TV Review: ROSEWOOD is Bad

Article originally published as ROSEWOOD Review on Seat42F.

This is my review of FOX’s Rosewood: it is bad. Really bad, wholly unoriginal, and a complete waste of your time. Bad, bad, bad. You can stop reading right now and just skip this one. But if you’d like to know why, and I know many of you want me to back up my opinion with actual information about the show (justifiably so), here’s another 550 or so words about why it’s bad.

First, let’s start with why it’s good. (I tripped you up, didn’t I?) Credit must be given where credit is due, and casting Morris Chestnut as the eccentric lead of the series, Dr. Beaumont “Rosie” Rosewood, Jr., is a good move. I like Morris Chestnut very much, and have enjoyed his work in such programs as Nurse Jackie, American Horror Story, and V. I would happily watch a show in which he is the lead, and the character of Rosie is a fun one in the tradition of Gregory House or Richard Castle.

I also like Lorraine Toussaint (Orange is the New Black) as his mother, Donna, Jaina Lee Ortiz (The Shop), as the cop he works with, Annalise, and love Gabrielle Dennis (The Game) and Anna Konkle (The Escort) as Pippy and Tara, respectively. Pippy is Rosewood’s sister and Tara is Pippy’s fiancé, and both work for Rosewood. So overall, the ensemble is good. And really, few shows fail to put together a good cast these days, with lots of deserving performers out there, working for their chance.

What stinks is the premise. ROSEWOOD is yet another crime show about a quirky private citizen with mad skills who hooks up with law enforcement and helps them solve crimes, even though Rosewood should never be allowed out in the field with the authorities. This is the third review of a series with this premise that I’ve written this week alone, and I’m getting awfully tired of the Big Four networks putting out more and more of these programs that are basically copies of one another. Make something original!

The pilot of ROSEWOOD exemplifies this well. Viewers are introduced to Annalise. Rosewood meets Annalise and there are instant sparks between them. He pushily forces his way into her case, while she tries to stay closed off and keep him out. After he helps her bring the criminal to justice, she softens and definitely seems like she’ll let him assist again in the future.

Now, what sets ROSEWOOD slightly apart from its peers is that most of the main characters are not officers. Annalise is, of course, and her boss, Captain Hornstock (Domenick Lombardozzi, The Wire), who is not much in the pilot, are leads. The other three are more connected to Rosewood than the police. However, since Rosewood runs a pathology business in which he examines bodies and Pippy and Tara work for him, they will still be used to look into the crime, so it doesn’t differentiate itself all that much. In fact, the official website describes this as a medical procedural, so it sounds like the series will highlight the medical aspects of the investigation more, which has already been done by Body of Proof, Bones, and others. Any variations from the basic format of the other shows in the same vein are cosmetic, not substantial.

In short, ROSEWOOD lacks anything to set it apart, other than its talented cast, but many bad shows have talented casts. If it’s going to compete against high-quality fare on cable and streaming platforms, it has to give us something more than case-of-the-week, and it’s not going to. So, it’s yet another disappointment in a broadcast television landscape growing more and more crowded with them. The only good part about this is that I may finally have time for that Buffy re-watch I’ve been craving!

ROSEWOOD premieres Wednesday, September 23^rd on FOX.

LEGENDS Anything But Legendary

Article first published as LEGENDS Review on Seat42F.

Morris Chesnut, Sean Bean and Ali Larter | LEGENDS

TNT’s newest drama is LEGENDS, premiering this week. Rather than some epic tale rooted in mythology, as one might guess from the title, LEGENDS refers to the secret identities that deep cover spies have. It is based on a book by Robert Littell. A premise like this should still lend itself well to a large, serial story, in my opinion, but LEGENDS goes in the opposite direction, basically making a case-of-the-week show, or so it seems from the pilot, squandering both an interesting setup and an excellent cast.

At the forefront of LEGENDS is Sean Bean (Game of Thrones) as Martin Odum. Martin is one of those people who gets super intense about his mission, supremely focused on his goals, ignoring rules that might get in his way and a family, including a son (Mason Cook, The Lone Ranger), that could humanize him. This is a very familiar type of protagonist to TV viewers, as it seems that any character that carries a show cannot be average in any way.

In the pilot, Martin is approached by a mysterious man who tells him that the Martin persona is yet another Legend, and the real man is buried deep within by a shady part of the government. This is intriguing, of course, making viewers question both the truth in what we’re seeing and Martin’s mental stability. I could easily see a show or season-long story being focused on this, but the pilot barely glances across it, seemingly destined to be developed in tiny pieces, rather than played up as it should be.

Besides Bean, many other talented people are wasted on this project. Martin’s co-workers are played by the likes of Tina Majorino (Grey’s Anatomy, Veronica Mars), Steve Harris (The Practice, Justified), Morris Chestnut (Nurse Jackie, V), and Ali Larter (Heroes, Resident Evil). None of the characters they play really stand out in episode one. They’re mostly there to alternately back Martin up and get in his way, making up a very standard ensemble for such a show.

What is really troubling is that Bean’s characters inevitably die in just about every project he’s involved in. Because the rest of the characters are so under-developed, LEGENDS as it currently is would not work without its star,

There really isn’t much about LEGENDS that is original or impressive. The acting is top notch, to be sure, but the writing is not. There are hokey situations such as when Larter’s character has to pose as a stripper at the last minute, ostensibly to slyly get to Martin past the bad guys, but in reality, probably just to show off some of Larter’s skin to the viewers, who tend to like a little sex with their action. But it seems designed to be the equivalent of a popcorn flick, sort of like a crime-genre Falling Skies, rather than make an impact on the television landscape or win any awards.

In comparison to other procedurals, LEGENDS holds up well enough. The production looks good and there are no obvious problems. As I said, it copies the structure of other projects quite copiously, but so does everyone else, which is how we end up with so many versions of what is basically the same show all on the air at the same time. It’s not that there’s anything glaringly wrong with LEGENDS or the peers it borrows from. They just aren’t anything special either.

One wonders if we’ve reached a tipping point for this kind of show. Many of the procedurals currently running have either started to skew more serial or incorporate serial elements into their format. However, as long as Bones, NCIS, and others like them rule the airwaves and get the biggest ratings, I don’t see simple escapism entertainment going anywhere any time soon. That is disappointing to the critics, who watch a lot of TV and quickly tire of this junk food-like product, but maybe not to the casual viewer, relaxing with a favorite they stumbled upon and like to check back in with.

LEGENDS premieres this Wednesday at 9 p.m. ET on TNT.

NURSE JACKIE Starting to "Sink"

Article first published as NURSE JACKIE Review on Seat42F.

Showtime’s NURSE JACKIE begins its sixth outing this weekend with “Sink or Swim.” Jackie (Edie Falco), I’m sorry to say, is back to her old drug habits again. Unfortunately, whether she’s out of practice of covering for herself, or perhaps she’s just using stronger stuff, she’s not nearly as good at hiding her high as she used to be. This means Jackie is not heading in the right direction.

When NURSE JACKIE began, Jackie handled her drugs. We knew being an addict was bad, but because Jackie never seemed to let it screw up her life, viewers could overlook Jackie’s misbehavior. Eventually, though, it did start getting in the way of her work and her family, and that’s when it had to stop.

Now that Jackie has kicked the habit, it’s easy to root for her beating the addiction, and hard to see her succumbing to her old ways. There are negative consequences right out of the gate for Jackie’s slip. This is a destructive habit, and if Jackie can’t get her act together, she’ll lose everything she’s still working hard at putting the pieces back together for.

Jackie does have a new ally in “Sink or Swim.” She meets a woman named Antoinette (Julie White, Go On, Alpha House), a Southern spitfire who wants to be Jackie’s sponsor. Antoinette is opinionated and pushy, but maybe Jackie needs someone like this. I think once Antoinette becomes aware of Jackie’s relapse, and she seems sharp enough to notice strange behavior, she might be someone who can actually get through to Jackie and push her onto the correct path, whether Jackie wants to get clean or not.

I also have hope that Antoinette can be Jackie’s new bestie. With O’Hara (Eve Best) officially gone from the cast, Jackie is in need of a friend. Zoey (Merritt Wever) would love to be that person, but Jackie always keeps Zoey at arm’s length. Antoinette seems like someone who could break through Jackie’s defenses. Plus, I love White already. I look forward to seeing their relationship develop.

Of course, Jackie is far from the only imperfect one in NURSE JACKIE. Her daughter, Grace (Ruby Jerins), is following in her mother’s substance-abusing footsteps. Cooper (Peter Facinelli), plagued by feelings that he hasn’t accomplished what he wants to by age 40, is tempted to reunite with Roman (Betty Glipin), a woman who is nothing but trouble. Despite the hospital’s disapproval of employee relationships, Zoey and Prentiss (Morris Chestnut) aren’t staying away from one another, either. Eddie (Paul Schulze) is sleeping with some age-inappropriate women.

Jackie could possibly right some of these wrongs if she wasn’t so distracted. Coop tries to talk to her, but Jackie blows him off. And Zoey is practically begging Jackie to ask about Prentiss, but of course Jackie resists, never one to get involved in other’s business if she doesn’t have to.

The dynamic of this cast is a great one, and that’s despite the fact that they aren’t all in one another’s person lives too much. The workplace chemistry is nearly perfect, the varying personalities all interplaying in interesting ways, still managing to seem fresh six seasons in. Though part of that could be the revolving cast, it’s still impressive that NURSE JACKIE avoids any weak links, year after year.

“Sink or Swim” does a fine job of not only catching us up with all of these players, but also setting up the next arcs for them. It’s a transitional episode, to be sure, both adding new elements to the story and picking up the threads where they left off. It is an enjoyable entry, and succeeds in getting viewers primed for another go-round with Showtime’s best half-hour series.

NURSE JACKIE airs Sundays at 9 p.m. ET on Showtime.

NURSE JACKIE Bares its "Soul"

Article first published as NURSE JACKIE Bares its "Soul" on TheTVKing.

This has been a tough year for the titular character on Showtime's Nurse Jackie. Jackie (Edie Falco) has struggled to put her life back together while going through a divorce and trying to hang onto her sobriety. Her personal and professional pressures have not made such trials easy, but she has managed to make it through and celebrates one year of being clean in the season finale, "Soul."

I didn't think Jackie could ever turn over a new leaf. She was closed off and withdrawn, a sneaky liar who used people, where the series began. Now, she's so much better a person. She is far from perfect, of course, but even when her relationship with cop Frank (Adam Ferrara, Rescue Me) suffers its slings and arrows, it isn't because she treats him poorly, as has been the case previously.

Watching Jackie read last rights to the patient-of-the-week, Wally (John Cullum, Northern Exposure), and how she reacts after, is nothing new, and yet it seems so. She has always had a soft spot for those under her care, but now it's different because it seems genuine. To the outside, it always was. To the viewers and Jackie herself, this is new.

It's awesome to see her come around. It's been a very slow journey, which is good, because it has allowed time for very natural character development. It's why Falco deserves all of the praise she gets for the role, and it's why you celebrate with Jackie when she does well.

That's why the end of this episode is so disappointing. Every thing that is working for Jackie, with daughter Grace (Ruby Jerins) even showing up to her ceremony, despite their issues, feels unearned when Jackie swallows a pill.

Why does she do it? Yes, addicts backslide, but Jackie seems to be doing so well prior to this! Wally's death is depressing, but she makes up with Frank. I don't understand how she can throw everything away as she does. It will come out; these things always do. So now it's just an unpleasant waiting game.

Sadly, Jackie's support system isn't as strong as it used to be. Zoey (Merritt Wever) tries to be a good pal, but also is maturing herself, setting her own path outside of anyone else, especially when it comes to her relationship with Dr. Prentiss (Morris Chestnut), which is kept a secret. Eddie (Paul Schulze) also makes effort, but isn't capable of just being a friend all the time when Jackie moves on with Frank or when he is accused of doing things he isn't by Jackie's daughter. And O'Hara (Eve Best) is almost completely MIA this year after moving to London, and she won't be coming back, as Best has regrettably resigned from the series.

This means that no one is really in a great position to notice Jackie's problems. With her life more fractured and divided than even before, and giving up custody of her children, she can slip through the cracks.

Jackie isn't the only one that matters on Nurse Jackie, which boasts one of the most outstanding ensembles around. Akalitus (Anna Deavere Smith) has dealt with memory issues in a very moving story that turned out OK, to fan's relief. In "Soul," Thor (Stephen Wallem) makes a connection with Wally and pays tribute to him. And Cooper's (Peter Facinelli) elicit behavior with Dr. Roman (Betty Gilpin, Ghost Town) bites them all in the butt when it means the hospital can't fire her without risking a lawsuit.

I'm not upset that Roman is sticking around. She's a horrible person who cannot be trusted, but she's made Cooper grow a spine and creates some delicious drama in the dynamics of the cast. Every show needs someone who can stir the pot, and Roman does so in a way no one really has yet on Nurse Jackie. Many of the problem people have been in authority, but by bringing in someone lower on the totem pole, whose power is ill-gotten and far from absolute, the story takes an interesting turn.

In the end, season five has continued a wonderful tale with fantastic characters. This is a series I greatly look forward to watching every week, and miss whenever it's gone. Thankfully, Nurse Jackie will return for a sixth outing next year.

Wish Nurse Jackie a "Happy F**king Birthday"

Article first published as NURSE JACKIE Season 5 Premiere Review on Seat42F.

Grade: 94%

Showtime’s NURSE JACKIE is back, and it’s time to wish the titular character a “Happy F**king Birthday.” In the season premiere, set the day before Jackie’s (Edie Falco) anniversary of being born, things are falling apart. Jackie may be sober, but with her support system dwindling, and beset by negative thoughts and feelings, will she stay strong?

I’ll be honest, considering that “Happy F**king Birthday” picks up months later, I didn’t think that there was any way that Jackie would still be sober. I won’t spoil if she is or not, but the episode does a good job of keeping the viewer guessing, with circumstances providing a confusing gray area, until the end of the episode, in which there’s a near-perfect scene involving a ring box that says a lot of who this woman is and what point she is at in her life.

But before we get to that, it’s another day in the life of Jackie. Kevin (Dominic Fumusa) is doing everything he can to make things difficult for her, presumably as pay back for Jackie’s infidelity. They fight over the girls (Ruby Jerins and Mackenzie Aladjem), and he won’t even give his ex-wife a straight answer as to whether she can see the kids on her birthday.

I think this does contribute towards Jackie’s feelings when O’Hara (Eve Best) drops a big announcement concerning her infant. Jackie doesn’t feel her life as a mother is fair, and wants O’Hara in the same boat. It’s probably not all selfish, as Jackie genuinely needs her bestie’s support during this trying time. But there is definitely a little bit of jealousy when O’Hara gets to be there for her son and Jackie doesn’t have her daughters around.

To make matters worse, early in the episode Zoey (Merritt Wever) announces that she thinks it’s time to move out. I really love the dynamic between Zoey and Jackie, one of the strongest elements of the show, and I don’t feel like we’ve had nearly enough of them as roommates. Jackie is understandably happy about Zoey’s decision, as Zoey does get on her nerves, but I think, given Jackie’s present loneliness, she’ll be wishing Zoey lived with her again soon enough.

The question is, will Jackie speak up before it’s too late? She’s too late to salvage things with Kevin, which puts a cramp on her parenting style, and a serious damper on her love life. She’s too late to be a factor in O’Hara’s decision (which is a doozy, I promise). Will Zoey be yet another missed opportunity by Jackie?

My guess is, Eddie (Paul Schulze) will help fill the void in Jackie’s life. This is just a theory, based on small hints in the episode, but they seem to be on good terms, and she needs a friend.

Jackie isn’t a bad person and doesn’t deserve her unhappines. Yes, she has lied and cheated, but isn’t addiction a disease? Couldn’t Kevin be a little more understanding? And now that she has made efforts towards controlling her habit, she will continue to gain more sympathy. She has done bad things, undeniably, but that doesn’t make her a bad person.

We see some of the good things that Jackie does in “Happy F**king Birthday.” Akalitus (Anna Deavere Smith) has her job back, and that’s all thanks to Jackie. Jackie also manipulates a patient to purchase a very expensive, but badly needed, piece of equipment for the hospital. That is a noble need, even if it’s carried out in a method that’s a bit shady. Things like these help Jackie make up for the bad things she has done.

As usual, there are a couple of new characters joining NURSE JACKIE this season. One in particular Jackie gets off on the wrong foot with, of course. The new guy (Morris Chestnut, V) used to be in the army, but of course Jackie misjudges him in their first encounter, as his her pattern when someone else arrives at All Saints. Ah, well. I’m sure it’ll sort itself out as the season progresses.

There is no misjudging the other, Dr. Roman (Betty Gilpin, Ghost Town), though. She is all pretty looks and not much else, skating by and using her hot body to manipulate others. Even those who are not attracted to her, but instead desperate for approval, bend over backwards to please her. Which means Cooper (Peter Facinelli) and Zoey are wrapped around her fingers. She is definitely there to shake things up and cause trouble. Which is why I hope she lasts at least a little while, detestable as she is.

Roman does present an opportunity for Cooper to grow, though, which is a positive to her presence. Jackie pushes Cooper to act like an adult, and we’ll have to wait and see how well he will follow through on Jackie’s nudge.

Lastly, a former hospital staffer gets their job back (besides Akalitus, I mean). I cannot possibly say who and ruin anything, but I think most NURSE JACKIE fans will be pleasantly surprised and touched when, late in the half hour, the development occurs.

For those who love NURSE JACKIE, myself among them, “Happy F**king Birthday” is equal parts a way to catch us up on what has happened during the interim, and a glad return to a beloved favorite. The episode has serious developments, but is also an excellent example of a typically great installment.

I would not recommend missing NURSE JACKIE’s fifth season premiere, this Sunday at 9 p.m. ET on Showtime.

V celebrates "Mother's Day"

     What an exciting finale ABC's V delivered! While the show is frequently uneven, and suffers from major plot holes, more so than almost any other show on television, when things work, they really work. The second season finale, entitled "Mother's Day", has few problems. In fact, it is probably one of the strongest episodes to date. Considering the steadily increasing quality, I am really holding out hope for season three, as the series may hit its stride given one more chance. Plus, with a cliffhanger like this, we just need to see more!

     The culmination for control of the V race came to a head. Lisa (Laura Vandervoort) lures Anna (Morena Baccarin) into a trap, intending to kill her. Anna sees what her daughter is about to do in a conveniently located reflective surface, and fakes emotion convincingly enough to stop Lisa. I can see why Lisa gives her mother the benefit of the doubt. Lisa has developed emotions, and so would want to think the best of her mother, no matter what past experience has taught her. Despite Erica's (Elizabeth Mitchell) anger at her, I think Lisa is justified in her actions.

     Sadly, that justification comes with steep consequences. Anna kills her mother, Diana (Jane Badler), whose friends have helped her escape, then installs Lisa in Diana's former dungeon. Anna's backup queen egg hatches, and Anna has her new daughter made to look exactly like Lisa and given her memories. Lisa 2.0 mates with, and kills, Tyler (Logan Huffman), whom Lisa is in love with, while Lisa watches helplessly on a video screen.

     This series has proved to me that Vandervoort's bad run on Smallville was either a fluke, or she has improved greatly in her acting ability. This episode gave her an even bigger chance to shine, as we got to see her as the Lisa we've grown to love AND a ruthless, cold blooded killer more chilling than even Anna. If for no other reason, V needs a third season pick up so we can watch Vandervoort work her magic in the duel role. From what we've seen so far, she is good, like Nina Dobrev in The Vampire Diaries level good.

     The really scary thing about this episode is that Anna finds the true nature of her evil. Up until now, Anna has fought against human emotions, even as they threaten to overwhelm her. The human skin the Vs cover themselves with somehow plays on them, making them more susceptible to feelings. When Anna fights against those emotions, it weakens her. Now that Anna discovers emotions can be used as a weapon, which she wields extremely effectively, she is more dangerous than easily imagined. This is the real consequence of Lisa's failure.

     Also scary? Anna now has a way to bliss mankind, effectively making us her slaves. Little Amy (multiple actresses, as she is rapidly growing), a human / V hybrid, is able to easily deliver bliss to humans, and she loves Anna. While I have viewed Amy mostly as a distraction, and have not at all liked the affect she has had on her father, Ryan (Morris Chestnut), clearly she is something more. Should the series be renewed, I would expect an adult actress to be cast to play a fully grown Amy, and stop the rotation of children. Anna and Amy together may just be unstoppable.

     Of course, humanity does have hope, however slim. Erica Evans began the series with a small cell of people she just met. Earlier this year, she found out how vast a net the Fifth Column casts, before taking over the group. Now, in the finale, she (and we) learn of Project Aries, (led by Marc Singer, like Jane Badler, a cast member in the original V) an international group determined to take out the V. It's interesting, because Erica thought she was fighting alone, and keeps finding larger and larger circles of people who already have the same goal. My question now is, given the scope of anti-V organizations, why didn't they do something before now? Why has Erica been the only one to really strike a blow against the Vs?

     As mentioned above, the body count last night was very high. We lost Tyler, who was mostly an annoying distraction to his mother. We lost Ryan, who has become annoying while being distracted by his daughter. It was only slightly surprising that Dianna died, because Anna had to overcome her somehow, and what transpired is far more exciting than Anna hiding and plotting quietly to take out Diana as she rules in peace, as next season could have been. As such, I don't see any really big losses to the cast, other than possibly Diana, but for the reasons above, I'm OK with it. If anything, the writers did a good job pruning. Time to bring in some fresh blood.

     Thankfully, Chad (Scott Wolf), who used to be annoying, but it just getting started in his usefulness, is merely captured by the Vs, not killed, though why not, I can't imagine. Unless Anna just plans on blissing him and doesn't want to bring in a new reporter to train all over again. I would also like to know where Hobbes (Charles Mesure) has gone, but I am hoping that his character will return to his roots, freed of the burden of Erica. I like the two of them together, but she did tame the beast, so to speak.

     Which just leaves Jack (Joel Gretsch). I really saw a love triangle developing between Erica, Hobbes, and Jack, now that Jack has lost his priesthood collar. It is incredibly ironic how Jack talks of looking to the sky, meaning god, for answers, and that's how Erica finds him at the end of the episode. Only instead of looking at god, he's being blissed by Amy.

     V is on the bubble, but I urge you to write and e-mail ABC asking for its renewal. There is also a facebook site set up for just such a purpose.

Article first published as TV Review: V - "Mother's Day" on Blogcritics.

 For frequent mini-reviews and occasional TV news, follow Jerome on Twitter.

Click here foran alphabetical list of all of Jerome's Current Season Reviews.

V Getting Past "Birth Pangs"

     While I have mostly enjoyed ABC's V, it has had wild swings in quality. At times, the episodes flow nicely and make a lot of sense. Other times, there are gaping plot holes a whole fleet of invading V ships could swarm through. This season has been a bit more even than the first, but the show has gotten to a point where it is exciting enough to overlook some of the flaws. Just some, mind you. If they start to swing too far back the other way, it won't take long to turn against the show once more.

     Erica Evans (Elizabeth Mitchell) is series heroine. The last couple of weeks, Erica has been taking a turn towards bada**, which is welcome. It's about time. For too long, Erica and her friends have been hiding in the dark, barely fighting back against the V invaders. They've done a few little missions, but nothing that meant all that much in the larger scheme, other than slaughtering the eggs at the end of last season. However, after the death of international Fifth Column leader Eli Cohn (Oded Fehr), Erica now finds herself in charge of a vast organization, and she decides to use it.

     At first, though I love seeing Erica in that position, I was resistant to the change. What a coincidence that the worldwide leader just happened to be in Erica's neighborhood! And after only a week or so of knowing each other, he hands the whole thing over to her, rather than the people he has been working with for years. Then I stepped back and tried to view it from his perspective. Erica is a very formidable woman, and has huge stakes in what is going on. Additionally, she has ins and connections that the other followers do not. As such, I began to accept that twist. Eli's top lieutenants doubting her until she could deliver to them progress and a plan also helped with the transition, though I'm not sure that what she accomplished this week would really have been enough to win over her skeptics, converting them into enthusiastic followers.

     That being said, Erica has already uncovered more about the V in the last few weeks than she has all season. She and Hobbes (Charles Mesure) have a rousing sequence in the apartment complex, and her video chat with her original cell is pretty inspiring. With Sid (Bret Harrison) on board, real progress is being made on understanding the V's DNA tampering. As Erica gathers more and more people working for her, I get more and more behind the belief that Erica can topple the technologically-superior aliens. And now that her son Tyler (Logan Huffman) is not around, she has a bit more focus.

     On the subject of Tyler, why the heck doesn't Erica tell him the truth? She should have done so a long time ago. I can't believe that she can't stop him from going to the Vs if she just explains what is going on. Tyler's true loyalty to the aliens is bonded mostly through one particular V, Lisa (Laura Vandervoort), who is on Erica's side! If Erica doesn't want to inform Tyler, can't Lisa? She cares about him, too, so she should stage some sort of break up to keep him safely away. Instead, both Lisa and Erica, who are supposed to care about the boy, let him be pulled into Anna's plans, in which, by the way, Tyler is expendable. Great job, you two!

     Erica has a chance to succeed because of the V uprising brewing against Anna (Morena Baccarin), the series' other leading lady, only on the opposite side of the fight. While thus far the show has shown a two woman battle of the wills between Anna and Erica, every week Anna's daughter, Lisa, is growing more formidable. Yes, Anna is beginning to suspect that Lisa's loyalty isn't with her mother, casting suspicion on her actions. But Lisa has the support of her imprisoned grandmother, Anna's mother, Diana (Jane Badler), which I am thinking may give Lisa the power that she needs to take over the fleet. But if she does that, the show will be over, so I'm not expecting it anytime soon.

     Diana, on the other hand, is simply mysterious. I know she stands against her daughter, but Badler's sly looks make me think that Diana is not just going to stand behind Lisa, either. She must have her own motivations, and while Diana does exhibit emotion, I'm not convinced she suddenly developed feelings for her just-reconnected with granddaughter. I worry that once Lisa gets Diana free of her prison, Erica and the others may suddenly be battling two formidable enemies.

     Luckily, all of these power struggles have been the most interesting part of the show. On both sides of the line, leadership is being questioned and changed, in sometimes action-packed ways, like buildings blowing up and fierce shoot-outs. Honestly, as much as I like the personal drama side of things, V can be a little weak with the writing, so a focus on big action and betrayals is probably the smartest way to go to keep an audience. Know your strengths and your weaknesses, and play to the former.

     I am pretty unnerved about Anna's new hold over Hobbes, supposedly having his wife prisoner. It feels like this has already been done before with Ryan (Morris Chestnut) and his daughter. I think it's lazy of the writers, having lost Ryan from Erica's central group, to just do the same thing to another one of her friends. Unless they play it quite differently going forward, this was a bad move.

     As to how Ryan may or may not be relevant to the story anymore, I don't really see his place. His daughter is more attached to Anna than him, and she's the subject of Anna's latest experiments. The only place story-wise I see to go with Ryan is to have him rescue his daughter. In which case, he will need to find a hiding spot and be a father. I don't see how Ryan could re-enter the fight, unless his daughter is aged to at least teenager before he rescues her (a possibility, I know). Then perhaps they could get into the Fifth Column together. As such, I wonder why Ryan even survived the explosion last week. I think it may have been more dignified than what is character is about to become to the show - a drag.

     Then there's Father Jack (Joel Gretsch). While he has pledged to be a soldier now that he's been kicked out of the church, I can't imagine that means he'll be fine with a killing spree. Will he be Erica's moral compass, letting her know when she's gone too far? I hope that is how he will be used, as if he's not willing to step up in a violently aggressive manner, and I don't see that as a realistic choice, that's his only real purpose.

     Lastly, we have Chad (Scott Wolf), who is just a courier right now. I'm glad that he was swayed from V-supporter to a member of the Fifth Column. But now what? Will he just be a message relayer from Lisa to Erica? I don't see him excelling in combat. His access is limited, at best. Anna uses him, but doesn't really trust him. His place in the series confuses me.

     We're definitely more in the middle of a story arc than at either end, so now is mostly just the time to wonder. To see what comes of things, watch V on ABC Tuesday nights at 9 p.m.


Article first published as TV Review: V Getting Past "Birth Pangs" on Blogcritics.

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V - "Red Rain"

     To be perfectly honest, not a lot happened in the second season premiere of ABC's V this week. After the huge developments and cliffhanger last spring, it was a remarkably tame episode. Not one person died or had their life really even threatened. No shots were fired; nothing blew up. The worst thing that happened was when Tyler (Logan Huffman) got a little bump on the head during a would-be riot, which quickly calmed down. That doesn't mean it was a bad episode, but I honestly expected more excitement.

     Anna (Morena Baccarin) continues to battle human emotion, sparked when Erica (Elizabeth Mitchell) destroyed all of her solider eggs in the season finale. Some of the ships' captains, and especially Marcus (Christopher Shyer), seem to have noticed the slip, though Anna denied the feelings were real or had a significant impact on her. What I find curious is, if Anna is so easily affected, why doesn't she suspect more of her people are? The whole 5th Column came about because Visitors started to sympathize with humans. Now that Anna has seen just how easy it is to lose control, she shouldn't be asking how some of her people did the same, but why didn't more of them? In fact, she doesn't ever have even appeared to consider seriously that her daughter, Lisa (Laura Vandervoort), is more than just play acting her relationship with Tyler.

     That is merely one of the plot holes in the series. Plot holes are probably the number one mistake V makes. The acting is good, even Vandervoort, one of the best on V, whom I found lousy on Smallville. The special effects look fantastic. The drama builds just fine. Real action and danger play out wonderfully. But then there are these major aspects that just don't make sense. Let's look at more examples.

     Chad (Scott Wolf) has decided to join the human resistance against the Visitors. Sure, Jack (Joel Gretsch) is hesitant to let Chad know too much about the secret group, but he is given membership by the end of the episode. Besides that, Chad ignored plenty of evidence right in front of his face before, but seeing a human get pricked with some needles, and interviewing a few more who went through the same thing, but not even finding out why the Visitors were doing the pricking, swayed him? Based on his character as shown up til now, he should have asked Anna what the purpose of the pricks were, and if he couldn't get to her, assumed that they were something helpful. I didn't see a great reason for his sudden change of heart.

     Why were the humans so forgiving of the Visitors about Red Sky and Red Rain? I understand that Anna gave an explanation that Red Rain was a gift to mankind, healing the damage we had done to the planet. Yep, that sounds nice. But once she says that, no one seems to remember that she spent four days refusing to engage with the humans and arousing suspicions. She shut down healing centers, and stopped shuttles. No one asked her to explain why she did that, they just took her word that Red Rain was good, and everything was fine. Why? How?

     Lastly, I thought the twist of Anna letting Ryan (Morris Chestnut) go and keeping his baby so that she could control him, a major terrorist (from her perspective), down the road, was a good move. It was a nice story that made sense. But Hobbes (Charles Mesure) figured out Anna's real motivation immediately, and no one paid him much attention when he pointed it out. Maybe they believed him, but just couldn't see any way to get around Anna's game. That would have been fine, if they took a moment to say that. Instead, viewers are left confused at why nobody cares Anna has a potential mole in their group.

    The episode wasn't all bad. Dr. Sidney Miller was introduced to the cast, as the 5th Column's newest member. Though he wasn't given a choice about membership, and despite his obvious hesitation to join up, he also didn't argue much. Miller is played by Bret Harrison, who I thought hilarious on both The Loop and Reaper. I'm glad to see him get some more work, and hope he sticks around. The series would benefit from some of his brand of humor.

     I'm not sure why I like V, given the obvious flaws that run rampant within the series. There is still something about it, perhaps the underdog fight to save the world, that is appealing. As I mentioned, perhaps it's the actors themselves, who really commit to the material, even when it's not up to par, which is often. For whatever reason, I hope V sticks around long enough to fix those issues. And given that the show is beginning season two just as screwed up as season one was, let's hope the people making the show realize there are issues that need to be fixed.

     V airs Tuesday nights at 9 p.m. on ABC.


Article first published as TV Review: V - "Red Rain" on Blogcritics.


For frequent mini-reviews and occasional tv news, follow Jerome on Twitter.

V is for Vicious

     What a ride the first season of ABC's V was!  With both a crappy pilot, and a crappy first episode back from the long, winter hiatus, it still managed to be good in succeeding episodes, leading to a wonderfully inventive and intense finale, "Red Sky"!  At least one significant character died, and though I expected it, it didn't take away from the pull of the moment.

     Erica (Elizabeth Mitchell) is the most vulnerable member of the featured cell of the Fifth Column, of which the show partially focuses on.  Her son, Tyler (Logan Huffman) has gotten himself involved with a V, the aliens come to earth on a seemingly peaceful mission, but Erica knows better.  However, she feels she can best protect her son by keeping him in the dark, and now seems to be actively using him to help her terrorist actions.  I'm sympathetic to her plight and position in the F.B.I., charged with heading up the task force against the Fifth Column, but I certainly question her mother abilities.

     Also in Erica's cell is Ryan (Morris Chestnut), a former V spy who now works against them.  It was Ryan's girlfriend, Val (Lourdes Benedicto) who was the main character killed off, after giving birth to his half-human, half-V child.  Her death may be the biggest blow to the Fifth Column yet.  You see, V's don't have human emotions, initially, though they seems to be contagious.  And the cold, calculating Queen of the Vs, Anna (Morena Baccarin), is using Val's death to try to win back Ryan.  If she does, which was uncertain in this week's finale, he could be the most dangerous foe Erica and company have faced.

     Especially interesting is the character of Lisa (Laura Vandervoort), Anna's daughter.  Tasked with getting close to Tyler, and later, Erica, we viewers have gotten to see first hand how emotions can affect and change the V aliens, and Lisa seems to have swung the way of the Fifth Column.  In fact, before the exciting climatic events had finished unfolding, rebel V Joshua (Mark Hildreth) called her queen.

     The introduction of rival queens, fighting for the V species's allegiance, is just one of many things I am looking forward to finding out in the forthcoming second season of the show, a pickup I was pleasantly surprise to learn of.  Another is, what will become of Joshua, who was healed from his near fatal wounds?  And what will Ryan's hybrid child mean to both species?  Also, why did the sky turn red and what does it mean?

     Sci-fi shows don't traditionally do all that well on network television, with a few notable exceptions, and, provided this one can keep growing it's audience, it will be nice to see a new one work.

V: Welcome to the Cheese

    This week's installment of ABC's V, the first after a very long hiatus, was called "Welcome to the War".  Unfortunately, it felt a lot like the pilot, where there might have been a grain of something good in there somewhere, but it was well hidden.  The first episode of the series was very similar, however, the other three episodes aired last fall were quite good.  That means to me that the show may be good again in the next few weeks, but I wouldn't guarantee it.

     What really didn't work for me was the recruitment of the mercenary / terrorist, Hobbes (Charles Mesure,Crossing Jordan), over to the small resistance cell four of the characters have formed.  While he seems to be a very tough man, he allowed Erica (Elizabeth Mitchell, Lost) to call in his location to the FBI.  Then he went with Erica and Ryan (Morris Chestnut) back to the church, though they had offered him no payment for his services.  The resistance then tried to appeal to him on a personal level, which, of course, they should have been smart enough to see wouldn't work.  Lastly, Ryan showing Hobbes that he was a V alien won him over very suddenly.  The whole thing seemed a bad joke, and poorly written.

      Also, why hasn't Erica come clean about everything to her son Tyler (Logan Huffman) yet?  She knows that the V are bad news, that they are extremely dangerous.  Sure, she knew they were watching her in that final discussion scene, so she didn't want to let on, but if she were smart, and her character is supposed to be, it's time for her to grab Tyler, tell him the whole truth, and go underground.  Otherwise, her son could easily be lost to her.  So why is she dragging her feet and avoiding telling him?  It's less dangerous to let him hang out with the V then to bring him in the loop?  I don't think so.

     I'd also like to mention that Father Jack (Joel Gretsch, The 4400) was stabbed by a specialized V weapon, which did not look like a typical knife.  But the V doctors who healed him didn't notice this?  Really?  With all their sophistication, they couldn't spot damage from an unearthly weapon?  Because I also watch Bones, and they can do that right now, with current earth technology and expertise.

     What the show did do well, though, are the V themselves.  Anna (Morena Baccarin, Serenity) is chillingly cold as she sets events into motion.  At the end, where she mates and then kills the male, shows the true colors that have been boiling barely below her visage.  Equally wonderful and emotionless is her daughter Lisa (Laura Vandervoot, Smallville).  Lisa handles Tyler perfectly, and between the two, it is clear that we are dealing with a very different race from humans.  If only the human characters showed the same realness and depth.

     V airs on ABC Tuesday nights at 10pm, and has eight episodes left in the series first season. 

V Vindicated

     Back in November, I was raving about a brilliant pilot for FlashForward and a lame one for ABC's V.  Now the tables have turned.  While Flash Forward suffers along, V has delivered three excellent episodes before breaking for four months.  Stupid to go on such a long hiatus right after premiering a great new show?  Monumentally.  The interim may kill the show, and that would be a shame, because it has really shaped up.

     Why has it improved so much?  Because the aliens are awesome!  In four short hours, viewers have already covered plenty of nifty little twists about our complex Visitors.  For one, there is a movement called the Fifth Column made up of Vs that want to overthrow head honcho Anna (Morena Baccarin, Firefly).  It appears that they were mostly defeated awhile ago, but now they are back, including Ryan (Morris Chestnut), who may have fathered the first hybrid baby.  Equally creepy is the sophisticated way Anna plans to inject the human population with her concoction, and the jackets that spy on people.  Why she had her daughter, Lisa (Laura Vandervoot, Smallville, whom I sincerely apologize to for criticizing her casing) seduce Tyler (Logan Huffman) is anyone's guess, but surely there is more than meets the eye.  Plus, super large fleet of Vs on their way to Earth!

     Back in the human camp, the teamup of federal agent Erica (Elizabeth Mitchell, Lost) with Father Jack (Joel Gretsch) makes much more sense now that we now he is ex-military and can hold his own.  A priest that can stitch up a bullet wound and throw a punch?  Sign me up!  What I really want to know is when Chad (Scott Wolf, Everwood) is going to stop taking orders and start fighting back.  Clearly he is suspicious of Anna and the gang, but since they've given him a stardom, he seems reluctant to question them too difficult.  But that can't possibly go on too much longer.

     If you haven't given V a chance, or canceled the season pass after the mediocre, plot-hole ridden pilot, you still have plenty of time to catch up.  After all, only four episodes have aired.  V will return on March 30th.