CONDOR Takes Flight

Article first published as TV Review: CONDOR on Seat42F.

I’m not a big fan of military or spy thrillers. I like some OK, especially if they incorporate comedy or psychological aspects into them, but in general, they’re not really my cup of tea. So when I saw just a bit about CONDOR, a new drama on the Audience Network for AT&T and DirecTV subscribers, I can’t say I was all that enticed by it

As I sat down to watch the show, it started out as a series that backed up my negative impression. There’s a murder in the desert, followed by the introduction of a strong, somewhat silent, lonely, muscular leading man. It begins to look like a bunch of other shows that did fine during their runs, but weren’t all that gripping, in my opinion.

But as the first hour unfolded, slowly CONDOR began to get under my skin. Joe Turner (Max Irons, The White Queen), despite looking like a boring leading man and being frustratingly unforthcoming with a girl he’s interested in, has layers. He struggles with morality and the part he plays in a deadly program based on predictive models, not evidence. He’s at odds with the CIA, who use his work. While parts of him are very formulaic, there’s also a charisma about him that is compelling.

Then the supporting cast took shape. Kristoffer Polaha (Life Unexpected) as Joe’s friend Sam Barber? Yes, please! Kristen Hager (Being Human) as Sam’s feisty wife, Mae? Even better. Brendan Fraser (The Mummy), who hasn’t been seen in a long time, as a bad guy? All right, I’m on board. Bob Balaban (Capote, The Monuments Men) and William Hurt (Humans, Avengers: Infinity War)? Now we’ve got some gravitas going on.

At last, the story begins picking up. I’m not saying it should have jumped into the action sooner; no, CONDOR does a terrific job of slowly unspooling things you need to know before it gets intense. Early parts of the episode are interesting, but much more so as the later scenes unfold. By the time we reach the climax of the pilot, I’m already very into it, and as the closing credits roll, I’m disappointed to find I don’t have a second episode.

What is it about CONDOR that makes it worth watching? Well, it certainly poses some big questions that are worth asking and evade easy answers. If you suspected, without a shred of proof, that someone would hurt lots of people, should you take them out? Are a few mistakes of this nature worth it when balanced against the tens of thousands or more you might save when you get the right person? This is definitely relevant today, as it has been throughout human history, and will be for the foreseeable future. Only now, we actually have to look at such a question in more than a hypothetical manner.

It also just feels authentic. From the beautiful DC setting, to the dynamics of the characters, to the subtlety present in almost every scene, there’s a real, fully-formed element to the production. It’s well acted, well written, and the pacing is perfect. I really didn’t find much to nitpick, other than where it falls into stereotypes, which thankfully it doesn’t do too often.

I don’t want to gush too much. It hasn’t cracked my Top 10 list of must-see shows, and it’s hard to imagine how CONDOR could sustain and repeat the shock value of its pilot. But there are some very strong pieces making up the whole, and it’s an excellent first episode, so I would recommend watching it.

CONDOR airs Wednesday evenings on Audience Network, and the pilot can currently be viewed for free on the network’s website.

BACKSTROM Has a "Dragon" On Its Back

Article first published as BACKSTROM Review on Seat42F.

FOX’s new series BACKSTROM is from the mind of Hart Hanson, creator of Bones and The Finder. Even if you did not know this going into the pilot, “Dragon Slayer,” it would be easy to see the similarities to those other shows because of a near-copy of tone and format. As a fan of Hanson, I’m interested to watch BACKSTROM. But as someone completely burned out with the formulaic police procedural, I’m sad he didn’t expand his premise a bit more from the beaten path.

Rainn Wilson (The Office) stars as Everett Backstrom, a colorful man in the vein of The Finder’s Walter Sherman. Rather than withdraw from society, though, Backstrom lives right in the middle of things, unfeeling towards those he offends. His attitude gets him demoted to traffic duty for five years, but as BACKSTROM begins, he is back in a position he likes, serving in Portland’s newly created Special Crimes Unit.

Backstrom is surrounded by a team of very capable professionals. There’s veteran detective John Almond (Dennis Haysbert, 24, The United), fresh-faced and eager Nicole Gravely (Genevieve Angelson, House of Lies), button-pushing consultant Peter Niedermayer (Kristoffer Polaha, Life Unexpected, Ringer), and muscle Frank Moto (Page Kennedy, Blue Mountain State, Weeds). Along with the attractive French civilian support officer, Nadia Paquet (Beatrice Rosen, Cuts, The Dark Knight), whom Backstrom “befriends” under his doctor’s (Rizwan Manji, Outsourced, The Wolf of Wall Street) orders, they make up his Bones-esque ensemble of colorful supporting players.

The reason I still watch Bones (though I’m quite behind on it) is because, despite how predictable and repetitive it is, there’s a very entertaining group who get excellent lines and entertaining subplots on a regular basis. BACKSTROM has a similar cast, many familiar faces oozing with talent and humor. The question is, how much of each hour will be spent on the boring old plot-of-the-week and how much will be fun? The balance is incredibly important to make the series worth watching, though it would certainly behoove Hanson to ditch the weekly-solve format as soon as possible, unlikely as it may seem that he would do so.

Because every modern cop drama must include the lead’s family, and Backstrom is not the type to have family and friends around (though we do get a forced-in story about his abusive father in “Dragon Slayer” to further shape the character), Backstrom regularly interacts with Valentine (Thomas Dekker, Terminator: The Sarah Connor Chronicles). Valentine operates in the illegal underworld, son of a stripper, a transvestite in his own right. It takes a very strong personality to compete with Backstrom, and Valentine fits the bill. Plus, going by looks alone, I suspect he may secretly be Backstrom’s son, though one or both might not know it yet.

I probably don’t need to tell you about the main plot of “Dragon Slayer,” though doing so won’t spoil it for you. A body is discovered in an apparent suicide case, which is quickly ruled a homicide. The person you first suspect isn’t guilty, and through a serious of brilliant leaps by our above-average investigators, Backstrom is able to personally collar the culprit. This will likely be repeated in most episodes.

Overall, I like BACKSTROM; I really do. It has a terrific cast and is written by the man I believe is the current master of the genre. No one makes this type of show better than Hanson. But after a decade of watching his material, and seeing much of the same on the broadcast networks (most of which I don’t watch), I may finally be reaching my fill of it, as I noticed my attention drifting several times in the first episode alone. I’m hopeful the era of this type of show is near the end, ratings to the contrary, and the program can spin itself off into something better. Otherwise, BACKSTROM is yet another entry in an over- crowded field that feels wholly unoriginal.

BACKSTROM premieres Thursday at 9 p.m. ET on FOX.

Made in Jersey should stay there

Grade: 66%

MADE IN JERSEY is a CBS show with a more youthful appeal. It’s a case of the week legal procedural, whose lead character happens to be a young, hip Jersey girl recently transplanted into NYC, more street smart than everyone around her, rather than the older folks who normally populate the station’s dramas. Will this be enough of a change up to be interesting, even while keeping with the same formula? Will viewers in their twenties join the senior citizen crowd in watching this show?

Probably not. Despite the pretty-Ugly Betty-esque lead, Martina Garetti (Janet Montgomery, Entourage), who has tons more personality than the average CBS character, the basic ingredients are the same. There is a case. It must be solved by the end of the hour. Other characters will think Martina isn’t up to the task, and she will succeed anyway. Happy ending.

Now, there are a couple of extra elements that set MADE IN JERSEY slightly apart. In keeping with Martina’s background, she has a large family whom she enjoys being around. Led by matriarch Darlene (Donna Murphy, Trust Me), the boisterous bunch will probably cause Martina added stress, and give her little side stories, like the first episode’s bit about her niece wanting a tattoo, distracting her from the legal work at hand. But considering none of them are listed in the main cast on the show’s website, they probably won’t figure too heavily into the season.

It’s hard to tell from the first episode what the chemistry will be between the various full-time cast members. The two lawyers Martina interacts with most aren’t on the show’s website either, making me think some recasting was done, and they will be replaced by others who might have a different reaction to Martina’s plucky ways.  Kristoffer Polaha (Ringer, Life Unexpected) and Megalyn Echikunwoke (The 4400, CSI: Miami) will apparently be joining the firm soon, and whether they will be friend or competitor or something in between remains to be seen.

Other people are already established on MADE IN JERSEY. Martina’s boss, Donovan Stark (Kyle MacLachlan, Desperate Housewives, Portlandia), is a whimsical fellow, sort of a toned down version of the Malcolm McDowell role on TNT’s Franklin & Bash. He takes a shine to Martina at once, seeing something of himself in her. It’s not a particularly fresh take on a superior, but played wonderfully by MacLachlan, it’s hard to complain.

Cyndi (Toni Trucks, Music and Lyrics) is Martina’s assistant. This is a step up from many young lawyers on TV, who don’t have their own helper. She is also a friend, so she serves a dual purpose on the show. Viewers need more of her past, though, if we’re going to appreciate her. Martina has only been at the firm a few weeks, and they are already gal pals. How did this happen? Why do they click so well? This is a relationship that should be explored.

Then there’s Riv Brody (Felix Solis, NYC 22). His investigator should be a popular character, but it’s hard to root for him when he seems so inept. Martina talks about how storied Riv’s work is, and yet, in the “Pilot,” she finds all sorts of things that Riv misses. Hearing the audio tone, something her niece discovers, makes sense. The chalk dust on the sleeve, though, among other things, should have been seen by Riv, not Martina. This is done, presumably, because Martina is the lead, and Riv is just a supporting character. But why have him at all if he’s only going to follow Martina around and admire her work? How did he get such a reputation as a top notch detective when a young lawyer does his job so much better than he does?

MADE IN JERSEY can’t exactly be called disappointing because, as a crime procedural on CBS, the bar isn’t set all that high anyway. All it has to do is deliver the same package every week, and an important mass of viewers is happy. But for those who value good television, this looks to be a total dud that isn’t worth your time. Which is a shame, since there are a couple of characters here I could really like.

MADE IN JERSEY premieres September 28^th on CBS.

Ringer retorts "That's What You Get For Trying to Kill Me"

     In the mid-season finale of the CW's Ringer, "That's What You Get For Trying to Kill Me," Gemma's (Tara Summers) fate hangs in the balance. Charlie, a.k.a. John (Billy Miller, The Young & the Restless) grows impatient with the lack of resolution. Siobhan (Sarah Michelle Gellar), who hires Charlie in the first place, offers to pay him if he will let Gemma live. When she isn't fast enough with the money, Charlie asks Bridget (also Gellar) for a ransom. Even though Bridget tries to pay, Charlie gets spooked, and gos ahead and kills Gemma. Siobhan is angry, and takes out Charlie in revenge.

     The death of Gemma in "That's What You Get for Trying to Kill Me" is both interesting and disappointing. Viewers are believing Gemma is dead for weeks, only to learn she is merely Charlie's captive. Then there is a completely contrived, terrible scene in which Gemma somehow survives a shot to the head (Charlie's aim is bad at THAT range!?), almost escapes, and learns that Siobhan is still alive. Yet, Charlie recovers from the blow she gives him in time to kill her before she can tell anyone. The whole sequence is handled so poorly, one almost forgets how cool it is that Gemma's murder is unexpected, especially after she is given a vital piece of information. Thus, the entire thing is a mediocre wash, that with a little better plotting, could have been really awesome.

     Siobhan's emotional attachment to Gemma is somewhat unexpected. Up to this point, Ringer paints Siobhan has a cold, heartless bitch. Of course, she must have been nice at some point, or Andrew (Ioan Gruffudd) would never have married her, and Gemma wouldn't have been her friend. That empathetic side of Siobhan is shown briefly, as she kills Charlie.

     Bridget and Andrew are now a firm couple. It's a little icky, since Andrew is Bridget's twin sister's husband, and Andrew thinks Bridget is Siobhan.  But since the two are such a good match in personality, and they are both happy together, that kind of overrides the gross factor. As long as one doesn't think too hard on it. Of course, it can't last. Siobhan is back in town, and she probably won't be please that Bridget is 'fixing' her life. So poor Andrew, brought even closer to Bridget by recent tradgedy, faces a betrayal that might prove impossible for him to get over.

     Henry (Kristoffer Polaha) is just a big ball of mad these days. He hates Bridget, whom he thinks is Siobhan. He blames her for Gemma's death, and mucking up the ransom, eevn though it is Henry that spooks Charlie. His rage needs some focus, and it's a mystery who will get the brunt of it. Look for Tyler (Justin Bruening) to be a very similar character once it comes out that Siobhan's baby isn't his.

     The coolest part of "That's What You Get For Trying to Kill Me) is when Victor Machado (Nestor Carbonell) unmasks Jimmy (Darren Pettie, Mad Men), as a mole. Machado is a heck of a detective, and puts together the most obscure reference to do so. With smarts like these, it shouldn't take Machado too much longer to realize that Bridget is posing as Siobhan, especially with the real Siobhan back in town. Wonderful character who deserves more screen time!

     Also, kudos for the great Amber Benson (Buffy the Vampire Slayer) guest appearance! Too bad it is so short, and she is murdered, so can't return in any part of substance.

     The final story in "That's What You Get For Trying to Kill Me" is the least satisfying. Juliet (Zoey Deutch) puts the moves very hard on Mr. Carpenter (Jason Dohring), only to be rebuffed. Then she claims that he rapes her. Carpenter is pretty mad at Juliet, but given his professionalism thus far, it seems unlikely he would commit such a heinous act. It's possible, but more likely, Juliet is lying because she is hurt at being rejected. Not really interested to see how this plays out, but hope it resolves quickly.

     Ringer will return to the CW in January.

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     Read every Ringer review I've ever written.

     Catch up with Ringer streaming episodes by clicking here!

"The Poor Kids Do It Everyday" on Ringer

     Six episodes in, the mysteries on the CW's new drama Ringer keep coming. In this week's episode, "The Poor Kids Do It Everyday," Bridget (Sarah Michelle Gellar) and Henry (Kristoffer Polaha) both wonder what happen to Gemma (Tara Summers), wondering if each other engaged in foul play. They seem to come to an understanding, but then Bridget calls in an anonymous tip to the police on the crime scene evidence that Henry cleaned up, and leaves her own fingerprints on the weapon. Also, Machado (Nestor Carbonell) searches for the also missing Malcolm (Mike Colter), and Juliet (Zoey Deutch) finds an ally in Mr. Carpenter (Jason Dohring, Veronica Mars, Moonlight) at her new school.

     In Ringer, the viewers get the important clues long before the characters do. By this point, audiences can assume that no one is trying to kill Siobhan (also Gellar) because the man that Bridget killed in self-defense was sent by Siobhan, though he carried Siobhan's picture, not Bridget's. This means it is likely that Siobhan wanted everyone to think she is dead, and by Bridget taking over her life, Bridget ruined Siobhan's plan. Or at least a part of it. It's why Siobhan wanted to kill Bridget. It's also why she has Gemma taken out, probably, as Gemma knows about the twin sisters, and also knows that Bridget has taken Siobhan's place.

     But is Gemma maybe somehow still alive? If not, why not show her body?

      Why does Siobhan want everyone to think she is dead? It's obviously something she plans for, setting aside money that Bridget also unwittingly takes, and heading to Paris. It's interesting that Ringer shows so much, but explains so little. Though fans know what Siobhan is doing, the why has not been covered for any of it, leaving as more questions that the series is answering.

     In "The Poor Kids Do It Everyday," the series does the same with Bridget. We see that Bridget implicates herself in the possible murder of Gemma, but it is not clear why. This gets Machado's attention, of course, as he has Bridget flagged. But for now, everyone except the missing Gemma assumes that Siobhan is still living her life, and if they even know who Bridget is, thinks she is the one missing. Without knowing that Siobhan is still alive, Bridget thinks that will be no suspect to be found for Gemma. It keeps Henry and Siobhan, meaning her, since she's taken Siobhan's place, clear of any suspicion. But, still, setting up herself is a big risk. Why not find a bum in the alley to get prints from? If Machado realizes the rouse, then he might think Bridget did something to Gemma, creating even more problems.

      Malcolm's capture and torture by the men looking for Bridget is a big complication that will have to be resolved soon. Given the CW's penchant for killing off main characters, his number might just be up. After all, he is certainly the most expendably of the main characters. Bridget already has a new sponsor, and Machado is only looking for Malcolm because he has information on Bridget. If Malcolm dies, Bridget's secrets are protected a bit longer. Hopefully, Ringer will find a new and interesting twist to keep Malcolm around, but it seems unlikely. Unless Gemma is really dead, and Ringer doesn't want to off two characters so soon.

     Also, is it really a coincidence that Bridget finds a new sponsor so quickly in Charlie (Billy Miller, The Young and the Restless). Is anyone fooled? Who is he working for, and why is he there?

     It also seems odd that Juliet gets any plot at all. She isn't a main character, nor is she paramount to what is going on with Bridget and Siobhan. This isn't exactly a complaint, since following Juliet to schools opens up the door to see Dohring back on television. However, her scenes seem out of place, especially coming after so little independent development for the character in the first few episodes.

     Is Bridget sleeping with Siobhan's husband, Andrew (Ioan Gruffudd)? She would have to, to completely sell the charade, especially since Bridget is determined to fix the marriage, but the series shies from showing this explicitly. Probably because of the gross factor involved in sleeping with one's own brother-in-law. If one stops and thinks about it, Andrew is living a common male fantasy, and not even getting to enjoy it. But, more likely, he will be morally offended when the truth comes out. Or he'll choose Bridget over Siobhan since Bridget is actually good to him. It sure seems like Bridget might be falling for Andrew, though whether that's because of the life she has with him, or because she genuinely cares, is uncertain.

     Ringer airs Tuesdays at 8 p.m. ET on the CW.

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     Catch up with Ringer streaming episodes by clicking here!

Sarah Michelle Gellar's a dead "Ringer" for... Sarah Michelle Gellar?

     Sarah Michelle Gellar (Buffy the Vampire Slayer) returns to series television with the CW's Ringer. In "Pilot," which aired last night, Bridget Cafferty (Gellar) is found to be in the protective custody of Victor Machado (Nestor Carbonell, Lost) after witnessing a murder committed by a very dangerous man. Scared she isn't safe, even with Victor, Bridget flees to her twin sister, Siobhan Martin (also Gellar). But then Siobhan disappears while the two are on a boat, and Bridget assumes she is dead. In a panic, Bridget assumes Siobhan's identity.

     Fitting in as Siobhan is not as easy as Bridget hopes. For one thing, Siobhan is in a loveless marriage with Andrew (Ioan Gruffudd, Fantastic Four), living with a bratty stepdaughter named Juliet (Zoey Deutch, The Suite Life on Deck). Soon, Bridget discovers that Siobhan is sleeping with her best friend, Gemma's (Tara Summers, Boston Legal, Damages), husband, Henry (Kristoffer Polaha, Life Unexpected). And Siobhan also has someone trying to kill her. Plus, it doesn't take long for Victor to show up and ask "Siobhan" where her sister is.

     Oh, and by the way, Siobhan isn't dead; she's just hiding in Europe.

     Does Ringer sound deliciously complex enough to herald a Gellar return to TV? It should. It's got dark and twisty mysteries, concerning both sisters, and enough characters to spur some viewers to begin a cork board to keep track of all the connections. With the twists in the first hour alone, Ringer clearly establishes itself as a very adventurous show, in for many surprises as the weeks go by. The message? Don't trust anything you hear or see, because there's probably more going on than is shown. Which sounds just fine for an avid TV watcher tired of predictable procedurals.

     Gellar shines in Ringer, of course, both as the seemingly heartless, manipulative Siobhan, and the warmer, scared, ex-stripper Bridget. She is the lead, plain and simple, and everyone else in the series revolves around her. But she can handle that. A peek Bridget's relationship with her NA sponsor, Malcolm (Mike Colter, The Good Wife), and the fact that Bridget lets slip to Malcolm enough clues that he will eventually be able to find her, show there is some love and trust between them. Whether Siobhan has grown so cold that she won't mind her sister being murdered or not remains to be seen. Yet, Gellar plays both with enough levels that neither seems simple to figure out.

     The four men who are Gellar's co-stars also do quite well. It is not surprise that Carbonell can handle mysterious drama, given his previous track record. But Polaha really stands out, completely shedding his past roles, and holding his own against some very talented actors. There isn't a lot of Colter in "Pilot," but Gruffudd manages to show some vulnerability in the scenes with his daughter.

     Of course, the point of the first episode of Ringer is to open up a lot of questions, and it does. Why doesn't Juliet's mother want her? Why does Siobhan fake her death? When will she return? What happened to a boy (Siobhan's son?) that drove the sisters apart six years ago? Is Henry the father of Siobhan's unborn baby?  And who will catch Bridget first?

     Do not miss Ringer, airing Tuesdays at 9 p.m. ET on the CW.

     If you like my reviews, please follow me on Twitter!

Article first published as TV Review: Ringer - "Pilot" on Blogcritics.

Life Unexpected Ends Unexpectedly

     It seems like not that long ago (last April 13th, actually) when I wrote a fond farewell to what I was sure would be Life Unexpected's series finale. Thrilled that the CW gave the little show a second season this year, though it was renewed well after last spring's finale, so we were left hanging for quite awhile, I find myself with mixed feelings that the show is gone for good. Ok, it's not officially canceled, but it might as well be. Kudos to the network for allowing a second chance, but the ending, while plenty tear inducing, also left me frustrated, more for what it didn't show than what it did. As such, I will be focusing this review on the final moments of the show, rather than the whole series, whole season, or even the whole episode.

     The big news, of course: Baze (Kristoffer Polaha) ended up with Cate (Shiri Appleby). How could you not cry when Lux (Brittany Robertson) interrupted their make-out session to call them (for the first time seen on screen) Mom and Dad? Of course it was the dream of every child who grew up without parents, or parents being together. This was also the dream of many fans of the show, not counting myself among them. Yes, I longed for that in season one. But Baze was moving on in season two, and Ryan (Kerr Smith) was so well fleshed out as a likable character... It seemed more realistic that Cate would stay with Ryan.

     I praised the show the first time around for doing the unexpected, ending with Cate marrying Ryan. Cate and Ryan were just so invested in each other, that even after their marital problems this year, I was not happy to see them broken up. It seriously tainted the moment. Had the show been given another two seasons, as the final few moments were set two years in the future, I could easily see Ryan having left Cate to raise his baby with Julia (Jamie Ray Newman, Drop Dead Diva, Eureka) in a more natural way. Plus, it would have helped their radio careers to have them fight a lot and eventually divorce, but stay on the show. Or even not fight too much, as they seemed to still care for each other, and Ryan stayed in Lux's life, as he should have. But as Julia had barely been seen up to this point, it bothered me immensely. It was just too abrupt.

     Baze, like Cate, also had another love interest, in the form of Emma (Emma Caulfield, Buffy the Vampire Slayer, Gigantic). It broke my heart when he ended things with her. I totally understand. I knew finding out that she had had a four year affair with Baze's father, Jack (Robin Thomas), would end things between them. How could it not? As such, I blame the writers for ruining such a perfect pairing with that twist. On the other hand, the couple got really serious, really quickly, and had the show continued, I guess it would have been a bit boring for Baze to settle down with a woman so quickly. Not for me, but for most viewers, who like the on again-off again stories. Still, I missed Emma in that ending.

     Another option for Baze, and the one I thought was happening at first, was having him end up with Alice (Erin Karpluk), who was almost absent from this season entirely, but managed to be in the end. When I saw a pregnant Alice sitting next to Baze, I assumed she was his happy ending. It made sense. She was sweet, pretty, and recently divorced before the jump forward. Sure, since she wasn't with Baze, I am glad she was with Math (Austin Basis). Math is the epitome of a nice guy, and his unluckiness in love has been disheartening. I don't wish to take away from his happy ending by complaining. I'm just very unsettled by the whole last minute Cate - Ryan split, and that has influenced my whole opinion of the end.
 
     The other thing I had hoped for was the return of Eric (Shaun Sipos). As someone in the teaching world, I was disgusted by the Lux dating a teacher arc. But I also saw how they came together, completely unaware that they were doing anything wrong, and it hurt my heart a bit, too. Eric was good for Lux, and I had hoped he might return after she became legal age. Unlike the other relationship jumps, I'm fine with Lux ending up with Jones (Austin Butler), even though he had been dating Tasha (Ksenia Solo). Jones was the ultimate symbol of how Lux had been healed emotionally.

     I also wish for another season so I could see Lux fall in and out of love with Sam (Landon Liboiron) before she settled on Jones, as that was clearly being set up before the finale. She had some more healing to do, and Sam would have helped that process along, being a good choice for the damaged Lux, but on the road to healing himself from his parents' broken home, he could have taken her with him. Sam's continued presence would have kept Emma around long enough for Baze to try to get past her past, if he ever could, which is doubtful, but how I hoped it would go.

     Happy endings were also given to Jack, who was at the graduation sitting behind Baze, presumably with their relationship once again on the mend, and Jamie (Reggie Austin), who had almost disappeared from the show in season two. I felt like Kelly (Amy Price-Francis), similar to Sam, lost a good ending because of the pressures of wrapping up the show. Paige (Arielle Kebbel) was even more cheated, as she had been worked fairly prominently into this second season, just to go missing in the final couple of episodes.

     Life Unexpected wasn't always consistently top notch, often (especially in its sophomore year) falling to cheese or what seemed like too much drama. However, it was also often heart warming, and I will miss it.

Article first published as TV Review: Life Unexpected Ended Unexpectedly on Blogcritics.

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Life Unexpected tries too hard to be unexpected

Before you begin reading this review, you may want to re-read my season finale review from last April.

     Last year, the CW presented a little-watched show that was a surprise pick-up for a second season this year. Life Unexpected was incredibly charming, and I was thrilled when it got renewed, well after I thought it dead. I was even more surprised, and disappointed, to watch the season premiere, "Ocean Uncharted." It wasn't that it was a terrible hour of television; it's just that I know from past efforts that LU can do so much better than this. My biggest complaint is that the show just feels like it's trying too hard. It's stunt storytelling to bring in ratings. The show needs more viewers, but it won't get them if it replaces good writing with shock factors.

     The three most important characters all face earth-shattering events in the premiere. Baze (Kristoffer Polaha) is wondering what would have happened if he had only shown up at the church earlier. Would Cate (Shiri Appleby) have left Ryan (Kerr Smith) at the alter if Baze had arrived before their vows were exchanged? The self-reflection isn't bad, and actually shows Baze's maturation. Nor do I fault him for looking twice at the hot new waitress at his bar, Paige (Arielle Kebbel, Gilmore Girls). It's what happens because of Paige and why Paige will be sticking around for a while that I have a problem with. Don't worry. I won't spoil the surprises.

     Cate and Ryan have just returned from their honeymoon when the premiere episode begins. They took Lux (Brittany Robertson), so that she could have a vacation. Obviously, this did not allow them a traditional post-wedding trip, and we'll see if that has any consequences. Back at work, they learn that a new co-host will be joining them in the mornings, author Kelly Campbell (Amy Price-Francis, 24). She gives marriage advice, without being married herself. And Kelly is there to do more than just join the pair. Not only that, but Ryan seems to be hiding something significant from Cate. I know there needs to be suspense, hooks, and shakeups to get people to watch, but look how many things I mention in that short paragraph for just one episode. Trying way too hard.

     Lux doesn't have it any better than her parents. As soon as she arrives back in town, her boyfriend Bug (Rafi Gavron) wants something very big from her. As Lux has done before, she starts to fall for another boy (Shaun Sipos, Melrose Place) while pulling away from Bug. Even though the guy was new, the plot felt stale. And his twist has been done on many television shows before.

     There is a bright spot on the horizon, though. Emma Caulfield (Buffy the Vampire Slayer, Beverly Hills 90210) will soon be joining the cast as the new boss of one of our main characters. Emma sure brought a breath of fresh air to Buffy when she joined the show mid-run. Let's hope she can deliver the same for Life Unexpected.

     Life Unexpected premieres this Tuesday at 9pm on the CW

Article first published as Life Unexpected Tries Too Hard to Be Unexpected on Blogcritics.

   

Life Unexpected ends season (series?) in an unexpected way

     One of the charming new treasures of this television season has been the CW's Life Unexpected.  With a mere thirteen episode run, it came to an end last night.  Sadly, it has not yet been picked up for a second season, so what we watched may have been the end of the story.  Gladly, it that is it, there was closure for most of the major story lines.

     Central to this final episode, titled "Love Unexpected", was the love triangle between Baze (Kristoffer Polaha), Cate (Shiri Appleby), and Ryan (Kerr Smith).  It's been brewing for awhile, as in the pilot, though Ryan proposed to his co-anchor and girlfriend Cate, the child she gave birth to a a teenager resurfaced and she fell into bed with the kid's father, Baze.  Had this been a two hour romantic comedy, Baze would have broke in and stopped Ryan and Cate's wedding, leaving the family intact, and the third party to sadly go away.

     But this is television, and after thirteen episodes of getting to know Ryan, it would have been hard to see him rejected and sent packing.  So though Baze did rush into the chapel, he was too late.  And besides that, Cate seems happy to be married to Ryan.  The unexpected ending fit the show perfectly.

     The child in the middle of all this drama, Lux (Brittany Robertson) realized something, too.  Ryan made her understand how any child of a broken family feels, and her friendship with him has been one of the high points of the series, and the reason it would have been tragic for the series to follow the conventional formula.  Sure, she wanted to get her mom and dad together, and he understood that.  But eventually she seemed to realize that matters of the heart aren't so simple, and that there is more to it than a child's longing.  Beautifully handled.

     Lastly, the writers made time to Baze to reconnect with his own father (Robin Thomas).  It was a plot that simmered for a little while, and erupted in this final episode.  It helped the viewer understand Baze, and gave him some sort of triumph, even if he didn't get the girl.  The slow and seemingly natural relationship, with plenty of setbacks, has been one of the most moving stories in the show.

     Hopefully the CW will grant this show another season.  It deserves it.  But if not, it certainly brought some unexpected joy into my life.

Life Unexpected delivers better than expected

     Although Life Unexpected was expected to do all right for the CW, no one could have predicted it would do as well as it did.  It matched first season Gossip Girl ratings, actually improved significantly on the 8pm audience of long time drama, One Tree Hill.  Though it is merely a mid-season replacement, and hasn't surpassed The Vampire Diaries as CW's best new show of the year, it is well on its way to becoming a staple on the teen-focused network.

     The pilot deserves the numbers it pulled in.  The story was sweet, original, not too campy, and set up an interesting premise while introducing complex characters.  The series stars Brittany Robertson (Swingtown) as Lux, a girl given up for adoption fifteen years ago, but because of a series of surgeries to correct a hole in her heart, was instead bounced around the foster care system.  It seems no one wants to adopt a damaged three year old, or older.  Lux goes from one bad family to the next, and as she approaches her sixteenth birthday, she decides to seek emancipation so she can begin to live on her own.  There's just one small problem: apparently there was a paperwork snafu, and her parents never officially gave up all custody to her.  So she sets off to find them and get them to sign her paper.

     The said parents, who had a one night stand in high school, are bar owner Baze (Kristoffer Polaha) and the host of Lux's favorite morning radio show, Cate (Shiri Appleby, Roswell).  Baze has not really grown up, living with a couple of roommates above the bar, but immediately connects with Lux and wants to help her any way he can.  Cate, similarly is drawn to Lux, though she has her own issues, including a major fear of commitment and lack of communication skills.  This is best illustrated by her dysfunctional relationship with her co-host slash fiance, Ryan (Kerr Smith, Dawson's Creek).  The judge is reluctant to grant Lux her independence without a source of income or residence, so the two biological parents are awarded joint custody.

     All three of the main characters are well defined, and have their own interesting sets of issues.  Each parent steps up when asked, and Lux, though a bit bitter from her life thus far, wants what any child really wants - a loving family.  It is not too late for her, and obviously, through her, both of her parents will be learning life lessons as well.  As the series start, Lux is turning sixteen, and only two years away from being on her own anyway.  It will be interesting to see what turns the series takes to get her to adulthood, and how the relationships will change if the show continues past that point.  An intriguing, well written concept with a lot of heart.  Add it to your television lineup.

     Life Unexpected airs on Monday nights at 9pm on the CW.