TV Review: ‘The Doctors Revisited – Ninth to Eleventh’

Article first published as TV Review: ‘The Doctors Revisited – Ninth to Eleventh’ on Blogcritics.

As Doctor Who‘s 50th year winds down, the last set of The Doctors Revisited, Ninth to Eleventh, has been released on DVD. These are a lot like the other eight specials, with approximately 30 minutes devoted to discussion of each of The Doctor’s latest incarnations. As before, some of each Doctor’s adventures are included, this time in the form of a pair of one-hour installments rather than a complete serial, keeping with the changed format of the show.

These three are the modern Doctors, beginning with the 2005 reboot and continuing to the present. Premiering nearly a decade after the 1990s TV movie, and even longer since the show went off the air, Christopher Eccleston, David Tennant, and Matt Smith take what came before them and updated it for the modern era. Still maintaining some of the magic, charm, humor, and monsters, Doctor Who has been tweaked in the best of ways, and has never been more popular.

Eccleston is the first one to be profiled, and his reign is pretty brief, having only been featured in one series. His Ninth Doctor is badly scarred from a war in which he committed heinous acts (a subject touched upon in the recently-aired anniversary special Day of the Doctor), and now he’s trying to find himself again. Along with a young, pretty companion named Rose (Billie Piper), Eccleston re-introduces us to the character as we’ve never seen him before, setting the bar for his followers.

The episodes included in this set for Eccleston are “Bad Wolf” and “The Parting of the Ways.” This is his two-part finale, in which Rose is tested and Captain Jack (John Barrowman), who will soon earn his own spin-off, concludes his time traveling with The Doctor.

David Tennant, “my doctor,” takes over in series two and stays for three years, as well as for a number of specials. The Tenth Doctor has multiple companions during his tenure, beginning with Rose, whom he falls in love with, and continuing through Martha (Freema Agyeman) and Donna (Catherine Tate). This Doctor is witty and clever, but has a dangerous edge that can come out when needed.

Tennant’s run not only makes good use of old foes, such as the Cyberman, the Daleks, and the Master, but also begins building larger-arc stories that play out over a number of episodes. The end of his fourth series is truly a culmination of all that he does, with many of his previous friends, including Sarah Jane (Elisabeth Sladen) from the old series, teaming up in a fantastic finale, which happen to be the installments selected for this DVD.

After Tennant comes Matt Smith’s Doctor. A bit more goofy than the Tenth, the Eleventh is also more unstable, prone to bouts of extreme loneliness, often resulting in the erosion of his moral compass. Though Smith stays for three series (his run will end in the upcoming Christmas special later this month), his story actually spans multiple centuries as he flits in and our of the lives of his companions, Amy Pond (Karen Gillian) and Rory Williams (Arthur Darvill) over the course of a decade or so (from their perspective). After Amy and Rory depart, which leads to even more moping, the Eleventh begins traveling with Clara (Jenna-Louise Coleman), a girl he witnesses dying multiple times, a mystery that brings The Doctor back to life.

The storytelling in Smith’s time becomes even more intricate and deep. As producer Steven Moffat takes the Doctor Who reigns from Russell T. Davies, more recurring characters populate the landscape, the Weeping Angels become an important returning villain, and events suddenly take years to play out, words mentioned in previous series culminating much later. The Doctor is also given a wife, River Song (Alex Kingston), whom the Tenth Doctor meets briefly, but whom the Eleventh loves very much, even as his tale and hers intertwine in strange and sad ways.

The episodes for Smith’s era are “The Impossible Astronaut” and “Day of the Moon,” the two-part opener to series six in which The Doctor, Amy, Rory, and River encounter The Silence, an alien race that cannot be remembered once they leave one’s eyesight. This is actually only the beginning of a story that will take awhile to conclude.

As usual, Moffat has recorded openings for each of the episodes, which can be watched in their original two-part versions or as a seamless feature.

The Doctors Revisits – Ninth to Eleventh is available now.

More DOCTOR WHO Fun With THE FIVE(ISH) DOCTORS REBOOT

Article first published as TV Review: 'The Five(ish) Doctors Reboot' on Blogcritics.

Amid all the 50th anniversary Doctor Who hoopla this weekend, there was released a half-hour production that got much less attention than other most other events. It didn’t even make it on air in the United States. For any fans of the classic show, or the genre of comedy in general, The Five(ish) Doctors Reboot is must-see.

Written and directed by Peter Davison, The Five(ish) Doctors Reboot finds Davison, Colin Baker, and Sylvester McCoy anxiously awaiting news about whether they will be included in The Day of the Doctor. Months pass and the phone doesn’t ring. The BBC offices and Steven Moffat begin avoiding their calls.

These are sad, old men, past their prime, and wanted by no one, including their families. They are obsessed with their glory days, unable to let that defining role of Doctor Who go, and desperate for attention that doesn’t come.

This may sound depressing, but it’s not because the half hour is absolutely hysterical. It’s pretty apparent that this is a campy romp, not a biographical story. The actors are game to make fun of themselves in a public forum, and these parts really work because they cut close enough to home to be relatable. Like Matt LeBlanc in Episodes are James Van Der Beek in Don’t Trust The B—- in Apartment 23, the characters are almost parodies of themselves, not their actual personalities.

We know this because of how pathetic they become. No self-respecting men of notoriety would hold picket signs championing themselves, all alone, in front of a TV studio. Or bum a ride from John Barrowman, who forces them to listen to his singing. Or lock their wife and daughters into their house in order to relive old episodes. Or constantly remind everyone that they are in The Hobbit. Or steal Dalek costumes in the hope they can sneak on set and make it on screen. Or call one’s daughter, Georgia Moffett, in the hospital room where she is giving birth and ask a favor of her husband, David Tennant. It’s absurd, in the best of ways.

Other familiar faces, including Russell T. Davies, Paul McGann, Matt Smith, Jenna-Louise Coleman, Peter Jackson, Olivia Colman, and Ian McKellen gamely participate, each poking fun at themselves as much as at the old men. If you’re eagled-eyed, you might spy offspring of two of the older, departed Doctors, really making this a full tribute, with more of the cast returning than in the official episode. Each of these are wonderful scenes, a nod to all the Doctor Who fans watching. But the stars of the show was Davison, Baker, and McCoy, and they are spectacular to watch, even without the slew of terrific cameos.

In the end, the guys get their wish. I wouldn’t reveal the exact circumstances, but there is a sweet twist which proves once and for all that they were able to gain access to the set, and surely are not loathed by the production staff. This capper is necessary because, even though I enjoy watching them bumble and suffer, the tone is a light one, and no one wants to see these guys we love fail. It just wouldn’t be right.

Perhaps The Five(ish) Doctors Reboot is not an official part of the anniversary, and maybe it won’t be remembered as fondly as the actual special. But it’s not something I’m likely to forget, and by posting it on the BBC’s website, the network seems to give it their blessing. I definitely recommend checking it out here. (this link will only work for a limited time)

DVD Review: ‘Doctor Who – Scream of the Shalka’

Article first published as DVD Review: ‘Doctor Who – Scream of the Shalka’ on Blogcritics.

Way back in 2003, Doctor Who was a canceled series approaching its 40th anniversary with little fanfare. In order to highlight the big year, the BBC developed an animated web series called Scream of the Shalka, which was presented in six short parts. While originally intended to introduce audiences to the Ninth Doctor (Richard E. Grant, The Crimson Petal and the White), who could go on for many more stories, the announcement of the 2005 reboot series thwarted much of those rumored plans. Now, that stand-alone, non-cannon adventure has been released on DVD.

The Ninth Doctor in Scream of the Shalka is not the same one that Christopher Eccleston brought to life. This version is darker, in fact, something I would not have expected, and a lot less humorous. He travels with an android version of The Master (Derek Jacobi, Last Tango in Halifax), having long ago shunned human contact. Unfortunately for this reclusive Doctor, the TARDIS drops him back on Earth in the midst of a crisis and refuses to let him leave.

The main story of Scream of the Shalka involves lava-loving monsters, the Shalka, that take over people’s brains and make them scream in such a way that it destroys the planet. Apparently, they are widespread across the galaxy, but only emerge from hiding to attack when a planet is near death, which this special surmises ours is, given the environmental conditions.

The Doctor tries to stay out of things and pawn this emergency off on UNIT, but it doesn’t take much for him to befriend a bold barmaid named Alison Cheney (Sophie Okonedo, Hotel Rwanda), thus giving the Doctor some skin in the game. Begrudgingly, he agrees to help save the day.

This Doctor is an intriguing creation. He has a lot of mysterious back story and baggage. Why doesn’t he want companionship any more? Why has he embraced the machine over men? Where has he been? What forces him to return to the public eye? How much of his personality might influence the versions that followed? After all, he’s more similar to the Doctors that can after than before him. It’s a little disappointing these questions are not explored in depth, since this version of the iconic character is not followed up on, other than in a short story, and goes unacknowledged in the modern continuation.

When Scream of the Shalka was released, some reviewers complained about Grant’s disconnect from the material, and the man behind the reboot, Russell T. Davies, says he never even considered using Grant of this version of the Doctor when developing the show. Yet, for the modern viewer, the challenge may be seeing Grant as a hero, since he currently portrays a villain in the current Doctor Who series. Either way, this serial doesn’t quite land as it should.

There are also pacing and originality issues. It plods through the beginning, only later picking up and getting exciting. The plot itself is pretty standard for a Doctor Who tale, other than the little bit that involves the Doctor’s mythology, and the story won’t stand out in the history of the series. Thus, though it is a bold experiment, and many will appreciate it finally getting a DVD release, it isn’t one fans are eagerly anticipating, either.

A few connections to newer Doctor Who episodes do add a little bit to the enjoyment factor. Jacobi not only plays the Master in Scream of the Shalka, but also in the episode “Utopia,” before the Master regenerates into a new body. David Tennant, who is later cast as the Tenth Doctor, makes a small cameo. And Okonedo takes the role of Queen Elizabeth X in a pair of Eleventh Doctor episodes.

The special features on this two-disc release are plentiful. Of course there’s an audio commentary and photo gallery, as well as a production note subtitle option. Also included is a half-hour “Making Of,” the soundtrack album, actor and direction interviews, and a featurette about the BBC’s website and the part Doctor Who serves in that. Among those who participate in the extras is Davies himself.

Scream of the Shalka may not be the best bit of Doctor Who ever made, but it is a unique curiosity for fans to appreciate.

Doctor Who – Scream of the Shalka is available now.

DVD Review: 'Doctor Who - The Green Death Special Edition'

Article first published as DVD Review: 'Doctor Who - The Green Death Special Edition' on Blogcritics.

The Green Death, now available as a two-disc Special Edition DVD, is the tenth season finale of the classic British science fiction series Doctor Who. Originally aired in six parts in the spring of 1973, it is notable as the final serial in which Jo Grant (Katy Manning) serves as The Doctor’s (Jon Pertwee) companion.

As The Green Death begins, Jo and Brigadier Lethbridge-Stewart (Nicholas Courtney) set out to investigate the mysterious death of a miner, one whose body has turned green. Jo initially assumes the cause is environmental, despite a local chemical company’s insistence that their process is safe and produces little waste. She has the support of Professor Clifford Jones (Stewart Bevan), whom she is quite enamored with.

Of course, as The Doctor discovers when he finally arrives from Metebelis Three, a planet he has been longing to visit for the past few serials, the situation is a lot more complicated than a little pollution leaking into the ground. The employees of the chemical company, along with UNIT’s Captain Yates (Richard Franklin), have been brainwashed by BOSS, a super computer intent on controlling the Earth. And the waste isn’t just killing people, but producing giant maggots, which turn into giant flies. Gross!

The Green Death is relevant as an environmental story, a topic as relevant today as it was in the 1970s. Sometimes there are hidden and unintended consequences, though there aren’t usually aliens involved. This Doctor Who serial takes something familiar and bends it to the show’s unique spin, producing a realistic-seeming, entertaining, and important story.

It also is part of the proud science fiction tradition of a computer trying to control people. From Star Trek to The Terminator to The Matrix, this scenario has been explored a number of different in ways. Doctor Who lends itself well to this type of tale, and this is a welcome adventure in the genre.

A few things in the script happen a bit too conveniently, such as The Doctor’s souvenir from Metebelis Three turning out to be exactly what is needed to save some people. However, there are also some wonderful connections to other serials, with the Metebelis storyline tying nicely into continuing arcs. While Doctor Who used to be (and sometimes still is) largely procedural, serial elements are always appreciated.

Jo’s departure from Doctor Who is handled pretty well, even if it all happens a bit fast. Unlike some companions, she gets an ending fans should enjoy, both serving the character, and feeling like a progression based on what happens within the six episodes, as well as her earlier tale. Quite satisfactory.

As most fans of Doctor Who DVD releases know, these Special Editions from the BBC always deliver on the amount of bonus features. Among the typical offerings included are PDF materials, an audio commentary with familiar voices actress Katy Manning, script editor Terrance Dicks, and producer Barry Letts, and a photo gallery. But there is so much more present, as well.

One of the best inclusions is an eleven minute mockumentary sequel, in which an investigative report is done on the chemical company featured in The Green Death. A number of guest stars from the episodes participate, and this kind of tie-in seems not only appropriate, but far ahead of its time, as it would fit nicely with the “web-based extras” many shows offer today. A more serious “Making of” is included, too, along with featurettes on visual effects, Wales, interviews with guest star Stewart Bevan and writer Robert Sloman, and a bit with Russel T Davies about Doctor Who‘s modern rebirth. Plus, there’s a second audio commentary track featuring people involved in Doctor Who not spoken to the first time around, and more.

It’s also worth mentioning that although Manning’s Jo did not return to Doctor Who officially, she did pop up in the modern spin-off series, The Sarah Jane Chronicles. Two episodes from that show that aired in 2010 with Manning and Matt Smith as The Doctor are also on this DVD set.

In short, it’s another home run for the BBC and Doctor Who fans everywhere, a wonderful story with a ton of bonus features. Doctor Who The Green Death Special Edition is available now.

Doctor Who sails on The Ark in Space

Article first published as DVD Review: Doctor Who - The Ark in Space Special Edition on Blogcritics.

Now available from the BBC is the two-disc Doctor Who - The Ark in Space Special Edition. The second serial in the 12th season, these four half-hour episodes have been called the best of the classic Doctor Who by both Russell T. Davies and Steven Moffat, both driving forces in the latest reincarnation of the show.

Originally airing in January and February of 1975, The Ark in Space, opens with the TARDIS landing on a seemingly deserted, aged space station; it's a creepy place. It isn't long before the Doctor (Tom Baker) and his companions Sarah Jane Smith (Elisabeth Sladen) and Harry Sullivan (Ian Marter) discover that the place isn't nearly as empty as they first think. There is an entire population of humans slumbering peacefully within, frozen in cryonic suspension, waiting to awaken and find a new home to settle in.

But the ark should have already reached its destination, and the people should already be living their new lives. Instead, a dangerous alien parasite known as the Wirrn have taken over the craft. When a few crewmen are woken by the Doctor and his friends, the insect-like creatures take over the captain of the ark, called Noah (Kenton Moore), and the humans must engage in a deadly face-off with these things.

The Ark in Space is credited as being the first to show a darker side of Doctor Who, bringing a horror element to the series that continues to this day in "Blink" and other episodes of the modern version, most notably the ones featuring the angels. Doctor Who wanted to expand its appeal more towards an adult audience at the time, and this is how they chose to do it. They didn't go too far, even cutting out some footage deemed "too scary." But this is a turn away from the show's lighter, fluffier stories.

Part of why this serial is different from that which came before is the level of danger threatened by the enemy; there are casualties and heart-wrenching deaths. People cannot all be saved, and the ending is only happy for some, mixing tragedy into the finale. For those who have seen many episodes of Doctor Who, this may not seem all that novel or different a concept in 2013. But for the time period it aired, it represented something very fresh. And the experiment worked, buoyed by fantastic performances and a gripping script, garnering high ratings and forever changing the series.

The picture and sound have been remastered for this DVD release. As is typical for classic Doctor Who serials, it's not perfect, but it's far better than what is available prior to this release. The newer stuff almost always looks better (depending on the source used to make the DVDs), and considering The Ark in Space comes from the middle of the run, it's easy to find examples of restored Doctor Who that are both better and worse than this one. I would rate this towards the higher end of the spectrum, though, with clearer picture and more vibrant colors, as well as more detailed and less fuzzy sound, than many Doctor Who releases that I've recently reviewed.

This newest Special Edition release, like its peers, contains a whopping pile of extras. The commentary for these episodes is provided by producer Philip Hinchcliffe, joined by series stars Baker and Sladen. A photo gallery and PDF materials are included, as usual, along with the original BBC trailer for the serial and an alternate title sequence and special effects. There is also a shorter version of the whole serial in TV Movie format.

Plenty of featurettes appear are included with this release, including "A New Frontier" is a "Making of" special specific to The Ark in Space. "Scene Around Six" is Tom Baker captured by public news crews a few years later than this was filmed. "Doctor Forever! - Love And War" focuses on the novels written and published during the years Doctor Who was off the air. There is also an interview with a designer and some amateur film shot during the production of another episode. So there's a range of stuff, both pertaining to this specific adventure and to the series as a whole.

Doctor Who - The Ark in Space Special Edition is available now on DVD.

Queer as Folk The Complete UK Collection on DVD in USA

     Acorn Media recently released Queer as Folk: The Complete U.K. Collection. From creator Russell T. Davies (Torchwood, Doctor Who), Queer as Folk follows Stuart (Aidan Gillen, Game of Thrones, The Wire), a promiscuous, ornery gay man in Manchester, England. His considerably quieter best friend, Vince (Craig Kelly, Coronation Street) has a crush on Stuart that isn't exactly secret. Then Stuart picks up a fifteen year old boy named Nathan (Charlie Hunnam, Sons of Anarchy, Undeclared), disrupting their lives in many ways. 

     Queer as Folk aired more than 10 years ago in Britain, and its American remake put in five seasons on Showtime. Thus, if one is interested in the material, it is likely a great deal is already known about the plot. What may have been forgotten over the years is the large amount of controversy that Queer as Folk caused upon its debut, and the special features do everything they can to remind fans of that.

     Queer as Folk is a show that people either love or hate; those against the show were quite vocal about it when it aired. The show's critics have argued that the series is a bad representation of the gay community, and promotes dangerous and destructive behavior. There is graphic sex depicted between a man and an underage boy; characters pop pills. Any reference to safe sex is subtle. Many gay individuals have claimed that Queer as Folk has nothing for them to relate to, as they live far more 'normal' lives.

     The argument that creator Davies and his cohorts make is that they never set out to provide fair representation. That would have been a less exciting documentary. Instead, they want to tell a story, a drama of three men, their friends, and a very special, specific time in their lives. Davies, as a gay man, uses his experience to tell the story, knowing that the circumstances don't apply to everyone.

     Under these arguments, most of the complaints appear to be baseless. After all, are television series featuring straight people attacked for not being representative of all straight people?

     Then again, Queer as Folk was, and is, held to a higher standard by many because of what it was: the first big, dramatic television series to focus on homosexual individuals. In that light, perhaps some viewers expect it to be something more than entertainment. Davies and his crew are not worried about the larger implications. Thus, there is a disconnect between what is being made, and what comes to screen.

     Queer as Folk The Complete Collection contains the entire run of the British version. Series 1, originally aired in eight half-hour installments, is presented as four, hour-long episodes. Series 2 includes two episodes, making the total run less than six hours in length, an unexpectedly short television series for all the impact it has had.

     The three-disc set also contains a wealth of extras. There is a 20-page booklet with reflections by Davies, many of which pertain to those things mentioned above, as well as the production process for the series. A 45-minute feature called "What the Folk...?" follows some of the behind the scenes stories, again, with a large focus on the controversy, and reuses clips from the series and the other features quite heavily. A shorter, seven minute behind the scenes feature talks of the real Canal Street, and how the gay main characters are played by straight men. Much of the interview material predates the series airing, not exactly making it new, but at least collecting it in a convenient location.

     The expected bonus features are present, too. There is almost an hour of deleted and extended scenes, a huge trove, considering the short air time. Three teasers and five trailers are included, as are almost five minutes of still slideshows. Cast filmographies for the three leads are present, updated to this year.

     There are also two bits from other shows. A short interview of two cast members on T4 is on Disc One, as well as an 11.5-minute segment from Right to Reply, a series that, among other things, lets "normal" people confront the minds behind the series they watch. In this case, a gay rights activist and a "typical" gay man are allowed to confront an executive producer and network rep. The latter don't fight back as much as they probably should against the negative accusations.

     It is welcome and appropriate, though, that such an important series gets such a nice, complete DVD treatment.

     Click here to order Queer as Folk The Complete UK Collection on DVD.

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Article first published as DVD Review: Queer as Folk - The Complete U.K. Collection on Blogcritics.