Investigating NANCY DREW

Article first published as TV Review: NANCY DREW on Seat42F.

After the success of Riverdale, it’s not surprising that the CW looked for other well-known properties to darken and expound upon. Enter NANCY DREW, which premiered this week, and was developed by CW staples Josh Schwartz and Stephanie Savage, along with Noga Landau. The drama finds the famous literary girl detective entering adulthood and dealing with the death of her mother, surrounded by peers who she doesn’t consider friends. Toss in sex and the supernatural, and NANCY DREW is adapted into a show typical for the network’s fare.

Nancy Drew is an obvious character to undergo this treatment. She’s already been adapted into television and movies multiple times, each with their own take on the sleuth. She also evolved over the years in her book series, changing with the times. So there isn’t a definitive version of the heroine that the series must live up to. Instead, for a character that has already proven highly malleable, there’s a long leash as to what can be done with her.

Virtual newcomer Kennedy McMann stars as the titular character in this version. In keeping with the network’s other programming, Nancy is surrounded by a group of friends, not totally unheard of in the written works, but also not nearly so present in most iterations. They include her current hookup, Ned Nickerson (Tunji Kasim, Nearly Famous), old nemesis and boss George Fan (Leah Lewis, Guidance), rich girl and fellow waitress Bess Marvin (Maddison Jaizani, Versailles), and a new addition to the lore, perhaps to make the cast more gender balanced, burnout dishwasher Ace (Alex Saxon, The Fosters).

And in keeping with CW formula, there are a couple of adults tangentially involved. These include Nancy’s dad, lawyer Carson (Scott Wolf, The Night Shift, Party of Five) and his love interest, Detective Karen Hart (Alvina August, Chilling Adventures of Sabrina), as well as socialite Ryan Hudson (Riley Smith, Proven Innocent).

NANCY DREW has a ton of clichés for a teen drama, even if the main characters might not quite be teens anymore. They are more advanced in their careers than most people their age, with George running the diner and Ned having his own autobody shop. There’s at least one who engages in inappropriate behavior with a much older adult. There’s forced drama between them, with Ned boasting a criminal past, even though there’s zero tension that he might actually be dangerous. And the small town setting allows for huge coincidences, like the fact that Nancy’s father represented Ned in court and keeps his file readily accessible to her.

But that’s not all that NANCY DREW has working against it. It just feels flat. While I don’t think any of the actors, taken separately, are horrible, none are stand-outs, either. The pacing is weird, the twists feel forced, and the story feels gimmicky. The supernatural element comes across as forced in. The romantic aspects are unbelievable. The murder mystery and town lore isn’t compelling. Not to mention, a big chunk of the pilot is just a huge exposition dump, which isn’t a great way to start a series. Backstory is told to us right off the bat, rather than doled out over time as the tale progresses.

Even Nancy’s mother death, which could be formative, is hokey, used as an excuse for the cheery Nancy to go dark, making her backstory the lighter substance of what the character usually is, though I can’t imagine anyone being cheery in the environment presented, clashing with the tone of the show. Veronica Mars did this same type of story so much better, and with a new season of that having dropped just a few short months ago, this will definitely suffer by comparison.

In case you couldn’t tell, I didn’t like NANCY DREW. While I may not be the show’s target demographic, I usually enjoy shows in this vein, new and old, including Riverdale, Dawson’s Creek, Chilling Adventures of Sabrina, The Vampire Diaries, and even Gossip Girl. I appreciate a good soapy spectacle, even if it’s a bit fluffy. However, NANCY DREW just doesn’t have enough attractive elements going to reach even someone predisposed to like it, so I can’t recommend it.

If you want to anyway, NANCY DREW airs Wednesdays on the CW.

No "Recovery" for THE NIGHT SHIFT

Article first published as THE NIGHT SHIFT Review Season 2 Episode 1 Recovery on Seat42F.

Last summer, NBC aired a drama series called THE NIGHT SHIFT. This week, The Night Shift begins its second year in the regular television season, an upgrade few summer shows get. Has the show, which I labeled “pretty much a waste of time for all but the most bored summer viewers” in my pilot review on this very web site, improved enough to justify such a promotion? In a word, no.

For those who are fans, though, and I know that everyone has their own preferences, so there have to be some people out there that like THE NIGHT SHIFT, a sizeable enough number to convince NBC that moving it was a good idea, I will strive to give you a tantalizing preview into this new season.

When last we left the cast, much turmoil was rolling through the hospital. TC (Eoin Macken) was having trouble concentrating on his job, having flashbacks to past trauma. Jordan (Jill Flint) disobeys orders, putting in jeopardy her position of power. And the relationship between Jordan and Scott (Scott Wolf) is falling apart.

As the season premiere, “Recovery,” begins, much of that has played out further. Jordan is no longer the head of the staff. Jordan and Scott are no longer together. And TC is suspended, not allowed to do his job. These are all natural progressions from the season finale, and should come as no surprise to anyone.

The love triangle between Jordan, Scott, and TC, is a key component of The Night Shift, and “Recovery” has fun with this. Just because TC is suspended doesn’t mean he isn’t around, and while Scott remains a recurring player, not a member of the main cast, both find their way into the hospital with Jordan in the premiere hour. Their dynamic is fundamentally shifted by the close of the episode.

More surprising, to me anyway, is that one of the main characters quits their job. I do not think this signals an end to this person’s tenure on THE NIGHT SHIFT, as an intriguing new opportunity presents itself, and the show will surely follow them down that road, too. But in a charged scene that I enjoy very much, perhaps mostly because it involves guest star Tim Russ (Star Trek: Voyager), this person is fed up and does not go quietly into the night.

There are also two major medical emergencies to keep the story moving. One is in the hospital itself and is due to equipment malfunction. The other is in a more exotic locale, providing the action-packed cold opening. Because there is little emotional investment in these incidents, since they are not happening to major characters, they’re more set dressing than plot. But the latter is definitely something that will hook in fans wondering if they should return.

There’s also a very sweet moment in which a doctor makes a very large personal sacrifice for the sake of a patient. It’s the kind of decision no doctor could possibly routinely make and keep their sanity and even a middle class lifestyle. However, the believability is not as key here as making one of the players look like a hero, which happens all the time in primetime scripted dramas.

And, just to lighten the mood, a prank war breaks out in the hospital, which is as fun as it is hokey.

Only one main player from season, Dr. Landry de la Cruz (Daniella Alonso), is not back, and no new players have been added to the core group. The show continues to star, besides those listed above, Freddy Rodriguez, Ken Leung, Robert Bailey Jr., Brendan Fehr, Jeanne Goossen, and JR Lemon.

The inherent flaw with THE NIGHT SHIFT is that it’s covering well-trod ground such giants as ER and Grey’s Anatomy have already done better, with little original to justify its contribution. That trend continues in “Recovery.” Had I never seen another primetime medical drama, I might be vaguely interested in the tension between co-workers and the unusual medical cases. But with so many better options readily available, it seems pointless to set a season pass for a series that barely rates that low level of interest.

THE NIGHT SHIFT airs Mondays at 10 p.m. ET on NBC.

Few "Cha-Cha-Changes" For PERCEPTION

Article first published as PERCEPTION Season 2 Premiere Review on Seat42F.

Grade: 85%

TNT’s PERCEPTION picks up months after the previous season in this week’s sophomore premiere, “Ch-Ch-Changes.” Daniel Pierce (Eric McCormack) is seemingly stable and healthy, having found a medication regime that works for him, and his life is moving on. Which is why he feels strong enough to assist the F.B.I. again when Kate (Rachael Leigh Cook) asks him for help.

In fact, Daniel is more confident and sure of himself than we’ve practically ever seen him. Daniel is a very intelligent person and knows it, but he is willing to push his ideas a lot further this year, especially when Kate’s almost-ex-husband and new boss, Donnie (Scott Wolf, V, Everwood), tries to manipulate the evidence of a court case.

I don’t buy that Donnie and Kate were ever a couple. Donnie’s personality is awful, and that’s immediately apparent. To think that Kate found redeeming qualities in this man for any length of time, let alone enough to marry him, is unthinkable based on her characters that have been established. Sure, Donnie brings some interesting conflict to the series, but the inconsistency in the back story ruins his presence. Why force the history?

The source of Daniel’s happiness comes from his secret relationship with Dr. Caroline Newsome (Kelly Rowan). Previously his psychiatrist and the same woman, sort of, Daniel hallucinates a long-term relationship with, Caroline isn’t completely comfortable with the time they are spending together and the “great” sex they are having. But Daniel doesn’t worry about that, delighting in just being happy and being with a woman that is real.

Or is she? It is not spoiling anything to say Caroline’s existence in Daniel’s company is immediately suspect. After all, PERCEPTION has established a pattern of what Daniel experiences not necessarily being real. And by keeping Caroline separate, away from the other people in Daniel’s life, there is no definitive proof that she exists one way or the other. “Ch-Ch-Changes” leaves viewers guessing for most of the hour, and I won’t say what the result is here.

I will say that, Caroline aside, it doesn’t take long for Daniel’s paranoid schizophrenia symptoms to rear their head. His hand shakes; he hallucinates a patient. Daniel will never be completely stable because that would ruin the conceit of PERCEPTION. It’s just a little sad, for those sympathetic with the character, to see he isn’t doing as well as he thinks he is.

Thankfully, Daniel still has friends, which will provide a support system no matter what might be going on inside of his mind. Kate is closest to him, of course, valuing Daniel’s rare talents. But we also have Lewicki (Arjay Smith), Daniel’s care giver, and Dean Haley (LeVar Burton), Daniel’s boss and old friend, who aren’t on screen nearly enough, but it’s always great when they are. With this layer of protection around Daniel, no matter how crazy he gets, he’ll still have those that look out for him and help him to maintain his life.

The ongoing plot concerning Daniel’s mental illness is an intriguing one. I love how the writers play with fan’s minds, and McCormack delivers a memorable, amazing performance in the role. I wish that this was what the series was actually about, because any time this arc takes center stage, the show gets really, really good.

Unfortunately, TNT doesn’t usually do serial, and the main meat of this episode, as well as all but one of the first season’s episodes, is about a specific case that Daniel works on. The self-contained story this week isn’t bad, and there are some triumphant moments for Daniel, but it just pales in comparison to how well done the other scenes are. PERCEPTION is an example of a wonderful idea mostly squandered.

PERCEPTION airs Tuesdays at 10 p.m. on TNT.

V celebrates "Mother's Day"

     What an exciting finale ABC's V delivered! While the show is frequently uneven, and suffers from major plot holes, more so than almost any other show on television, when things work, they really work. The second season finale, entitled "Mother's Day", has few problems. In fact, it is probably one of the strongest episodes to date. Considering the steadily increasing quality, I am really holding out hope for season three, as the series may hit its stride given one more chance. Plus, with a cliffhanger like this, we just need to see more!

     The culmination for control of the V race came to a head. Lisa (Laura Vandervoort) lures Anna (Morena Baccarin) into a trap, intending to kill her. Anna sees what her daughter is about to do in a conveniently located reflective surface, and fakes emotion convincingly enough to stop Lisa. I can see why Lisa gives her mother the benefit of the doubt. Lisa has developed emotions, and so would want to think the best of her mother, no matter what past experience has taught her. Despite Erica's (Elizabeth Mitchell) anger at her, I think Lisa is justified in her actions.

     Sadly, that justification comes with steep consequences. Anna kills her mother, Diana (Jane Badler), whose friends have helped her escape, then installs Lisa in Diana's former dungeon. Anna's backup queen egg hatches, and Anna has her new daughter made to look exactly like Lisa and given her memories. Lisa 2.0 mates with, and kills, Tyler (Logan Huffman), whom Lisa is in love with, while Lisa watches helplessly on a video screen.

     This series has proved to me that Vandervoort's bad run on Smallville was either a fluke, or she has improved greatly in her acting ability. This episode gave her an even bigger chance to shine, as we got to see her as the Lisa we've grown to love AND a ruthless, cold blooded killer more chilling than even Anna. If for no other reason, V needs a third season pick up so we can watch Vandervoort work her magic in the duel role. From what we've seen so far, she is good, like Nina Dobrev in The Vampire Diaries level good.

     The really scary thing about this episode is that Anna finds the true nature of her evil. Up until now, Anna has fought against human emotions, even as they threaten to overwhelm her. The human skin the Vs cover themselves with somehow plays on them, making them more susceptible to feelings. When Anna fights against those emotions, it weakens her. Now that Anna discovers emotions can be used as a weapon, which she wields extremely effectively, she is more dangerous than easily imagined. This is the real consequence of Lisa's failure.

     Also scary? Anna now has a way to bliss mankind, effectively making us her slaves. Little Amy (multiple actresses, as she is rapidly growing), a human / V hybrid, is able to easily deliver bliss to humans, and she loves Anna. While I have viewed Amy mostly as a distraction, and have not at all liked the affect she has had on her father, Ryan (Morris Chestnut), clearly she is something more. Should the series be renewed, I would expect an adult actress to be cast to play a fully grown Amy, and stop the rotation of children. Anna and Amy together may just be unstoppable.

     Of course, humanity does have hope, however slim. Erica Evans began the series with a small cell of people she just met. Earlier this year, she found out how vast a net the Fifth Column casts, before taking over the group. Now, in the finale, she (and we) learn of Project Aries, (led by Marc Singer, like Jane Badler, a cast member in the original V) an international group determined to take out the V. It's interesting, because Erica thought she was fighting alone, and keeps finding larger and larger circles of people who already have the same goal. My question now is, given the scope of anti-V organizations, why didn't they do something before now? Why has Erica been the only one to really strike a blow against the Vs?

     As mentioned above, the body count last night was very high. We lost Tyler, who was mostly an annoying distraction to his mother. We lost Ryan, who has become annoying while being distracted by his daughter. It was only slightly surprising that Dianna died, because Anna had to overcome her somehow, and what transpired is far more exciting than Anna hiding and plotting quietly to take out Diana as she rules in peace, as next season could have been. As such, I don't see any really big losses to the cast, other than possibly Diana, but for the reasons above, I'm OK with it. If anything, the writers did a good job pruning. Time to bring in some fresh blood.

     Thankfully, Chad (Scott Wolf), who used to be annoying, but it just getting started in his usefulness, is merely captured by the Vs, not killed, though why not, I can't imagine. Unless Anna just plans on blissing him and doesn't want to bring in a new reporter to train all over again. I would also like to know where Hobbes (Charles Mesure) has gone, but I am hoping that his character will return to his roots, freed of the burden of Erica. I like the two of them together, but she did tame the beast, so to speak.

     Which just leaves Jack (Joel Gretsch). I really saw a love triangle developing between Erica, Hobbes, and Jack, now that Jack has lost his priesthood collar. It is incredibly ironic how Jack talks of looking to the sky, meaning god, for answers, and that's how Erica finds him at the end of the episode. Only instead of looking at god, he's being blissed by Amy.

     V is on the bubble, but I urge you to write and e-mail ABC asking for its renewal. There is also a facebook site set up for just such a purpose.

Article first published as TV Review: V - "Mother's Day" on Blogcritics.

 For frequent mini-reviews and occasional TV news, follow Jerome on Twitter.

Click here foran alphabetical list of all of Jerome's Current Season Reviews.

V Getting Past "Birth Pangs"

     While I have mostly enjoyed ABC's V, it has had wild swings in quality. At times, the episodes flow nicely and make a lot of sense. Other times, there are gaping plot holes a whole fleet of invading V ships could swarm through. This season has been a bit more even than the first, but the show has gotten to a point where it is exciting enough to overlook some of the flaws. Just some, mind you. If they start to swing too far back the other way, it won't take long to turn against the show once more.

     Erica Evans (Elizabeth Mitchell) is series heroine. The last couple of weeks, Erica has been taking a turn towards bada**, which is welcome. It's about time. For too long, Erica and her friends have been hiding in the dark, barely fighting back against the V invaders. They've done a few little missions, but nothing that meant all that much in the larger scheme, other than slaughtering the eggs at the end of last season. However, after the death of international Fifth Column leader Eli Cohn (Oded Fehr), Erica now finds herself in charge of a vast organization, and she decides to use it.

     At first, though I love seeing Erica in that position, I was resistant to the change. What a coincidence that the worldwide leader just happened to be in Erica's neighborhood! And after only a week or so of knowing each other, he hands the whole thing over to her, rather than the people he has been working with for years. Then I stepped back and tried to view it from his perspective. Erica is a very formidable woman, and has huge stakes in what is going on. Additionally, she has ins and connections that the other followers do not. As such, I began to accept that twist. Eli's top lieutenants doubting her until she could deliver to them progress and a plan also helped with the transition, though I'm not sure that what she accomplished this week would really have been enough to win over her skeptics, converting them into enthusiastic followers.

     That being said, Erica has already uncovered more about the V in the last few weeks than she has all season. She and Hobbes (Charles Mesure) have a rousing sequence in the apartment complex, and her video chat with her original cell is pretty inspiring. With Sid (Bret Harrison) on board, real progress is being made on understanding the V's DNA tampering. As Erica gathers more and more people working for her, I get more and more behind the belief that Erica can topple the technologically-superior aliens. And now that her son Tyler (Logan Huffman) is not around, she has a bit more focus.

     On the subject of Tyler, why the heck doesn't Erica tell him the truth? She should have done so a long time ago. I can't believe that she can't stop him from going to the Vs if she just explains what is going on. Tyler's true loyalty to the aliens is bonded mostly through one particular V, Lisa (Laura Vandervoort), who is on Erica's side! If Erica doesn't want to inform Tyler, can't Lisa? She cares about him, too, so she should stage some sort of break up to keep him safely away. Instead, both Lisa and Erica, who are supposed to care about the boy, let him be pulled into Anna's plans, in which, by the way, Tyler is expendable. Great job, you two!

     Erica has a chance to succeed because of the V uprising brewing against Anna (Morena Baccarin), the series' other leading lady, only on the opposite side of the fight. While thus far the show has shown a two woman battle of the wills between Anna and Erica, every week Anna's daughter, Lisa, is growing more formidable. Yes, Anna is beginning to suspect that Lisa's loyalty isn't with her mother, casting suspicion on her actions. But Lisa has the support of her imprisoned grandmother, Anna's mother, Diana (Jane Badler), which I am thinking may give Lisa the power that she needs to take over the fleet. But if she does that, the show will be over, so I'm not expecting it anytime soon.

     Diana, on the other hand, is simply mysterious. I know she stands against her daughter, but Badler's sly looks make me think that Diana is not just going to stand behind Lisa, either. She must have her own motivations, and while Diana does exhibit emotion, I'm not convinced she suddenly developed feelings for her just-reconnected with granddaughter. I worry that once Lisa gets Diana free of her prison, Erica and the others may suddenly be battling two formidable enemies.

     Luckily, all of these power struggles have been the most interesting part of the show. On both sides of the line, leadership is being questioned and changed, in sometimes action-packed ways, like buildings blowing up and fierce shoot-outs. Honestly, as much as I like the personal drama side of things, V can be a little weak with the writing, so a focus on big action and betrayals is probably the smartest way to go to keep an audience. Know your strengths and your weaknesses, and play to the former.

     I am pretty unnerved about Anna's new hold over Hobbes, supposedly having his wife prisoner. It feels like this has already been done before with Ryan (Morris Chestnut) and his daughter. I think it's lazy of the writers, having lost Ryan from Erica's central group, to just do the same thing to another one of her friends. Unless they play it quite differently going forward, this was a bad move.

     As to how Ryan may or may not be relevant to the story anymore, I don't really see his place. His daughter is more attached to Anna than him, and she's the subject of Anna's latest experiments. The only place story-wise I see to go with Ryan is to have him rescue his daughter. In which case, he will need to find a hiding spot and be a father. I don't see how Ryan could re-enter the fight, unless his daughter is aged to at least teenager before he rescues her (a possibility, I know). Then perhaps they could get into the Fifth Column together. As such, I wonder why Ryan even survived the explosion last week. I think it may have been more dignified than what is character is about to become to the show - a drag.

     Then there's Father Jack (Joel Gretsch). While he has pledged to be a soldier now that he's been kicked out of the church, I can't imagine that means he'll be fine with a killing spree. Will he be Erica's moral compass, letting her know when she's gone too far? I hope that is how he will be used, as if he's not willing to step up in a violently aggressive manner, and I don't see that as a realistic choice, that's his only real purpose.

     Lastly, we have Chad (Scott Wolf), who is just a courier right now. I'm glad that he was swayed from V-supporter to a member of the Fifth Column. But now what? Will he just be a message relayer from Lisa to Erica? I don't see him excelling in combat. His access is limited, at best. Anna uses him, but doesn't really trust him. His place in the series confuses me.

     We're definitely more in the middle of a story arc than at either end, so now is mostly just the time to wonder. To see what comes of things, watch V on ABC Tuesday nights at 9 p.m.


Article first published as TV Review: V Getting Past "Birth Pangs" on Blogcritics.

For frequent mini-reviews and occasional TV news, follow Jerome on Twitter.

V - "Red Rain"

     To be perfectly honest, not a lot happened in the second season premiere of ABC's V this week. After the huge developments and cliffhanger last spring, it was a remarkably tame episode. Not one person died or had their life really even threatened. No shots were fired; nothing blew up. The worst thing that happened was when Tyler (Logan Huffman) got a little bump on the head during a would-be riot, which quickly calmed down. That doesn't mean it was a bad episode, but I honestly expected more excitement.

     Anna (Morena Baccarin) continues to battle human emotion, sparked when Erica (Elizabeth Mitchell) destroyed all of her solider eggs in the season finale. Some of the ships' captains, and especially Marcus (Christopher Shyer), seem to have noticed the slip, though Anna denied the feelings were real or had a significant impact on her. What I find curious is, if Anna is so easily affected, why doesn't she suspect more of her people are? The whole 5th Column came about because Visitors started to sympathize with humans. Now that Anna has seen just how easy it is to lose control, she shouldn't be asking how some of her people did the same, but why didn't more of them? In fact, she doesn't ever have even appeared to consider seriously that her daughter, Lisa (Laura Vandervoort), is more than just play acting her relationship with Tyler.

     That is merely one of the plot holes in the series. Plot holes are probably the number one mistake V makes. The acting is good, even Vandervoort, one of the best on V, whom I found lousy on Smallville. The special effects look fantastic. The drama builds just fine. Real action and danger play out wonderfully. But then there are these major aspects that just don't make sense. Let's look at more examples.

     Chad (Scott Wolf) has decided to join the human resistance against the Visitors. Sure, Jack (Joel Gretsch) is hesitant to let Chad know too much about the secret group, but he is given membership by the end of the episode. Besides that, Chad ignored plenty of evidence right in front of his face before, but seeing a human get pricked with some needles, and interviewing a few more who went through the same thing, but not even finding out why the Visitors were doing the pricking, swayed him? Based on his character as shown up til now, he should have asked Anna what the purpose of the pricks were, and if he couldn't get to her, assumed that they were something helpful. I didn't see a great reason for his sudden change of heart.

     Why were the humans so forgiving of the Visitors about Red Sky and Red Rain? I understand that Anna gave an explanation that Red Rain was a gift to mankind, healing the damage we had done to the planet. Yep, that sounds nice. But once she says that, no one seems to remember that she spent four days refusing to engage with the humans and arousing suspicions. She shut down healing centers, and stopped shuttles. No one asked her to explain why she did that, they just took her word that Red Rain was good, and everything was fine. Why? How?

     Lastly, I thought the twist of Anna letting Ryan (Morris Chestnut) go and keeping his baby so that she could control him, a major terrorist (from her perspective), down the road, was a good move. It was a nice story that made sense. But Hobbes (Charles Mesure) figured out Anna's real motivation immediately, and no one paid him much attention when he pointed it out. Maybe they believed him, but just couldn't see any way to get around Anna's game. That would have been fine, if they took a moment to say that. Instead, viewers are left confused at why nobody cares Anna has a potential mole in their group.

    The episode wasn't all bad. Dr. Sidney Miller was introduced to the cast, as the 5th Column's newest member. Though he wasn't given a choice about membership, and despite his obvious hesitation to join up, he also didn't argue much. Miller is played by Bret Harrison, who I thought hilarious on both The Loop and Reaper. I'm glad to see him get some more work, and hope he sticks around. The series would benefit from some of his brand of humor.

     I'm not sure why I like V, given the obvious flaws that run rampant within the series. There is still something about it, perhaps the underdog fight to save the world, that is appealing. As I mentioned, perhaps it's the actors themselves, who really commit to the material, even when it's not up to par, which is often. For whatever reason, I hope V sticks around long enough to fix those issues. And given that the show is beginning season two just as screwed up as season one was, let's hope the people making the show realize there are issues that need to be fixed.

     V airs Tuesday nights at 9 p.m. on ABC.


Article first published as TV Review: V - "Red Rain" on Blogcritics.


For frequent mini-reviews and occasional tv news, follow Jerome on Twitter.

V Vindicated

     Back in November, I was raving about a brilliant pilot for FlashForward and a lame one for ABC's V.  Now the tables have turned.  While Flash Forward suffers along, V has delivered three excellent episodes before breaking for four months.  Stupid to go on such a long hiatus right after premiering a great new show?  Monumentally.  The interim may kill the show, and that would be a shame, because it has really shaped up.

     Why has it improved so much?  Because the aliens are awesome!  In four short hours, viewers have already covered plenty of nifty little twists about our complex Visitors.  For one, there is a movement called the Fifth Column made up of Vs that want to overthrow head honcho Anna (Morena Baccarin, Firefly).  It appears that they were mostly defeated awhile ago, but now they are back, including Ryan (Morris Chestnut), who may have fathered the first hybrid baby.  Equally creepy is the sophisticated way Anna plans to inject the human population with her concoction, and the jackets that spy on people.  Why she had her daughter, Lisa (Laura Vandervoot, Smallville, whom I sincerely apologize to for criticizing her casing) seduce Tyler (Logan Huffman) is anyone's guess, but surely there is more than meets the eye.  Plus, super large fleet of Vs on their way to Earth!

     Back in the human camp, the teamup of federal agent Erica (Elizabeth Mitchell, Lost) with Father Jack (Joel Gretsch) makes much more sense now that we now he is ex-military and can hold his own.  A priest that can stitch up a bullet wound and throw a punch?  Sign me up!  What I really want to know is when Chad (Scott Wolf, Everwood) is going to stop taking orders and start fighting back.  Clearly he is suspicious of Anna and the gang, but since they've given him a stardom, he seems reluctant to question them too difficult.  But that can't possibly go on too much longer.

     If you haven't given V a chance, or canceled the season pass after the mediocre, plot-hole ridden pilot, you still have plenty of time to catch up.  After all, only four episodes have aired.  V will return on March 30th.

V is for ?

     The pilot for ABC's new V was vexing.  I say that, because it was impossible to tell if the series is going to be any good or not.  Pilots can often be decieving, and this one puzzled me.  I am not a fan of the original version, so I can't compare, only write about impressions from the one hour that ABC aired Tuesday.
     On one hand, there was the great cast, led by Elizabeth Mitchell (Lost) and including two Firefly / Serenity veterans (Morena Baccarin and the always fantastic Alan Tudyk), as well as other television stars such as Joel Gretsch (The 4400) and Scott Wolf (Party of Five, The Nine).  It also had wonderful special effects, hints of a mysterious backstory, and potential intrigue.

     On the other, it had cheesiness out the wazoo.  TWO priests assigned to a church that has "stood empty for years", save for a handful of bums?  With the nationwide shortage of clergy, I can't see one such priest staying there, or even the church staying open, let alone two, and it looks well kept up and clean.  Then Elizabeth Mitchell just happened to find her son in the busy city swarming with people?  And speaking of her character, why didn't she notice that Alan Tudyk was ready to give up three seconds after smashing into the shed, despite being a trained FBI agent?  It makes sense to the viewer, because of his twist later, but as far as she knows, he is her loyal partner.  Would the feds really give up that easily?  Even I knew that there had to be some secret trap door down to a basement.  Duh!  I also count casting Smallville's wooden Supergirl, Laura Vandervoot, as a misstep.

     Glaring cliches like those could hold this series back, and earn it a cancellation by February sweeps.  It is a positive sign that ABC is airing it through November.  This was one of the shows I was looking most forward to this year.  By episode two, the loopholes may be fixed, and they'd better be, or else the Viewers may not care to watch the Visitors.