3D Blu-ray Review: ‘Doctor Who – The Day of the Doctor’

Article first published as 3D Blu-ray Review: ‘Doctor Who – The Day of the Doctor’ on Blogcritics.

Just a few short weeks ago, fans of Doctor Who were treated to a 50th anniversary special episode entitled “The Day of the Doctor.” The hour-plus-long special found three incarnations of The Doctor coming together to stop a Zygon invasion and face the toughest decision The Doctor ever made – committing the genocide of his own people. Now, that special has arrived in a Blu-ray 3D + Blu-ray + DVD combo pack.

As the story begins, The Eleventh Doctor (Matt Smith) and Clara (Jenna-Louise Coleman) are called to London by UNIT’s Kate Stewart (Jemma Redgrave) to investigate destruction in a secret gallery. Glass covering paintings has been smashed from the inside, and the figures in those portraits are gone. Before The Doctor can figure anything out, a fissure in space and time opens above him.

Meanwhile, The Tenth Doctor (David Tennant) is fending off the advances of his would-be wife, Queen Elizabeth I (Joanna Page, Gavin & Stacey). He knows there are Zygons about, but is having trouble telling the difference between the real monarch and her imposter. The same fissure opens near this Doctor and a fez tumbles out, soon followed by The Eleventh.

Both of these are prompted by a device that appears to The War Doctor (John Hurt) in the form of Bad Wolf (Billie Piper). The machine is the one that The Doctor can use to destroy his race, but it has developed a sentient conscience and wants him to really think through his actions before he goes forward with the plan. Through the fissure, the three Doctors come together.

Any time more than one Doctor occupies a scene, it’s magical. There’s a spirit about the iconic character, no matter who plays him, that is multiplied exponentially when this occurs. Tennant and Smith have absolutely terrific chemistry, and Hurt, playing the part for the first time, feels both similar and different, he being his own unique sort of incarnation, having lived through great battle and strife.

The questions raised and the issues faced are really cool, and with appearances by other extremely familiar faces, including a surprise cameo that is nothing short of stunning, it’s a fitting tribute to the long-running show. For my in-depth review of the special, click here.

This release has a few special features that are pretty neat. Both of the webisodes that serve as prequels, one of them featuring The Eighth Doctor (Paul McGann) just prior to his regeneration as The War Doctor, are included. There’s a pleasing, but too-short, 13-minute “Making Of,” as well as the full forty-five minute TV special Doctor Who Explained. Also, a fun pack of twelve Doctor Who trading cards, featuring all the Doctors so far, is packaged in, too.

The only thing  lacking, besides a longer behind-the-scenes piece, is The Five(ish) Doctors Reboot, a hilarious half hour of the Doctors missing from special itself. To complete your celebration, I highly recommend finding a copy online somewhere and viewing it, as it has not had an official disc release at this time.

The 3D on this disc is a little weird. Both the 3D and 2D blu-ray versions are the same disc, and unlike other 3D releases, the 3D doesn’t come on automatically when popping it into the player. There is no option on the menu itself to turn it on, either, so I switched to 3D the way I would normally do a conversion of a 2D video, through my TV remote.

I admit, it could be my lack of confidence that I was watching the real 3D version, but I felt like the 3D for The Day of the Doctor was a bit weaker than other 3D releases. Parts of the 2D version looked a bit 3D when I originally watched, so well done are the special effects animation. But I can’t say I noticed a really deep, full 3D. It was certainly much better than most conversions I’ve watched, but not as good as the Pixar or Marvel 3D releases I own. I fully admit, my confusion about starting the 3D may have led to my slightly-off experience, and maybe I was trying to study it too hard, but I expect others will face the same challenge. Even if I didn’t access the 3D as intended, though, which I’m still unsure about, it’s a great viewing experience.

That aside, the overall picture is quite clear and the special effects are impressive. It has a sweeping, full score, and the soundtrack is well mixed.  It’s one of the better Blu-ray qualities I’ve seen.

Doctor Who – The Day of the Doctor is available now.

More DOCTOR WHO Fun With THE FIVE(ISH) DOCTORS REBOOT

Article first published as TV Review: 'The Five(ish) Doctors Reboot' on Blogcritics.

Amid all the 50th anniversary Doctor Who hoopla this weekend, there was released a half-hour production that got much less attention than other most other events. It didn’t even make it on air in the United States. For any fans of the classic show, or the genre of comedy in general, The Five(ish) Doctors Reboot is must-see.

Written and directed by Peter Davison, The Five(ish) Doctors Reboot finds Davison, Colin Baker, and Sylvester McCoy anxiously awaiting news about whether they will be included in The Day of the Doctor. Months pass and the phone doesn’t ring. The BBC offices and Steven Moffat begin avoiding their calls.

These are sad, old men, past their prime, and wanted by no one, including their families. They are obsessed with their glory days, unable to let that defining role of Doctor Who go, and desperate for attention that doesn’t come.

This may sound depressing, but it’s not because the half hour is absolutely hysterical. It’s pretty apparent that this is a campy romp, not a biographical story. The actors are game to make fun of themselves in a public forum, and these parts really work because they cut close enough to home to be relatable. Like Matt LeBlanc in Episodes are James Van Der Beek in Don’t Trust The B—- in Apartment 23, the characters are almost parodies of themselves, not their actual personalities.

We know this because of how pathetic they become. No self-respecting men of notoriety would hold picket signs championing themselves, all alone, in front of a TV studio. Or bum a ride from John Barrowman, who forces them to listen to his singing. Or lock their wife and daughters into their house in order to relive old episodes. Or constantly remind everyone that they are in The Hobbit. Or steal Dalek costumes in the hope they can sneak on set and make it on screen. Or call one’s daughter, Georgia Moffett, in the hospital room where she is giving birth and ask a favor of her husband, David Tennant. It’s absurd, in the best of ways.

Other familiar faces, including Russell T. Davies, Paul McGann, Matt Smith, Jenna-Louise Coleman, Peter Jackson, Olivia Colman, and Ian McKellen gamely participate, each poking fun at themselves as much as at the old men. If you’re eagled-eyed, you might spy offspring of two of the older, departed Doctors, really making this a full tribute, with more of the cast returning than in the official episode. Each of these are wonderful scenes, a nod to all the Doctor Who fans watching. But the stars of the show was Davison, Baker, and McCoy, and they are spectacular to watch, even without the slew of terrific cameos.

In the end, the guys get their wish. I wouldn’t reveal the exact circumstances, but there is a sweet twist which proves once and for all that they were able to gain access to the set, and surely are not loathed by the production staff. This capper is necessary because, even though I enjoy watching them bumble and suffer, the tone is a light one, and no one wants to see these guys we love fail. It just wouldn’t be right.

Perhaps The Five(ish) Doctors Reboot is not an official part of the anniversary, and maybe it won’t be remembered as fondly as the actual special. But it’s not something I’m likely to forget, and by posting it on the BBC’s website, the network seems to give it their blessing. I definitely recommend checking it out here. (this link will only work for a limited time)

DOCTOR WHO Celebrates "The Day of the Doctor"

Article first published as TV Review: 'Doctor Who' - 'The Day of the Doctor' on Blogcritics.

This Saturday, simulcast in dozens of countries, the BBC’s Doctor Who celebrated 50 years with a special, extra-long episode, “The Day of the Doctor” (also screened at movie theaters around North America in 3D Monday night). The 90-minute feature follows three Doctor incarnations, all on their own missions until circumstances find them meeting and teaming up to stop, not just a couple of immediate alien threats in different time periods, but also a pair of tragic genocides that haunt the titular character to this day.

As “The Day of the Doctor” starts, we are introduced (or re-introduced) to the three Doctors. The Tenth Doctor (David Tennant) is fending off the advances of his would-be wife, Queen Elizabeth I (Joanna Page, Gavin & Stacey). The Eleventh Doctor (Matt Smith) is called to London by UNIT to investigate destruction in a secret gallery. And The War Doctor (John Hurt, Merlin, Alien) is facing the moment he will destroy both his greatest enemy, the Daleks, and his own people, the Time Lords, during the war at Gallifrey.

While all of these unfold, it gets a little frustrating. Last spring’s season finale left us waiting for a major event, and instead, we get what appear to be stand-alone tales, especially where the Tenth Doctor is concerned, whose plot seems very fluffy, rather than epic, at the start.

But then it all comes together. The Zygons are attacking Earth in both 1562 and in 2013. They must be stopped. While it would not actually take all three Doctors, plus Clara (Jenna-Louise Coleman), the current Doctor’s companion (neither The Tenth nor the War Doctor are traveling with companions at the time of the story), it’s OK that they are pulled together because it provides a nice bit of fun interaction, which then becomes a lot of zany criss-crossing between the eras and locations.

However, The War Doctor brings a much more serious, and at the same time, more personal decision into the mix. Should he massacre two races of people to save the universe? While he wrestles with the decision, he allows himself to be distracted, then seeks counsel from those who live with his choice.

The War Doctor is a new version of the character, only recently introduced, who is quite interesting. In the online prequel to this episode, we see the Eighth Doctor (Paul McGann) trying to stay out of the war, but realizing he can avoid it no longer. The Doctor is a very peaceful being who only uses violence when necessary and never kills anyone. Though we are told throughout the past eight years that The Doctor did something very, very bad when pushed to the brink, it’s hard to imagine under which circumstances he would do this. “The Day of the Doctor” gives us a small glimpse of what leads up to it, and a longer look at how he wrestles with the decision.

Despite how bad The Doctor feels, haunted by that day, both The Tenth and Eleventh Doctors agree that it was the only choice to make, and are willing to help him make it again, all placing their hands on the button. It’s one thing to have a guy we are just introduced to kill all the innocents; it’s quite another to have two long-running, beloved characters do the same, which lends serious gravity to the situation.

In true Doctor Who fashion, a solution is found, and all thirteen of the Doctors incarnations thus far, including one who will not take over the TARDIS until the Christmas special this year, combine forces and manage to save Gallifrey. This removes one of the worst things The Doctor has ever done, though he still (sort-of) kills all the Daleks, who, to be fair, are evil.

Most of The Doctors are shown through archival footage, well edited into the new film. This sparks musings of what Doctor Who could do in the future, perhaps editing more of the older actors into fresh material as the technology continues to improve, further making it seem like one big adventure of a single character. The Twelfth Doctor (Peter Capaldi), or Thirteenth if we’re counting The War Doctor now, only gets an extreme closeup, providing no clues to what he or his TARDIS will be like when he leads the show next year.

Is it right to reset history in this manner? Presumably, none of The Doctors will remember these events, and so the more recent ones will still have that painful memory that shaped them into something a bit different from the earlier generations. Plus, now we have future story set up for other Doctors to discover: Gallifrey still exists and can be brought back. Gallifrey should be kinder to the outcast this time around, now that The Doctor has saved everyone on the planet.

So, although this takes away something that has made the role very, very interesting, it’s also a bit of a relief that The Doctor doesn’t wipe out his own race. His genius and compassion remain intact, keeping the character very consistent over the past fifty (or twelve hundred, depending on how you count) years already established.

Besides unlocking a major mystery, “The Day of the Doctor” is also notable for bringing back familiar faces in great ways. Kate Stewart (Jemma Redgrave), the daughter of Brigadier Lethbridge-Stewart, is still running the show at UNIT, and gets involved in the case. Honestly, I’d like to see a return to more UNIT stories and an increased presence from Kate, as it really serves to tie the current Doctor Who back to the older run.

The machine that The War Doctor uses appears to him in the form of Rose Tyler (Billie Piper), a former companion of The Ninth and Tenth Doctors. On one hand, it’s sad that she’s only an illusion, with no interaction with The Tenth Doctor. On the other, the character has had a nice send off already, and it would be a shame to force her into the episode if she doesn’t belong. By portraying her in this way, fans get to see her again, but it doesn’t take away from Rose’s own arc.

Queen Elizabeth I’s guest spot, the first for this actress, answers a very slow burn question mentioned a handful of times over several years about her connection to our hero. This is the kind of Easter-egg-resolution that should tickle those who pay close attention to continuity.

Finally, viewers get a glimpse of The Doctor in his retirement. The Fourth Doctor (Tom Baker), appropriately aged as the actor playing him is, approaches The Eleventh Doctor in the gallery, revealing he is living peacefully at the end of his life and “revisiting” a few of his favorite faces. This is a brilliant, moving scene, informing on the character, but also providing one of those rare interactions between two incarnations, welcoming back a respected veteran of the part. It’s a real treat that this sequence is included.

In the end, “The Day of the Doctor” provides a satisfying adventure incorporating elements and Doctors both old and new, really delivering something new, exciting, fun, and special to honor five decades on the air. There are enough smile-worthy moments and amusing lines to please just about every fan, and delving into a crucial turning point in The Doctor’s existence, not seen before, gives the installment weight that the Zygon invasion by itself would have lacked.

Doctor Who next airs on Christmas Day, completing The Eleventh Doctor’s tenure.

DVD Review: ‘Doctor Who: The Doctors Revisited – Fifth to Eighth’

Article first published as DVD Review: ‘Doctor Who: The Doctors Revisited – Fifth to Eighth’ on Blogcritics.

The BBC continues Doctor Who‘s year-long 50th anniversary celebration with four specials about the Fifth, Sixth, Seventh, and Eighth Doctors, now available in a four-disc DVD set. Like the First to Fourth release, Doctor Who: The Doctors Revisited – Fifth to Eighth has a quartet of approximately 30-minute discussions by people involved in the production about each incarnation of the titular character, accompanied by a full serial per version. This completes the original run of the series, bringing us up to the modern continuation, which will be covered in an upcoming set.

In 1981, Peter Davison took over the iconic role of The Doctor. Davison had a serious approach, not as silly or scary of his predecessor, taking Doctor Who back to the basics of the premise. During his run, the stories got darker and grittier, challenging The Doctor to not only deal with some old foes, such as the Cybermen and the Master. But his attitude remained reactive and light, this Doctor allowing a flip of a coin to make decisions for him.

Davison’s Doctor had a different relationship with his co-stars than his predecessors, making his adventures more of a team sport than that of a leader and his assistants. He went through several different companions, making for an every-changing dynamic. And ultimately, the Doctor was forced to face the death of one of his friends.

Interestingly, Davison is the father-in-law of the Tenth Doctor, David Tennant.

After Davison came Colin Baker, with a much more flamboyant take on the part. As dreary as Davison’s Doctor could be at times, Baker’s was the opposite, his personality matching his loud clothing style, with an undercurrent of danger and a lack of trustworthiness that gave him an edge. His chaotic nature matched what was going on behind the scenes, with his tenure short and ending with a lack of explanation. Still, Baker made an impression, even if he only played the part a scant couple of years.

Sylvester McCoy also didn’t stay long, finishing out the initial incarnation of Doctor Who after twenty-six seasons. McCoy’s Doctor was a turn for the role, being both childish and fun, but also sneaky and manipulative, fully realizing the layers the long-lived character was capable of. This Doctor was a manipulator who thought many multiple moves ahead, and showed the Time Lord’s darker nature more than most of the actors who had previously taken on the part.

To note, the serial that is included for McCoy is “Remembrance of the Daleks,” which is the one BBC America aired to accompany the interviews. For some reason, “Battlefield” aired instead in Britain. These are the only installments that have differed in the specials between in the two countries.

Last on the DVD set is Paul McGann. McGann didn’t get a full season, merely a two-hour TV movie. It’s an intriguing battle with the Master, sadly to never see a sequel. Intended to headline an American-made continuation of the show, McGann’s pilot lacked the ratings in the States to be ordered to series, although it was very popular in Britain. That small screen film, set in California, is obviously the featured “serial” for this Doctor, meaning Fifth to Eighth has all of his time included.

Just like in the first set, there aren’t any extras, with the four mini-documentaries serving as an extra for the show as a whole. I think again the people who put this set together have done well in selecting which serials to include. The episodes contained on the DVD set are representative of the actors’ work as a whole, and serve to showcase both differences and similarities between the various versions.

This set does come with four cool magnets, each one depicting one of the Doctors profiled in this set. Unfortunately, the first DVD set did not have the same, so it won’t be a complete set, even if you get all the DVDs.

Fifth to Eighth feels different than First to Fourth. While the beginning of this release harkens back very much to some of the earlier parts of the show, there is growth and maturation reflecting the time in which it aired. The 1980s and 1990s were a time of transition, and McCoy, especially, demonstrates how the character could adapt without growing stale.

After these episodes, there would be an almost-decade-long break before Doctor Who graced our televisions again. But that’s a tale for Ninth to Eleventh, which has not yet been completely aired or released.

Doctor Who: The Doctors Revisited – Fifth to Eighth is available now.

Doctor Who finds Shada

Article first published as DVD Review: Doctor Who - Shada on Blogcritics.

This month's Doctor Who DVD from the BBC is Shada. Originally intended to be the season 17 finale, only about half of Shada was ever filmed, owing to a strike, and it remains the only unaired Doctor Who serial. Now, for the first time on DVD, Shada sees the light of day.

This release is a three-disc set. The first disc contains the six episodes that make up Shada. Because these episodes were never completed, in 1992, long after he'd given up his title as the Doctor (he was #4), Tom Baker filmed new footage, explaining the parts of the story never actually shot back in the 1970s when Shada was to have aired. The original footage and new bits were spliced together, and the result was released on VHS. Now BBC Home Video has released Shada for the first time on DVD.

Shada is an interesting serial. It is written by Douglas Adams (The Hitchhiker's Guide to the Galaxy), and begins at Cambridge. The Doctor and Ramona (Lalla Ward) answer, quite a bit late, a message sent out by Professor Chronotis (Denis Carey), a retired Time Lord near the end of his life. Unfortunately, Skagra (Christopher Neame) has also come, seeking the location of the Time Lord prison planet Shada, where there is an inmate that can help him take over the galaxy.

The story told in Shada is a bit similar to other tales. There's a villain, the Doctor and his friends, which this time include Chris Parsons (Daniel Hill) and Clare Keightley (Victoria Burgoyne) from the university, investigate. They are captured, escape or are rescued, and fight off Skagra before his plans can be fully realized.

There are some great whimsical moments. Chronotis himself is a pleasant and amusing chap, who often gets verb tenses mixed up, and who has his priorities a bit skewed. His memory isn't all that reliable anymore, and his rooms at Cambridge, where he has lived for three hundred years, are a traveling TARDIS itself. Plus, any serial with K-9 (David Brierly) makes one smile.

I think the pacing, though, is hampered by the incompleteness of the filming. Many of the action sequences, including the showdown at the end, are among the missing scenes. Baker is great at recapturing the character again in the 1990s, but it's disappointing not to have these bits, and it keeps the flow from ever taking off. More footage is missing in later episodes than in earlier installments, which makes getting through the serial a little laborious.

There is a second version of Shada included in this set. In 2003, a radio play edition was released, with Paul McGann, the Eighth Doctor, taking over the lead, and mostly recasting the other parts, save Lalla Ward's Romona. This has been set to animation, and makes for a more cohesive story. The only unfortunate part about this is that it is Flash, and must be played on a computer, rather than a DVD player.

The extras are plentiful, possibly more than in any other release. There are PDF materials, photo galleries, and production notes, of course, but also tons of featurettes including a discussion about why Shada was not completed, a look at the strike and its impact, and a visit to the shooting locations.

A full length, 90-minute documentary entitled More Than 30 Years in the TARDIS, originally released in 1993, is included. There's a remembrance of series star Nicholas Courtney, only slightly weird because he isn't part of this story. Verity Lambert, the first producer of Doctor Who, is interviewed. Plus, there are also Doctor Who Stories and Those Deadly Divas, with a couple of extras that focus on the ladies of the show.

I definitely recommend this collection. Granted, it's not the best presented or looking serial of the series, but it is a rare view of something begun, but not finished. The sheer amount of bonuses included make up for any shortcomings of the episodes themselves, and for any Doctor Who, the opportunity to see a previously missing piece of the puzzle should prove too tempting too resist.

Doctor Who - Shada is available now on DVD.

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Luther 2 takes things to the next level

BBC's Luther ends its first series on an incredibly dark note, with Detective John Luther (Idris Elba, The Wire, The Office) having been betrayed by his best friend and devastated by the murder of his wife, Zoe.

As series two, which consists of four hours split into two stories, begins, Luther has been wasting away working cold cases. He is given the chance to come back to investigate current crimes, but with his old unit gone, he will now serve under Martin Schenk (Dermot Crowley, Raw, Bleak House), a former police complaints officer who, with good reason, isn't sure that Luther should be a cop at all. Working with the ambitious Detective Erin Gray (Nikki Amuka-Bird, The Omen, Bad Girls), Luther also recruits his former partner, Justin Ripley (Warren Brown, Savage, Dead Set) to assist. The two, with their very different opinions on the titular detective, provide a nice counterbalance to each other.

Other familiar faces return, too. Mark North (Paul McGann), Zoe's guy at the time of her death, is now a good friend of Luther's. He even helps during a case. This is a strange reversal, as the two are so at odds previously, but it's nice that Luther retains McGann's talents in any fashion.

There is only a little bit of Alice (Ruth Wilson) in series 2, as she is in jail. One misses her presence, and it changes the tone of the series to have her out of the game. While it may be a relief to have a cold killer like her off the streets in real life, Luther needs her involvement to be the best show it can be. Hopefully, she will be freed be the time series 3 begins.

Luther, himself, is quite a bit different. He is still in a depressing place, occasionally contemplating suicide, but he no longer contributes to the darkness. In fact, he would like redemption for his wrongs. His conscience continues to bother him, but he's working to balance the scales in his favor. He may still be grieving, but he is finally moving on from the events of the first episode, and that's a good sign.

Luckily, Luther doesn't get much chance to dwell in his sadness, because there are two strings of killings that must be stopped in Luther 2. The first is done by a serial murderer who thrives on causing fear. He is played by the wonderful Lee Ingleby (White Heat, Inspector George Gently). The second villain is more elusive, and less showy. It takes all of Luther's considerable skill to take on these two criminals.

Elba is the heart of the series, and always will be. He shines brilliantly in this second batch of episodes, taking a character he already soars with, and adding new layers and depths. The accolades continue to pour in for his performance, and every one of them is deserved.

The sole fault with this release is the lack of extras. At least the first series boasted one, while Luther 2 has none. It is a great show, one that will keep viewers on the edge of their seats. But it would be nice if some behind the scenes information was given, letting fans take a peek into how the show is made. Instead, the episodes are expected to stand alone.

Which isn't necessarily a terrible thing. After all, Luther is one of BBC America's most popular programs for a reason. It has complex, intelligent characters and stories, and is populated with some great actors delivering some truly impressive work. So if any gritty crime drama wants to stand alone, with no bonus features to support it, then Luther is the one to do so.

Buy Luther 2, on DVD now.

MORE: If you like my reviews, please follow me on Twitter!  Article first published as DVD Review: Luther 2 on Blogcritics.

Luther is a complex crime drama

For those who like gritty crime drama, the BBC's award-winning Luther, available on DVD, is a must have. Luther is the title on the case for the first series, which consists of six hour-long episodes. The show follows Detective John Luther (Idris Elba, The Wire, The Office), a cop with a tormented soul. Luther may be a genius, but he's also extremely self-destructive and impulsive. This man is both a catcher of dangerous men, and also, a dangerous man himself. It's a duality that makes him good at his job, if he can stay sane long enough to complete it.

The first episode of Luther begins with the titular character facing a child killer. The bad guy dangles from a ledge. Luther stands over him, demanding to know where the latest victim is kept. The criminal gives up the information, but Luther lets him fall, resulting in the man ending up in a coma. Luther is cleared of any wrongdoing months later, and returns to work.

This scene sets up everything else that will come. In this moment, the character of Luther is defined as both heroic and having questionable morality. Who wouldn't want to see a guy who kills kids hurt or dead? But who among us would be willing to stand by and let it happen? What Luther dispenses may be justice, of a sort, but it's not something most people would approve of.

Nor is Luther proud of his inaction. The results of what he does, or doesn't do, rather, cause him much torment, and lead to him doubting many things about himself. Throughout the six hours, as Luther hunts (and usually catches) other serial killers, that night haunts him. He is a changed man because of it. Did he do the right thing? Maybe not. Were his actions excusable? Well, that's a matter of opinion.

Luther is joined on this quest of the soul by Alice (Ruth Wilson, The Prisoner, Suburban Shootout). Alice is introduced in the first episode as a killer herself, brutally murdering her parents and dog. Luther knows she did it, but has no way to prove it, since she has committed the perfect crime, leaving no evidence behind. Luther fails to build a case against her.

But that's for the best, as Alice becomes a pivotal figure in Luther's life. Attracted to his complexity and intelligence, which she shares, she becomes obsessed with Luther. She is able to figure out the cause of his torment pretty easily, and intrudes into his life to gather more details. Is Luther an object worthy of study for Alice, or a kindred spirit she'd like to be around?

Not that Luther is always happy with the attention. Some of the things he sees in Alice are the things that he cannot stand in himself. As he questions his own sense of right and wrong, Alice feels like a dark temptation that could lead him down the wrong path. It makes for an exciting and juicy partnership, one that will keep viewers locked to the screen.

There are other characters in Luther, too, of course. Most notable is Luther's ex, Zoe (Indira Varma, Human Target, Rome). She leaves her husband, not because of what he does in the pilot, which is not a secret to her, even though Luther doesn't admit to it, but rather, she feels undervalued and unhappy. She cares about him, but doesn't want to be with him. Luther struggles mightily to win her back, but it's too little, too late, as she has already moved on with Mark (Paul McGann, Doctor Who, Collision).

Luther's co-workers certainly appreciate the job that he does, but aren't always sure about his methods. Luther's boss, Rose (Saskia Reeves), risks her own reputation to reinstate Luther, and may come to regret it. Luther's best friend, Ian Reed (Steven Mackintosh, Underworld), would like to be supportive, but it's not like Luther lets him in more than anyone else. So the working relationship in the unit is tenuous, at best.

Critical reviews for this first series are mixed, but few criticize Elba's performance. As the title character, he is the meat of the series, and carries it extremely well. For his gifted, nuanced part in Luther, Elba has deservedly won several awards, including an Emmy and a Golden Globe. Whether one believes the story of Luther is enticing or not (it is), Elba alone is enough to warrant a viewing. The rest of the cast is excellent, too, though they have not been recognized for it like Elba has.

Unfortunately, the BBC-released DVD comes with one sole extra, a half hour behind the scenes piece. It's interesting, as the series creator, Neil Cross, and members of the cast discuss the show. But it's too bad there isn't more.

Luther is still more than worth the price. With series two also out and a third ordered, it's time to catch up for those who haven't seen it yet. Pick up a copy today. You can get your copy and save on others using this Amazon coupon code.

MORE: If you like my reviews, please follow me on Twitter! To buy this and other DVDs go to amazon.com. Article first published as DVD Review: Luther on Blogcritics.