Showing posts with label Billie Piper. Show all posts
Showing posts with label Billie Piper. Show all posts

Sunday, May 3, 2015

"Fresh Hell" For Some In PENNY DREADFUL Premiere

Article originally written for Seat42F.

Showtime’s PENNY DREADFUL returns for a second season this weekend with “Fresh Hell.” Picking up shortly after season one ended, many of our characters try to continue the paths they are on, whether that means raising a bride from the dead, or leaving England for good. A new villain arises, though, that may change their plans.

WARNING: The following contains light spoilers, but is mostly just a preview of the sophomore premiere.

It’s extremely interesting that the Big Bad of season two is a human, a fact well-publicized, so I don’t feel bad about revealing it here. Madame Kali (Helen McCrory), introduced in the first year, now has witches at her command and bathes in blood. She is the same woman viewers have met, yet different, with a lot more power at her command. We don’t get her origin, at least not right away, so I’m curious to see how she became this new person. But in a show full of the supernatural, seeing someone who is a human being as the threat is pretty cool.

Kali’s first attack is sent against Vanessa (Eva Green), an obvious target since she’s the one Kali has seen in action, and may just simultaneously be the most powerful and the most vulnerable of the group. The two women are similar in some ways, although Vanessa is on the side of good, for the most part, anyway. As Kali prays to a demon, Vanessa puts her faith in Jesus Christ. It seems a no-brainer that God will defeat Satan, but the battle is only beginning, and already seems quite exciting! There could definitely be casualties along the way.

Vanessa is less vulnerable than she was, though, because she has a bit of a family around her. From Ethan (Josh Hartnett), who changes his plans when Vanessa’s life is threatened, to Malcolm (Timothy Dalton), who views her as a daughter, to Sembene (Danny Sapani), the protector, to Dr. Frankenstein (Harry Treadaway), perhaps the least enthusiastic member of the band, but willing to serve when called upon. They have formed a sort of club against the dark forces, and PENNY DREADFUL is fast making them a real team.

The characters in PENNY DREADFUL do not make the most obvious family. They are, for the most part, antisocial and fairly concerned with their own affairs, which happens when people are going through what they are going through. Yet, somehow it makes a certain amount of sense for this particular set to stick together, and it makes the show more satisfying  and easier to invest in when they do.

The person most involved in outside work in “Fresh Hell” is Dr. Frankenstein, as he helps The Creature (Rory Kinnear) raise the lady he loves, Brona Croft (Billie Piper), from the dead. The Creature is supremely lonely, and he hopes that Brona going through what he did will give them a sort of connection that will draw her closer to him. It seems dubious to me that it will work, but “Fresh Hell” gets that story arc going pretty quickly.

Thankfully, PENNY DREADFUL doesn’t tie all The Creature’s hopes at social interaction up in this particular plot, giving a possible alternate life for him should Brona not be happy to be his bride. He finds a job in the season premiere that allows for his appearance. It’s hard to tell if the people The Creature gets involved with are trustworthy or not; attitudes seem mostly positive and good-natured, but like any person who would hire him, they want something from him. Since The Creature is not part of the central unit of the show, he has no one to rely on should things go south, always a strong possibility.

And that’s how PENNY DREADFUL begins, with “Fresh Hell” for a number of players, especially Malcolm, who I didn’t really discuss, but possible paths forward for a few. It’s a dark enough show that I don’t see any happy endings working out for anyone in the near future, but any bit of time that can be enjoyed is welcome, relieving a bit of the misery. Though, their misery does make for compelling narrative, too.

PENNY DREADFUL airs Sundays at 10 p.m. ET on Showtime.

Monday, May 12, 2014

A PENNY For Your Thoughts

Article originally written for Seat42F.



Showtime’s latest effort is PENNY DREADFUL. Set in a fictional version of 1890s London, we meet a cast of odd characters drawn together by the supernatural. Threats loom below the surface of the thriving city, and only these people are aware of what’s going on and have the ability to do something about it.

PENNY DREADFUL is stylistically an idealized version of Victorian England just before the turn of the nineteenth century into the twentieth. The setting is what people like to romantically think back about the city being like, probably not how it actually was. This series is more concerned with building a Sherlock Holmes-era tone than faithfully following history.

This is clear very quickly in the characters introduced. Ethan Chandler (Josh Hartnett, Black Hawk Down) is a formerly wealthy American now performing in a traveling Wild West show. He’s recruited by the severe Miss Vanessa Ives (Eva Green, Casino Royale), a medium, to assist her and Sir Malcolm (Timothy Dalton, Licence to Kill, Chuck), a rich explorer of Africa, to hunt down a missing girl that means a lot to both of them. These are all interesting, outsize personalities that feel quite familiar to the type of story in this time and place, rather than being like someone that actually existed.

To make PENNY DREADFUL even more fantastic, the trio soon go to Dr. Victor Frankenstein (Harry Treadaway, The Lone Renger) – yes, that Dr. Victor Frankenstein – for help. Frankenstein is researching electricity and the human body as he builds his creature (Rory Kinnear, Skyfall), and Malcolm and company need him to examine a corpse of something vaguely vampiric and definitely not human.

What this makes for is sort of a Once Upon a Time-like series, twisting and combining tales we already know into something new, though the tone is completely different. PENNY DREADFUL is so faithful to the fictional Victorian England that it feels very much like it is based on a book written within that genre. It’s a very slow moving piece, conveying horror more through the moods of the characters and their reaction to discoveries than by action-packed sequences, but is extremely effective in doing so.

Now, this is 2014, and viewers demand that pacing not drag on too much. To satisfy those urges, there are a couple of sequences in the first episode where fighting is had and blood is spilled. I would not call PENNY DREADFUL boring; instead, it’s a slight update on a popular period that never existed, but feels like it did. Still, there’s definitely commitment to the style, such as the way Vanessa slowly spreads out a stack of cards, that show just how deliberate the production is with its choices and committed to the path its on.

The plot is chock full of mystery. We don’t know the backgrounds of any of the characters right away, and none are exactly forthcoming about themselves. In fact, when Ethan first asks Vanessa if she has a name, she simply replies “Yes” as she walks away. The teases are tantalizing, but this is one show that will be holding its cards very, very close to its vest, doling out little bits at a time.

To illustrate just how little PENNY DREADFUL gives us at once one only needs to look at how it brings the main characters in very slowly, one at a time. Three of the publicized main cast, Irish immigrant Brona Croft (Billie Piper, Doctor Who), manservant Sembene (Danny Sapani, Trance), and the infamous ever-youthful Dorian Gray (Reeve Carney, The Tempest), don’t even appear in the pilot screened for critics. I’m also looking forward to Helen McCrory’s (Harry Potter) Madame Kali, whom isn’t glimpsed. This show is going to build tension and story arcs, not just give them to you.

All of which is why I very much enjoyed PENNY DREADFUL. Full on intense, compelling performances from the likes of Dalton, Green, and Hartnett, masters all, there’s something that just draws you into the telling and will not let you go. You are transported to this world that actually feels real because of the level of detail and development, even though you know no place like it ever existed. It’s dangerous and sexy and full of fascinating secrets. Who wouldn’t want to go on an adventure there? It’s built for exactly that.

PENNY DREADFUL premieres Sunday at 10 p.m. ET on Showtime.

Wednesday, December 18, 2013

3D Blu-ray Review: ‘Doctor Who – The Day of the Doctor’

Article first published as 3D Blu-ray Review: ‘Doctor Who – The Day of the Doctor’ on Blogcritics.

DWJust a few short weeks ago, fans of Doctor Who were treated to a 50th anniversary special episode entitled “The Day of the Doctor.” The hour-plus-long special found three incarnations of The Doctor coming together to stop a Zygon invasion and face the toughest decision The Doctor ever made – committing the genocide of his own people. Now, that special has arrived in a Blu-ray 3D + Blu-ray + DVD combo pack.

As the story begins, The Eleventh Doctor (Matt Smith) and Clara (Jenna-Louise Coleman) are called to London by UNIT’s Kate Stewart (Jemma Redgrave) to investigate destruction in a secret gallery. Glass covering paintings has been smashed from the inside, and the figures in those portraits are gone. Before The Doctor can figure anything out, a fissure in space and time opens above him.

Meanwhile, The Tenth Doctor (David Tennant) is fending off the advances of his would-be wife, Queen Elizabeth I (Joanna Page, Gavin & Stacey). He knows there are Zygons about, but is having trouble telling the difference between the real monarch and her imposter. The same fissure opens near this Doctor and a fez tumbles out, soon followed by The Eleventh.

Both of these are prompted by a device that appears to The War Doctor (John Hurt) in the form of Bad Wolf (Billie Piper). The machine is the one that The Doctor can use to destroy his race, but it has developed a sentient conscience and wants him to really think through his actions before he goes forward with the plan. Through the fissure, the three Doctors come together.

Any time more than one Doctor occupies a scene, it’s magical. There’s a spirit about the iconic character, no matter who plays him, that is multiplied exponentially when this occurs. Tennant and Smith have absolutely terrific chemistry, and Hurt, playing the part for the first time, feels both similar and different, he being his own unique sort of incarnation, having lived through great battle and strife.

The questions raised and the issues faced are really cool, and with appearances by other extremely familiar faces, including a surprise cameo that is nothing short of stunning, it’s a fitting tribute to the long-running show. For my in-depth review of the special, click here.

This release has a few special features that are pretty neat. Both of the webisodes that serve as prequels, one of them featuring The Eighth Doctor (Paul McGann) just prior to his regeneration as The War Doctor, are included. There’s a pleasing, but too-short, 13-minute “Making Of,” as well as the full forty-five minute TV special Doctor Who Explained. Also, a fun pack of twelve Doctor Who trading cards, featuring all the Doctors so far, is packaged in, too.

The only thing  lacking, besides a longer behind-the-scenes piece, is The Five(ish) Doctors Reboot, a hilarious half hour of the Doctors missing from special itself. To complete your celebration, I highly recommend finding a copy online somewhere and viewing it, as it has not had an official disc release at this time.

The 3D on this disc is a little weird. Both the 3D and 2D blu-ray versions are the same disc, and unlike other 3D releases, the 3D doesn’t come on automatically when popping it into the player. There is no option on the menu itself to turn it on, either, so I switched to 3D the way I would normally do a conversion of a 2D video, through my TV remote.

I admit, it could be my lack of confidence that I was watching the real 3D version, but I felt like the 3D for The Day of the Doctor was a bit weaker than other 3D releases. Parts of the 2D version looked a bit 3D when I originally watched, so well done are the special effects animation. But I can’t say I noticed a really deep, full 3D. It was certainly much better than most conversions I’ve watched, but not as good as the Pixar or Marvel 3D releases I own. I fully admit, my confusion about starting the 3D may have led to my slightly-off experience, and maybe I was trying to study it too hard, but I expect others will face the same challenge. Even if I didn’t access the 3D as intended, though, which I’m still unsure about, it’s a great viewing experience.

That aside, the overall picture is quite clear and the special effects are impressive. It has a sweeping, full score, and the soundtrack is well mixed.  It’s one of the better Blu-ray qualities I’ve seen.

Doctor Who – The Day of the Doctor is available now.

Wednesday, December 11, 2013

TV Review: ‘The Doctors Revisited – Ninth to Eleventh’

DWArticle first published as TV Review: ‘The Doctors Revisited – Ninth to Eleventh’ on Blogcritics.

As Doctor Who‘s 50th year winds down, the last set of The Doctors Revisited, Ninth to Eleventh, has been released on DVD. These are a lot like the other eight specials, with approximately 30 minutes devoted to discussion of each of The Doctor’s latest incarnations. As before, some of each Doctor’s adventures are included, this time in the form of a pair of one-hour installments rather than a complete serial, keeping with the changed format of the show.

These three are the modern Doctors, beginning with the 2005 reboot and continuing to the present. Premiering nearly a decade after the 1990s TV movie, and even longer since the show went off the air, Christopher Eccleston, David Tennant, and Matt Smith take what came before them and updated it for the modern era. Still maintaining some of the magic, charm, humor, and monsters, Doctor Who has been tweaked in the best of ways, and has never been more popular.

Eccleston is the first one to be profiled, and his reign is pretty brief, having only been featured in one series. His Ninth Doctor is badly scarred from a war in which he committed heinous acts (a subject touched upon in the recently-aired anniversary special Day of the Doctor), and now he’s trying to find himself again. Along with a young, pretty companion named Rose (Billie Piper), Eccleston re-introduces us to the character as we’ve never seen him before, setting the bar for his followers.

The episodes included in this set for Eccleston are “Bad Wolf” and “The Parting of the Ways.” This is his two-part finale, in which Rose is tested and Captain Jack (John Barrowman), who will soon earn his own spin-off, concludes his time traveling with The Doctor.

David Tennant, “my doctor,” takes over in series two and stays for three years, as well as for a number of specials. The Tenth Doctor has multiple companions during his tenure, beginning with Rose, whom he falls in love with, and continuing through Martha (Freema Agyeman) and Donna (Catherine Tate). This Doctor is witty and clever, but has a dangerous edge that can come out when needed.

Tennant’s run not only makes good use of old foes, such as the Cyberman, the Daleks, and the Master, but also begins building larger-arc stories that play out over a number of episodes. The end of his fourth series is truly a culmination of all that he does, with many of his previous friends, including Sarah Jane (Elisabeth Sladen) from the old series, teaming up in a fantastic finale, which happen to be the installments selected for this DVD.

After Tennant comes Matt Smith’s Doctor. A bit more goofy than the Tenth, the Eleventh is also more unstable, prone to bouts of extreme loneliness, often resulting in the erosion of his moral compass. Though Smith stays for three series (his run will end in the upcoming Christmas special later this month), his story actually spans multiple centuries as he flits in and our of the lives of his companions, Amy Pond (Karen Gillian) and Rory Williams (Arthur Darvill) over the course of a decade or so (from their perspective). After Amy and Rory depart, which leads to even more moping, the Eleventh begins traveling with Clara (Jenna-Louise Coleman), a girl he witnesses dying multiple times, a mystery that brings The Doctor back to life.

The storytelling in Smith’s time becomes even more intricate and deep. As producer Steven Moffat takes the Doctor Who reigns from Russell T. Davies, more recurring characters populate the landscape, the Weeping Angels become an important returning villain, and events suddenly take years to play out, words mentioned in previous series culminating much later. The Doctor is also given a wife, River Song (Alex Kingston), whom the Tenth Doctor meets briefly, but whom the Eleventh loves very much, even as his tale and hers intertwine in strange and sad ways.

The episodes for Smith’s era are “The Impossible Astronaut” and “Day of the Moon,” the two-part opener to series six in which The Doctor, Amy, Rory, and River encounter The Silence, an alien race that cannot be remembered once they leave one’s eyesight. This is actually only the beginning of a story that will take awhile to conclude.

As usual, Moffat has recorded openings for each of the episodes, which can be watched in their original two-part versions or as a seamless feature.

The Doctors Revisits – Ninth to Eleventh is available now.

Tuesday, November 26, 2013

DOCTOR WHO Celebrates "The Day of the Doctor"

Article first published as TV Review: 'Doctor Who' - 'The Day of the Doctor' on Blogcritics.

This Saturday, simulcast in dozens of countries, the BBC’s Doctor Who celebrated 50 years with a special, extra-long episode, “The Day of the Doctor” (also screened at movie theaters around North America in 3D Monday night). The 90-minute feature follows three Doctor incarnations, all on their own missions until circumstances find them meeting and teaming up to stop, not just a couple of immediate alien threats in different time periods, but also a pair of tragic genocides that haunt the titular character to this day.

DW2As “The Day of the Doctor” starts, we are introduced (or re-introduced) to the three Doctors. The Tenth Doctor (David Tennant) is fending off the advances of his would-be wife, Queen Elizabeth I (Joanna Page, Gavin & Stacey). The Eleventh Doctor (Matt Smith) is called to London by UNIT to investigate destruction in a secret gallery. And The War Doctor (John Hurt, Merlin, Alien) is facing the moment he will destroy both his greatest enemy, the Daleks, and his own people, the Time Lords, during the war at Gallifrey.

While all of these unfold, it gets a little frustrating. Last spring’s season finale left us waiting for a major event, and instead, we get what appear to be stand-alone tales, especially where the Tenth Doctor is concerned, whose plot seems very fluffy, rather than epic, at the start.

But then it all comes together. The Zygons are attacking Earth in both 1562 and in 2013. They must be stopped. While it would not actually take all three Doctors, plus Clara (Jenna-Louise Coleman), the current Doctor’s companion (neither The Tenth nor the War Doctor are traveling with companions at the time of the story), it’s OK that they are pulled together because it provides a nice bit of fun interaction, which then becomes a lot of zany criss-crossing between the eras and locations.

However, The War Doctor brings a much more serious, and at the same time, more personal decision into the mix. Should he massacre two races of people to save the universe? While he wrestles with the decision, he allows himself to be distracted, then seeks counsel from those who live with his choice.

The War Doctor is a new version of the character, only recently introduced, who is quite interesting. In the online prequel to this episode, we see the Eighth Doctor (Paul McGann) trying to stay out of the war, but realizing he can avoid it no longer. The Doctor is a very peaceful being who only uses violence when necessary and never kills anyone. Though we are told throughout the past eight years that The Doctor did something very, very bad when pushed to the brink, it’s hard to imagine under which circumstances he would do this. “The Day of the Doctor” gives us a small glimpse of what leads up to it, and a longer look at how he wrestles with the decision.

DW3Despite how bad The Doctor feels, haunted by that day, both The Tenth and Eleventh Doctors agree that it was the only choice to make, and are willing to help him make it again, all placing their hands on the button. It’s one thing to have a guy we are just introduced to kill all the innocents; it’s quite another to have two long-running, beloved characters do the same, which lends serious gravity to the situation.

In true Doctor Who fashion, a solution is found, and all thirteen of the Doctors incarnations thus far, including one who will not take over the TARDIS until the Christmas special this year, combine forces and manage to save Gallifrey. This removes one of the worst things The Doctor has ever done, though he still (sort-of) kills all the Daleks, who, to be fair, are evil.

Most of The Doctors are shown through archival footage, well edited into the new film. This sparks musings of what Doctor Who could do in the future, perhaps editing more of the older actors into fresh material as the technology continues to improve, further making it seem like one big adventure of a single character. The Twelfth Doctor (Peter Capaldi), or Thirteenth if we’re counting The War Doctor now, only gets an extreme closeup, providing no clues to what he or his TARDIS will be like when he leads the show next year.

Is it right to reset history in this manner? Presumably, none of The Doctors will remember these events, and so the more recent ones will still have that painful memory that shaped them into something a bit different from the earlier generations. Plus, now we have future story set up for other Doctors to discover: Gallifrey still exists and can be brought back. Gallifrey should be kinder to the outcast this time around, now that The Doctor has saved everyone on the planet.

So, although this takes away something that has made the role very, very interesting, it’s also a bit of a relief that The Doctor doesn’t wipe out his own race. His genius and compassion remain intact, keeping the character very consistent over the past fifty (or twelve hundred, depending on how you count) years already established.

DW1Besides unlocking a major mystery, “The Day of the Doctor” is also notable for bringing back familiar faces in great ways. Kate Stewart (Jemma Redgrave), the daughter of Brigadier Lethbridge-Stewart, is still running the show at UNIT, and gets involved in the case. Honestly, I’d like to see a return to more UNIT stories and an increased presence from Kate, as it really serves to tie the current Doctor Who back to the older run.

The machine that The War Doctor uses appears to him in the form of Rose Tyler (Billie Piper), a former companion of The Ninth and Tenth Doctors. On one hand, it’s sad that she’s only an illusion, with no interaction with The Tenth Doctor. On the other, the character has had a nice send off already, and it would be a shame to force her into the episode if she doesn’t belong. By portraying her in this way, fans get to see her again, but it doesn’t take away from Rose’s own arc.

Queen Elizabeth I’s guest spot, the first for this actress, answers a very slow burn question mentioned a handful of times over several years about her connection to our hero. This is the kind of Easter-egg-resolution that should tickle those who pay close attention to continuity.

Finally, viewers get a glimpse of The Doctor in his retirement. The Fourth Doctor (Tom Baker), appropriately aged as the actor playing him is, approaches The Eleventh Doctor in the gallery, revealing he is living peacefully at the end of his life and “revisiting” a few of his favorite faces. This is a brilliant, moving scene, informing on the character, but also providing one of those rare interactions between two incarnations, welcoming back a respected veteran of the part. It’s a real treat that this sequence is included.

In the end, “The Day of the Doctor” provides a satisfying adventure incorporating elements and Doctors both old and new, really delivering something new, exciting, fun, and special to honor five decades on the air. There are enough smile-worthy moments and amusing lines to please just about every fan, and delving into a crucial turning point in The Doctor’s existence, not seen before, gives the installment weight that the Zygon invasion by itself would have lacked.

Doctor Who next airs on Christmas Day, completing The Eleventh Doctor’s tenure.

Sunday, November 13, 2011

Doctor Who: The Complete David Tenant Years

     Now available on DVD is a massive boxed set from the BBC, Doctor Who: The Complete David Tenant Years. For many, David Tennant, who became the tenth Doctor in 2005, and played the part until 2010, is still the iconic image of the revamped character. Tennant is known for his cheeky, yet sometimes vengeful, portrayal of the legendary character, with a tendency to babble and be rude at times, but in a delightful manner. To have all three series, eight specials, and two animated spinoffs together in one collection is amazing. For any Doctor Who fan, this is a must-buy for this Christmas.

     As series two of the modern reboot, the first featuring Tennant, begins, the Tenth Doctor retains the same companion as the Ninth Doctor, Rose Tyler (Billie Piper, Secret Diary of a Call Girl). Waking from a coma just in time save Christmas (and the Earth), they go on many adventures, including rescuing Queen Victoria from werewolves. They play a part in the creation of Torchwood, an anti-alien institution that will eventually have its own spin-off series, and fight the Daleks, again, as well as the Cybermen. Rose's boyfriend, Mickey (Noel Clarke, Auf Wiedersehen, Pet), joins the pair, and they encounter former companions Sarah Jane Smith (Elisabeth Sladen, who starred in her own spinoff, The Sarah Jane Adventures, until her recent death) and K-9 (John Leeson).

     In series three, Rose is gone, and the Doctor picks up med student Martha Jones (Freema Agyeman, Law & Order: UK), who will eventually leave him when the Doctor doesn't return her affections. The Doctor and Martha battle The Master (John Simm, Life On Mars), speak with Shakespeare, encounter more Daleks, and meet back up with Captain Jack Harkness (John Barrowman, Torchwood). Also introduced is Donna Noble (Catherine Tate, The Catherine Tate Show), who refuses the Doctor's offer to be her companion.

     Series four gives the Doctor many companions to work with, including Donna Noble, who returns to stay, and guest appearances by Rose Tyler, Martha Jones, Captain Jack Harkness, Mickey, and Sarah Jane Smith. Additionally, several characters from Torchwood appear. Among their adventures in series four, the Doctor and Donna find the Adipose, visit Pompeii, stop the invasion of the Sontarans, meet Agatha Christie, explore a planet-size library, and listen to a fortune teller. The series culminates in a spectacular finale, featuring the Daleks, Cybermen, and many previously seen characters.

     But these three series, while making up the meat of Doctor Who: The Complete David Tennant Years, are far from the only stories included. All five of the specials that were produced following Tennant's announcement that he was leaving are in the set, as well as two animated series, "The Infinite Quest" and "Dreamland." Plus, there are the "Children in Need" specials and "Doctor Who Confidentials."

     The twenty-six disc set boasts almost forty hours of Doctor Who, along with more than twenty-five hours of bonus features. Among those features are In-Vision and Audio Commentaries on select episodes, deleted scenes, and outtakes. Billie Piper and David Tennant contribute video diaries, giving some insight into the episodes, as well as their characters. There are trailers and a tour of the studio with Freema Agyeman, Doctor Who visits Comic-Con, Cast members are interviewed. There is also an animation test for Tennant and animatics, character profiles, a photo gallery, and three Greatest Moments specials round out the set.

     It has to be mentioned that the packaging is beautiful. The discs are housed in a full-color book, with lots of photos from the series, laid out in a very interesting way. It's all sturdy cardboard, rather than cheap materials, so it should hold up over time fairly well. Some reviews on Amazon.com have complained of finding it difficult to pull out the discs, but if this was a problem, it appears to have been fixed; I had no such issues with my set. It is literally one of the coolest DVD sets I've ever seen.

     In short, there is enough to keep any Doctor Who fan busy for weeks, maybe months. No one who buys Doctor Who: The Complete David Tennant Years could justifiably be disappointed. Do yourself a favor and order a copy today. I highly recommend it.

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Article first published as DVD Review: Doctor Who: The Complete David Tenant Years on Blogcritics.