Stop LOOKING For Now

Article first published as Stop LOOKING For Now on TheTVKing.

HBO's Looking has semi-accurately been dubbed Girls with gay men. Both of the half hour dramedies feature authentic, unique voices, profiling personalities of a generation that haven't made in onto TV all that much yet. They're realistic-ish, or at least the characters are, and the episodes do draw the viewer in quite effectively, whether because we're seeing ourselves or someone we know in the parts.

Looking, which aired its first season finale, "Looking Glass," this week, has a little more self-awareness, playing a bit to sitcom tropes, but acknowledging it does so. When one of the guys on Looking identifies themselves as a woman from The Golden Girls or Sex and the City, we can see this. It is also clear that Patrick (Jonathan Groff) and Richie (Raul Castillo) view themselves as Ross and Rachel from Friends.

This latter parallel is mentioned in an earlier episode, then shows up again in the finale when Patrick and Richie are on a break and Patrick has a sexual tryst before they get back together. Frustrated fans will surely be screaming at the screen "They were on a break!" when the news comes out and Richie gets mad, which has to happen.

I don't think Looking completely rips off Friends, though. For one, Patrick's affair is with his boss, Kevin (Russell Tovey), someone more integral to his life than a random copy girl. And while the timing is a bit too coincidental, there's no way the dynamic will play out the same way moving forward, with Patrick and Richie alternately pining for one another while the other tries to move on for the next nine years.

This is because the guys in Looking are aware of their television predecessors and are influenced, but not defined, by them. Patrick may be more likely to end up in a Ross situation because he knows who Ross is and identifies with him. But real life isn't TV, and Looking strives for that real life aspect, so while the scenario may begin the same as on the beloved sitcom, it likely will quickly branch out into something else.

Let's hope the love triangle isn't resolved too quickly, though. Should Patrick be with Richie or Kevin? We've seen an entire installment of Patrick and Richie just being happy together, and that was fantastic. We've also seen emotional moments between Patrick and Kevin, and there is definitely a strong connection there. Plus, Patrick is able to bottom for Kevin, something he struggles with for Richie, though Kevin already has the boss relationship with Patrick, so that may have something to do with it. I'd really like to see how they get along as a couple before making a decision. I hope Looking keeps both men in Patrick's life around long enough to explore this fully, and since Patrick and Kevin will be series regulars in year two, that seems likely.

Dom's (Murray Bartlett) new beau, Lynn (Scott Bakula), should also stay, though Bakula hasn't been contracted to do so. Dom's pop-up restaurant succeeds because of Lynn, even as Dom drives Lynn away from the event. Yet, Dom is able to realize this by the end of the half hour, and when Lynn says he doesn't want to work together any more, Dom pursues the older man romantically. Mixing business and pleasure is messy and that may not work for them, but Lynn does seem to bring out the best of all sides of Dom, helping him find his potential, so Lynn would be welcome to stick around for awhile in some capacity.

One of the best moments in "Looking Glass" is when Doris (Lauren Weedman) fights for Dom to Lynn. Doris has been a relatively small supporting character up until now, but this scene will make any viewer instantly fall for her. She has also been upgraded to main player for the sophomore run, and after seeing this side of her, I am anxious for more from Dom's bestie.

The third couple in the show, I am completely done with. Frank (O.T. Fagbenle) kicks out Agustin (Frankie J. Alvarez) after only living together a short time. Agustin completely deserves it, acting like a total ass all season, going behind his boyfriend's back and whining about his art instead of making something. Perhaps the creative types are just this unstable and it's needed for great work, but it makes them nearly impossible to be around.

I'm surprised Patrick takes Agustin back in so easily. After all, Agustin has been a jerk towards Patrick, too, especially where Richie, whom Patrick still loves, is concerned. Yet, there's definitely a lot of history between the two prior to Looking's start, so that must play into Patrick's willingness to forgive without an apology being offered. If Agustin is sticking around, and he is one of the leads, unlike Frank, we need to start seeing the elements in him that Patrick and Dom like. They have been in short supply in year one.

The fact that eight short entries can suck fans in so fully to these characters shows quite a bit of skill in the acting and writing departments. Looking is a compelling, intelligent series that is both enjoyable and fresh. If you missed this initial run, check it out on HBOGo or when it inevitably reruns. You'll want to be caught up before the second round, which will presumably air early next year.

HBO Takes Us BEHIND THE CANDELABRA

Article first published as BEHIND THE CANDELABRA Review on Seat42F.

Grade: 95%

HBO generally does a great job with their original films, and the latest, BEHIND THE CANDELABRA, which premiered last night, is no different. The movie details the relationship between famous performer Liberace (Michael Douglas) and Scott Thorson (Matt Damon), from when they meet to Liberace’s death. Based on the book by Thorson, it may feel a little one-sided, but is well presented.

Douglas is excellent as Liberace. He lived before my time, so I don’t have personal memories of the performer, but from the little bit I know about him, Douglas seems to capture the spirit and the personality. He is a flamboyant showman, insecure and addicted to being loved. He seems to find peace for a time with Thorson, but is always hungry for more attention and affection.

Damon is equally captivating as Thorson. At first, Thorson seems stiff and wooden, but over time, as he adjusts to Liberace and his lifestyle, Damon makes the man come alive, embracing a home, something he desperately wants and lacks all his life, as well as a way of living and direction. Thorson may or may not be bisexual, as he claims at first, perhaps willing to be with whoever will accept him. He does seem to care about Liberace, but Thorson also cares about being taken care of.

BEHIND THE CANDELABRA is much more than a biopic. It is the very tragic tale of two souls who have never quite found what they are looking for, but discover a kindred spirit in one another. They are both broken and damaged, and while they try to be what the other wants, sensing the similarities, they aren’t able to live up to those lofty expectations. Both scramble for something to hold onto, but are nearly impossible to satisfy.

Their love story reflects this inability to just be happy in the moment. They both make efforts to do so, but without knowing how to love themselves, they aren’t capable of being fully supportive of one another. Liberace turns to cosmetic surgery and sexual trysts, while Thorson becomes addicted to drugs, but the pathways are more alike than diverging.

Did Thorson love Liberace, or did he just want what Liberace was offering? Did Liberace love Thorson, or was he just drawn to the youth and spirit Thorson represented? These questions aren’t explicitly answered in the two hours, but Damon and Douglas give complex performances that capture the chemistry, warring emotions, and desires within the two men.

The two leads are joined by an absolutely outstanding supporting cast which includes: Dan Aykroyd as Seymour Heller, Liberace’s protective manager; Scott Bakula as Bob Black, the mutual friend that introduces them; Debbie Reynolds as Frances, Liberace’s elderly mother; Cheyenne Jackson as Billy Leatherwood, Liberace’s dissatisfied protégé; and Paul Reiser, Boyd Holbrook, Mike O’Malley, and Tom Papa in small parts that still leave an impression. All of these others may be on the outskirts of the main tale, but deserve credit for making it seem like a whole, complete look at two lives.

Special mention goes to Rob Lowe as Dr. Jack Startz, Liberace’s plastic surgeon and the pusher of Thorson’s drugs. At this point, it should hardly be surprising that Lowe can bring to life yet another eccentric oddball that feels fresh, and yet, he pulls it off again. A lot can be attributed to the facial expressions he exudes, but Lowe definitely plays a memorable role in this film.

Costumes and production design are predictably flawless. At this point, if a studio can’t deliver a convincing period piece, they ought to be ashamed of themselves. What is extra impressive in BEHIND THE CANDELABRA, though, is not just what stands out, but the reality glimpsed behind the facade. Glitter in Liberace’s hair that seems shining on stage comes across as part of a silly costume in the real moments away from the audience. The elaborate home of Liberace tells as much about the character as Douglas’s acting does. Liberace’s hair piece becomes a very essential representation of the man himself. These touches make the piece.

Pacing wise, BEHIND THE CANDELABRA does drag a bit in the middle. I think it kind of needs to to demonstrate where the romance begins to wear thin and when the problems crop up. However, there is a point where I got a little tired and the plot seemed to become a little predictable before ramping up to the antagonizing end.

The characters and their story is as much about our society during a certain decade as it is the people that the movie is about. The gluttony of excess is a familiar tale, one featured on the big screen right now in The Great Gatsby, a quintessential American trait. And with the gay rights movement finally changing minds and laws all over, it’s interesting to look back at a time of ignorance and denial. Including Liberace’s Catholic faith and funeral also points to the discrepancies present in many institutions, then and now.

BEHIND THE CANDELABRA is worth watching for all of the reasons I’ve mentioned and more. It’s not a perfect film, with historical events told from a certain point of view, but it is one that conveys something important and meaningful, balancing the personal story with the larger themes. Check it out, as HBO is currently re-running it frequently.

Desperate Housewives desperate no more

As ABC's Desperate Housewives begins its two hour finale last night, there is still a lot going on. Bree (Marcia Cross) is standing trial for murder. Renee (Vanessa Williams) is days away from her wedding. Susan (Teri Hatcher) has to break some big news to her dearest friends. Lynette (Felicity Huffman) is facing a finalized divorce. Gabi's (Eva Longoria) marriage comes under new strain. Karen (Kathryn Joosten) is staring death in the face. And Katherine (Dana Delany) returns, stirring up trouble.

That's a lot to cover in two hours, and yet, Desperate Housewives makes it look effortless. Sweeping through plots without rushing them, building suspense, but not into anything too over the top, the final two hours hit every emotional note they need to hit, leaving viewers with specific impressions about where their favorite characters will be. The show knocks out the tears in the final moments, leaving a refreshing feeling of completeness.

At first glance, the ending is sad. Bree, Lynette, Gabi, and Susan have been through a lot together, and they reflect on this as they play their final hand of cards. They will not grow old together on Wisteria Lane, sharing more memories and moments, even though they were extremely important in each others' lives for so long.

But leaving Wisteria is for the best. The lane is full of gossip and murder, rumors and betrayal. For each of the four main players to live happily ever after, they must escape this cycle. And they all do. Perhaps they need each other to overcome their challenges, but not to sail off into the sunset. By moving away, they prove they are desperate no more, and finally find peace in their lives and marriages.

The beginning of the two hour finale starts with Karen. Her neighbors prove just how much they care about her by allowing her to spend her final days in her own house, with Roy (Orson Bean) by her side. As an ultimate thank you, Karen takes the rap for the murder, allowing Bree and the others to go free. With her failing health, Karen isn't charged with her own trial, and gets to slip peacefully off into the night, a beloved record playing her out. It's sweet and sad, but also celebratory of a life well lived, full of love.

This theme continues with the others. Renee is married to Ben (Charles Mesure), who proves to be an honorable man who will treat her well. While it might have been nice to have seen Renee's future, it isn't strictly necessary because of where she ends things. Besides, she is never as deep into the mire as the rest, anyway.

Bree finds romance once more with Trip (Scott Bakula). They move to Louisville, where Bree is finally surrounded by other ladies like her, and she rules them all. This is a fitting ending for Bree, who deserves a fresh start. What's more, in Trip, Bree may finally have found the perfect man, one who will treat her how she wants to be treated, and be her equal. It comes late in the game, but late is better than never.

Gabi supports her family with a successful business venture, side by side with Carlos (Ricardo Antonio Chavira), bickering all the while. Carlos's comment at Renee's wedding, that they dance a tango instead of a waltz, is fitting. There is a nice throw back to their very first story, involving a gardener, which really highlights where they've been, and what they are now. These two have been through so much together, and have shown the most growth of anyone in Desperate Housewives. They are richly rewarded for this.

Lynette and Tom (Doug Savant) reconnect. How can they not? They belong together. Katherine's last minute offer throws a monkey wrench into their union, but after what they've been through in the past year, anything else is an easy hurdle. What they both realize, with jobs and children stripped away, is that they mean more to each other than anything else. And so they move to New York City, Lynette as a CEO, finally succeeding as more than a wife and mother, and live in a penthouse apartment. Fitting.

Susan gets the least reveal of anyone, but then, her story is the furthest from being over. As Julie (Andrea Bowen) goes into labor on the way to Renee's wedding, Susan once more has to deal with a slapstick emergency, a theme in her life. Unlike the others, Susan's existence will never be calm. But moving in with her daughter, helping to raise her grandchildren, she will find what she is looking for. There may be a number of other challenges, but this cannot be told in a scant few moments, so we're left with the impression that Susan is beginning a new journey instead. She still has a long road ahead, but at least she's on the right path.

These women deserve to be happy. That cannot be said at the beginning of Desperate Housewives. Their trials and tribulations make them work for the joyous ending. But they do so, and they come out stronger because of it. The series is the story of this battle, and how they help each other through it. Now it's time to enjoy the spoils of their rewards, which would make boring television, so it's nice that they end where they do.

The final shot of Susan leaving the street, driving past the ghosts of Wisteria Lane, is powerful. Sans Edie Britt (Nicolette Sheridan), who recently engaged in an ugly court battle with creator Mark Cherry, just about every notable character killed off returns, dressed in white. There's Karl (Richard Burgi) and Rex (Steven Culp) and Chuck (Jonathan Cake) and George (Robert Bart), and even people who aren't Bree's exes, too! Beth (Emily Bergl), Martha Huber (Christine Estabrook), and many more return. And of course, Karen, Mike (James Denton) and Mary Alice (Brenda Strong) are there. It's not everyone, but it's a lot. It's hard to imagine a more perfect tribute, and it certainly will be an image that sticks with one through the years. Awesome.

Thank you to the cast and crew of Desperate Housewives for eight mostly wonderful years. While it was time to end it, you did so well, and you will be missed!

If you like my reviews, please follow me on Twitter! To buy Desperate Housewives DVDs or streaming episodes, please click here. This article was first posted as Desperate Housewives desperate no more on TheTVKing.com

"Hold Your Finish" Men of a Certain Age

     TNT's Men of a Certain Age brings its second, far too short, season to a close with "Hold Your Finish." The men all face new challenges. Joe (Ray Romano) competes in the Senior Golf Tour, and after a bit of luck, makes it to the next round. Terry (Scott Bakula) quits his job as a car salesmen to pursue directing as a new career path. Owen (Andre Braugher) is disturbed to learn Owen Sr. (Richard Gant) has decided to sell the dealership, after Owen has been working so hard to dig it out of the debt his father left it in. What is next for these guys?


     Poor Owen keeps getting set back over and over again. He tries to do things his own way when taking over the business, but the nasty surprise of deep debt that his father leaves him prevents him from doing much. Then Owen embarks on a new marketing strategy of cheesy commercials and free car washes to lure potential customers onto the lot. He even comes clean with the staff, letting them know exactly what is going on with the company. Owen Sr. doesn't approve, but Owen knows he has to be his own man and do something, or it's not likely Thoreau will survive. It is too early to tell if it's working from a business stand point, but Owen has certainly made a positive difference to the people working for him.

     Then Owen Sr. decides to sell to their biggest competitors. It's a huge blow. A personal insult to Owen, a sign that his father does not approve of what his son is doing, and wants to protect his name from any further mistakes. It's a vote of no confidence against Owen's business strategies. It ignores how hard Owen is trying; the long hours put in apart from his family. It's a genuine slap in the face, pulling the rug out from under Owen's career. And Owen Sr. telling his son he will make sure he is taken care of financially is even worse, an extra insult implying that Owen cannot provide for his wife and children. Owen may choose a different path than his dad, but his decisions are just as valid.

     It's not fair. The growth Owen has shown as a man and a professional over the two seasons of Men of a Certain Age is phenomenal. Owen once didn't care about selling cars, but now he does. He proves to his father that he is worthy of taking over the business, and now that he has, he gives his all to keep it going. Even the final confrontation of "Hold Your Finish," when Owen calmly goes to his father and lets him know how much he wants to keep working on the business is an improvement over the earlier, hot tempered fights the duo enganged in. Owen has matured, even if Owen Sr. has not. It's unclear whether it's enough for Owen Sr. to allow his son to keep the business, but signs are hopeful as the episode comes to an end.

     There is Emmy talk for Braugher, and how can there not be? His performance is nuanced, with much depth, and plenty of growth over the series. It isn't a showy part, but it does allow for some heavy drama and deep pathos. It's easy to forget that Owen is not a real person, with the level of art and realism Braugher commits to him. It's worthy of any awards anyone would like to give. There are others doing as well on television today, but few, if any, who are better.

     Terry has undergone just as dramatic a shift, himself. When introduced, Terry is lazy and has trouble holding a job. He says he is an actor, but he rarely gets any work in that field. He sleeps with a variety of women, mostly far too young for him, but that works, because he's looking for sex, not love. This season, that all changes.

     Terry reconnects with Erin (Melinda McGraw), a woman he did a series of commercials with many years ago, who is now a school teacher. Terry feels all kinds of feelings for a girl that he never has allowed himself to have before. It's a bit of a rocky adjustment, and they take a break, but soon enough Terry is asking her to move in, and she accepts. They have a really nice emotional bond, and she makes Terry want to be a better person. Suddenly he sees the value of hard work, and what pay offs it can bring. He fully, sincerely commits to her.

     This change in Terry extends to his professional life, as well. He works very hard for Owen, and becomes a top car salesman. He is the one that suggests that cheesy commercials that are soon bringing people to the lot. Which is why when Terry suddenly quits to become a director, it is possible to believe him when, as he tells Erin, this time it's different. He wants to be a director, something he finds himself good at while doing the commercials. It's a creative outlet that actually has paying work he may be able to get, and uses his talents. It's something he really wants to do, instead of just bring home a pay check.

     Erin is hesitant, as she should be, to believe Terry. But Terry says he will only give it a year, and he has also begged for his landlord job back to help support the couple financially. These are things the old Terry would never do when chasing a dream, and show that the maturity he is gaining is sticking. He wants to do something he loves, but he is also willing to sacrifice to get it. It's a new leaf, and one welcome.

     Of course, Bakula, a veteran of screen, knocks the part out of the water. It's funny to see him play an out of work actor, when Bakula himself has had a pretty good career. Yet, he is able to play the cheesiness and sincerity in unexpected ways that really sell the part. This is a series he will be remembered for, with good reason.

     Finally, there's Joe. He has some struggles in season two, as his attempts to be a good friend to Manfo (Jon Manfrellotti), who is dealing with cancer. But that connection drags Joe back into the world of gambling. Joe successfully pulls himself out once more, but not before angering Manfro, and losing his friendship. Overcoming that particular obstacle, again, is good, because it clears Joe's head up to do what he really wants to do: golf.

     As Joe begins the Senior Tournament qualifier, the focus is on the game itself. He has an early stumble with a penalty, which shakes him. But then he comes back in spectacular fashion, and only falters again on the final hole. Luckily, a well timed rain shower causes others to screw up more, and Joe ends up, albeit backwardly, making it through to the next round.

     And that's when it's clear that Joe's golf story is no longer about golf. Not only does Terry show up to offer his support, but both of Joe's children, Albert (Braeden Lemasters) serving as caddy, and Lucy (Brittany Curran), following as a spectator, are ecstatic to see their father do well. The plot is really about how Joe realizes his kids still love him, and what that does for his self image, which desperately needs help at this point. The sweet victory as the kids cheer as another man misses a hole, and dance around Joe with excitement, is worth for more to him than any trophy or big finish. Joe is a family man, which he sometimes finds difficult to perform as, but his kids mean the world to him. Seeing they care about him the same is the real victory.

     This is why, at the end of the episode, Joe is able to bring himself to call Dory (Sarah Clarke). Despite messing up his relationship with her, Joe is ready to try for another chance. He may deserve it, considering how far he has come, and the correct choices he keeps making, and she seems to see that. Joe is proving he is not a bad guy, but like everyone, has some things he must overcome. It will be a constant battle throughout the rest of his life to stay on the straight and narrow, but as "Hold Your Finish" ends, Joe is doing well.

     Who would have thought that sitcom star Romano had such gravitas in his repertoire? Yet, after a mere two years, Romano has permanently destroyed any pigeon hole the comedian may have been stuck in. He holds his own against two dramatic heavyweights, and makes it look easy. It's enough to spark regret for ever doubting him. With creator credit to his name, too, Romano has made something wonderful in Men of a Certain Age. Hopefully, it will run for years to come.


     Men of a Certain Age has not yet been ordered for a third season, but if the universe is fair at all, it will get one.

     If you like my reviews, please follow me on Twitter!

     To order Men of a Certain Age on DVD, please click here.

Article first published as TV Review: Men of a Certain Age - "Hold Your Finish" on Blogcritics.

Men of a Certain Age "The Pickup"

     TNT's Men of a Certain Age takes a very depressing turn in "The Pickup," with two of the three guys' lives heading in the wrong direction. Terry (Scott Bakula) is letting work slip as he looks for women to sleep with to help take his mind off of Erin (Melinda McGraw) dumping him. Even his surprise 50th birthday party is a miserable affair for him. Things come to a head when Terry finally pushes Marcus (Brian J. White) too far, and Marcus slugs Terry before quitting the dealership. Owen (Andre Braugher) refuses to let Terry quit, too, telling him he needs to grow up and clean up the mess he causes Owen by prompting Marcus to leave. Meanwhile, Joe's (Ray Romano) golf game is suffering, and he allows himself to get pulled back into the gambling world.


     A gambling addiction has long plagued Joe, and while addiction is something that must be battled long after the habits stop, and relapse frequently occurs, it is sad that it is happening to Joe again. He works so hard to avoid anything that might tempt him, which is not easy for him. But by being a good friend to Manfro (Jon Manfrellotti) and helping him out while Manfro undergoes chemo, Joe is drawn back in. It's a tough call to make, because to remove temptation, something right for his life, Joe must abandon a friend in his hour of need, which is not a very nice thing to do. Is staying clean more important than the care one has for a close friend?

     Neither option is appealing, and Joe doesn't really make the choice, which is where he gets into trouble. By being a half-hearted friend to Manfro, Joe isn't really being there for him as he needs to be, nor is he avoiding the triggers of his condition. Manfro has to convince Joe to do the favors Joe is doing, and Joe only somewhat fights back. One could argue Manfro isn't being a very good friend by putting Joe in these situations in the first place, but Manfro is sick and suffering, so he likely isn't thinking things through all that clearly. He needs errands run, and he asks Joe to do it. Simple as that, to Manfro. Not so simple to Joe.

     This is probably why Joe's golf game isn't going too well. To play any sport focus is a primary component, or so I hear. Joe's focus is on Manfro and on his own gambling addiction, rather than the game. While it's too bad Roy (Damien Leake) isn't asking the right questions to figure out why Joe isn't doing so well, as he is the one really seeing the effects, it's not like Roy is really a friend, either. So it looks like Joe is losing his coach, his best chance at making it onto the Senior Tour. The addiction is costing Joe yet another thing he really cares about. He needs help badly.

     Too bad Joe isn't able to draw enough strength from Albert (Braeden Lemasters). Albert is inspired, with his father's help, to overcome his own anxieties and take the stage to perform with his band at school. The performance is a rousing success, and for a minute, it appears Joe will be inspired in turn by Albert. And he is, to a degree. But instead of taking Albert's lesson and applying it towards life, he only tries to use it for golf. He should take another look at his son and see that Albert uses Joe's advice, which is geared towards golf, in everything. If Joe brings the right attitude towards the gambling problem, maybe he stands a chance at escaping yet again. His determination kick the habit cannot be at half strength.

     Terry is nearing rock bottom. Hopefully, he will not need to hit it to clean things up. Sleeping with random, mostly younger, women will not help him forget about Erin. She is a very special person, who matured Terry romantically for awhile. For the first time in his life, Terry is ready to give up his playboy ways and commit to one person. Sadly, she is not in the same position as he is. But Terry needs to look for a woman that will make him happy for years, not just a few minutes in bed. Sleeping with his birthday party caterer is a big step in the wrong direction.

     Unfortunately, the maturity Terry finally finds in his romantic life does not extend at all to his professional one. He allows himself to let everything important slide while grieving over the loss of his relationship. Many teenagers have made a similar mistake, but not most fifty year olds. Perhaps because the experience of losing love is so new to Terry, he cannot help but act in this manner. Sadly, society does not allow such mistakes in the real world, and if Terry expects to have a decent life, he needs to get past it quickly.

     There is nothing mature at all about the way Terry feuds with Marcus. While Marcus is usually the biggest jerk in any episode, this time, Terry starts the trouble, and is much more in the wrong. A bigger man would let Terry slide, even though that's not what Terry needs. Marcus is far from a bigger man, and quits instead, causing a scene in the process. Most people would not act as Marcus does, but hopefully that will be the kick Terry needs to get things back on track. He is called on his crap.

     Also helping Terry is Owen. Owen is a good friend who is willing to sit silently and let Terry unload his problems. However, Owen also has a business to run, and Terry is messing up that business. Owen tasks Terry with making up for it, and blatantly tells him his behavior is not acceptable and cannot continue. This combination of sympathy and firmness may be what Terry needs. It's a calculated discipline designed to kick Terry's butt without being cruel about it.

     It also proves Owen is surely the most put together of the three main characters. Thanks goodness one of them is doing well.


     Men of a Certain Age airs Wednesdays at 10 p.m. ET on TNT.

     If you like my reviews, please follow me on Twitter! Click here for all of my Current Season Reviews.

     To order Men of a Certain Age on DVD, please click here.

Article first published as TV Review: Men of a Certain Age - "The Pickup" on Blogcritics.

Men of a Certain Age attempts "The Great Escape"

     TNT's Men of a Certain Age is back. Although the first season is uneven, the second is solid, including the mid-season premiere tonight, "The Great Escape." In the episode, Owen (Andre Braugher) considers an offer to sell the dealership. His wife, Melissa (Lisa Gay Hamilton), is totally on board when she realizes Owen will be home with the kids, so she can pursue her writing career. Joe (Ray Romano) comforts his sick friend, Manfro (Jon Manfrellotti), on the eve of his chemo. He also offers solace to his ex-wife, Sonia (Penelope Ann Miller), who has just broken up with the guy she left Joe for. Terry (Scott Bakula) is ready to get serious with Erin (Melinda McGraw), just as she decides to go back to her ex.


     While much of the series is not about the three central men's love life, this episode very much is. And why not? Two of them are single, one by divorce, one because he's a habitual bachelor. At this point in their lives, it's time to settle down, not sow the wild oats. As such, it is perfectly reasonable that both Terry and Joe are interested in long-term relationships.

     Joe should not go back to Sonia, no matter how much he wants to. His wife cheated on him, and he is far too willing to forgive her mistakes. She trades a stable married life to Joe for a mid-life crisis that is now falling apart. Joe is a nice guy, and he deserves better. While both feel it would be awkward to act on their rekindled feelings now, Joe is certainly planning on letting things build, and trying again. If he does so, Owen and Terry should stage an intervention and stop it.

     Very touching is Manfro's story. It is nice that the bookie is back in Joe's life, despite Joe's gambling problems, because Manfro is a good, non-judgmental friend. Unlike Terry and Owen, he has not known Joe his entire life, so his judgment is not clouded by history. He, more than the other two, could possibly talk Joe out of a reconciliation with Sonia. Or at least keep an open mind about it, if that's what Joe needs.

     Even better, Manfro gets his own love interest this week. On the eve of receiving chemo treatment, he meets a kind stripper with a heart of gold. While she does keep relating Manfro's situation to her father's, at least she knows what she is getting into, so there will be no surprises. She won't leave him halfway through treatment. It's just what Manfro needs, and hopefully more of the happy couple is on docket for later this season.

     Sadly for Terry, Erin is not going to happen. While she appears perfect for him, she's already taken. Perhaps he can go back and see Annie (Carla Gallo), who he runs into this week, at the coffee shop to help him get over Erin? As delightful as Gallo is, she is likely not poised to join the cast full time, and so a long-term relationship between the two probably won't happen. But in the meantime, any episodes Gallo wants to do will be welcome.

     Terry needs to find a girl like Erin, but one who is not in love with someone else. His potential mate will likely be divorced, as it is unrealistic to expect a nice, pretty girl good enough for Terry will still be single at fifty. Unless this woman is in the same boat as Terry, ready to settle down after a long time of playing the field. Her past may make Terry uncomfortable, and provide some growth. Honestly, the second option might be better in the long-term.

     Poor Owen cannot escape from his father's shadow. As much as he'd like to sell the dealership for his family, when the times comes for Owen to tell Owen Sr. (Richard Gant), he only says he is determined to bring a body shop into the mix. Is this the truth? Or he is avoiding a difficult situation? It appears Owen and Melissa have made up their minds, but then Owen chickens out when announcing the decision. It's hard to tell if he is serious with his father or not.

     If Owen does go through with selling, it will likely wound his father very deeply, and justly so. Owen Sr. only recently gives Own the dealership, and if Owen parts with it so quickly, it's kind of being rude with a gift. On the other hand, Owen Sr. springs a bad financial surprise on Owen post-deal, so it's understandable that Owen is tempted to get out from under the debt. It's a complex situation with no right answer. Unhappiness will follow either decision. Let's hope Owen and Owen Sr., who are finally getting along, can weather the storm and keep their relationship on firm ground.

     Melissa, of course, is also a part of the equation. She has given up her life to take care of the kids for many years, and she is right to expect Owen to take a turn when a good opportunity arises. As his wife, Owen should likely put more weight on hurting Melissa than his father. She deserves the chance to do something she is passionate about, and not selling will deeply disappoint her.


     Men of a Certain Age is off to a great start! Tune in Wednesdays at 10 p.m. ET on TNT.

     If you like my reviews, please follow me on Twitter! Click here for all of my Current Season Reviews.

     To order Men of a Certain Age on DVD, please click here.

Article first published as TV Review: Men of a Certain Age - "The Great Escape" on Blogcritics.

Chuck Versus the Wedding Planner

     Although last night was NBC's Chuck's 21st episode this season, three more outings remain: Chuck's longest season to date. Not many shows get 24 episodes anymore. In last night's, "Chuck Versus the Wedding Planner," Chuck (Zachary Levi) and Sarah (Yvonne Strahovski) are swindled out of over $20,000 by their wedding planner. On advice from Sarah's con man father, Jack (Gary Cole), they use CIA resources to track down the woman, earning them both a suspension. But when Chuck flashes while looking at the planner's client list, General Beckman (Bonita Friedericy) doesn't believe him. So Chuck, Sarah, and Jack stage their own con to save the world and restore the two spies to duty.

     It is an absolute delight to get Gary Cole on screen in any capacity. Since it doesn't look like he will be returning for Chuck and Sarah's upcoming nuptials, it is awfully kind of the writers to build him into such a nice story, and provide a sweet moment for he and Sarah on the dance floor during a wedding reception. A con man with a heart of gold is still a con man, so he's just not that reliable. Plus, despite the fact that he so obviously loves his daughter, no one ever said Jack has a heart of gold.

     In flashback, we see Sarah's childhood. Her grandmother tells her father to stay away, and he reluctantly agrees. Young Sarah is heartbroken, and gives her daddy all the money she saved from the schemes they pulled together, hoping he will take her with him. He does end up disappearing, with the money, and without Sarah. While these bits are not particularly important to the overall series plot, as we already know the type of relationship the two have, but they are so well put together, it's easy to just enjoy them and not worry if they are necessary. And the actress playing young Sarah is adorable! Also, Jack leaving Sarah her money, of which he spent not a dime over the years, is a nice bookend, and solves the problem of Sarah and Chuck being hoodwinked.

     Of course, last time Jack showed up on Chuck, it is revealed that he has money stashed away for Sarah. Is that what his purpose is going to be? Every time Jack is on screen he is bringing money? Is this some sort of commentary on absentee dads?

     Parents are an important element on Chuck. Not one of Sarah or Chuck's parents are in the picture when the series begins. Chuck has tracked down both of his by this point, who happen to be spies, like him, although his father is now dead. Sarah's father has popped up a couple of times, but her mother has not been shown. Is it too much to hope for, that with three episodes left in the season, a suitably recognizable actress puts in an appearance? Or if not before the wedding, then next season? That may just be wishful thinking, and admittedly, I'm still hoping for a miracle resurrection of Scott Bakula.

     While Beckman's anger at Chuck and Sarah for misusing agency resources is certainly understandable, it stinks that she doesn't at least let them recover their missing money. After all they do in the line of duty, they should have just asked Beckman for help with the con woman, and she should have granted it. What good is having a job with such resources, and not getting to use them?

     This is not the first time Chuck or Sarah have crossed the line of professionalism. Both have used the tools of their job to hunt for Chuck's family, which ends up tying into their missions. While blind luck is probably partially to blame, Chuck must be given credit for good instincts. Not only did his hunt for mother and father help bring down bigger criminals, but the arrest of the wedding planner once again led to another mission. If we are to suspend disbelief and assume these are not coincidences, which is viable given the massive computer in Chuck's head, and its effects not completely all known or understood, Beckman needs to start learning to trust Chuck's actions, even when he himself doesn't realize a bigger motive.

     It is nice that Morgan (Joshua Gomez) and Casey (Adam Baldwin) assist in the faux wedding that Jack helps Sarah and Chuck throw. Morgan is, of course, Chuck's best friend, so he will willingly get involved in anything illegal if Chuck thinks it's best. Casey has been an obstacle before, but he has softened so much, and warmed up to the others, to the point where he barely questions them before lending a hand. It's a tight knit team built on trust, and they all realize they have something special here.

     Just because there are so many relationship movements in the episode doesn't mean that Chuck disappoints those looking for action. The wedding showdown, where the team has to stage an elaborate event, and then subtley take out not one, not two, not even three, but four bad guys is very cool! Comedy is mixed in with the action, such as Morgan rushing frantically into the backroom so that someone else can take down his mark. But fans who care more about the spy stuff than feelings should not be let down.

     No funny side plots with the Buy More this week. Due to a limited budget, Big Mike (Mark Christopher Lawrence), Lester (Vik Sahay), and Jeff (Scott Krinsky) only do certain episodes. (Sarah Lancaster's Ellie also sits this one out.) While it is a hallmark of the show to keep the CIA agents grounded with retail jobs, and also keep the more light hearted plots in for comic relief, it doesn't need to be every week. Buy More is not missed at all in this episode. Should it be missing for the next few, too, now that would be a problem.

     Devon (Ryan McPartlin) is the lone "side" main character that shows up, when he ends up catching Jack breaking into Chuck and Sarah's apartment. Did anyone else believe him when he said he could chase Jack down, even though he has a baby strapped to his chest? Classic Awesome! Devon ends up entertaining Jack for awhile, and while, like the flashbacks, not strictly needed, other than to let out to Jack know that his daughter is getting married, the two provide some of the most enjoyable moments in the hour.

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     It is finally time for Casey to come clean to Kathleen (Clare Carey). This arc took a huge leap forward this week when Kathleen catches a glimpse of the supposedly dead father of her child at the Buy More. Following him, at first she thinks he's just lying to their daughter, Alex (Mekenna Melvin), about being a hero spy. Then she sees him in action. Baldwin insists in a recent interview that Kathleen and Casey will not be picking up their romance where it left off, at least not this season, but that seems a shame. These two have wonderful chemistry.

     Now that Casey is out of the bag, does that mean he can be more actively involved in Alex's life? No more sneaking around? That would be a breath of fresh air, as Casey has become very important to Alex, and it's visibly wearing on her that she has to keep two sides of her life separate. Casey is a good father who realizes that, which is why he tells her in the previous episode not to lie to her mom. While there may be some resistance on Kathleen's part to Casey being around, he did leave her and lie to her after all, Casey is a genuinely good man. The sooner Kathleen sees that, the better for the show.


     If you like my reviews, please follow me on Twitter! Click here for all of my Current Season Reviews.

     Chuck airs Monday nights at 8 p.m. ET on NBC.

Article first published as TV Review: Chuck - "Chuck Versus the Wedding Planner" on Blogcritics.

Preview: Men of a Certain Age Season Two

     TNT's drama about three aging men, appropriately enough titled Men of a Certain Age, returns for a second season tomorrow (Monday) night. After a ten episode season last winter, many people may not remember the show, and I think that will probably hurt it. Unlike other dramas, it's not must-see TV, or exciting enough to warrant an event. Though that sounds like an insult, it's not meant to be. Instead, it's a really nice, tonally calm story of three men and how they deal with getting older. Which, unfortunately, is not something I would expect to do well after taking nine months off between seasons.

     As season two begins, all three of the main characters are dealing with the effects of decisions made at the end of season one. Owen (Andre Braugher) has taken over his father's car dealership, and as you might expect, he's having a rough time of it. Sales are down, which isn't surprising, considering our current economy, although that is never mentioned on screen as a reason for the down turn. In the first new episode, Owen's father, Owen Sr. (Richard Gant), tells Owen he must woo back old rival (and top seller) Marcus (Brian J. White). If you watched the show, you'll remember that Owen and Marcus don't have much affection for each other, and that's putting it nicely. As such, their meeting is not exactly warm, though I won't reveal the result. In episode two, Owen is dealing with Jesse (Patrick Gallagher, Glee), a new character who runs the repair shop at the dealership. Let's just say that the service guys and the sales guys don't play nicely with one another.

     Terry (Scott Bakula) took a job from Owen, and is now trying to make a go of it as a car salesman. As the first episode plays out, Terry has had not a single sale, and things aren't going too well. It's not from lack of effort; Terry is taking the work schedule seriously and really trying his best. He just can't get over the fact that he feels like he's taking advantage of people if he pushes a sale. While no easy solution to this issue is in sight, Owen Sr. is encouraging. Things aren't made any easier by the rest of the staff, who haze Terry pretty good, dredging up his past online. Owen stays out of it, thinking that the boss jumping in to defend his friend would probably only make things worse. He's likely right.

     What's nice about these plots is that Owen and Terry are in the same environment, going through some of the same things. While season one had three distinctly different threads, and that element is not totally gone, Terry's and Owen's threads now intertwine more often, making a more tightly connected show. Both Braugher and Bakula handle their characters with such depth and genuine feeling, that even though the story may be somewhat slow paced, I was riveted by both men.

     That does leave Joe (Ray Romano) by himself more, though, than the other guys. Which is fine, as Joe has quite a bit to work with. His divorce seems finalized, and he has moved from a hotel into what appears to be a condo. He has several different love interests in the first two episodes, including some familiar faces, though only one is developed much. Thankfully, as most TV dramas spend a lot of time on adult dating already, and it's nice to see this one doesn't need to every week. Joe's store still requires plenty of attention, and his children are going through their own issues. Add to that that he really needs some work to get back in shape for that golf tournament he began talking about last year, and his plate is plenty full.

     Sadly, Owen's wife, Melissa (Lisa Gay Hamilton), does not appear in the first week, but does get an interesting story in episode two. Her plot has just as much to do with her age as any of the guys' ever does. I consider her fairly essential to the show, too, as Hamilton holds her own in every scene she appears in. Perhaps the title should be less gender specific.

     Although the main men's children rarely get much meat in the stories, Joe's son, Albert (Braeden Lemasters), does get to work on his anti-social behavior in episode two, which will find him at a party. Yes, alcohol is involved, and no, his parents did not give him permission to attend. The way Joe deals with the situation is incredibly well done, but the writers have also painted a picture far from black and white. Should Joe be proud of the progress his son has made to even attend the party, or furious at his unacceptable actions? My guess is, the viewers who are parents will understand the mixed emotions, but side with Joe's reaction.

     The thing about Men of a Certain Age is that it feels so incredibly real. An extremely talented cast, who must surely allow real life to influence their performances, keeps this anti-drama drama going strong. Season one suffered a little as the show figured itself out. In fact, episodes were aired out of production order, and I doubt anyone noticed. But those growing pains are gone by now, leaving a confirmed serial. The first two episodes were tightly scripted, and set up some good arcs for the season.

     And someone gets glasses.

     Be sure to watch Men of a Certain Age, which airs Monday nights at 10pm on TNT.

For frequent mini-reviews and occasional tv news, follow Jerome on Twitter.

Article first published as TV Preview: Men of a Certain Age Season Two on Blogcritics.

Chuck is one not to miss, so stop missing it

     NBC's Chuck is one of the smartest, most action-packed, most enjoyable shows on television.  Yet, since day one it has struggled to stay on the air.  Season four began two weeks ago, and 'Save Chuck' campaigns are already in the works.  After the third season, when viewers had to wait until winter for the premiere, and only thirteen episodes were ordered, I was thrilled when Chuck got six additional episodes made last spring, and an early pick up for this year.  Finally, the fight was over!  But clearly, it's not.

     If you've never seen Chuck, then here are some things you need to know.  The central character is name Chuck Bartowski (played by Zachary Levi).  At the start of the series, a computer known as the Intersect was downloaded into Chuck's brain, making him super smart.  The NSA and CIA quickly sent agents to protect him, and use him for their own purposes.  Those agents were John Casey (Adam Baldwin) and Sarah Walker (Yvonne Strahovski), the latter soon providing romantic chemistry for Chuck.  This connection was resisted, because Sarah couldn't date someone who was not a spy, and though Chuck longer for that life, his training was slow and awkward.

     At the end of season two, the Intersect was removed by Chuck's father, Steve (Scott Bakula), who had disappeared on his children years ago, but Chuck discovered was also a spy.  Sadly, later that same episode, a new version of the Intersect was downloaded, and Chuck now possess abilities as well as knowledge.  Chuck became a full-fledged spy.  Steve was killed.  Chuck and Sarah finally got into a serious relationship.  And Chuck discovered that his mother, Mary (Linda Hamilton), who had also disappeared long ago, was still alive, and was also a spy.

     Over the years, slowly members of Chuck's regular life have found their way into the spy game, as well.  Chuck's best friend, Morgan Grimes (Joshua Gomez), who is more bumbling and nerdy than Chuck ever was, found out and joined the team in season three.  In season two, Chuck's soon-to-be brother-in-law, Devon Woodcomb, better known as Captain Awesome (Ryan McPartlin) found out, but managed to keep the secret from Chuck's sister, Ellie (Sarah Lancaster).  Devon, however, surprisingly could not handle any spy work at all, and so asked to stay in the dark about Chuck's activities.  Ellie eventually found out, but Chuck promised her that he would quit the business, which he did, briefly, though she doesn't know that he has now resumed his dangerous work.

     The show stays light by surrounding Chuck at his cover job with a bevy of very odd characters.  Chuck (and Morgan and Casey) works at the Buy More, an electronics superstore.  The weirdest of the weirdo co-workers are Jeff (Scott Krinsky) and Lester (Vik Sahay).  The place is run by Big Mike (Mark Christopher Lawrence), who has yet to show up in season four, but remains in the theme song with the principal cast.

     At the end of season three, the Buy More was blown up, but it was rebuilt by the time season four began.  There was one big change, however: The CIA and NSA had taken over the store, staffing it with an elite team of undercover agents.  General Beckman (Bonita Friedericy, finally upgraded to full-time cast member), Chuck, Sarah, and Casey's supervisor, wanted Chuck to rejoin the team, and so sabotaged every new job interview he had until he agreed to come back.  She also allowed Morgan to return to the Buy More.

     Morgan quickly realized that the store was running far too well, and it's efficiency was attracting attention.  When Captain Awesome came in, he immediately knew that something was up.  Morgan convinced General Beckman to allow Jeff, Lester, and the other weirdos to come back, replacing the agents.  Beckman made Morgan the new manager for his great catch, which leaves how Big Mike will return to the series up in the air.

     If the above seems like a lot to you to pack into such a short-running show, it is.  And most of what I have written occurred in just the last few episodes.  The show started more like a procedural drama, with a different mission for Chuck to go on each week.  But by season two, with renewal far from certain, show runner and co-creator Josh Schwartz (best known for, funnily enough, creating The OC and Gossip Girl, which are totally different than Chuck) decided to lay all of his cards on the table.  He packed all of the twists and turns he had envisioned for the rest of the series into less than a season.  It's made season three and four unpredictable and fast-paced, deftly keeping up with the excellence of the end of season two.  It's also let Chuck do the unexpected, which not something a lot of shows get to do.  How many series can you think of that let their leading couple settle into a long-term, serious relationship by season four?

     Season four is pulling out all of the stops, with Dolph Lundgren, Lou Ferrigno, Harry Dean Stanton, Olivia Munn, Steve Austin, Summer Glau, Nicole Ritchie, Timothy Dalton and Eric Roberts are all among the signed guest stars already.

     The bottom line is, Chuck is a wonderful show, beloved by critics, but little-watched among television viewers.  It shouldn't be that way.  The show combines drama, romance, humor, and action in a way that is rarely seen, and has allowed Chuck to stand out among it's peers.  Please, please tune into Chuck before it's too late.  Only thirteen episodes have been ordered this year, but there is a nine episode pick up option, which Chuck needs ratings to earn, so please give it to them.  The series certainly doesn't deserve to be canceled now, or anytime in the near future.

     Chuck airs Monday nights at 8pm on NBC.




For frequent mini-reviews and occasional tv news, follow Jerome on Twitter.

Article first published as TV Review: Chuck is one not to miss, so stop missing it on Blogcritics.

Chuck explodes

     NBC's Chuck is a show that has changed their game time and again, in brilliant twists, to keep the story fresh and moving.  In this week's two hour season finale, "Chuck Versus the Subway" and "Chuck Versus The Ring: Part II", it was done again.

     First, let's deal with the comic relief.  With the destruction of the iconic Buy More, will the show just jettison it's three workers who have been on the outside of it all?  I think not.  They provided needed levity, and though two were framed for the explosion, surely they evidence will clear them.  That is one part of Chuck that I don't see changing, nor does it need to.  It's all part of the charm.  The store will surely be rebuilt in no time.

     The Ring, the nefarious evil organization bent on taking over the world, had infiltrated the CIA, and managed to discredit and arrest Chuck (Zachary Levi), Sarah (Yvonne Strahovski), Casey (Adam Baldwin), and General Beckman (Bonita Friedericy - why isn't she a main character yet?).  Chuck escaped with the help of his father (Scott Bakula), and after rescuing his friends, they managed to bring the organization to it's knees.  In two hours they defeated the villains that had plagued them for three seasons.  I guess it seemed a bit easy, but it was time.

     However, much more happened than that.  Shaw (Brandon Routh), who Chuck believed he had killed, murdered Chuck's father, and through his meddling, and an accident, Chuck's sister, Ellie (Sarah Lancaster) was brought into the spy loop, now making the number of civilians involved equal those of actual spies, if you count Chuck as a spy, which he finally, fully is.  Said civilians, Ellie, Morgan (Joshua Gomez), and Devon a.k.a. Awesome (Ryan McPartlin) had to help rescue the real spies.  I don't begrudge Ellie finally finding out.  It will be a relief for Chuck and the others to not have to hide everything in their own little apartments any more.  However, per his promise to Ellie, Chuck now has to give up the dangerous life.

     Or does he?  The ending of the episode revealed that Chuck's father had many more secrets than we knew about, and it seems a large number of enemies will soon be coming after Bartowski and company.  And how Chuck's mother (yet-to-be-cast) will be a part of it is even more mysterious.  Chuck has already been granted another season, so be sure to watch for it's return on NBC next fall.