Be Wary of THE LEFTOVERS

Article first published as THE LEFTOVERS Review at Seat42F.

HBO’s THE LEFTOVERS is unlike anything I’ve ever seen on television. It’s based around a huge, whopping mystery that the writers have no plans to answer. In these modern days, viewers tend to want answers, and most shows are happy enough to give them. Many fail to satisfy with those answers, and it makes for angry fans. THE LEFTOVERS takes a different tact by saying life is uncertain and people don’t always know what’s going on, and if you can’t handle that, it’s probably better you don’t watch this series.

The pilot begins with an unexpected event in which 2% of the world’s population disappears in the blink of an eye, then immediately jumps three years into the future. The easy explanation, the one many have been touting when talking about the premise, is that the Rapture occurred. Yet, not all of the characters agree, as some of the people who disappear are not good people, nor religious. One TV anchor says, to paraphrase, I get why the pope is gone, but Gary Busey?

This one paragraph gives you an idea of what the characters that populate THE LEFTOVERS are dealing with. Neither scientists, who lack evidence, nor religious leaders, many of whom want to deny a rapture because they have been left behind, have any understanding of what happened. Which means the population as a whole has this very uneasy sense that not only do they not know where their loved ones are, but also may worry that it could happen again, to anyone at any time.

Who can live in a world like that? Well, to be blunt, us. Tom Perrotta, the author of the source material who also works on the show, wanted to tell a story in our world, examining parts of the human condition we often ignore. None of us knows when our time will be up, or what disaster could strike, causing untold death and destruction. THE LEFTOVERS takes those nagging feelings and pushes them to the forefront, forcing people to deal with them.

This is a really cool idea, but will it work for a television show? As I said, viewers want answers, and I’m not sure how many will tune in for a show that doesn’t promise to give any. I can see what would attract Damon Lindelof to this project, having been burned by mixed reviews of the finale of his popular drama, Lost (personally, I loved it), but because he knows first-hand what happens when fans don’t feel like a series has fulfilled its obligations, does he also worry that no one will show up if he says right out of the gate he doesn’t acknowledge those obligations this time around?

Setting aside that fundamental debate, which I posed up front because it’s really one that should be dealt with on an individual basis before deciding to tune in, THE LEFTOVERS, like most HBO fare, is a solid program. It’s full of disparate individuals who each see the situation in their own way, and have differing views on how to deal with it.

There’s: Kevin Garvey (Justin Theroux, The District), the local cop whose wife is gone and he’s left raising two boundary-pushing teens; Tom Garvey (Chris Zylka, The Secret Circle), Kevin’s son who is turning to what appears to be a wise sage, Wayne (Paterson Joseph, Law & Order: UK); Jill (Margaret Qualley, Palo Alto), Kevin’s daughter who escapes into partying; Matt Jamison (Christopher Eccleston, Doctor Who), a religious leader trying to make others face what he thinks is the truth; Dean (Michael Gaston, Turn, Jericho), a man with a gun and a plan; Meg (Liv Tyler, The Lord of the Rings), a bride with cold feet; Laurie (Amy Brenneman, Private Practice), who has joined a silent, creepy cult; and others.

It seems THE LEFTOVERS will deal with spirituality and belief a lot, both in group form and on a personal level. I suppose it would be natural to turn to a higher power when things move beyond human knowledge, the birth of religion in our past. In this series, many take differing paths to get to a place where they can accept what has happened, not an easy task, and certainly not one that a wide majority will come to agreement on.

I think three years after the event is a good time frame to set the series in. It’s long enough that the shock has worn off, but short enough that the ramifications are still being felt. People have returned to a new normal in their activities, but not in their thoughts and emotions. This is an intriguing idea, and this one town is a microcosm of the larger world.

Of course, there are also some twists and unexpected familial connections. That part of conventional storytelling does remain and is welcome. We need some level of comfort at the base in order to open our minds to the challenges of THE LEFTOVERS. It’s a show about being, not a show about actions, and so is designed to make us think. If it surprises us along the way with a few reveals at key moments, well, that may just keep some casual viewers interested enough to return, exposing them to more of the bigger issues.

THE LEFTOVERS is weird, to be sure, and many may not know if they like it right off the bat. But I urge you to give it a try when it premieres this Sunday at 10 p.m. ET on HBO.

TV Review: ‘The Doctors Revisited – Ninth to Eleventh’

Article first published as TV Review: ‘The Doctors Revisited – Ninth to Eleventh’ on Blogcritics.

As Doctor Who‘s 50th year winds down, the last set of The Doctors Revisited, Ninth to Eleventh, has been released on DVD. These are a lot like the other eight specials, with approximately 30 minutes devoted to discussion of each of The Doctor’s latest incarnations. As before, some of each Doctor’s adventures are included, this time in the form of a pair of one-hour installments rather than a complete serial, keeping with the changed format of the show.

These three are the modern Doctors, beginning with the 2005 reboot and continuing to the present. Premiering nearly a decade after the 1990s TV movie, and even longer since the show went off the air, Christopher Eccleston, David Tennant, and Matt Smith take what came before them and updated it for the modern era. Still maintaining some of the magic, charm, humor, and monsters, Doctor Who has been tweaked in the best of ways, and has never been more popular.

Eccleston is the first one to be profiled, and his reign is pretty brief, having only been featured in one series. His Ninth Doctor is badly scarred from a war in which he committed heinous acts (a subject touched upon in the recently-aired anniversary special Day of the Doctor), and now he’s trying to find himself again. Along with a young, pretty companion named Rose (Billie Piper), Eccleston re-introduces us to the character as we’ve never seen him before, setting the bar for his followers.

The episodes included in this set for Eccleston are “Bad Wolf” and “The Parting of the Ways.” This is his two-part finale, in which Rose is tested and Captain Jack (John Barrowman), who will soon earn his own spin-off, concludes his time traveling with The Doctor.

David Tennant, “my doctor,” takes over in series two and stays for three years, as well as for a number of specials. The Tenth Doctor has multiple companions during his tenure, beginning with Rose, whom he falls in love with, and continuing through Martha (Freema Agyeman) and Donna (Catherine Tate). This Doctor is witty and clever, but has a dangerous edge that can come out when needed.

Tennant’s run not only makes good use of old foes, such as the Cyberman, the Daleks, and the Master, but also begins building larger-arc stories that play out over a number of episodes. The end of his fourth series is truly a culmination of all that he does, with many of his previous friends, including Sarah Jane (Elisabeth Sladen) from the old series, teaming up in a fantastic finale, which happen to be the installments selected for this DVD.

After Tennant comes Matt Smith’s Doctor. A bit more goofy than the Tenth, the Eleventh is also more unstable, prone to bouts of extreme loneliness, often resulting in the erosion of his moral compass. Though Smith stays for three series (his run will end in the upcoming Christmas special later this month), his story actually spans multiple centuries as he flits in and our of the lives of his companions, Amy Pond (Karen Gillian) and Rory Williams (Arthur Darvill) over the course of a decade or so (from their perspective). After Amy and Rory depart, which leads to even more moping, the Eleventh begins traveling with Clara (Jenna-Louise Coleman), a girl he witnesses dying multiple times, a mystery that brings The Doctor back to life.

The storytelling in Smith’s time becomes even more intricate and deep. As producer Steven Moffat takes the Doctor Who reigns from Russell T. Davies, more recurring characters populate the landscape, the Weeping Angels become an important returning villain, and events suddenly take years to play out, words mentioned in previous series culminating much later. The Doctor is also given a wife, River Song (Alex Kingston), whom the Tenth Doctor meets briefly, but whom the Eleventh loves very much, even as his tale and hers intertwine in strange and sad ways.

The episodes for Smith’s era are “The Impossible Astronaut” and “Day of the Moon,” the two-part opener to series six in which The Doctor, Amy, Rory, and River encounter The Silence, an alien race that cannot be remembered once they leave one’s eyesight. This is actually only the beginning of a story that will take awhile to conclude.

As usual, Moffat has recorded openings for each of the episodes, which can be watched in their original two-part versions or as a seamless feature.

The Doctors Revisits – Ninth to Eleventh is available now.