"The Return" Of ARROW

Article first published as ARROW Review Season 3 Episode 14 The Return on Seat42F.



This week’s ARROW, “The Return,” flips the setting a bit, with the present day story taking place on Lian Yu, the island Oliver (Stephen Amell) was once marooned on, and the flashbacks happening in Starling City. Oliver and Thea (Willa Holland) are training to take on a villain, but they have no choice in their method when Malcolm (John Barrowman) unleashes a former foe on them. Meanwhile, it turns out Oliver did check in on his loved ones during his “dead” period, even if they didn’t know it.

Doing “The Return” this way greatly limits the screen time of a couple of the main characters, but almost everyone is worked into the hour in some way or another. Better, a number of long-missing players, such as Robert Queen (Jamey Sheridan), Tommy Merlyn (Colin Donnell), and Detective Lucas Hilton (Roger R. Cross), get a chance to pop up. By letting these returning guest stars take screen time away from the main players who logically wouldn’t have a large role in this time and place, “The Return” manages to tell a strong, cohesive story, rather than delivering the flimsy stunt it could have been. Sure, cameos by Felicity (Emily Bett Rickards) and Diggle (David Ramsey) are unnecessary, but they’re small enough not to distract from the main piece, which is a very good installment.

The Starling City of the past is one we’re aware of, but there’s a new twist tossed in by Oliver’s presence. We get to witness, through his eyes, just how bad some of the people in his life were doing, and see how Tommy tries to pull them out. We also get to see Oliver as a murderer again, and while he does so for a noble purpose, it’s more disturbing than I remember it being, highlighting his growth in the present.

Malcolm wishes Oliver would return to his killing form, which is why he unleashes Slade Wilson (Manu Bennett) on the island. Trapped with Thea to protect, Malcolm believes Oliver will have no choice but to kill his old enemy. Not only does Oliver not give in to the temptation, Thea also passes up the kill shot when she has the chance. Slade doesn’t deserve their mercy, but they are too moral to kill him if they don’t have to, which is a good thing for their journey towards being heroes.

Thea faces a major setback when, much to Malcolm’s chagrin, Oliver tells her she is the one that killed Sara. It’s a hard thing for Oliver to say, but Thea knows he’s keeping something from her, and he eventually decides she deserves to know. I get why Oliver makes that decision, because he doesn’t want his sister to distance herself again due to his secrets. But he hasn’t told her everything, including, I’m assuming, murdering her drug dealer, as we see him do in the flashbacks of “The Return.” Secrets have always been a sticking point between the siblings, and even as Oliver makes progress in being open with her, his growth isn’t complete.

It is really nice to see Thea and Oliver together, though. Whatever obstacles lie ahead, they get this time to be brother and sister, working together. Malcolm does many bad things, but helping Thea get to a place where she can be on Oliver’s level is not completely one of them, his methods of doing so aside. Thea justifiably hates Malcolm now, telling him he will never be her father, but that doesn’t erase what he did for her.

Are Oliver, Thea, and Malcolm ready to face Ra’s al Ghul yet? I don’t know. Oliver and Thea manage to take down Slade, but it’s quite a struggle for them to do so. Ra’s is arguably harder to beat than Slade, but they will have Malcolm helping, too. I kind of wish Oliver would ask Team Arrow for help, which would not only give him a better shot at winning, but show how he is developing into a team player, moving further and further away from the lone wolf he begins Arrow as.

The other subplot in “The Return” finds Quentin (Paul Blackthorne) mourning Sara’s death and considering drinking. Laurel (Katie Cassidy) tries to help her dad, but now that the news has set in, he has found anger at Laurel for keeping Sara’s death a secret. Worse, he feels betrayed by the daughter he has always shared a bond with. Their relationship needs much work, and even if most viewers saw it coming, it’s no less painful.

“The Return” is one of my favorite episodes of the season so far, and that’s saying something since ARROW is having a stellar year. The character development is strong and story is surprising. The producers have promised season three will only get crazier from here, and I can’t wait.

Arrow airs Wednesdays at 8 p.m. ET on the CW.

Game Change on Blu-ray

Game Change won five Emmy Awards, including Outstanding Miniseries/Movie, Outstanding Casting, Outstanding Directing, Outstanding Writing, and Outstanding Lead Actress. It was also nominated for seven other awards. Now it awaits its fate with multiple nominations for the Golden Globes, Writers Guild, and Screen Actors Guild Awards.

If you haven't already gotten the chance to watch Game Change, you're in luck. On January 8th, the HBO movie will be released on Blu-ray and DVD.

The story is based on a book of the same name by Mark Halperin and John Heilemann, which tells the tale of the 2008 U.S. presidential election. Actually, the book covers much, much more territory than the movie, especially the Democratic primary. but to adapt it all would have been too massive an undertaking. Instead, the HBO adaptation focuses on the last part of the book, which covers the selection Sarah Palin (Julianne Moore, 30 Rock, Crazy, Stupid, Love) as John McCain's running mate and the race to the finish line with a vice presidential candidate not ready to handle a national campaign.

Before you dismiss Game Change as partisan nonsense, as some on the right have accused it of being, you should first watch it. As a character study, it stays pretty fair, thanks to writer Danny Strong (Recount)'s reliance on real events, without pushing a specific agenda, letting viewers make their own judgments. It is also like watching a disaster movie in a way, as we observe the inept and unprepared Palin come very close to the heights of power, admittedly a view made based solely on my own judgment.

Game Change goes beyond Palin's missteps and slip ups and allows viewers behind the scenes of a hotly contested presidential election. John McCain's (Ed Harris, Appaloosa, The Hours) staff, and in particular advisor Steve Schmidt (Woody Harrelson, Cheers, Zombieland), tries to manage Palin, and keep her from costing them the victory. The trouble is, Palin isn't willing to just follow their orders, though why she resists is up for debate.

As the Emmys acknowledged, the casting is fantastic. Moore gives a sincere performance as Palin, far from Tina Fey's Saturday Night Live caricature, while Harrelson delivers something far beyond an impersonation. The supporting players include Peter MacNicol (Numb3rs), Sarah Paulson (American Horror Story), Jamey Sheridan (Homeland), and Ron Livingston (Office Space), each of whom really add to the complete picture.

What emerges is a strong movie, with wonderful acting, and an authentic feel. It may come a little too soon for some who don't wish to relive those days only four years later, but it will definitely serve as a nice historical film, maybe even used in history classes to keep events a bit more alive than dry text.

Blu-ray is a nice way to purchase Game Change because of the clarity of image. Viewers will get to see every nuance of Moore's performance in HD, as well as appreciate the detail that went into the sets, costumes, and makeup. Obviously, Game Change isn't full of special effects, but visually, it's near perfect, and will definitely allow one to easily get sucked into the story. Even the color variations don't feel like mistakes, because of the documentary-style filming, and the blacks are deep and gradational, rather than flat.

There isn't a lot to say about sound, since not much is going on, other than speaking, though the score by Theodore Shapiro is nice for what it is, delivered with nary a pop or hiss, flowing smoothly below the action. More importantly, the dialogue is clear, and what sound effects are present come across just as they should.

Sadly, there are only two special features with this release. One ponders the qualities needed to make a viable candidate for the highest office in the land. The other, more relevant, is about the film, how it was adapted from the book, and the real-life drama that inspired it. This second featurette was interesting, but I wish there would have been a bit more in depth.

Game Change will be available on Blu-ray January 8th.

Want to read some of my fiction? It's on my website, JeromeWetzel.com! Also, for the latest updates and article links, as well as commentary on episodes I don't fully review, please follow me on Twitter!

Article first published as Blu-ray Review: Game Change on Blogcritics.

Homeland makes "The Choice"

Homeland -"The Choice"
Grade: 99%

Showtime's Homeland handled their second season finale, "The Choice," which aired last Sunday, in a very unexpected way. The action of the season completes in the penultimate installment, giving lots of time for characters-driven moments in the final episode. Until the big shocker rocks everything, and reignites the intensity.

Homeland is about terrorism, yes, but it's even more about the characters, and their relationships with one another. Obviously, a driving dynamic of the show is the one between Carrie (Claire Danes) and Brody (Damian Lewis). They have flitted around each other since day one, alternating between enemy and lover. As season two draws to a close, though, they are ready to admit their love and commit to a long-term relationship, with Carrie even willing to give up a promotion to be with him.

Is this professionally inappropriate? Absolutely. Is their relationships dysfunction? That's an understatement. But they have seen each other at their worst, or at least are aware of the flaws, and they still want to be together. Carrie understands that the reason Brody almost becomes a terrorist. Brody knows about Carrie's mental illness. Neither is perfect, but both want to be happy. And they can be themselves together, which is a huge check in the plus column.

Do they have a chance of making it work? I think so. Brody's marriage to Jessica (Morena Baccarin) is over because he came home a different man, and the bond between them has been broken. Trust is gone, and he can no longer relate to her as he once did. The same issues won't arise with Carrie, so barring anything completely unexpected and soul-altering (again), Brody's next gal may be the one for him for the foreseeable future.

Except, Carrie doesn't realize that Brody murdered Vice President Walden (Jamey Sheridan). It isn't an act likely to come to light, and most viewers will probably find Brody's actions forgivable and understandable, given Walden's sleazy nature. But should this ever be known to the public, it could pose a major stumbling block between Carrie and Brody, if Carrie thinks he has crossed a line.

It's interesting that Brody goes to Mike (Diego Klattenhoff) in "The Choice" and basically tells Mike that he can have Brody's family. There are a lot of reasons that go into this, but I think it isn't just a selfish out so that Brody can be with Carrie. In fact, it's a bit selfless. Brody has demonstrated that he cares about his kids very deeply, and by sending them Mike, who was already taking care of the clan before Brody comes home, he knows that Jessica and their children will be in good hands.

Of course, one assumes that Brody still expects to be involved where the kids are concerned, and the events at the end of "The Choice" make that pretty difficult. But we'll get to that in a minute.

Brody has a different and unique relationship with each of his kids. He seems more open about his affection for Chris (Jackson Pace), but he does want to stay good with Dana (Morgan Saylor), too. I think Dana scares Brody just a bit because she challenges him, she's intelligent, and she doesn't take things at face value. She is the one that learns some of Brody's secrets.

I hope that, even at the conclusion of "The Choice," Dana can continue to see her father for who he is, and put the pieces together. She could definitely be his window back to the world. Which could complicate things with Carrie, dividing Brody's attention.

Continuing to speak of relationships, while Brody has a family, the closest person in Carrie's life to her is Saul (Mandy Patinkin). Yes, her dad and sister are around, but we don't see them much. Saul is a father figure, but like Brody's love ones, doesn't quite know Carrie as well as he thinks he is. Saul is very upset with her when he learns she plans to put Brody ahead of her career. But this is a typical parent reaction; Carrie and Saul aren't equals, and his concerns come from a place of love. Which means, no matter how much he may disagree with the choices Carrie makes, they probably still have a good connection, and he will continue to watch out for her.

So a little over two-thirds of the way through "The Choice," everyone is on the right path, and a happy ending is in sight. We even see Abu Nazir's (Navid Negahban) body thrown into the ocean, leaving no doubt that the terrorist is dead.

The thing is, though, terrorism is not about one person. Sure, there is a face to many organizations, but the mission of the group is driven by a passion and surety of belief. Nazir recruits others who feel as he does, and just because Nazir is taken out doesn't mean that one of his followers isn't prepared to step in and take his place. Which is why Brody's car is used as a bomb to kill hundreds at Walden's funeral.

The difference between Brody's car bomb and the rest of Homeland's action thus far i,s there is little doubt this time that Brody is innocent. He already got his revenge on Walden, and while most of those killed are CIA, and so not "innocent civilians" in his eyes, it seems pretty clear that Brody is well past the point of attempting something like this. Maybe this is naive, taking his surprise at face value, and trusting Carrie's judgment of him (she is usually right), but I don't think so. I really don't think Brody did this. Though I concede that I, like most people, are almost always one twist away from being proven wrong.

The genius of the "The Choice" is that is fairly neatly ties up a number of arcs, but also sets up the action to continue threads already begun. The characters have theorized about a CIA mole before. Now, it looks like there definitely is one, and the mole's choice to use Brody as a scapegoat keeps all of the main characters involved in the drama.

I love 24 dearly, but Homeland is the next step in the evolution of that show's story and themes, making it a more intelligent version. 24 rebooted constantly; Homeland realized a full reboot isn't quite so necessary.

Carrie's decision not to run away with Brody is a sad one. She has good reason, intent on clearing his name, something she can do much more effectively working on the inside. It may be hard to convince Saul believe her this time, but he's a lot more sympathetic to Carrie that David Estes (David Harewood), who died in the blast, would be. Plus, Saul knows he doesn't listen to Carrie at his own risk, because her instincts are sharp. The seeds are sown for a very interesting plot here.

One last musing about "The Choice:" I absolutely loved the scene where Quinn (Rupert Friend) threatens David Estes. Quinn has been a fascinating character this season, and I really, really hope he returns full-time next year. Whether he goes on the hunt for Brody, or the mole, or both, he lends a driving force to the series that works incredibly well. Plus, he has issues himself that have not been explored. He seems like a character who should be there to stay, enriching the world, giving Carrie a friend and peer, and possibly even a second love interest, should Brody stay away too long, or be painted too dark for Carrie's taste.

So many good moments, and nary a single complaint that I can think of. "The Choice" is an amazing piece of television, and a real shining example of what a smart series can be, and can do. Awesome work.

Homeland has been renewed for a third season and will return to Showtime next fall.

Want to read some of my fiction? It's on my website, JeromeWetzel.com! Also, for the latest updates and article links, as well as commentary on episodes I don't fully review, please follow me on Twitter!

Article first posted on TheTVKing

Arrow not quite a bullseye

Grade: 85%

My first impression of the CW’s new superhero saga, ARROW, are mixed. On one hand, it’s hard to imagine anyone other than Justin Hartley playing the hooded vigilante, especially because his long run on Smallville only recently ended. For another, the “Pilot” is far from perfect, with a number of plot holes and things that should be handled differently. But overall, it’s an exciting hour with an enticing backstory, and the bugs can mostly be worked out over time.

Many are already familiar with the history of the DC comic book character. Oliver Queen (Stephen Amell, Hung, Private Practice) is shipwrecked on an island alone for several years. Finally rescued, he returns home in peak physical condition, a handiness with a bow and arrow, and driven by a determination to clean up the city that has become a mess, thanks in part to Oliver’s father (Jamey Sheridan, Homeland). Donning a hood, Oliver goes by the moniker Green Arrow, acting as a modern day Robin Hood.

Missing Hartley aside, Amell makes a great Green Arrow, and plays him in a different way, avoiding too many comparisons. Whereas the Smallville version of the character could be a bit goofy, ARROW takes a more serious tone. There is greater anger and pain in Amell’s eyes, and it’s easy to believe that he can accomplish the physical feats he engages in.

But there are some things that don’t add up. Why doesn’t Oliver return from the island malnourished? Why doesn’t anyone recognize his famous face with just a hood and some green eye makeup? There isn’t even the voice changer that Smallville employed. Why is Oliver the first to tell the police about the Green Arrow, when the timing is already suspicious enough to make the cops suspect that Oliver is the one behind this new “hero” on the scene? He just doesn’t go about things very smartly.

There is also a disconnect as to who the previous Oliver was. He had a good enough heart to befriend the help (Kathleen Gati, Alphas), inspire loyalty and affection from friends and family, and win the heart of the beautiful, intelligent, compassionate Dinah Laurel Lance (Katie Cassidy, Gossip Girl, Melrose Place), who would not have been swayed by his money. Yet, he is also said to be a womanizer and a drunkard, cheating on Dinah with her sister, Sarah (Jacqueline MacInnes Wood, The Bold and the Beautiful). It doesn’t quite make sense.

The “Pilot” sets up the story pretty well. Oliver builds a lair in one of his father’s abandoned factories and begins his mission by making Adam Hunt (Brian Markinson, The Killing, Caprica) pay, literally, for his misdeeds. After giving Adam the chance to do the right thing, and Adam declines, Oliver sweeps in for big action sequences that totally deliver to the superhero fans in the audience.

My complaint is, why does Oliver cross Adam off his list after robbing him of millions? This is just money, and while it helps the victims, it doesn’t truly lead to justice. Why not bring Adam back for an arc, as it appeared might be the case earlier in the episode, after taking the time to introduce several cohorts of Adam’s? Oliver is going to run out of names to cross off soon, and some will have the means to exact revenge, so these should not be one-shot stories, played out in a rote, procedural manner. Give them more to do!

Also, how come the rewarded victims get to keep the money? Surely the police can figure out what Oliver did, even if Laurel tells them to keep quiet about it. As right as it may be for them to receive the cash, Oliver gets it by illegal means, which should mean that it will be taken back, and may even hurt their court case.

That being said, every single one of the characters is enjoyable. Besides the ones listed so far, there’s: Detective Quentin Lance (Paul Blackthorne, The River, Lipstick Jungle), who, considering his daughters, has plenty of reason to dislike the young Mr. Queen; Oliver’s little sister, Thea (Willa Holland, The O.C.), who is repeating Oliver’s mistakes; body guard John Diggle (David Ramsey, Blue Bloods, Dexter), who is just screaming for sidekick status; Oliver’s best friend, Tommy (Colin Donnell, Pan Am), who is happy to be cavorting with his buddy again; Queen business partner Walter Steele (Colin Salmon, The Increasingly Poor Decisions of Todd Margaret), who is now married to Oliver’s widowed mother, Moira (Susanna Thompson, King); and Moria herself, who has Oliver secretly kidnapped to try to figure out what his father told him. All of these set up plenty of plot to be explored.

And that’s why I like ARROW, in spite of its flaws. There are so many ways it can go, and even with uneven writing, the production looks fantastic, and gets the adrenaline pumping. Yes, some elements may need cleaned up a little, and better attention to detail should be paid. But there are already all of the ingredients here for something special, maybe even better than Smallville. I’m more than willing to give it a chance to improve.

ARROW premieres this Wednesday at 8 p.m. ET on the CW.

"Marine One" threatens Homeland

     Turns out "Marine One" can refer to a person as well as a helicopter. In the hour and a half long first season finale of Showtime's Homeland, Brody (Damian Lewis) and Tom (Chris Chalk) carry out Abu Nazir's (Navid Negahban) plan. But there's a hitch. Brody's suicide vest malfunctions. And Carrie (Claire Danes), despite being drummed out of the CIA while off her meds, figures out what is really going on. Carrie gets Brody's daughter, Dana (Morgan Saylor) to call her dad, talking him out of blowing up a number of high ranking government officials. Except, neither Dana nor Carrie ever learn for sure if Brody is a terrorist, and he lives on to plot another day.

     With all of the twists and turns in Homeland's freshman year, expectations are high for "Marine One." The writers make the bold decision to reveal to the viewers that Brody is, in fact, working for the enemy. But they also let Lewis play the character close enough to the vest, with real signs of affection for his family, to keep everyone guessing what he might do. Sure, Brody swears to Nazir that he is loyal, and kills crazy Tom to do it. But Brody could easily justify Tom's murder as protecting himself and his family. And considering how he backs down before blowing up everyone, perhaps he won't stand tall for Nazir in the future, either. So while much is now known about Brody, what he will do remains as murky as ever.

     Which is pretty unfortunate for the CIA and the US of A, as only Carrie has the knowledge to put everything together. Right as she is about to undergo shock therapy, a side effect of which is short term memory loss, though it's usually temporary, she realizes why Brody might be motivated to act on Nazir's behalf. That knowledge is probably lost, for now. How long before she can remember it? And how can she stop Brody without any government resources and still maintaining the promise she made to stay away from Brody and his family, which, if she breaks it, will likely result in Brody having her arrested, blowing any slim credibility she has left? Not to mention, her consent to mess with her brain could damage her greatest weapon. Only Carrie's sister, Maggie (Amy Hargreaves), overhears Carrie's mumbling (and assorted medical staff, who don't count), but does Maggie have the knowledge of foresight to attribute anything legitimate to the words?

      Carrie's best bet will continue to be Saul (Mandy Patinkin). A genius in his own right, he stands by Carrie as a personal friend, even as she undergoes "treatment" for her condition. He also knows Carrie is right on a lot of things, including Nazir, so despite doubting her before, he may be inclined to look more closely at Brody if Carrie insists on it. The real question is, will he be in a position to do so? He now knows about the cover up perpetrated by David (David Harewood) and Vice President Walden (Jamey Sheridan), but can he use that information to make a change in leadership? David is correct in asserting that Saul isn't willing to hurt his country by leaking what he knows to the press. So what can Saul do now? Before David and Walden ruin Saul first, that is.

     Of course, if Dana comes forward, that might be a big help. It doesn't seem like she would intentionally betray her father, ever if she knew the entire truth.She loves him dearly. She certainly suspects something, being scared to discover Brody's conversion to Islam, and knowing that something isn't right during the phone conversation. And sixteen is old enough to look past family connections. But will she be motivated to do so, or just take her dad at face value because to learn anything sinister would be too hard on her emotionally? Dana could also accidentally let something slip to her mother, Jessica (Morena Baccarin), or even Mike (Diego Klattenhoff), who also care for Brody, but could be persuaded to tell Saul under the right conditions.

     Homeland leaves viewers with many, many more questions after "Marine One," and a lot of possibilities remain. Which solidifies it as one of the season's best new shows. Homeland will return to Showtime next year for a second season.

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