LOOK No Further

Article first published as TV Review: LOOKING FOR ALASKA on Seat42F.

While John Green may be best known for The Fault in Our Stars, and Turtles All the Way Down seems to have caught on quite a lot, his debut novel, LOOKING FOR ALASKA, is good, too. More raw, less polished than the others, it is written in the familiar style of Green, creating interesting teen protagonists, but without the complexity or level of insight some of his later works feature. If anything, the book feels a bit more personal to the author than those others, and I myself found the main character of Pudge easier to identify with. It was with this perspective I took part in It’s All Been Done Presents’ Quarterly Book Club last winter to talk about the novel. (That video discussion is available on YouTube or iabdpresents.com)

Excitingly, Hulu premiered a miniseries adaptation of LOOKING FOR ALASKA last week. If you’re a John Green fan, or fan of the coming-of-age story at all, you should watch it. If you liked the book, as I did, you should definitely watch it. It is a faithful adaptation of the source material, and I daresay, in the hands of the great Josh Schwartz (Gossip Girl, Chuck), is even improved upon, adding complexity to minor characters and better building out the world.

The plot begins with Miles Halter (Charlie Plummer, Boardwalk Empire) going away to a boarding school in Alabama, Culver Creek Academy, seeking ‘the great perhaps.’ Quickly and ironically nicknamed ‘Pudge’ by his assigned roommate, Chip ‘The Colonel’ Martin (Denny Love), Miles finds kinship and perhaps his perhaps with the offbeat Alaska Young (Kristine Froseth, The Society). However, tragedy both big and small will shake all three.

I do think the television show telegraphs the climax a bit too obviously. The opening scene of the series is an unclear look at what will happen, but it seems relatively predictable. The book’s countdown, echoed in the miniseries, does something similar, but perhaps with a bit more ambiguity.

That aside, however, LOOKING FOR ALASKA is terrific. It has fine performers and tells a great tale that is both narrow and wide, relatable and specific. Some events are re-ordered or differently emphasized than in the novel, but only in the service of the larger story. Having viewed five hours in a row (unable to stop myself after the intended one or two to write this review), I haven’t found a single issue with the departures Schwartz and the writing team have made.

The characters are better formed than on the page. Yes, Alaska is still framed by and large by how Pudge thinks of her, surely a disappointment to many viewers who wish for more gender parity and anyone who can see what an awesome job Froseth does in the role. Yet, the focus is on Pudge, with all other characters shaped by how they relate to him, and some manage to stand out around him. Love does an absolutely stunning job as the complicated Colonel. Ron Cephas Jones (This Is Us) rounds out a great subplot as Dr. Hyde, an elderly teacher who understands the kids better than they think. Timothy Simons (Veep) makes a potentially one-note authority figure someone that is understandable to be sympathetic with a little distance the students don’t have. Sofia Vassilieva (Medium) is heartbreaking as Lara Buterskaya, Pudge’s more attainable love interest. And I’d be remiss if I didn’t mention Jay Lee’s (American Vandal) performance as Takumi and the memorable guest turn by Deneen Tyler (Treme) as The Colonel’s mother, Dolores.

While now in my thirties, I am still a sucker for a well written version of adolescence, and LOOKING FOR ALASKA delivers that in spades. Many try to capture the spirit of the age, but few do it as well as John Green or Josh Schwartz, and their union delivers a near-perfect result.

I have to stop writing now because I can’t wait a minute longer to finish out this miniseries. I highly recommend it. All eight episodes are currently streaming on Hulu.

Investigating NANCY DREW

Article first published as TV Review: NANCY DREW on Seat42F.

After the success of Riverdale, it’s not surprising that the CW looked for other well-known properties to darken and expound upon. Enter NANCY DREW, which premiered this week, and was developed by CW staples Josh Schwartz and Stephanie Savage, along with Noga Landau. The drama finds the famous literary girl detective entering adulthood and dealing with the death of her mother, surrounded by peers who she doesn’t consider friends. Toss in sex and the supernatural, and NANCY DREW is adapted into a show typical for the network’s fare.

Nancy Drew is an obvious character to undergo this treatment. She’s already been adapted into television and movies multiple times, each with their own take on the sleuth. She also evolved over the years in her book series, changing with the times. So there isn’t a definitive version of the heroine that the series must live up to. Instead, for a character that has already proven highly malleable, there’s a long leash as to what can be done with her.

Virtual newcomer Kennedy McMann stars as the titular character in this version. In keeping with the network’s other programming, Nancy is surrounded by a group of friends, not totally unheard of in the written works, but also not nearly so present in most iterations. They include her current hookup, Ned Nickerson (Tunji Kasim, Nearly Famous), old nemesis and boss George Fan (Leah Lewis, Guidance), rich girl and fellow waitress Bess Marvin (Maddison Jaizani, Versailles), and a new addition to the lore, perhaps to make the cast more gender balanced, burnout dishwasher Ace (Alex Saxon, The Fosters).

And in keeping with CW formula, there are a couple of adults tangentially involved. These include Nancy’s dad, lawyer Carson (Scott Wolf, The Night Shift, Party of Five) and his love interest, Detective Karen Hart (Alvina August, Chilling Adventures of Sabrina), as well as socialite Ryan Hudson (Riley Smith, Proven Innocent).

NANCY DREW has a ton of clichés for a teen drama, even if the main characters might not quite be teens anymore. They are more advanced in their careers than most people their age, with George running the diner and Ned having his own autobody shop. There’s at least one who engages in inappropriate behavior with a much older adult. There’s forced drama between them, with Ned boasting a criminal past, even though there’s zero tension that he might actually be dangerous. And the small town setting allows for huge coincidences, like the fact that Nancy’s father represented Ned in court and keeps his file readily accessible to her.

But that’s not all that NANCY DREW has working against it. It just feels flat. While I don’t think any of the actors, taken separately, are horrible, none are stand-outs, either. The pacing is weird, the twists feel forced, and the story feels gimmicky. The supernatural element comes across as forced in. The romantic aspects are unbelievable. The murder mystery and town lore isn’t compelling. Not to mention, a big chunk of the pilot is just a huge exposition dump, which isn’t a great way to start a series. Backstory is told to us right off the bat, rather than doled out over time as the tale progresses.

Even Nancy’s mother death, which could be formative, is hokey, used as an excuse for the cheery Nancy to go dark, making her backstory the lighter substance of what the character usually is, though I can’t imagine anyone being cheery in the environment presented, clashing with the tone of the show. Veronica Mars did this same type of story so much better, and with a new season of that having dropped just a few short months ago, this will definitely suffer by comparison.

In case you couldn’t tell, I didn’t like NANCY DREW. While I may not be the show’s target demographic, I usually enjoy shows in this vein, new and old, including Riverdale, Dawson’s Creek, Chilling Adventures of Sabrina, The Vampire Diaries, and even Gossip Girl. I appreciate a good soapy spectacle, even if it’s a bit fluffy. However, NANCY DREW just doesn’t have enough attractive elements going to reach even someone predisposed to like it, so I can’t recommend it.

If you want to anyway, NANCY DREW airs Wednesdays on the CW.

RUNAWAYs

Article first published as TV Review: RUNAWAYS at Seat42F.

The latest entry into the Marvel Cinematic Universe is RUNAWAYS, premiering this week on Hulu. Based on the Brian K. Vaughn (Saga) comic of the same name, and developed by Stephanie Savage and Josh Schwartz (Gossip Girl, Chuck), the show follows a group of high schoolers who, a long time ago, used to be friends. A tragic loss a year ago of one of the gang has split them apart. When they reunite one evening, witnessing their parents doing unspeakable evil brings them back together. But I’m definitely getting ahead of myself.

RUNAWAYS lacks any immediate connections to the rest of the MCU, film or television series. It is the first of several new series with young protagonists, and the first for the streaming service Hulu. Without name dropping any famous heroes, though, or perhaps because of it, RUNAWAYS carves out its own time and place. Even if a few of the adults act like villainous guest stars in Agents of S.H.I.E.L.D.

Like this review, RUNAWAYS takes its sweet time getting started. Over the first hour (actually, about fifty-three minutes), we are introduced to our six core teens: Alex (Rhenzy Feliz, Casual), Nico (Lyrica Okano, The Affair), Chase (Gregg Sulkin, Faking It), Karolina (Virginia Gardner, The Goldbergs), and sisters-by-adoption Molly (Allegra Acosta, 100 Things to Do Before High School) and Gert (Ariela Barer, Yo Gabba Gabba!). These peeps will have powers, but the show holds those close to its vest, instead just giving us peeks at each’s starting personality. Which we know will soon be changing because of circumstances.

At the same time, as Savage and Schwartz did in Gossip Girl, the action is balanced with the ten parents of these six teens. Although the grown-ups don’t get as much development, initially among the actors portraying them are familiar faces like James Marsters (Buffy the Vampire Slayer), Ever Carradine (The Handmaid’s Tale), Annie Wersching (24), Kevin Weisman (Alias), Angel Parker (Trial & Error), Ryan Sands (The Wire), and Brigid Brannagh (Army Wives). So there’s some cred here, especially in genre TV.

The thing is, though, with sixteen leads, not one of the characters is shown in any depth in the pilot. Nor is the plot really moved forward all that much, with the action not getting moving until the very end of episode one. Perhaps that is why Hulu is making three episodes available right away, before doling out the rest weekly. RUNAWAYS certainly needs more than a single installment to hook potential viewers.

I feel like I’m being a bit vague because so is this series. The deceased member of the group, Amy, is Nico’s sister, but that’s as deep as we get into her in the first hour. We know her passing has affected the kids, and to a lesser extent, or so it seems, their parents. But other than that, we don’t know much about the mystery. We don’t know how she died or why that has created a wedge among friends. We don’t know how this past event will play into the current story.

Honestly, the best scene in episode one is the one in which the parents meet shortly before their ceremony. In it, we see all their various personalities and how they clash. One wonders how the group came together at all, but clearly there is a shared, powerful purpose, a key element for groups of superheroes and supervillains in any decent series. If RUNAWAYS had more of this, I think it would be more compelling.

As it is, the show isn’t bad, just slow, and seemingly unnecessarily so. I applaud the writers and producers for not rushing into the central thread too quickly and making us learn about the characters afterwards, which has unfortunately been done too many times lately. But if we’re given fifty minutes to get to know our players first, delaying the jump into the premise comic book fans are already familiar with, let’s get to know them, which I don’t feel is done very effectively. Many of the earlier scenes don’t seem like they’ll pay off later.

Still, Marvel has a pretty solid track record, and this series looks to be well-made and well-cast, so I’m willing to give it the benefit of the doubt for now. Even if episodes two and three don’t quite get things moving as rapidly as I’d like following the plodding pilot.

RUNAWAYS’ first three episodes are available on Hulu this Tuesday, with subsequent installments to follow weekly.

Chuck is one not to miss, so stop missing it

     NBC's Chuck is one of the smartest, most action-packed, most enjoyable shows on television.  Yet, since day one it has struggled to stay on the air.  Season four began two weeks ago, and 'Save Chuck' campaigns are already in the works.  After the third season, when viewers had to wait until winter for the premiere, and only thirteen episodes were ordered, I was thrilled when Chuck got six additional episodes made last spring, and an early pick up for this year.  Finally, the fight was over!  But clearly, it's not.

     If you've never seen Chuck, then here are some things you need to know.  The central character is name Chuck Bartowski (played by Zachary Levi).  At the start of the series, a computer known as the Intersect was downloaded into Chuck's brain, making him super smart.  The NSA and CIA quickly sent agents to protect him, and use him for their own purposes.  Those agents were John Casey (Adam Baldwin) and Sarah Walker (Yvonne Strahovski), the latter soon providing romantic chemistry for Chuck.  This connection was resisted, because Sarah couldn't date someone who was not a spy, and though Chuck longer for that life, his training was slow and awkward.

     At the end of season two, the Intersect was removed by Chuck's father, Steve (Scott Bakula), who had disappeared on his children years ago, but Chuck discovered was also a spy.  Sadly, later that same episode, a new version of the Intersect was downloaded, and Chuck now possess abilities as well as knowledge.  Chuck became a full-fledged spy.  Steve was killed.  Chuck and Sarah finally got into a serious relationship.  And Chuck discovered that his mother, Mary (Linda Hamilton), who had also disappeared long ago, was still alive, and was also a spy.

     Over the years, slowly members of Chuck's regular life have found their way into the spy game, as well.  Chuck's best friend, Morgan Grimes (Joshua Gomez), who is more bumbling and nerdy than Chuck ever was, found out and joined the team in season three.  In season two, Chuck's soon-to-be brother-in-law, Devon Woodcomb, better known as Captain Awesome (Ryan McPartlin) found out, but managed to keep the secret from Chuck's sister, Ellie (Sarah Lancaster).  Devon, however, surprisingly could not handle any spy work at all, and so asked to stay in the dark about Chuck's activities.  Ellie eventually found out, but Chuck promised her that he would quit the business, which he did, briefly, though she doesn't know that he has now resumed his dangerous work.

     The show stays light by surrounding Chuck at his cover job with a bevy of very odd characters.  Chuck (and Morgan and Casey) works at the Buy More, an electronics superstore.  The weirdest of the weirdo co-workers are Jeff (Scott Krinsky) and Lester (Vik Sahay).  The place is run by Big Mike (Mark Christopher Lawrence), who has yet to show up in season four, but remains in the theme song with the principal cast.

     At the end of season three, the Buy More was blown up, but it was rebuilt by the time season four began.  There was one big change, however: The CIA and NSA had taken over the store, staffing it with an elite team of undercover agents.  General Beckman (Bonita Friedericy, finally upgraded to full-time cast member), Chuck, Sarah, and Casey's supervisor, wanted Chuck to rejoin the team, and so sabotaged every new job interview he had until he agreed to come back.  She also allowed Morgan to return to the Buy More.

     Morgan quickly realized that the store was running far too well, and it's efficiency was attracting attention.  When Captain Awesome came in, he immediately knew that something was up.  Morgan convinced General Beckman to allow Jeff, Lester, and the other weirdos to come back, replacing the agents.  Beckman made Morgan the new manager for his great catch, which leaves how Big Mike will return to the series up in the air.

     If the above seems like a lot to you to pack into such a short-running show, it is.  And most of what I have written occurred in just the last few episodes.  The show started more like a procedural drama, with a different mission for Chuck to go on each week.  But by season two, with renewal far from certain, show runner and co-creator Josh Schwartz (best known for, funnily enough, creating The OC and Gossip Girl, which are totally different than Chuck) decided to lay all of his cards on the table.  He packed all of the twists and turns he had envisioned for the rest of the series into less than a season.  It's made season three and four unpredictable and fast-paced, deftly keeping up with the excellence of the end of season two.  It's also let Chuck do the unexpected, which not something a lot of shows get to do.  How many series can you think of that let their leading couple settle into a long-term, serious relationship by season four?

     Season four is pulling out all of the stops, with Dolph Lundgren, Lou Ferrigno, Harry Dean Stanton, Olivia Munn, Steve Austin, Summer Glau, Nicole Ritchie, Timothy Dalton and Eric Roberts are all among the signed guest stars already.

     The bottom line is, Chuck is a wonderful show, beloved by critics, but little-watched among television viewers.  It shouldn't be that way.  The show combines drama, romance, humor, and action in a way that is rarely seen, and has allowed Chuck to stand out among it's peers.  Please, please tune into Chuck before it's too late.  Only thirteen episodes have been ordered this year, but there is a nine episode pick up option, which Chuck needs ratings to earn, so please give it to them.  The series certainly doesn't deserve to be canceled now, or anytime in the near future.

     Chuck airs Monday nights at 8pm on NBC.




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Article first published as TV Review: Chuck is one not to miss, so stop missing it on Blogcritics.