cancer. It's a common card pulled out in a family drama after a few years on the air, when the ideas start to run a bit dry. However, without the drama behind the scenes, a la Brothers & Sisters, there seems little chance that Kristina will actually perish, as the sensibilities of the show are lighter than that. Thus, each attempt to make her situation seem dire just comes across as hokey.

That being said, it's sweet to see Adam being a good husband. I mean, we know that Adam is a good husband, but it's nice to be reminded of just how sweet he is. And then for Kristina to not only acknowledge that, but also to try to repay him a bit for his patience and support, well, that gets genuinely moving. Plus, she looks good with the red hair, and the surprise cameo by Ryan Hansen (Veronica Mars, 2 Broke Girls), hitting on a vivacious Kristina in the bar, is fun.

The sucky story of "Keep on Rowing" goes to Crosby. Adam has to talk him into agreeing to loan Renee money, and then Jasmine (Joy Bryant) practically bullies her mother into their house. Taking care of family is important, something Crosby ought to understand, given his upbringing, and the people that make up his own relations. Perhaps he may not want Renee in his house, and that's understandable. But that doesn't mean that he can protest and still be a sympathetic character. In the end, Crosby does the right thing, but it feels a bit too little, too late for viewers who have to sit through his selfish whining.

I also am not a fan of Julia turning against Victor. I can see why she'd be upset, with Victor throwing a bat near Sydney (Savannah Paige Rae). I even feel Joel (Sam Jaeger) may have under-reacted at first to the incident. However, stretching this into Julia considering not keeping Victor may just go too far, especially after only one occurrence of this nature, and one that can so clearly be chalked up to an accident.

The thing is, everything about this incident is understandable. From Sydney being a brat and running her mouth, to Victor's response and feeling bad about it later, to Julia's fear for her daughter, it all makes sense, given the characters and the circumstances. I don't like the story because I want to see Julia win Victor over, and Victor to eventually feel like part of the family. Yet, it's done in such an authentic way, and acted well, that it doesn't deserve to be complained about.

I am extremely disappointed to see things between Sarah and Mark (Jason Ritter) come to an end. There is so much working against them, it is satisfying when they finally find a way to be happy as a couple. Still, there are enough issues in the relationship that the fact that it ends isn't entirely surprising, even if there is also real love present.

Now that Mark is gone, though, the door has really opened for Hank, who seems a much better match for the elder Braverman daughter. He relates to Sarah, and it seems like he feels lucky to be with her. This means that he will treat her well, and she is certainly smitten with him, too. They started things way too soon, to be sure, with Sarah and Mark having only recently split, but at the same time, they kind of act like soul mates. Hank also brings a new personality to the series that isn't there until he arrives, which should shake up the dynamics nicely.

Only time will tell if Parenthood can find a way to make Hank a main character, as he deserves to be. That is, should Parenthood get a fifth season, which is not a certainty at this point.

"Keep on Rowing" is a solid episode in a solid season. Even when the plots stray a bit too far away from where I'd like them to go, this show remains compelling, and I look forward to watching each new episode. I think the missteps are just disappointments because I know how amazing Parenthood is at its best, so when it stumbles to only better than average, it feels like a slight let down. If it does go off the air, I will be disappointed and miss it. I consider that the true test for if a show is good or not, and on that scale, Parenthood definitely passes.

Parenthood airs Tuesdays at 10 p.m. ET on NBC.

Want to read some of my fiction? It's on my website, JeromeWetzel.com! Also, for the latest updates and article links, as well as commentary on episodes I don't fully review, please follow me on Twitter!

Article first published on TheTVKing.com

Parenthood a "Family Portait" of characters

Grade: 89%

NBC’s PARENTHOOD returns this week with “Family Portrait.” Picking up five months after where last season left off, which makes sense, since it ended in late February, the Braverman clan gather to take a picture together. As one might expect, the road to get there is a little rocky, but it all comes together in the end, and there are some fantastic snapshots to show for it. Which doubles as a great summary of the series, too.

Sarah (Lauren Graham) is upset because Camille (Bonnie Bedelia) won’t let Mark (Jason Ritter) into the picture, even though they are engaged. The couple has not set a date yet, and Mark hasn’t even put a ring on her finger yet, so one might understand Camille’s hesitance, especially when there is a cautionary tale involving Crosby (Dax Shepard) already in the family’s history. But engaged means something, right?

Well, maybe not. Ritter is still only a recurring player, and PARENTHOOD quickly introduces someone else with their eye on Sarah, played by Ray Romano (Everybody Loves Raymond, Men of a Certain Age). Ray is a grumpy guy who has been hurt, but may come out of his shell a bit for Sarah. Plus, he has great chemistry with Drew (Miles Heizer), and also more age appropriate, as Mark shows some immaturity when dealing with the picture situation. No one wants to see Ritter leave, but if he does, it’s nice to know someone as fantastic as Romano is waiting in the wings to take his place. He is good in episode one, much, much better in episode two.

Adam (Peter Krause) and Kristina (Monica Potter) face their own impending departure as it’s time for Haddie (Sarah Ramos) to leave for college. Interestingly, Ramos continues to be listed as a main character, though she is absent from episode two, and there haven’t been any hints that the series might follow her to school. Whether she comes back a lot or a little, PARENTHOOD handles her leaving, withd all the pressures and mixed emotions that go with it, as wonderfully as one has come to expect from the show. Even better, these things continue for her parents into the second episode of the season in a very cute way.

Julia (Erika Christensen) is in a completely different stage of parenthood, still walking on egg shells around her newly adopted son. While Joel (Sam Jaeger) is ready to start treating the boy normally, as Sydney (Savannah Paige Rae) doesn’t understand the special circumstances so well, Julia is so afraid that he won’t be comfortable with them that she goes overboard in trying to make him feel accepted and welcome. Who is right? The answer may surprise you.

Things are not all peaches for the fourth Braverman offspring, either. Crosby and Jasmine (Joy Bryant) seem like a solid couple now, but that doesn’t mean that they don’t still have challenges. Crosby slipped back into less domesticated ways during their time apart, and getting back into the swing of things will not be easy. He may want to be a great husband, and he’ll try, but that doesn’t mean he can do everything that he wants to do. Look for a shifting balance here as the couple figures out what a mature marriage looks like. Frustrating for Crosby, it looks a lot like what Adam and Kristina have, though surely this younger pair will find their own way to do it.

The other story of note in “Family Portrait” belongs to Amber (Mae Whitman). When last we saw her, she made a very adult decision, picking a possible career over a boyfriend. In the first episode back, she makes the mistake of sleeping with a guy who is otherwise involved. Adam rushes to her rescue, his feelings about Haddie possibly clouding his judgment. What is impressive is the way in which Amber deals with the situation, showing how much she has grown. Her maturation has been a true pleasure to watch, and seeing her enter the real world with grace and good decision making skills is terrific.

Overall, “Family Portrait” feels a little long, possibly because it takes time to catch up with the Bravermans, for whom much time has passed. But by episode two, things are flying by again, even if a little forced, somewhat over the top drama is tossed in late in the second episode. Bottom line, television’s favorite, heart warming family is back with the same quality of heart, humor, and realism fans have come to expect. It feels good.

Parenthood ends with tears and a wedding

NBC's Parenthood is always among the first of the network shows to bow out for the season, and with last night's episode, "My Brother's Wedding," it does so again. Crosby (Dax Shepard) and Jasmine (Joy Bryant) rush their wedding into existence in less than a week. This happens despite Crosby's feud with Adam (Peter Krause), which heats up as Adam pressures Crosby into selling their business. Also, Julia (Erika Christensen) and Joel (Sam Jaeger) struggle with their devastation at not getting the baby they were promised, and consider other options, while other Bravermans fall in and out of love.

Crosby and Jasmine getting married is long overdue. For awhile, it appears that the two are ready to move on, both dating delightful people, who are great additions to the series. But in a cast as full as Parenthood's is, there just isn't any room for too many extras, and they were superfluous. Yes, the idea isn't romantic, but it's realistic for the confines of a network television budget. And so, gone are Dr. Joe (DB Woodside) and Lily (Courtney Ford), as regrettable as that may be.

In some ways, Crosby and Jasmine's nuptials in "My Brother's Wedding" come out of nowhere, as the characters have been separated for quite a bit of time, and only reunite in the penultimate episode of the season. On the other hand, this is a plot thread begun in the very first episodes of Parenthood, and one this has often seemed an inevitable conclusion. Crosby is finally mature enough to handle a family, and so he gets one. It's nice that Parenthood decides to stop playing around and just get them together already, in a hopefully permanent situation, even if it may have been done partially due to fear of cancellation.

The main story of "My Brother's Wedding," more than the wedding itself, is the fight between Crosby and Adam. These two siblings are as close as can be, and their purchase of the Luncheonette earlier this season solidified that. While the two have plenty of stories together prior to this arc, seeing them in business together creates a whole new, welcome, dynamic. To think that they might give it up for money, admittedly, a whole lot of money, is heartbreaking.

That is the crux of the fight. The Luncheonette is Crosby's dream, but Adam only sees it as a business. Worried about his family's financial future, Adam is eager to sell, even before the offer is upped considerably. He doesn't think about what it means to Crosby all that much, and certainly doesn't even consider how the business has brought them closer together.

Crosby, on the other hand, is not only in his dream career, but genuinely seems to enjoy working with Adam. It's this affection that convinces him to let Adam sell, not wanting to deny his elder brother his own dreams. Until Adam sees this, it looks like the partnership might be over. But in a very touching wedding toast, almost coming too late, Adam waxes the truth of the matter, and decides to turn down the offer. It's a prime example of the best that Parenthood has to offer, and a moment that will rank among the series's best, even should the show go on for ten years. As it should.

Joel and Julia are wrecked in "My Brother's Wedding," but not surprised, when Zoe (Rosa Salazar) decides to back out of the adoption. While Zoe does seem sincere when she says she had no inkling that she wants to back out of the adoption prior to her son's birth, it's a fear that haunts Joel and Julia all season long. And with good cause. As parents themselves, they know how the birth of a child can change a person. For Zoe, she is leaving this ordeal enriched and in a much better place, and is rightfully grateful for everything Joel and Julia have done for her. But for the couple, Zoe deciding to be a mother is a painful betrayal, and Zoe is lucky that they handle it with grace, when anger would be perfectly justifiable here.

However, Joel and Julia's plot going forward in "My Brother's Wedding" seems rushed. They immediately go to someone to expand the pool of children they are looking to take in. When they are asked if they would be willing for a last minute placement, and agree, it's highly predictable that they will have a child by the end of the hour. And sure enough, they do, though he's a boy at least as old as their daughter, Sydney (Savannah Paige Rae), rather than a newborn. Only in television, with the threat that Parenthood may not get a fourth season, would a bureaucratic system move so swiftly!

If Joel and Julia thought the risk of losing Zoe's baby was great, wait until they get attached to this boy! His mother is incarcerated, and only gives up her rights to him up to keep him out of "the system," assumedly, foster care. It seems incredibly likely that, should the show return, she will be freed at some point and seek to get custody of her son back. Joe and Julia may be much better caretakers than this unseen criminal mommy, but courts usually side with the biological parents, if that's at all possible. This could end in even more tears, which would not be fair to the characters or the fans of Parenthood, who have suffered along with the couple.

Sarah (Lauren Graham) also has babies on her mind when she dumps Mark (Jason Ritter). Mark is willing to do without children, something he'd really like to have, but Sarah isn't about to let him make that sacrifice for her. She has a point. Mark may think he is making the right decision now, but who's to say that he won't regret it later in life?

To the delight of many a fan, Mark wins her back and proposes, which she accepts, by the end of "My Brother's Wedding." The question is, how successful will this be? Sarah's fear about Mark's potential regrets are real and unresolved. The simplest solution would be to have Sarah get pregnant, then come around to the idea of raising another child. After all, viewers have gone through enough heartbreak with this pair. However, that's also an anti-feminist story, in a way, which could offend a number of women. In that regard, it may seem a little old fashioned should this happen, but compromise is also the key to any successful relationship, and might just need to happen here if the two are destined to stay together. That is, if Ritter doesn't get another series. Budget be damned, lock him in as a series regular Parenthood! It's necessary!

New love blossoms as Drew (Miles Heizer) and Amy (Skyler Day) decide to do the nasty in "My Brother's Wedding." That's a crude description of what has been a sweet, young romance. But how else to talk about it when they sneak upstairs and get it on with their family right below at the wedding? Just because it's a season finale, does not mean that Parenthood should have rushed this along. Their hooking up is actually a great scene for those who like love. But the circumstances surrounding it are this episode's misstep.

In the meantime, Amber (Mae Whitman) must choose between her job and being with Bob Little (Jonathan Tucker). He is her boss, and running for office, so it wouldn't be cool for him to sleep with his assistant. And yet, Bob, who is supposedly a "great politician" doesn't concern himself with this. He is genuinely interested in Amber, and also in need of her capabilities as his assistant. There is no discussion of him considering how it might hurt his standing with the voters. And so the choice falls to Amber and Amber alone.

It's a shame that this is handled clumsily, and the resolution stretched out an episode or two longer than it should be just so it winds up in the season finale. But Amber makes the right choice. Yes, it would be terrific to see her in a sturdy relationship with Bob, who seems like a good fit. However, Amber is only 19, and just starting out in the professional world. She should not give up a chance at a real career doing something that she is good at for any guy. If they are meant to be together, it can still happen down the road. She is smart to not toss out the opportunity at this juncture.

Amber's story channels the classic head versus heart debate. Many people of a romantic notion always root for heart. In reality, head must sometimes be given the preference. Not all the time, mind you, but in certain situations. The one presented in "My Brother's Wedding" for Amber just feels like one of those times. So while Amber and Bob not being together might be sad, it's the right thing for the character and the show.

Lastly, it is worth noting who Crosby's best man is. The character is named Billy, and he is played by Derek Phillips. Phillips played the character of Billy on Jason Katim's other series, Friday Night Lights. This Billy has a different last name, but fans of Katim, who created Parenthood, will not miss the reference, as Parenthood's Billy acts very much like early Friday Night Lights Billy. Also, this could just be coincidence, but the woman in the green dress that Billy dances with at the wedding in "My Brother's Wedding" looks an awful lot like Dana Wheeler-Nicholson, who played Billy's mother-in-law on FNL.


In all, Parenthood delivers a moving, fantastic season finale. If the world is just, the story will continue next fall on NBC.

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Article first published as TV Review: Parenthood - "My Brother's Wedding" on Blogcritics.

Parenthood takes a "Road Trip"

     Last night, NBC's Parenthood returns with Zeek (Craig T. Nelson) leading the family on a "Road Trip" to visit his mother (Frances Sternhagen, The Closer, ER, Sex and the City). Things get off to a bumpy start when Kristina (Monica Potter) chooses to keep Max (Max Burkholder) home as punishment. From there, various children and their parents squabble, until eventually Zeek leaves the whole clan at a motel. But of course, in the end, everyone comes together to enjoy a wonderful birthday party, and Zeek's mother even tells her son that she loves him.

     "Road Trip" is a fine filler episode of Parenthood. It has the essential elements that make the series, the most important being family at odds with each other, working through their problems, and letting love win out. Yes, it's sappy, and not without cheese. But it's also the bread and butter of family drama, and since Parenthood is firmly in that genre, it's not unforgivable to spend an episode every once in awhile focusing solely on that.

     Kristina's decision to keep Max home is dumb, though the scene leading to it will seem familiar to many a parent. Adam (Peter Krause) disagrees with his wife's actions, though he defends the decision to Zeek. But the bottom line is, Max isn't seeing consequences, so he isn't going to change his behavior. Taking away the trip is the first thing Kristina blurts out, and so she must follow through. As a parent, it's the right decision once the threat is made, no matter how much Kristina might regret her words. More curious is why Max cares about missing such an adventure all that much, considering road trips are bound to go off schedule and be unpredictable, something he hates. No matter. His demonstration of regret, and apology through action is enough to earn him a reprieve without Kristina having to look weak.
     Zeek is the real child in "Road Trip." At least, he throws tantrums like one. Sure, he's justified in being upset at Crosby (Dax Shepard) for not watching the chair that is intended to be a gift for Zeek's mother closely enough, as it is stolen. But the rest of his frustration is silly. His grown kids drop everything to make this trek for him. They are trying to be there for their father. They are entitled, as Joel (Sam Jaeger) does, to tease Zeek about his "paper GPS" and walkie-talkies, which Zeek brings because one "can't use cell phones while driving," as if the giant electronics of old are safer. The bottom line is, they are there. If that isn't good enough for Zeek, he's a very hard man to please.

     Now some of Zeek's attitude stems from his mother's treatment of him. Supposedly, she never says "I love you," unlike Zeek to his own kids, and isn't easily satisfied with Zeek's life. Yet, none of that is in evidence when they finally have their confrontation, with Zeek bragging on his kids, she agreeing with him, and then uttering the three words he longs to hear. It's debatable on how well this works, because it's a good story that no matter how old one is, one still tries to please one's parent. However, Zeek also seems to go a little too far, and his mother doesn't seem that bad, other than a few passive aggressive comments, like about her gift of an egg poacher. So, really, this comes down to assuming that things are as the characters say they are, rather than being solely concerned with what appears on screen.

     Adam is a lot like his father, despite how much they clash. This is evidenced in the way he handles Haddie (Sarah Ramos) texting instead of talking to him. Adam acts like a child, without giving Haddie an explanation as to why. She has to be the adult and apologize. It's reasonable that Adam expect to have some chat time with hsi daughter, but unreasonable that he doesn't just state that outright. His comment of "if you don't know, then..." about his anger is very immature. Thank goodness Haddie steps up and makes things right before Adam acts completely ridiculous. Yet, because it's reinforcing a family trait, this subplot fits into "Road Trip."

     The subplot about Drew (Miles Heizer) walking in on his mother, Sarah (Lauren Graham), having sex is a classic, in that so many series have already done it. But Parenthood doesn't blow things out of proportion, and only semi-resolves the issue, saying it will take time. This is smart, and not exactly typical for television. There's no big eruption, or moment that gets too schmaltzy. Plus, it's far from the focus of "Road Trip." Kudos for a fresh way of handling an old standard.

     Watch Parenthood Tuesdays at 10 p.m. ET on NBC.

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     Click here to purchase streaming episodes and DVDs of Parenthood.

Parenthood is "Missing" nothing

     NBC's Parenthood ends their fall run with "Missing," Adam (Peter Krause) and Kristina (Monica Potter) both have to work on Saturday, so they cancel a planned trip to the museum for Max (Max Burkholder). The boy is left in Haddie's (Sarah Ramos) care, and sneaks away anyway, sending Haddie and Adam into a panic. They search frantically, and are unable to reach Kristina, because she has her phone on silent since she is mad at Adam. Max is found safe and sound, with Haddie being the only most upset by the whole ordeal. On a positive note, it does help Kristina realize what is really important, and she makes up with Adam.

     As frustrating as it is when Rachel (Alexandra Daddario, White Collar) kisses Adam, everything that comes after it on Parenthood is realistic and well written. It's not Adam's fault that the incident happens, mostly, but Kristina's anger is understandable. It's also totally believable that they would get caught up in their own stuff and forget just how bad Max takes changes of plans. The phone conversations between Kristina and Rachel in "Missing" are weird, but necessary to resolve things between them. And while Parenthood does choose to have Max go "Missing," a big, dramatic move that most shows would do to improve ratings, it is handled with care and an authentic level of emotional reaction, rather than going over the top. All in all, this story shakes out very well, allowing fine acting moments for Krause, Potter, and Ramos.

     Kudos also must go to Parenthood for the handling of Crosby (Dax Shepard) and Jasmine (Joy Bryant). It is not uncommon for exes, especially those sharing a child, to fall back into bed together. Should "Missing" go into sitcom territory, a comedy of errors would ensue, ending with the parents getting back together. Or in a place where neither is happy, but they are on the path to reconnecting. Instead, Crosby realizes just how good a guy Dr. Joe (DB Woodside) is, and steps away, letting Jasmine go. As much as fans want to see Crosby and Jasmine together, it might be wiser for Parenthood to instead make a permanent bond between Jasmine and Joe. They are both good people, despite Jasmine's slip, Woodside is a great actor, and it would be the unexpected thing to do. Surely, viewers cannot hate Dr. Joe, after seeing how he cares for Jabbar (Tyree Brown). Why not go for it?

     Julia (Erika Christensen) faces a tough situation when her potential adopted baby's daddy wants money, something illegal and wrong that she will not cave into. But then, in "Missing," Julia has a difficult time shutting out the mommy-to-be, Zoe (Rosa Salazar). This is because Julia is a kind, caring individual, and she has bonded with Zoe. Zoe, meanwhile, has few people she can go to, and it caught in the middle between her boyfriend and Julia. After a fight with her man, she goes to Julia for comfort, and Julia reluctantly gives it. Julia can't help herself. Whether Zoe is able to give Julia the baby or not, a possibility still very much up in the air, there is something between these two that will not be easily thrown out. Until Zoe gets back on firmer ground, Julia will be there for her.

     Sarah (Lauren Graham) has no such drama with her own baby situation. Babysitting Nora for Kristina and Adam, she is pleased to see Mark (Jason Ritter) take so sqweetly to the infant. Later, relaxing together, Mark blurts out that he could see himself having a baby with her. Again, in other dramas, this would be a break up moment for the couple, with Sarah arguing she is too old to raise another child, since hers are grown. Instead,  Parenthood recognizes that there is some serious, deep love between the two, and lets Sarah not be weirded out. It would be interesting for the two to concieve a child, and suddenly, that seems like a possibility. Either way is fine, but hopefully Parenthood will not let Mark go anywhere, because there needs to be more for this couple.

     Amber (Mae Whitman) is definitely the connection point for many young viewers, a juicy, desirable demographic. She is working as hard as she can, but still finds it difficult to make ends meet. So she has to try to find a better paying job, because minimum wage doesn't cut it to keep a cheap, old car and a crummy apartment. Something is certainly wrong with this picture, but it's the same something felt by young adults all over America. And it doesn't feel preachy or forced to include this arc in "Missing" and other Parenthood episodes.

     Try as one might, it is very, very difficult to find anything wrong with "Missing." It is a supremely wonderful episode, and a great example of when Parenthood gets it right, which is often. The series doesn't get too dramatic, and doesn't make things happen just for drama's sake in "Missing." Sure, they have in the past, as every show does. But the mistakes in Parenthood are fewer and further than between than most. And none are currently in sight.

     Parenthood will return in January to NBC.

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     Click here to purchase streaming episodes and DVDs of Parenthood.

"Forced Family Fun" just another part of Parenthood

     In this week's installment of NBC's Parenthood, "Forced Family Fun," Kristina (Monica Potter), saddened by the way her family seems to be growing apart, makes the whole clan plan to spend an evening together. But stressed out by their complaining, she leaves them standing on the side of the road. Also, Crosby (Dax Shepard) is uncomfortable when Jabbar (Tyree Brown) spends time with Dr. Joe (DB Woodside), Julia (Erika Christensen) worries over Zoe's (Rosa Salazar) diet, and Sarah (Lauren Graham) helps Seth (John Corbett) through rehab.

     Kristina is right that a family needs to make time to spend together, and from her perspective, as of "Forced Family Fun," they aren't. Adam (Peter Krause) has the new business he's trying to get off the ground with Crosby, Haddie (Sarah Ramos) is a senior preparing for college, and Max (Max Burkholder) is still adjusting to being in a mainstream class in a public school, so they are justifiably busy. While at home with the new baby by herself all day, Kristina's not being too selfish to ask for a little time with the others. She isn't even trying to get them to help out with the infant, something she probably needs, as being with someone who can't talk all of the time is driving her a little crazy. Who can blame her?

     It's also understandable that Kristina has the reaction that she does, stranding Adam, Haddie, and Max on the side of the road, albeit, not far from where they live. The chastised relations do their best to make it up to their mother and wife, while Kristina apologizes for her rash actions. No one is really in the wrong more than the others, as Kristina does over react, and the others are trying to please her. Just normal, realistic family problems, with a little bit of early empty nest syndrome thrown in for good measure. They will work themselves out in time, per Parenthood's typical trend, and this is not a situation that bears worrying about.

     Unlike, say, Julia's baby issues. Having to watch someone like Zoe carry an unborn child that Julia is adopting is hard for the resident control freak of Parenthood. Joel (Sam Jaeger) tries to calm Julia, but both realize that they can't let Zoe go on eating raw sushi all the time, as she does in "Forced Family Fun." It's just not good for the baby. Julia tries to appeal to Zoe's sense, promising that she isn't just speaking up because she is getting the baby. And she's probably not. Julia is a warm-hearted individual, who cares for Zoe. But that doesn't mean that Zoe isn't offended when confronted.

     Thankfully, Zoe ends up going over to Julia's house for dinner, showing signs of forgiving the intrusion. She realizes Julia has her best interests at heart, and as Julia fears, Zoe has no one else. As such, it's nice that Julia, and Joel, to a lesser extent, can be there to offer their support during Zoe's pregnancy. Zoe may have been a stranger, but now she's becoming quite close.

     The worry here is, Zoe does not want an open adoption, and neither do Joel and Julia. What will happen if the three become very friendly, and one of the parties begins to change their mind? It makes sense for Zoe to have a relationship with her unborn child down the road, even though it will cause plenty of awkwardness and confusion, when she likes the family so much, and there are two mothers. But that could also interfere with the child's development. It's a tricky situation that bares careful consideration before any more major decisions are finalized.

     Another serious event in this week's Parenthood is Seth's rehab. Sarah wants to be there for the father of her children, but her feelings do not just stem from sharing offspring. If they did, she wouldn't have to be as involved as she is. And frankly, the kids are old enough to make up their own minds about their dad, and follow their own direction. In fact, Sarah is more into Seth's recovery than either of their children. The fact of the matter is, Sarah obviously still harbors romantic feelings for Seth. Which may not exactly be healthy.

     That's why Zeek (Craig T. Nelson), shut out by Sarah for voicing his concerns, asks Adam to have a conversation with his sister in "Forced Family Fun." Both men are worried about what getting back with Seth might mean for Sarah. Given Seth's track record of disappointment and hurt, Sarah should definitely guard her heart if she wants to continue to see him. But shutting off emotion isn't easy or natural for Sarah, and it's much more likely that she will be deeply wounded if Seth slips again.

     Furthermore, Sarah is already in a stable, healthy relationship with Mark (Jason Ritter) in Parenthood. Mark may be quite a but younger than Sarah, but they mesh really well. Mark is being supportive of the whole Seth situation, but he is also growing weary of the number of times he is put in second place for Sarah's attentions. Who can blame him? Sarah already put Mark on hold before, and after reuniting, it really isn't fair for her to keep stringing him along, no matter how sympathetic her dilemma is. Mark is the smarter, more mature choice to make, and Sarah needs to commit fully before she loses him. If she chooses Seth, she'll probably end up without either guy.

     Finally, Crosby has some valid beef with Jasmine (Joy Bryant) in "Forced Family Fun." They previously agree to discuss any potential significant other entering their son, Jabbar's, life. She allows Dr. Joe, whom she is dating, to play with Jabbar without consulting Crosby. But Crosby does arrive twenty minutes early, or else Dr. Joe would have been gone. Jabbar just wants to play, as any kid does, and doesn't understand the situation fully, so it's no wonder that Joe and Jasmine allow it. Which means that there is a legitimate problem where no one is clearly or completely in the wrong.

     Dr. Joe is sticking around for at least a little while. Not only is he Jabbar's doc, but he's also been picked up by Kristina for baby Nora. Which is great news, because Woodside is always a pleasure to watch. However, this means no immediate happy reconciliation for fans of Jasmine and Crosby being together. It also means that Jabbar's life is about to get more complicated. If Parenthood chooses to seriously pursue Dr. Joe, the series should consider keeping him permanently, and just letting Crosby move on. Otherwise, adding this much drama puts it as risk of becoming too cheesy, and sends it down the path of so many shows before it.


     Watch Parenthood Tuesdays at 10 p.m. ET on NBC.

     If you like my reviews, please follow me on Twitter!

     Click here to purchase streaming episodes and DVDs of Parenthood.

Article first published as TV Review: Parenthood - "Forced Family Fun" on Blogcritics.

"I Don't Want to Do This Without You" Parenthood

     NBC's Parenthood is back for a third season, beginning with "I Don't Want to Do This Without You." Life is never boring for the Bravermans. Adam (Peter Krause) is discouraged by the job market, and is tempted by Crosby's (Dax Shepard) pitch to run a music studio together. But financial concerns make him hesitate. Sarah (Lauren Graham) is hurt when her daughter, Amber (Mae Whitman), moves into her own apartment, and only stops by Sarah's 40th birthday party. Luckily, Sarah reconnects with Mark (Jason Ritter, returning now that The Event is kaput), who makes her feel better. Julia (Erika Christensen) grows desperate for a baby. Alex (Michael B. Jordan) is arrested.

     Adam is undergoing an incredibly relatable plot in today's economy. Out of work, almost out of savings, he begins to grow frustrated at the lack of career opportunities. He starts applying for terrible jobs, well  below his skill level and pay grade, just to have some income coming in. But he is tempted by a dream. For most of us, this would never work out. Because this is television, often an escapist medium, Adam will probably accept Crosby's offer, and they will do well. Even as the rest of the music industry implodes. I don't know if Parenthood is making viewers feel better with the fantasy, or encouraging people to make irrational decisions. Let's hope nobody sues the series.

     For Crosby, who has a steady income, it's also a risk. Being a homeowner now, and with a son, Jabbar (Tyree Brown) to take care of, can he really afford to go out on a limb? True, Crosby already works in the music industry, and may have enough contacts to make a serious go of things. But should he try when the payoff is so uncertain, and staying put guarantees much needed stability? His decision is a little tricky, although if the idea does fail, seeing Adam ruined may hurt Crosby far more than it hurts himself. Which might give him incentive to work even harder at the job.

     Then again, Crosby is dating another woman he isn't serious about (Wilfred's Fiona Gubelmann), so maybe he hasn't grown up very much.

     Julia has a dream of a different kind. Unable to conceive, she begins looking at other options. But like Adam, she finds her prospects bleaker than she would like. So she starts looking for an easy solution. One scheme she has is to ask to buy her coffee vendor's kid. It's an insane idea, as everyone, including her husband, Joel (Sam Jaeger), tells her. Yet, in true Julia fashion, she will not let go of it. Again, because this is television, it will probably work out for her, unlike it would in real life. This is both heartening and depressing at the same time.

     As Parenthood moves into season three, it needs to be careful not to fall under the Brothers & Sisters curse. Both series start as wonderful shows about close, extended families. But as Brothers & Sisters made season after season, five in total, the writers turned to less and less believable plots, forcing drama just to keep the show going. Parenthood needs to remember what makes a family drama magical and special in its early days, and not allow it to show its age. All three siblings in the above paragraphs are treading dangerous ground here, and it could go either way.

     In life, everyone has to grow up. Amber is out of high school, and after making the decision to put college on hold for awhile, she seeks to begin her adult life. This involves getting a new haircut and finding a small, in-need-of-work apartment in a soon-to-be-trendy area of town. Seriously, the place doesn't even have a kitchen! But Amber falls in love with it instantly, and soon signs the lease.

     While Amber is in a dreamer phase of her life, like her uncles and aunt previously discussed, for her, the stakes are much lower. She is just starting out and doesn't have the ties or responsibilities to worry about that the older family members do. If Amber lands on her face because of lack of employment or inability to pay the rent, she still has a safety net: she can move back in with her mother and grandparents. For her, there are few reasons not to take the chance.

     Sarah doesn't see it that way, though. She sees it as Amber abandoning her. Sarah's milestone 40th birthday might have something to do with the increased neurosis, but part of the worrying is also just who she is. Sarah is shocked that Amber would want to move into such a dump, and can't believe her daughter doesn't even care if she picks up her high school diploma or not. Thank goodness Sarah's mom, Camille (Bonnie Bedelia), is there to speak some sense to her.

     While Ritter's Mark re-enters Sarah's life now almost entirely for behind the scenes, practical reasons, it's perfect, story-wise. Sarah needs a pick me up, a distraction, something to make her feel good about herself. She is aging, and while she has accomplished a few things, she has much more that she wants to do. Having the younger Mark around to shower her with affection, and steal Amber's diploma from the school, should give her a needed boost... as long as he doesn't get caught and fired for the theft.

     Alex's arrest is dumb. He goes to a party to pick up Haddie (Sarah Ramos), who is drunk, and ends up hitting a guy who won't let them out the door. Alex makes the smart choice by not hanging around, and the other guy is being a jerk. Hitting isn't so intelligent, but under the circumstance, can be forgiven. Why the police are called on such a minor matter is a puzzle. Also, why the police are not concerned about the underage drinking going on all around them also seems suspicious. Instead, all the blame is tossed on this guy who works so hard to make something good out of his life, after having far fewer opportunities than most people. While this story may showcase the type of man Alex is, and allow some meaty dramatic material for the terrific Jordan to work with, it's weak sauce for the fans, and in the authenticity department.

     Still, love that Max (Max Burkholder) references Friday Night Lights with Michael B. Jordan, former star of that series, in the car! Both FNL and Parenthood share producer Jason Katims, which may be the reason for the shout out.

     Parenthood also stars Craig T. Nelson, Monica Potter, Joy Bryant, Miles Heizer, and Savannah Paige Rae.


     Tune in Tuesdays nights at 10 p.m. ET on NBC to see what happens to the Braverman clan next.
     If you like my reviews, please follow me on Twitter!

     Click here to purchase streaming episodes and DVDs of Parenthood.


Article first published as TV Review: Parenthood - "I Don't Want to Do This Without You" on Blogcritics.

Parenthood ends season two

     NBC's Parenthood kicked off season early last night as its second season came to an end with "Hard Times Comes Again No More." The episode picks up with Sarah (Lauren Graham) getting a late night phone call telling her that her daughter, Amber (Mae Whitman), has been in a car wreck, as seen at the end of last week's episode. The entire Braverman clan gathers at the hospital to support each other in a scene reminiscent of the movie with the same title. But that resolves quickly, and Amber goes home, mostly fine. A number of other threads tie themselves up over the next hour, leaving only a handful of unanswered questions for viewers awaiting a fall return.

     A synopsis of the episode may make the car wreck seem trivial, as Amber is deemed fine fairly quickly. However, just because she survives the event does not mean it will not have lasting effects. Sarah tries to get through to Amber, but her daughter is unreceptive, far from rock bottom. Luckily, grandfather Zeke (Craig T. Nelson) steps up, chewing Amber out, but also letting her know that his concern comes from a place of love. Tough grandpa makes Amber realize what her mother cannot, and she pledges to behave from here on out.

     It's an age old story that children just will not listen to their parents. For whatever reason, even though parents have the most influence and control over kids as they grow up, a life lesson coming from another respected source, such as a grandfather, just hits home a lot more than from a parent. Perhaps this is because parents teach so much that kids grow numb to the lessons, while, when someone else steps up, it's a unique occurrence, and they take more notice. Either way, it's nice that the Amber problem is dealt with, and not left hanging for next season. By the time the episode ends, it appears Amber will be returning to the good girl she has been for most of the year.

     Somehow, Sarah still handles her play, despite what is happening with her daughter. Sarah attends rehearsal, where she snaps at actors during a read through, and then before you know it, the show opens up. The actors apologize, by the way, because Blount (Richard Dreyfuss) tells them Sarah's daughter has died and they feel bad. None mention that they see her daughter at the show and are angry at being lied to. That would only have taken a few seconds, and should have happened.

     The play is the most out of place part of the episode. While it is understandable that the writers would want to wrap up Sarah's play plot by the season finale, a full performance does not happen days after a read through. It seems inconsistent, and time frame is confusing. Sarah can be forgiven for not dropping out of the program, because Amber is all right, but it still feels like too much happened too soon. This should have carried into next year.

     The actors playing the family members are brilliantly cast, each looking quite a bit like the characters they represent. The father figure is the most similar, of course, because Zeke plays a version of himself. Yet, the other five people on stage look remarkably like their counterparts. Did looks factor more into casting than talent? Because that has not been my experience with theater.

     Max (Max Burkholder) has a very hard time dealing with the Amber situation because of his Asperger's, so he cannot show empathy. His father, Adam (Peter Krause), tries talking to him about it, but like many things, it is unclear if the words hit home with Max or not. He obviously has some small grasp, as he does apologize to Sarah for his insensitivity, albeit blaming his syndrome. She takes the apology with the grace of an understanding aunt, even though Graham's expression and demeanor uncharacteristically do not back up the words. Strange.

     While it is laudable that Adam is working with Max on connecting with people, it should also be noted that letting Max blame his Asperger's is not a good way to go about it. If Max lets himself believe in his limitations, he will not grow. If he uses the disorder as an excuse, he will not learn to behave. Since his knowing about the syndrome is new, and this is his first lesson with such a serious event, it can be overlooked, as long as it does not become a pattern in season three. Given the excellent writing shown thus far, it likely won't.

     At the same time, Adam is also dealing with his other child, Haddie (Sarah Ramos), who recently started having sex with her boyfriend, Alex (Michael B. Jordan). Things between Adam and Haddie have been strained, but are recovering. Adam's wife, Kristina (Monica Potter), handles communicating about this tricky issue a bit better. Kristina tells Haddie she will be visiting the doctor and going on birth control, and then makes her an appointment. Adam tells Alex to wear a condom. It's awkward, but then, what parent isn't awkward when dealing with their children becoming sexually active?

     A small subplot where Adam searches for Max's lost retainer feels out of place and forced. While it is an expensive item, Adam obsessing over it, as he does, feels out of character. The pressures Adam is dealing with in the episode make it a bit more understandable, but the whole thing feels concocted when Adam discovers the positive pregnancy test in the trash. Given that that twist is spoiled in previews for the episode, the whole story feels contrived and false, which is not the norm for the series. Thank goodness the baby isn't Haddie's, or it would deserve even more derision.

     Kristina being pregnant comes out of the blue, but is not entirely unrealistic. The question is, what does this mean for Adam and Kristina? Their kids are pretty far apart, age wise. Just as one will soon be leaving the house, a new one will be entering it. There actually are no complaints about this, because Potter handles the revelation so well. The question now is, will the baby be like Max?

     Things will surely be complicated because Adam no longer has a job. It isn't surprise, as once his new boss came into the picture, it seemed like only a matter of time before Adam would have to find other employment. In this economy, he could be out of work for quite awhile, but because this is TV, his family will not suffer any undue hardship because of it. The writers should go the opposite way, and really make it a serious struggle for at least the next year. It would be a very relatable plot, and while some people use television as escapism, others would appreciate the realism.

     It's a shame Kristina gets pregnant without even trying, since Julia (Erika Christensen) has been trying so hard and failing. Julia's plot is the weirdest this week, as she comforts her daughter's former teacher through labor. It's a totally random happenstance, bringing back a forgotten guest star, who only did one episode over a year ago. The story is there just for Julia to try to come to terms with not being able to have a baby, and then decide to adopt one.

     Crosby (Dax Shepard) is finally giving up trying to win Jasmine (Joy Bryant) back when Joel (Sam Jaeger) brings her to him at the end of the episode. Poor Crosby! He works so hard to get her attention, and she keeps dissing him, but then Joel is able to talk her into coming, a scene that should have not been cut, or if it was never filmed, should have been. If Bryant was not a main character, she would likely disappear after this episode, perhaps to pop up again briefly down the road. Since she's in the theme song, despite her numerous rejections, there is never any real doubt they won't be trying to work things out next year.

     This is a very odd episode of Parenthood because the overall arcs are wonderful, and some scenes are very emotionally moving. Yet, there are lots of odd details that don't quite add up when looked at too closely. The most logical conclusion that can be drawn, from an overall truly delightful series, is that the finale is rushed, and should have been given another hour to play out.

     One last note: the exterior of the hospital featured in the show Scrubs is extremely recognizable, no matter how different series have lately tried to redress it, as Parenthood does this week. It's time to retire that particular location, as it will always invoke Scrubs for a lot of people, and takes viewers out of the moment when it is tried to be passed off as something else.


     If you like my reviews, please follow me on Twitter! Click here for all of my Current Season Reviews.

     Parenthood has not yet been renewed, but its season finale ratings were great, and it's very likely it will be picked up soon for another season on NBC.

Article first published as TV Review: Parenthood - "Hard Times Come Again No More" on Blogcritics.