TOY STORY OF TERROR Scary For Its Weakness

 Article first published as TOY STORY OF TERROR Scary For Its Weakness on TheTVKing.

Toy Story is a classic, beloved film, which spawned two sequels, one decent, and one amazing. It's this high standard that any future spin-off or extension must love up to. (Yes, I'm ignoring early expansions, such as the Buzz-centric project, which I haven't seen, and seems already forgotten from the public consciousness.) Unfortunately, this week's ABC special, Toy Story of TERROR, falls very short.

Disney has a history of weak sequels and specials, but for some reason, I thought Toy Story would be immune. For one, it has the Pixar connection, and Pixar stuff generally rocks. For another, even though they have made a series of TS films, the third one was absolutely every bit as good as the first, providing serious emotional heft and development for the characters. Thus, I hoped the reputation would not be tarnished.

Right away, Toy Story of TERROR fails because it only follows a small group of characters from the movies, which seem put together randomly. Buzz (Tim Allen), Woody (Tom Hanks), Jessie (Joan Cusack), Mr. Potato Head (Don Rickles), and Rex (Wallace Shawn) are present, but absent are classic characters like Slinky Dog, Hamm, and Bullseye. And tossed in are two recent additions, Mr. Pricklepants (Timothy Dalton) and Trixie (Kristen Schaal).

Now, from a story standpoint, I can see why little Bonnie (Emily Hahn) would take a couple of her old favorite playthings with her, as well as some newbies, but it just seems so random in the episode, as if the producers locked down their main players, and then just kind of picked a few supporting ones based on actor availability or whose star is currently rising. And granted, in twenty minutes, there is not time to include everyone, with many of those who are present getting little to do. I just wish there had been more of a sense that this was planned out and each particular personality is included for a reason, as several seem to serve no purpose.


The main plot involves the group going to a motel. Mr. Potato Head is not content to sit in the luggage, and explores the room, looking for free amenities. The other toys venture forth to rescue him, are quickly separated, and fall into the hands of an evil desk clerk (Stephen Tobolowsky, Californication), who sells them on eBay. Jesse must overcome her fear of being in boxes to rescue them all before Bonnie leaves them behind.

The desk clerk arc definitely feels like a retread of Toy Story 2's toy man, and not in a good way, that being the worst of the three films. It's nice that this villain gets his comeuppance when one expects he won't. However the story would work with just an animal stealing toys, not needing this unnecessary man. Given the short running time, I wish he would have been cut.

The story involving Jesse's fear is OK, but a much lighter version of the drama present in the movies. And rather than being inspired by her friends to overcome her fears, she meets Combat Carl (Carl Weathers, Arrested Development), which feels unnecessary, especially when Carl and the other new toys introduced don't end up with Bonnie, doomed to be a forgotten footnote, even if the series continues past this. Given the very small role most of the main characters have in this installment, one of them should have stood in for Carl's part. Buzz seems a good choice.

Another main element of Toy Story of TERROR is that Mr. Pricklepants seems an expert on horror films, and in this spooky, Halloween-themed plot, he tells them what to look out for, sort of like a certain character in Scream. I guess this is in place for the kids watching, who wouldn't know many of the elements of a scary movie yet. But it does kind of drag down the proceedings.

There are some nice elements. I really liked the desk clerk's pet iguana, which hilariously acts like a dog. The shower curtain rip and Mr. Potato Head's arm hopping around on its own are a good play on the horror genre. It's not truly frightening, which is good for the little kids who will invariably watch. The original voice cast returns; I didn't pick up on any recastings, which always detract from the overall enjoyment.

Toy Story of TERROR is a misstep, though, and hopefully, if the Toy Story saga is going to continue, more thought and effort are put into the next installment. These toys deserve better.

Justin Timberlake brings back Saturday Night Live

Article first published as  Justin Timberlake brings back Saturday Night Live on TheTVKing.

NBC's Saturday Night Live has good episodes and bad. In recent years, after the 2008 election, the bad weeks have outnumbered the good by quite a few. But all it takes is a fantastic host and a bevy of wonderful guests to turn things around, and last week's episode, which features Justin Timberlake as both the host and musical guest, does just that.

Right from the opening where Timberlake does a wonderful Elton John impersonation with a "Candle in the Wind" parody, the episode takes off. Timberlake is obviously a musician, having contributed to many of the best musical numbers in the series in previous episodes, and he uses that skill again in this gig. A good episode plays to the host's strengths, and this one most definitely does.

Besides the opening, he also sings with recurring characters like the parody-singing advertising mascot (this time a block of tofu, and ending with a Harlem Shake in Veganville) and a return of the "D*** in a Box" guys with Andy Samberg. Sure, it takes time to build up a recurring character's popularity, but the ones that the writers and actors love are usually the ones that the fans love to, so the effort is worth it. Timberlake manages to have a couple of very popular characters with only a limited number of appearances. It's quite impressive.

Besides Samberg, many other Saturday Night Live alumni dropped by. This is done in celebration of Timberlake joining the "5 Timers Club," since this is his fifth time hosting, so other frequent hosts including Steve Martin, Candice Bergen, Tom Hanks, Alec Baldwin, and Chevy Chase appear. The cast of SNL is a very important clique. But so is the job of host. Only a few have reached this pinnacle, invited back over and over again, and they all ooze with talent. Seeing them gather together, along with Martin Short, Paul Simon, and Dan Akroyd, is not only thrilling, but hilarious, as these are some of the funniest people of their generation.

Sometimes, though, guests can be wasted. That is not the case in Timberlake's episode. It isn't practical to include all of those named in other sketches, of course, because too many showed up. But Martin and Akroyd dust off their Wild and Crazy Guys for a bit, and Martin, Chase, and Short don their Three Amigos costumes, thankfully altered to accommodate their current bodies. It's these kind of touches that make the episode memorable, and worth the time of these non-hosts who show up.

There are plenty of sketches in this episode that will provide laughs for years to come, unlike the "5 Timers Club," which is fantastic, but not inherently funny. These all have one thing in common: a current cast member holds their own against the host and/or veterans. The dating game show, where poor Bobby Moynihan competes against two pairs of recurring characters is amusing, especially because of Moynihan's role in it, not in spite of it. He knows he can't compete against the others and embracing it, making him a valuable part of the sketch, rather than a throw-away. And the commercial where Timberlake dates a girl with a penis (played beautifully by Nasim Pedrad) will elicit a giggle or two.

I'm not a fan of the musical performances, and often skip them. I will say, though, that I stuck with "Suit and Tie," despite being lukewarm on the song itself, and it was a terrific performance. The stage looked great, the dancing was incredibly impressive, and tone was perfect.

Overall, Justin Timberlake once more delivers for Saturday Night Live. Let's hope they invite him back soon.

Saturday Night Live airs Saturdays at 11 p.m. ET on NBC.

Saturday Night Live bombs with Elton John

     Sadly, not even Elton John can save NBC's Saturday Night Live, nor can his several famous friends who show up to help him out. Last night's show is one of the season's weakest. Once again, I do not think it is the level of acting talent that is sinking, though I'm pretty sure John isn't cut out to be a professional actor. It's the writing that just isn't delivering. Sure, the show has had ups and downs over the years. But this episode will definitely fall into the latter category.

     Besides Sir Elton, other familiar faces show up. Tom Hanks, a many-time guest star and host, participates in multiple sketches. In fact, Hanks actually makes a few moments worth watching, including as a worried version of himself when Wilson the volleyball is taken hostage, and as Michael Caine. Hanks is pretty much all that is funny in this episode. Jake Gyllenhaal is in Weekend Update, looking confused, and I'm still not sure why he is on the show this week at all. Just to showcase Andy Samberg's Nicholas Cage impression, perhaps? Carmelo Anthony, who is in the latest Laser Cats digital short, I have never even heard of. Wikipedia reveals him to be a New York Knicks player. SNL has always thrown in NYC references from time to time, but this may be one of their more obscure ones. Former cast member Will Forte is present, which is nice, because I miss him. Lastly, Leon Russell duets both musical guest segments with Elton John.

     As for skits, the show begins rough and stays that way. The Lawrence Welk bit with the girl who has very small hands (played by Kristen Wiig) wasn't funny the first time it was done, and only gets worse with each reincarnation. John chooses to keep the monologue mostly serious, speaking about his son, which is fine, but also tosses in a few one-liners that don't even elicit a grin. The ESPN hosts continue to be more stupid than humorous. Cowboys and movie critics play on John's homosexuality, but feel uncomfortable. I normally laugh at Laser Cats, but the musical version falls flat. Call me prudish, but I do not think the Queen of England bullying John is approaching amusing either.

     Weekend Update is always the best part of the episode anymore, as at least Seth Meyers can deliver short quips with the best of them. Even he, though, fumbles a bit, and his final joke elicits no reaction from the live audience, making for a very awkward closing. But he starts fairly strong with his comparison of GOP potential presidential candidates to reality TV stars. I also do enjoy the zookeeper who loses the snake (Kenan Thompson), a reference to an escaped reptile in NYC last week.

     Perhaps the sketch with the most potential this week is the overly long, convoluted one that begins with a BBC show called Fancy a Jar, Do You?, which is interrupted by a special news report, and then transforms into a council of modern British knights. The concept itself, asking the artistic types that currently hold the honor, to defend London from a dragon is brilliant. Sadly, the execution breaks down, wasting some characters, and just not doing justice to others. I wonder if this is a case of too many elements warring for attention, or simply a lack of follow through with the original idea. All in all, a failure.

     When will Saturday Night Live begin its recovery? It was last great in the spring of 2009, and I anxiously await a return to those levels. Saturday Night Live airs Saturday nights at 11:30 p.m. ET on NBC, live believe it or not!

     If you disagree with my review, I recommend reading Louis Virtel's write up for TVLine.com. He offers some very different opinions from mine.

Article first published as TV Review: Saturday Night Live - "Elton John; Leon Russell" on Blogcritics.

For an alphabetical list of all of Jerome Wetzel's Current Season Reviews, please click here.

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The Good Guys' summer is over

    The Good Guys have packed it up.  After a mere nine episodes, the final airing last night, the Fox summer series has come to an end.  This is regretful, as I think it has been hands down the best show of the summer.  Happily, however, it will return this fall.  Unhappily, the return date is two months away, and that's a long time to go without my weekly dose of Dan Stark (Bradley Whitford) and Jack Bailey (Colin Hanks).

     Although it is not the standard crime procedural, on paper the series does not have a lot going for it.  Every episode goes through a lot of the same plot points: Stark and Bailey are assigned a minor crime, they want to work a larger crime, somehow the minor crime ties itself into the larger crime.  Stark screws up and angers their boss, Lt. Ruiz (Diana Maria Riva).  Bailey makes subtle passes at his ex-girlfriend, Liz (Jenny Wade).  Through a series of lucky happenstances, the two take down whatever big villain exists, usually with the help of a small villain, who barely qualifies as such, and earns the audience's sympathy, and gets away with whatever he or she did, or gets a very slight punishment.  Time jumps around in whatever way to best please the audience.  Because of the shear number of coincidences, one episode is unrealistic.  But it happens again and again, every week.

     However, something about The Good Guys rises above the ingredients.  It doesn't matter that the episodes don't change much, or that they aren't believable.  It is still miles of fun to watch.  Creator Matt Nix (Burn Notice) has got something on his hands that is light-hearted and action packed.  Tons of bullets fly, things blow up, and somehow, rarely is anyone scratched.  Bradley Whitford seems to be having the most fun of career, overacting the washed-up, former legend with the '70's look.  Hanks, despite his obvious similarities to his father, Tom, has never had his career take off.  But in playing the straight man against Whitford, he's found a home.  Wade is sweet, and Ruiz is more than someone for the audience to get mad at for chastising the heroes.  Usually, you can easily understand why she gets so upset.

     It may not be the smartest thing on television, or the best written, but it has a charm that transcends it, and makes it better than summer fare.  Deservedly, it will return Friday nights beginning September 24th.  A Friday time slot is not usually a good sign, but as the show escaped summer, it can probably escape the death knell of Fridays, too.  Watch The Good Guys on Fox.

The battle for The Pacific has ended

     HBO's latest miniseries, The Pacific, has come to an end.  As I commented on my twitter feed, once the bullets started flying, I had trouble telling the characters apart.  However, that did not hold true for all characters.  Some stood out.  And even if I didn't remember a good many of them as the ending credits rolled and told their stories, I was still plenty moved by the sequence.  I dare someone not to be.  Most of the soldiers depicted, as most soldiers who fought in the war, are now deceased.  But films like this one will surely keep the memory going.

     My favorite character was Robert Leckie (James Badge Dale).  I do have to say, I was sad that he didn't return to Australia and find the girl he was in love with there.  Sure, that would be more realistic in the movies than real life, but one of the other soldiers did it.  Leckie instead returned home, to continue writing for the local paper and marry the girl next door.  Very sweet, though not as sweet as my alternate ending.  Especially considering how his family treated him.  Oh, well.  It's hard to rewrite reality.

     I never did care very much for Eugene Sledge (Joe Mazzello), though he was most prominently featured at the end of the run.  I wonder what the real Eugene thinks of the show, assuming he's seen it.  I don't know why he wouldn't have, as his book was one of the source materials.  I am sure I will never understand his pain and what he went through, but he came off as kind of a jerk, before, during, and after the war, so it can't just be blamed on the experience.  He can be forgiven for his behavior at the end, then, but what about who he was in the first place?  I did feel bad for him, though, and his family, in particular, his father, was super supportive in the end.

     The third main character, and this one I didn't expect, so it hit me hard, was John Basilone (Jon Seda).  He was also a little bit too cocky for awhile, but he matured, and grew into an amazing soldier.  His quick courting and wedding was so wonderfully done.  When he died in combat, it was a shock, and a heart wrenching one at that.  I felt worst for his widow, of course, but I'm sure his entire unit took his death personally.  He was definitely a hero, re-enlisting and going back when he didn't have to.

     Kudos to HBO, and of course Tom Hanks and Steven Spielberg, for bringing us this awesome story.

The battle for The Pacific has begun

      In 2001, Tom Hanks and Steven Spielberg created a very popular ten part mini-series called Band of Brothers for HBO, which told the story of a group of American soldiers during World War II in Europe.  Now they've teamed up again to tackle the Pacific theater of conflict in The Pacific.  The story centers on three real life marines, and is based on books by two of them, as well as other true source material.  The marines are Sgt. John Basilone (Jon Seda, Close to Home), Pfc. Robert Leckie (James Badge Dale, 24), and Pfc. Eugene Sledge (Joseph Mazzello, Jurassic Park, The Lost World).
     In the first part of a ten week saga, it was hard to keep track of exactly who the main characters were.  Quite a few soldiers were featured, and as most of them were in one group that the bulk of the episode followed, they all sort of blended together for me.  In fact, a second group was introduced early in the story, and I looked for them repeatedly until they finally showed up again at the end.  However, even without being able to accurately track all of the people, it was still an intriguing show.
     The realism, tone, and pacing make this mini-series.  Right from the start, the men are getting ready to go off to war, and in fact, much of the first part is set in the battlefield.  The look is spectacular, and the emotions feel real.  Some soldiers were torturing a Japanese soldier they caught, shooting him over and over so that he kept suffering.  When one brave man stood up and shot him through the heart, it certainly made the point that the enemy would not be a one-note , stereotypical villain, but treated as people, too.
     I can't exactly say why I enjoyed The Pacific so much.  It was more the overall feeling it gave than a few characteristics that I can easily pinpoint.  Suffice it to say, it appears there is something really great here, definitely worth watching.
     The Pacific will air for nine more Sundays on HBO at 9pm.

It's official: Conan is done with NBC

     It's a done deal.  Multiple news sites (like this one, this one, and even this one!) have reported that Conan O'Brien has accepted a $45 million severance package to leave NBC for good.  It had been reported that the major obstacle left to be worked out concerned what would happen to Conan's staff.  Under the final deal, Conan will take $33 million, and the rest will be split among his roughly 200 employees.

     Something else that needed to be negotiated was how long Conan needed to stay off the air waves after leaving NBC.  While he was still supposed to be under contract to the network for some time, this current deal will allow him to return to television as early as September 1st of this year, assuming someone else hires him.  ABC doesn't seem to be much interested, and Fox, which was willing to pay a heck of a lot a few short years ago, is playing coy.  Comedy Central is said to be a possibility, but how he would fit in with the very popular Jon Stewart and Stephen Colbert remains to be seen.

     Conan will air his final episode as host of The Tonight Show tomorrow night, and will feature guests Tom Hanks and Will Ferrell.  You may remember that Farrell was on his first show, way back last June.  NBC will air reruns of the show next week, which had previously been scheduled, but there is no word yet on what will do during the last two weeks before the Olympics, during which Conan was supposed to film new episodes, but will now not.  NBC wasted no time in confirming that after the Olympics are over, Jay Leno will resume his previous job as host of The Tonight Show in it's customary time slot.  While Leno had better ratings than Conan ever achieved, popular support in the current fight has been mostly behind the Irish red head.

      The Tonight Show, no matter who is hosting, airs on NBC at 11:35pm Monday through Friday.