BACKSTROM Has a "Dragon" On Its Back

Article first published as BACKSTROM Review on Seat42F.

FOX’s new series BACKSTROM is from the mind of Hart Hanson, creator of Bones and The Finder. Even if you did not know this going into the pilot, “Dragon Slayer,” it would be easy to see the similarities to those other shows because of a near-copy of tone and format. As a fan of Hanson, I’m interested to watch BACKSTROM. But as someone completely burned out with the formulaic police procedural, I’m sad he didn’t expand his premise a bit more from the beaten path.

Rainn Wilson (The Office) stars as Everett Backstrom, a colorful man in the vein of The Finder’s Walter Sherman. Rather than withdraw from society, though, Backstrom lives right in the middle of things, unfeeling towards those he offends. His attitude gets him demoted to traffic duty for five years, but as BACKSTROM begins, he is back in a position he likes, serving in Portland’s newly created Special Crimes Unit.

Backstrom is surrounded by a team of very capable professionals. There’s veteran detective John Almond (Dennis Haysbert, 24, The United), fresh-faced and eager Nicole Gravely (Genevieve Angelson, House of Lies), button-pushing consultant Peter Niedermayer (Kristoffer Polaha, Life Unexpected, Ringer), and muscle Frank Moto (Page Kennedy, Blue Mountain State, Weeds). Along with the attractive French civilian support officer, Nadia Paquet (Beatrice Rosen, Cuts, The Dark Knight), whom Backstrom “befriends” under his doctor’s (Rizwan Manji, Outsourced, The Wolf of Wall Street) orders, they make up his Bones-esque ensemble of colorful supporting players.

The reason I still watch Bones (though I’m quite behind on it) is because, despite how predictable and repetitive it is, there’s a very entertaining group who get excellent lines and entertaining subplots on a regular basis. BACKSTROM has a similar cast, many familiar faces oozing with talent and humor. The question is, how much of each hour will be spent on the boring old plot-of-the-week and how much will be fun? The balance is incredibly important to make the series worth watching, though it would certainly behoove Hanson to ditch the weekly-solve format as soon as possible, unlikely as it may seem that he would do so.

Because every modern cop drama must include the lead’s family, and Backstrom is not the type to have family and friends around (though we do get a forced-in story about his abusive father in “Dragon Slayer” to further shape the character), Backstrom regularly interacts with Valentine (Thomas Dekker, Terminator: The Sarah Connor Chronicles). Valentine operates in the illegal underworld, son of a stripper, a transvestite in his own right. It takes a very strong personality to compete with Backstrom, and Valentine fits the bill. Plus, going by looks alone, I suspect he may secretly be Backstrom’s son, though one or both might not know it yet.

I probably don’t need to tell you about the main plot of “Dragon Slayer,” though doing so won’t spoil it for you. A body is discovered in an apparent suicide case, which is quickly ruled a homicide. The person you first suspect isn’t guilty, and through a serious of brilliant leaps by our above-average investigators, Backstrom is able to personally collar the culprit. This will likely be repeated in most episodes.

Overall, I like BACKSTROM; I really do. It has a terrific cast and is written by the man I believe is the current master of the genre. No one makes this type of show better than Hanson. But after a decade of watching his material, and seeing much of the same on the broadcast networks (most of which I don’t watch), I may finally be reaching my fill of it, as I noticed my attention drifting several times in the first episode alone. I’m hopeful the era of this type of show is near the end, ratings to the contrary, and the program can spin itself off into something better. Otherwise, BACKSTROM is yet another entry in an over- crowded field that feels wholly unoriginal.

BACKSTROM premieres Thursday at 9 p.m. ET on FOX.

The clock runs out on 24

        As the final seconds ticked out on the series finale of Fox's 24, there was a countdown clock rather than the one moving time forward, as has been the custom of the series.  It was appropriate, the "real-time" series finally coming to an end after eight seasons, nine years (there was no season the year of the writer's strike as producers did not want to deliver half a day).  Jack Bauer's (Kiefer Suthland) intonation of "events occur in real-time" was a welcome homage but back in the beginning of each of the last two hours, which was dropped long ago, and Kiefer's personal message to viewers was touching.  It is a series I will surely miss.

     The final moments of the show, as they should have, came down to Jack and Chloe's (Mary Lynn Rajskub).  Although Chloe was not part of the the original cast, she has appeared in the second highest number of episodes, after Jack, and has become a beloved character.  She has grown a long way since her annoying personality turned off viewers initially.  I think many of us agree with Jack that we did not expect her to be the one watching his back for the long haul, and yet, who else could have done such a great job of it?  Their show down midway through the finale was gripping, but their goodbye was one of the most moving moments television has yet to produce.

      Jack struggled more this season than any other with doing the right thing.  He always acted on his beliefs, even when they came into conflict with the law.  But as this season barreled towards a close, even fans such as myself found it hard to justify his decisions.  His cold-blooded massacre of many a Russian, because of their execution and cover-up of the assassination of his most recent love, Renew Walker (Annie Wersching).  Jack went into a dark place or revenge, and left the path of righteousness.  Yet, his video recording and his behavior in the last hour redeemed the hero in our eyes, though he will face a number of criminal investigations should the authorities ever catch up to him, which I assume will be the plot of the upcoming 24 movie, which while not guaranteed, is well on it's way to becoming a reality.

     One of the most interesting characters in the past two years was President Allison Taylor (Cherry Jones).  After she turned over her own daughter to the cops at the end of last season, it was easy to believe that she stood for principals rivaling even the fan favorite 24 president, David Palmer (Dennis Haysbert).  Then this season she made the mistake of listening to former President Logan (Gregory Itzin), who has been one of the show's greatest villains.  While she had noble aspirations, she allowed herself to let the ends justify the means.  Thank goodness that she decided at the last minute to let the truth come out.  It will protect Chloe, if not Jack and herself.  She fully redeemed herself in my eyes, and I hope we will learn from the movie that she earned the sympathy and continued respect of the American people, even if she has to serve a short sentence.  Unfortunately, Logan, who got away with crimes before, did not succeed in taking his own life.  Hopefully he will rot in a cell for the rest of it.