TV Review: ‘Doctor Who’ – ‘The Time of the Doctor’

Article first published as TV Review: ‘Doctor Who’ – ‘The Time of the Doctor’ on Blogcritics.

Anticipation was high for this week’s Doctor Who Christmas Special on BBC and BBC America, “The Time of the Doctor.” We knew it would be Matt Smith’s last appearance as the Eleventh Doctor. We knew it would be holiday-themed. We knew it would involve Trenzalore and many of the Doctor’s greatest enemies, including The Daleks, The Cyberman, The Angels, and The Silence. But we didn’t know how it would play out, or how The Doctor would die.

Like last year’s Christmas outing, “The Time of the Doctor” is not a fluff, stand-alone installment. Instead, it’s a huge adventure, a culmination of many things. We’d long heard that “silence must fall when the question is asked,” and the unanswered question is “Doctor who?” Now, those things come together, along with a dozen other minor plot threads, all culminating in The Doctor’s last battle.

Last spring’s “The Name of the Doctor” reveals what happens on Trenzalore: The Eleventh Doctor, the thirteenth and final incarnation because of the Tenth’s waste of a life and The War Doctor’s inclusion, will finally die in an epic battle, turning an entire planet into a graveyard. But like the fall anniversary special “The Day of the Doctor,” this history is not set in stone and can be changed. And so it is.

I’m getting a little ahead of myself. At the beginning, The Doctor (Matt Smith) travels to a busy planet that he is told is Gallifrey, though it clearly isn’t. There, all of his enemies have gathered, and the Papal Mainframe, led by old (though never seen before on screen) friend Tasha Lem (a terrific Orla Brady, Fringe, Jo). Gallifrey is present, trying to break through the cracks in space time, but only if The Doctor tells The Time Lords his name, confirming they have reached the proper universe.

This seems like a good thing, but it’s not because the return of The Time Lords to the universe would reignite The Time War, meaning a LOT of death would follow. Tasha wants to prevent this, even if it means killing The Doctor, which makes her a tad bit dangerous. The Doctor realizes the predicament, and decides to stay at the planet, not making a decision about his people or not, while his enemies attack.

I am a little disappointed that the battles on Trenzalore are not bigger. This is a place where many, many people bite the big one in a possible timeline, but it doesn’t seem that way in “The Time of the Doctor.” Much of the church is slaughtered, but we don’t see them so much as we see those who can overcome their Dalek programming. Perhaps all the budget for the special went into effects, rather than in hiring extras, but it still just doesn’t seem like the gargantuan war one would expect.

Other than that, the story is really good. Besides the aforementioned arcs, this episode also reveals how the Daleks come to remember The Doctor again, the origin of The Silence, and the ultimate fate of Handles, the Cyberman head that The Doctor befriends. It does an excellent job tying up all of the continuity bits, really feeling like a satisfying capper on The Eleventh’s run.

Perhaps the main mystery going in is, how will The Doctor regenerate again? He’s out of lives, but a new actor has already been cast, so surely this must play a part. It does, in a huge way, with Gallifrey gifting their savior twelve more regenerations.

One may wonder why Gallifrey would give The Doctor such a present, and knowing that he’s on the other side, why do they not come through? The Doctor has never been loved or admired by his countrymen, who consider him (with reason) a bit of an unhinged outlaw. Yet, he did save the entire race, so maybe there are some who trust him now. Maybe even enough to think The Doctor has a good reason for not bringing them back to the universe.

What I want to see now is a special or episode told entirely from Gallifrey’s point of view. This part of “The Time of the Doctor” doesn’t quite make sense, given what we’ve seen of The Time Lords previously. But it could under the right circumstances. It seems like too many leaps must be made to just take this for granted, so how about a story that fully explains things? Since Steven Moffat is good at tying up loose ends, this might be a possibility.

At the same time as “The Time of the Doctor” is a big tale, it’s also a deeply personal story. We see The Doctor as we’ve never seen him before – settled, and aging. This hour takes place over many hundreds of years, meaning that The Eleventh Doctor is an incarnation that lasts at least a third, maybe more than half, of The Doctor’s total existence thus far. He’s gone from being depressed to happy, serving himself and serving everyone else, and this brings his growth around again.

The Eleventh Doctor must have companions. He lies to Clara (Jenna-Louise Coleman) and sends her away multiple times, but he has Handles and the people of the planet to ground him. He is someone who can get into his own head too much, but with much here to care about and protect, he resists that urge. He can be dark and deadly, but on Trenzalore, he only kills when necessary. And he has always been the old man in the young body. Now we see what he looks like at the end of his natural life.

Somehow, all of this is communicated without needing to lay it out explicitly. The Doctor’s emotional journey shines through in fits and starts, but there’s enough to allow the viewer to connect the dots. The writing is so sharp, we even care about Handles, a bodiless head that should be thought of as a machine or monster. All of this is done effortlessly, proving Moffat’s talent to anyone who still doubted him.

Equally skilled is Smith. He gets to run the gamut of emotion and experience in his final installment. He plays old and young, he plays brave and desperate, he plays friend and betrayer, he plays hero and the man who has given up. This is a tour de force performance, the kind that makes a career. To get this kind of material for his last hour, and to execute it so well, is incredible.

The regeneration feels different. This can be chalked up to the fact that The Doctor is receiving a whole new set of regenerations, rather than just making one change. In the past, The Doctor hasn’t used regenerative energy as a weapon, and his face changes in one moment, with the viewer witnessing the morph. It’s kind of neat that they do it different this time.

The very end of “The Time of the Doctor” is the perfect tie back to the beginning of The Eleventh’s story. He gets to return to his young form and eat fish sticks and custard. Then, he hallucinates Amy Pond (Karen Gillan), the companion he most closely connected with. Even though Amy spent a scant few years with this Doctor, who ended up living centuries, she is the first and (practically) last face he sees. She occupies a very special place in his heart, and her cameo seems very appropriate. All while giving The Eleventh a meta send-off sure to resonate for both the character and the actor.

I do wish a few more familiar faces were present, too, but in the end, this is about The Doctor, not about anyone else. As with other incarnations of The Doctor, individuals have frequently come and gone from his life. Others were not necessary, and so not included.

Tasha Lem is a fascinating addition. She’s clearly very powerful and very long-lived. She has the strength to resist her own death after the Daleks kill her and take over her body. She does the right thing for the greater good, even if it hurts someone she loves. And she’s perfectly cast. I definitely want to see more of her again, whether she’s part-Dalek or not. Much, much more.

Clara is the official companion in “The Time of the Doctor,” and though her tenure with The Doctor has been short so far, she steps up here. I haven’t really connected with her yet, but in this special, she’s bold and selfless, coming back to The Doctor repeatedly, even when he doesn’t deserve her forgiveness. She understands something important is happening with him, and is there for him when he needs her. Her actions deserve respect.

I do wonder if next fall’s season will resume on the same day, with Clara trying to explain The Doctor’s new appearance (Peter Capaldi, The Thick Of It) to her family, who just keep trying to have a nice Christmas dinner. That could be interesting! Though it’s doubtful this will happen.

The only thing that left me feeling dissatisfied was the fact that The Doctor’s name still has not been revealed. There has been so much build up, fans want resolution. If not handled perfectly, it could very well ruin the series, though, and perhaps that’s why the show shies away from it now. The fanfare around the word is so great that it seems unfair not to let The Doctor speak it. Will Moffat redeem himself for this next year?

And did we really need the village that The Doctor settles down in to be named Christmas, with a holiday theme? Just because this episode aired on December 25th, doesn’t mean that the connection to the date needs to be so blatant. On the other hand, it’s just the sort of weird place The Doctor would fall in love with, so this is a minor gripe, not a major one.

Throughout the war and the drama and all of the heavy stuff that makes up “The Time of the Doctor,” humor still shines through. Comedy is a vital element in Doctor Who, and it is present this week as much as in practically any other. From a drawn out nudity premise, to The Twelfth Doctor’s comments about the color of his kidneys, there are enough one-liners to make any viewer smile. This is appreciated in such an emotionally-draining special.

At the close, one is left with a supreme satisfaction. “The Time of the Doctor” gives us an emotionally fulfilling ending in a heck of a package. Until next time…

TV Review: ‘The Doctors Revisited – Ninth to Eleventh’

Article first published as TV Review: ‘The Doctors Revisited – Ninth to Eleventh’ on Blogcritics.

As Doctor Who‘s 50th year winds down, the last set of The Doctors Revisited, Ninth to Eleventh, has been released on DVD. These are a lot like the other eight specials, with approximately 30 minutes devoted to discussion of each of The Doctor’s latest incarnations. As before, some of each Doctor’s adventures are included, this time in the form of a pair of one-hour installments rather than a complete serial, keeping with the changed format of the show.

These three are the modern Doctors, beginning with the 2005 reboot and continuing to the present. Premiering nearly a decade after the 1990s TV movie, and even longer since the show went off the air, Christopher Eccleston, David Tennant, and Matt Smith take what came before them and updated it for the modern era. Still maintaining some of the magic, charm, humor, and monsters, Doctor Who has been tweaked in the best of ways, and has never been more popular.

Eccleston is the first one to be profiled, and his reign is pretty brief, having only been featured in one series. His Ninth Doctor is badly scarred from a war in which he committed heinous acts (a subject touched upon in the recently-aired anniversary special Day of the Doctor), and now he’s trying to find himself again. Along with a young, pretty companion named Rose (Billie Piper), Eccleston re-introduces us to the character as we’ve never seen him before, setting the bar for his followers.

The episodes included in this set for Eccleston are “Bad Wolf” and “The Parting of the Ways.” This is his two-part finale, in which Rose is tested and Captain Jack (John Barrowman), who will soon earn his own spin-off, concludes his time traveling with The Doctor.

David Tennant, “my doctor,” takes over in series two and stays for three years, as well as for a number of specials. The Tenth Doctor has multiple companions during his tenure, beginning with Rose, whom he falls in love with, and continuing through Martha (Freema Agyeman) and Donna (Catherine Tate). This Doctor is witty and clever, but has a dangerous edge that can come out when needed.

Tennant’s run not only makes good use of old foes, such as the Cyberman, the Daleks, and the Master, but also begins building larger-arc stories that play out over a number of episodes. The end of his fourth series is truly a culmination of all that he does, with many of his previous friends, including Sarah Jane (Elisabeth Sladen) from the old series, teaming up in a fantastic finale, which happen to be the installments selected for this DVD.

After Tennant comes Matt Smith’s Doctor. A bit more goofy than the Tenth, the Eleventh is also more unstable, prone to bouts of extreme loneliness, often resulting in the erosion of his moral compass. Though Smith stays for three series (his run will end in the upcoming Christmas special later this month), his story actually spans multiple centuries as he flits in and our of the lives of his companions, Amy Pond (Karen Gillian) and Rory Williams (Arthur Darvill) over the course of a decade or so (from their perspective). After Amy and Rory depart, which leads to even more moping, the Eleventh begins traveling with Clara (Jenna-Louise Coleman), a girl he witnesses dying multiple times, a mystery that brings The Doctor back to life.

The storytelling in Smith’s time becomes even more intricate and deep. As producer Steven Moffat takes the Doctor Who reigns from Russell T. Davies, more recurring characters populate the landscape, the Weeping Angels become an important returning villain, and events suddenly take years to play out, words mentioned in previous series culminating much later. The Doctor is also given a wife, River Song (Alex Kingston), whom the Tenth Doctor meets briefly, but whom the Eleventh loves very much, even as his tale and hers intertwine in strange and sad ways.

The episodes for Smith’s era are “The Impossible Astronaut” and “Day of the Moon,” the two-part opener to series six in which The Doctor, Amy, Rory, and River encounter The Silence, an alien race that cannot be remembered once they leave one’s eyesight. This is actually only the beginning of a story that will take awhile to conclude.

As usual, Moffat has recorded openings for each of the episodes, which can be watched in their original two-part versions or as a seamless feature.

The Doctors Revisits – Ninth to Eleventh is available now.

Blu-ray Review: ‘Doctor Who – The Complete Seventh Series’

Article first published as Blu-ray Review: ‘Doctor Who – The Complete Seventh Series’ on Blogcritics.

Some like to buy new Doctor Who releases as soon as they come out, but for those who have bypassed the last few, releases the wait was well worth it. Brand new from the BBC is Doctor Who – The Complete Seventh Series, which includes not only the13-episode seventh series, but also two Christmas specials and a wealth of bonus features, some of them never seen before, in a four-disc set.

First up is “The Doctor, The Widow and the Wardrobe.” The Doctor (Matt Smith) visits a woman named Madge (Claire Skinner, Outnumbered) who once helped him out. It’s 1941 and her husband has gone missing. Madge takes her children, Lily (Holly Earl, Casualty) and Cyril (Maurice Cole), to a relative’s house for Christmas, but soon they travel through a portal to a planet being destroyed by a mining company. It’s a fluff episode, just a good, old-fashioned, heart-warming holiday tale, sure to bring a smile to the viewers’ faces.

Then, we jump into series seven the final five episodes featuring Amy (Karen Gillian) and Rory (Arthur Darvill) as the Doctor’s companions. They have been traveling with him a long time, on and off for about a decade from their perspective, or three years in our minds. Each and every one of this quintet of adventures is incredibly special, made with care, knowing their end is near. They find “Dinosaurs on a Spaceship,” visit “A Town Called Mercy” in what appears to be the Old West, are forced to go to an old foe’s planet in “Asylum of the Daleks,” where they meet an odd souffle chef, and learn about “The Power of Three” in an epic story that unfolds over the course of a year and culminates in Amy and Rory making an important life decision.

Of course, the best of the batch is the last, “The Angels Take Manhattan.” Amy, Rory, the Doctor, and River Song (Alex Kingston) are pulled into New York City in the past by the Angels, those creepy living statues that can steal time from you. This is the moment where love must be proven, and values are assessed, ending with a very teary finale.

Next is “The Snowmen,” the first Doctor Who special that ditches the stand-alone format in favor of a bridge to the titular character’s arc this year. The Doctor is moping about in old England, watched over by his loyal pals Madame Vastra (Neve McIntosh), her wife, Jenny (Catrin Stewart), and Strax (Dan Starkey). Strange snowmen, created by the Great Intelligence (Ian McKellan / Richard E. Grant), begin killing people, and the dead souffle chef we met with the Daleks returns as a totally different person. Is all of this enough to pull the Doctor out of his moping?

It turns out the answer is yes, and this kicks off the eight-episode second leg of the season. Starting with “The Bells of Saint John,” in which the Doctor is searching for the twice-dead girl, Clara (Jenna-Louise Coleman), the two soon find each other and set of on a number of adventures together. The Doctor and Clara see the remarkable “Rings of Akhaten,” go into a Russian submarine during the “Cold War” and find an Ice Warrior, “Hide” from ghosts stuck in time, “Journey to the Centre of the TARDIS,” which does not care for Clara, help Vastra (Neve McIntosh), Jenny (Catrin Stewart), and Strax (Dan Starkey) investigate “The Crimson Horror,” and find a “Nightmare in Silver,” a.k.a. the Cyberman, in an abandoned amusement park.

These episodes, on the whole, aren’t as good as the first half of series seven, but then, they are the beginning of something new, finding a dynamic between friends just forming their bond, rather than the reward at the end of a long time spent traveling together, so they don’t have the built-in weight and meaning. They serve to introduce the new companion, and that’s the goal here, not starting a new major arc. In this, they work.

The series ends with “The Name of the Doctor,” a mind-blowing showdown at the Doctor’s tomb, with all his pals in attendance, and a glimpse of every incarnation of our hero up ’til now. This is where we learn Clara’s secret, and meet a new version of the Doctor  who is not the Doctor (John Hurt). It’s not only a huge episode in of itself, it also beautifully sets up this fall’s 50th anniversary special.

In all, these are great episodes, well worthy of the Doctor Who series, with many memorable moments and people.

Of course, the Doctor Who set would not be complete without a ton of bonus features. There are behind-the-scenes bits for each and every episode, interviews with Smith and Coleman, full-length specials discussing the show, prequels to a number of installments, webisodes, and a few audio commentaries, which were not part of previous releases. There also fresh featurettes about Clara, the TARDIS, Rain Gods, Inforarium, and more. This is definitely a treasure trove.

As usual, the high definition presentation on the Blu-ray is everything you could ask for. Doctor Who has a number of different settings, so that are lots of opportunity to explore fantastical, special effects-heavy worlds, as well as varying color schemes. All of this comes across as rich and detailed. An at-times-stellar score mixes perfectly with the crisp dialogue, and there are never any complaints of static or graininess. Considering some of the spectacular visuals, Blu-ray is the recommended format to view it in. And yes, I realize if you regularly follow my Doctor Who reviews, this paragraph sounds awfully familiar, but what else is there to say? It looks awesome.

Doctor Who – The Complete Seventh Series is a truly excellent release, and is available now.

Doctor Who Hears "The Bells of Saint John"

Article first published as TV Review: Doctor Who - "The Bells of Saint John" on Blogcritics.

Doctor Who begins the back half of its seventh season on BBC American with "The Bells of Saint John." The Doctor (Matt Smith), hiding away as a monk in the early 13th Century, gets a phone call from Clara (Jenna-Louise Coleman), who thinks he's tech support. But when he rushes to her side in modern day England, he discovers her Wi-Fi problems are only just beginning.

It's interesting that The Doctor is living in seclusion among monks. Recently, we see he's spent a long time alone before he encounters Clara for the second time, and when she dies again, he sets off to find her. One would think that he would still be out looking for her, not locking himself away.

The web-released prequel, in which the Doctor talks to a child in a park, explains this. He has been looking, but unable to locate her, decides to see if she'll bump into him, as she has in the past. This idea makes sense, and perhaps the Doctor isolates himself because that is how she found him before. It's a bit of a stretch, but given the eccentric way his mind works, this makes sense.

It also makes for a great opening, to see monks confused by a ringing police box in an era well before phones are invented. The Doctor is often in odd locales, and while this isn't the first scene of "The Bells of Saint John," it is certainly the first that makes me sit up and pay attention.

Clara doesn't remember the Doctor, but why should she? They knew each other in a different lifetime. She is hesitant around the Doctor at first, but quickly warms up. This demonstrates the instant and deep connection they have with one another, as the Doctor does with every companion, and proves she belongs traveling by his side.

That's not the only thing interesting about her, though. We still don't know how she can exist in different places and times, definitely with different memories, not just the same person traveling from place to place. Whether it is souffles or minding children, there are connecting threads, and while "The Bells of Saint John" doesn't get around to exploring who Clara is yet, that surely will be part of the story going forward.

At first, I was disappointed that this arc is mostly set aside this week, having been waiting since Christmas for some piece of the Clara puzzle. However, though we've seen her with the Doctor before, this is the first time this Clara meets him. As such, they need time to get acquainted, at least on her end, before the mystery of what she is can be explored.

There are plenty of magical moments between the Doctor and Clara, which set up a wonderful pairing of the two. We see the Doctor tenderly set up flowers and cookies by her beside, she jokingly refers to the TARDIS as a "snogging booth," and they seem to have fun both on a crashing plane and while sitting around drinking coffee. Right away, Clara is established as a worthy character, and she jumps into the series, immediately establishing her role better than some have before her.

I do wonder if there is some connection between Clara and Amy, the Doctor's previous fellow journeyer. In "The Snowmen," Clara somehow knows that the word 'Pond,' Amy's last name, will get the Doctor's attention. In this episode, Clara's charge is reading a book by Amelia Williams, Amy's full first name and her husband's last name. Have we not seen the last of Amy and Rory, lost in New York City after being touched by an Angel? Are they using Clara to call out for help? Because that would be really cool!

The foe that Clara and the Doctor go up against is Miss Kizlet (Celia Imrie, The Best Exotic Marigold Hotel), who is enslaving mankind through their Wi-Fi networks and capturing souls. She tries for Clara's, but, in the end, the Doctor traps Miss Kizlet, as well, and convinces her to release her prisoners.

This is a sort-of interesting villain, playing on something so prevalent in modern society. The best of the recent Doctor Who monsters are things that seem real and could attack us now. From the Angel status to this internet-based group, these are creepy because they're all around us.

However, "The Bells of Saint John" kicks it up a notch by showing viewers, but not the Doctor or Clara, that the Great Intelligence (Richard E. Grant) is actually behind this latest invasion. We just saw him in the Christmas special, and Who aficionados will know that the powerful mind attacked Earth in the interim, as portrayed back in the 1960s' fifth season. So apparently we have a new Big Bad, who will plague our hero throughout this year, at minimum.

"The Bells of Saint John" may not be a huge, splashy episode of Doctor Who, as at least half of this season's entries so far have been, but it's a nice, solid adventure that showcases well the chemistry between our two new leads. I look forward to the next installment.

Doctor Who airs Saturdays at 8 p.m. ET on BBC America.

Doctor Who back for more

For those who missed the scant five episode of Doctor Who that aired this fall, you're in luck. The BBC has just been released on a two-disc Blu-ray and DVD set, Doctor Who Series Seven, Part One. And for those who didn't miss the season, you already know that these are five fantastic installments, so you might be interested as well. It will be something to tide fans over until the series returns for a longer run next year.

As series seven begins, Amy (Karen Gillan) and Rory (Arthur Darvill) are getting a divorce. That's right; the man who waited two thousand years for his love has been tossed out of the house. The Doctor (Matt Smith) is concerned when he notices, but he has other concerns, as the three have been swept up by the Daleks, who are asking for the trio's help with their prison planet.

"Asylum of the Daleks," the season opener, is one of the best hours of Who ever made. Not only do we get to see the Doctor's archnemesis in a slightly different light, and get a glimpse of another aspect of their society, but we also have the Amy/Rory breakup mystery to sustain us. Toss in the introduction of Oswin (Jenna-Louise Coleman, Captain America: The First Avenger, Emmerdale), who will take over as the Doctor's companion beginning this Christmas, and some wonderful twists, progress on a major arc involving the Doctor's identity, and action sequences, and the season begins with a bang!

From there we move to "Dinosaurs on a Spaceship," which is a truly fun romp. There is some danger, with a space pirate (David Bradley, the Harry Potter films) having hijacked a ship full of dinosaurs, which a future version of UNIT is ready to blow out of the sky. But the meat of this episode lies in the humor created when the Doctor brings together not only Rory and Amy for the outing, but also Rory's father, Brian Williams (Mark Williams, also Harry Potter), Queen Nefertiti (Riann Steele, Holby City) from ancient Egypt, and John Riddell (Rupert Graves, borrowed from Steven Moffat's other series, Sherlock), a big game hunter from the early twentieth century. It's these clashing personalities set among such fantastical creatures that really make this episode memorable. Plus, the most adorable triceratops ever!

Then there's " A Town Called Mercy," an interesting little morality tale, that happens to be set in the Old West, and involves a cyborg. This one is arguably the least of the five episode in the set, and yet, the care with which the town is designed, and the Western genre influence, combine to make it worthy of the collection. As the Doctor would say, Stetsons are cool.

In "The Power of Three," Brian is back (yay!). Taking place over a very long span of time, the world is slowly invaded by cubes, while Amy and Rory try to build a more normal life on Earth, and the Doctor struggles with letting them go. The highlights of this episode include seeing how much the Doctor cares for his companions, and how well he does not adapt to the type of lifestyle that they the married couple are considering. It's a "take stock" episode, and it's narration makes it a departure from the norm, if Doctor Who has a norm.

Finally, in "The Angels Take Manhattan," the central trio is drawn to a noir version of New York City, and River Song (Alex Kingston) makes her, sadly, only appearance in this batch. The Angels, Doctor Who's scariest villains, have built themselves a farm in the middle of the metropolis, and catch Rory in their trap. Can the Doctor change time to save him, or will he lose both of his best friends in one swoop? It's a moving love story with high stakes danger and some huge developments.

Not only are these episode incredible, but the special features are pretty great, too. There's the hour-long special, "The Science of Doctor Who," which recently aired on BBC America. "Ayslum of the Daleks" gets a prequel, "A Town Called Mercy" has a bit of back story, and a series of minisodes called "Pond Life" seem to set up the series as a whole. Plus, there's a feature following the cast as they visit Comic Con earlier this year. It may fall slightly short of a "Making Of," but all the additional scenes included on this set, not appearing in the episodes, are very satisfying.

The Blu-ray itself is amazing. There are rich colors in every landscape, whether characters are on a dark spaceship, the dusty Old West, or the grey of the city. Each setting is vibrant and life-like. This isn't even including the special effects, which are often pretty darn neat, and showcased brilliantly in HD. Sound is high quality, with the base stepping in exactly where you want it to, and overall providing an immersive experience, without pops or static that will ruin the moment.

Fantastic episodes, great extras, and a stunning visual and auditory experience, I have no complaints at all about Doctor Who Season Seven, Part One other than that I wish it went on longer. The Blu-ray and DVD are available now.

If you like my reviews, please follow me on Twitter! Check out my website, JeromeWetzel.com! Article first published as Blu-ray Review: Doctor Who Series Seven, Part One on Blogcritics.

Doctor Who's latest Christmas special on Blu-ray and DVD

Christmas specials are an honored tradition in the rebooted Doctor Who franchise, and the holiday season of 2011 was no exception. Now, on Valentine's Day, comes the DVD and Blu-ray debut of that episode, "The Doctor, the Widow and the Wardrobe."

The special starts with the good Doctor (Matt Smith) fumbling around in 1938. A kindly woman named Madge (Claire Skinner, Outnumbered) helps him out. Three years later, the Doctor returns to repay that kindness.

In 1941, Madge receives word that her husband, Reg (Alexander Armstrong, The Sarah Jane Adventures), has gone missing in the war. Fearing the worst, she keeps the news from her children, Lily (Holly Earl, Casualty) and Cyril (Maurice Cole), as they travel to a relative's house, outside of threatened London, for Christmas.

The house that they stay in has a strange and very festive caretaker, who is actually, though unrecognized by them, the Doctor. Cyril goes into a glowing Christmas present, and the Doctor and Lily follow him. The trio are in a snow covered world inhabited by wooden creatures. These beings wish to escape their world, but deem the visitors too weak to help them.

In the meantime, Madge goes after her missing kids, and learns that this alien planet is about be pulverized by a mining company. She finds her children and rescues them and the wooden race. But to escape, she must think of memories of home, including the bad news about Reg, which the kids witness through her. Luckily, when they do return home, Reg is there, too, safe and sound! The Doctor leaves them their happy Christmas, and makes a visit to loved ones of his own, Amy (Karen Gillan) and Rory (Arthur Darvill).

Honestly, the story in "The Doctor, the Widow and the Wardrobe" is a little hokey. Many of the performers hired to join this adventure have comedic backgrounds, and while Doctor Who does often incorporate humor, that is not the focus of the show. Also, there are a few things, plot-wise, that don't quite add up, and the villains don't build that much suspense.

However, those things are minor, and pale in comparison to the joy that this special brings. It is stuffed to the gills with Christmas cheer. The Doctor has always exhibited a fondness for the December holiday, and it's readily apparent that this emotion is firmly in place here. His enthusiasm is infectious, and the adventure has a magical quality often associated with this time of year. The spirit and the tone are such that the episode seems to rise above the sum of its parts, and is thoroughly enjoyable.

One reason for this is the childlike wonder present. The Doctor goes off with the kids, not with the mom, and he fits right in, personality-wise. The adventure isn't too dangerous, and safety and happy endings are almost guaranteed right from the beginning, a strength in this kind of story, rather than a weakness. The special effects and sets add to this feel-good tone, and what is left is something that tastes very good going down.
There are references to other works in this special. The most obvious, of course, is C.S. Lewis's The Lion, the Witch and the Wardrobe, from which the episode title takes its name. Both involve children traveling through portals onto winter worlds. However, Doctor Who does not get overly religious, and the focus is certainly not preachy.

There's also the joy fans of Doctor Who will get in seeing Amy and Rory again. For them, it has been two years since the Doctor faked his death and left them, though those episodes aired only a few months ago in reality. Thus, it answers the question of, will their characters ever know the truth about the Doctor's fate? It's a heartwarming reunion many will be glad to see.

The extras are quite nice, actually taking up much more time on the disc than the special itself. A prequel to the special shows just how the Doctor ends up where Madge finds him. It's short and sweet. Plus, included are three "The Best of Doctor Who" specials that aired recently: "The Best of the Doctor," "The Best of the Companions," and "The Best of the Monsters." None are particularly impressive, but will satisfy those just wishing to relive Doctor Who moments. Plus, since each is almost as long as "The Doctor, the Widow and the Wardrobe" itself, it makes the price a little easier to swallow.

Also cool is a teaser for the online video game, Doctor Who Worlds in Time. It looks like a really neat way to waste some time! There are stickers and a code to unlock a reward inside the packaging, which is a good bonus.

Buying the Blu-ray over the DVD is highly recommended. After all, like any Doctor Who special, there are lots of special effects. Those sorts of things are always more enjoyable with a crystal clear picture and wonderful surround sound. It's well worth the extra couple of bucks.

Buy "The Doctor, The Widow and the Wardrobe," on sale now.

Doctor Who The Complete Sixth Series arrives on Blu-ray

     Doctor Who The Complete Sixth Series is now available on DVD and Blu-ray. Over the course of the season, the Doctor (Matt Smith) worries about his impending death date in Utah, while learning more about the mysterious River Song (Alex Kingston, ER) and the Silence. He is still joined by Amy Pond (Karen Gillan, The Well) and Rory Williams (Arthur Darvill, Swimming With Sharks) on his missions. Together, they continue the very big job of keeping the universe, through time, safe from any number of threats.

     Season six begins big, with the companions being entrusted with a secret that the Doctor cannot know, and all of them having to help Richard Nixon. Things heat up even more in the second part of the premiere, with the FBI on their trail, and aliens that can hide in plain sight, fooling everyone. In other episodes, the team also visits a 17th century pirate ship, explores 22nd century cloning, goes to Berlin in 1938, stays at a hotel that thrives on fear, and confront the Cybermen again. And, the bad guys aren't all whom you may expect in series six, either. Both River Song and a future version of Amy could end it all if the Doctor isn't careful. This spells a thrilling, intense, edge-of-your-seat batch of episodes that just may comprise the best Doctor Who season yet!

     Perhaps because of the high quality of the stories, Doctor Who is able to continue to attract a very good array of guest stars. Sci-fi staple Mark Sheppard (Supernatural, Warehouse 13) gets into the action in the two-part series opener. Listen closely, and one will hear the voices of Michael Sheen (the Twilight movies, Frost/Nixon) and Imelda Staunton (Cranford, Harry Potter). American NBC anchor Meredith Vieira is in the series finale, and Hugh Bonneville (Downton Abbey), Suranne Jones (Coronation Street), Lily Cole (The Imaginarium of Doctor Parnassus), and David Walliams (Little Britain) are just a few of the other familiar faces. Plus, James Corden and Simon Callow reprise their Doctor Who roles as Craig Owens and Charles Dickens, respectively.

     Arguably, an even bigger get is award-winning writer Neil Gaiman, who pens "The Doctor's Wife," in which the TARDIS is captured by a mind on an asteroid. It's an exciting cat and mouse game, as the villain holds the Doctor's companions hostage. Luckily, the Doctor finds allies in Uncle and Auntie, who are not, in fact, his uncle and auntie. Because of Gaiman's reputation, expectations are high on this episode, and it fully delivers.

     Series six was previously available as two separate sets, but this release is six discs containing all 13 episodes. It also has last year's Christmas special, "A Christmas Carol," which has had its own release, too. Thus, Doctor Who: The Complete Sixth Series is bringing together three different products in one.

     Bonus features are not scarce either. Five of the series six episodes have short prequels to better set things up. There are two Comic Relief sketches from a charity event. Four shorts known as "Monster Files" delve into the Doctor's best opponents, giving a deeper exploration of the rich guest characters. Plus, Doctor Who Confidential has an inside look at all 13 episodes, with a bonus Confidential concerning "A Night's Tale" (see below). There are also audio commentaries on selected episodes.

     Perhaps most valuable bonuses are five Night and the Doctor specials available only on the new release. They cannot be found online, at least not legally, and were not broadcast on television. As such, they make this release a must-own for any completionist fan.

     With 1080i high definition, and 16:.9 aspect ratio, as well as DTS HD 5.1 surround sound, Doctor Who looks and sounds fantastic. It's a science fiction show with a lot of special effects, and thus, fans will want the best viewing experience possible. They get it with this Blu-ray set, featuring crystal clear picture and sound that will look and sound amazing on any decent home entertainment system. Even better, many of the special features, which aren't always up to the same standards, actually are in this set, having the same audio and visual stats as the episodes themselves. This is certainly a truly excellent set.

     Doctor Who The Complete Sixth Series is, as you may expect, excellent.  The blacks, and all other hues, are rich and deep. This allows for a lot of details, even when events occur in shadow. There is no static around the edges of any of the sound effects, which also are not abnormally loud. Sound levels are mixed to a fine degree, and will allow viewers to stay in the moment on screen effortlessly.

     Buy Doctor Who The Complete Sixth Series, out on Blu-ray and DVD today.

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Article first published as Blu-Ray Review: Doctor Who The Complete Sixth Series on Blogcritics.