No More LEFTOVERS, It's Fresh!

Article first published as THE LEFTOVERS Review "Axis Mundi" on Seat42F.

HBO’s THE LEFTOVERS began its second season with the episode “Axis Mundi.” The name of the installment refers to a focal point, a connection between Heaven and Earth. Presumably, that’s what the town of Jarden, Texas, the ‘miracle’ city where not a single one of its 9,000-plus residents disappeared in the Sudden Departure, is. This is the new setting for the series, but the location is far from the only thing that’s changed.

“Axis Mundi” begins with a cave woman, presumably Native American, who is separated from her people by a landslide, gives birth in the open, and tries to protect her baby. She dies, and another woman rescues the child. What is the meaning of this extended sequence, done without dialogue, that makes up a huge chunk of the beginning of the episode?

Well, there are parallels we can draw between the cave woman and characters on the show. Perhaps she represents Nora (Carrie Coon), who lost her entire family, then picked up a baby that isn’t hers. If so, does that mean Nora is doomed? Or is the woman meant to represent the fierce spirit of human beings? Or maybe her sequence is commentary on life and death?

While it’s nearly impossible to say for sure what the cave woman means (unless the show’s staff come forward and tell us), this does fit within the framework of THE LEFTOVERS. It is a slow-paced, emotionally-moving series that dwells on depth of feeling, at times so much so that it becomes purposefully uncomfortable. While the cave woman may not be a familiar face, her piece does not feel out of sync with the overall tone of the program, and I like that it makes us think, as other episodes have in that past. The show is often about not having answers, and this opening lets viewers feel what the characters feel in that regard.

After her, we meet the Murphy family, who have joined our principal cast. There’s: John (Kevin Carroll, Being John Malkovich), the fire captain patriarch who seems to want to protect the town, and may or may not be a villain; his wife, Erika (Regina King, American Crime, Southland), an almost-deaf doctore who is complicit in whatever her husband is doing; their spiritual son, Michael (Jovan Adepo, The Youth); and their multi-faceted, adventurous daughter, Evie (Jasmin Savoy Brown, Laggies).

It takes forty minutes for a familiar face from season one to show up, so the Murphys are our protagonists for most of “Axis Mundi.” I didn’t find myself minding, though. It’s not that I don’t like last year’s leads, many of whom will continue to star in the show (though a number of them have been dropped). It’s the fact that getting to know the Murphy family is a great way to introduce us to this place, as they are involved in the community in a myriad of ways, and they are supremely interesting in their own right. Next week, we can go back to the Garveys and their friends, but for now, I am satisfied to be fully immersed in this place before they even arrive.

Jarden, or Miracle, is a very intriguing town. It has a new tourist industry based entirely upon its reputation, and that brings with it its own share of problems. Isaac Rainey (Darius McCrary, Family Matters) is the perfect way to examine this. He’s a fortune teller whom John goes after. Is Isaac for real? What if he is? What if he’s not? Whether he is or not, does John have the right to force him to stop? Does Isaac represent the best or worst in human nature?

Despite numerous changes, from characters to setting, THE LEFTOVERS remains essentially the same show, so its fans should be happy with “Axis Mundi.” Once more, we’re left to ponder questions that don’t have clear answers, while fully immersed in human drama that is compelling and authentic. Excellent start.

THE LEFTOVERS airs Sundays at 9 p.m. ET on HBO.

Be Wary of THE LEFTOVERS

Article first published as THE LEFTOVERS Review at Seat42F.

HBO’s THE LEFTOVERS is unlike anything I’ve ever seen on television. It’s based around a huge, whopping mystery that the writers have no plans to answer. In these modern days, viewers tend to want answers, and most shows are happy enough to give them. Many fail to satisfy with those answers, and it makes for angry fans. THE LEFTOVERS takes a different tact by saying life is uncertain and people don’t always know what’s going on, and if you can’t handle that, it’s probably better you don’t watch this series.

The pilot begins with an unexpected event in which 2% of the world’s population disappears in the blink of an eye, then immediately jumps three years into the future. The easy explanation, the one many have been touting when talking about the premise, is that the Rapture occurred. Yet, not all of the characters agree, as some of the people who disappear are not good people, nor religious. One TV anchor says, to paraphrase, I get why the pope is gone, but Gary Busey?

This one paragraph gives you an idea of what the characters that populate THE LEFTOVERS are dealing with. Neither scientists, who lack evidence, nor religious leaders, many of whom want to deny a rapture because they have been left behind, have any understanding of what happened. Which means the population as a whole has this very uneasy sense that not only do they not know where their loved ones are, but also may worry that it could happen again, to anyone at any time.

Who can live in a world like that? Well, to be blunt, us. Tom Perrotta, the author of the source material who also works on the show, wanted to tell a story in our world, examining parts of the human condition we often ignore. None of us knows when our time will be up, or what disaster could strike, causing untold death and destruction. THE LEFTOVERS takes those nagging feelings and pushes them to the forefront, forcing people to deal with them.

This is a really cool idea, but will it work for a television show? As I said, viewers want answers, and I’m not sure how many will tune in for a show that doesn’t promise to give any. I can see what would attract Damon Lindelof to this project, having been burned by mixed reviews of the finale of his popular drama, Lost (personally, I loved it), but because he knows first-hand what happens when fans don’t feel like a series has fulfilled its obligations, does he also worry that no one will show up if he says right out of the gate he doesn’t acknowledge those obligations this time around?

Setting aside that fundamental debate, which I posed up front because it’s really one that should be dealt with on an individual basis before deciding to tune in, THE LEFTOVERS, like most HBO fare, is a solid program. It’s full of disparate individuals who each see the situation in their own way, and have differing views on how to deal with it.

There’s: Kevin Garvey (Justin Theroux, The District), the local cop whose wife is gone and he’s left raising two boundary-pushing teens; Tom Garvey (Chris Zylka, The Secret Circle), Kevin’s son who is turning to what appears to be a wise sage, Wayne (Paterson Joseph, Law & Order: UK); Jill (Margaret Qualley, Palo Alto), Kevin’s daughter who escapes into partying; Matt Jamison (Christopher Eccleston, Doctor Who), a religious leader trying to make others face what he thinks is the truth; Dean (Michael Gaston, Turn, Jericho), a man with a gun and a plan; Meg (Liv Tyler, The Lord of the Rings), a bride with cold feet; Laurie (Amy Brenneman, Private Practice), who has joined a silent, creepy cult; and others.

It seems THE LEFTOVERS will deal with spirituality and belief a lot, both in group form and on a personal level. I suppose it would be natural to turn to a higher power when things move beyond human knowledge, the birth of religion in our past. In this series, many take differing paths to get to a place where they can accept what has happened, not an easy task, and certainly not one that a wide majority will come to agreement on.

I think three years after the event is a good time frame to set the series in. It’s long enough that the shock has worn off, but short enough that the ramifications are still being felt. People have returned to a new normal in their activities, but not in their thoughts and emotions. This is an intriguing idea, and this one town is a microcosm of the larger world.

Of course, there are also some twists and unexpected familial connections. That part of conventional storytelling does remain and is welcome. We need some level of comfort at the base in order to open our minds to the challenges of THE LEFTOVERS. It’s a show about being, not a show about actions, and so is designed to make us think. If it surprises us along the way with a few reveals at key moments, well, that may just keep some casual viewers interested enough to return, exposing them to more of the bigger issues.

THE LEFTOVERS is weird, to be sure, and many may not know if they like it right off the bat. But I urge you to give it a try when it premieres this Sunday at 10 p.m. ET on HBO.