Showing posts with label Jonathan Banks. Show all posts
Showing posts with label Jonathan Banks. Show all posts

Monday, March 16, 2015

COMMUNITY Season Six Preview

Article originally written for Seat42F.

This is a preview, so will contain only light spoilers.

COMMUNITY, formerly of NBC, finally gets its sixth season as foretold in the prophetic hashtag #sixseasonsandamovie this week on Yahoo Screen. Two episodes premiere on the online video service, “Ladders” and “Lawnmower.” A number of things have changed for the sitcom, but essentially, it’s still the same show fans know and love.

What I mean by that is, while some the cast has rotated out, leaving voids in the theme song and our hearts, the setting is still the same old Greendale. Shirley (Yvette Nicole Brown) may have departed, but her sandwich shop lives on, and her absence is adequately explained in the first episode back. Hickey (Jonathan Banks) and Duncan (John Oliver) get less of a firm send-off, but the latter especially has always drifted in and out of the series, so while neither appears or is mentioned in this first week, there’s always the chance they could show up later, and the sharp-eyed will see a hint of that for one. These three, along with Pierce and Troy, are replaced with a couple of new faces.

“Ladders” introduces viewers to Frankie Dart (Paget Brewster, Criminal Minds), a new administrator that The Dean (Jim Rash) hires to work with the Save Greendale Committee. Frankie is, at first glance, an older, less quirky version of Annie (Alison Brie), but she’s also a bit more than that. COMMUNITY is bizarre and that’s its strength, but having a level-headed person who is not opposed to the oddness strikes a new dynamic in the cast. I’m a little sad Brewster doesn’t reprise her previous role on the show, but glad she returns, and being honest, Frankie is probably more interesting in the long-run than her techie.

The second addition, Elroy Patashnik (Keith David, Enlisted, Platoon), doesn’t show up until “Lawnmower,” but feels more like a traditional COMMUNITY role. Elroy is a weird genius, which seems a perfect fit to the gang. He brings life experience and plugs a generational hole, while at the same time coming in as a newbie who is open to possibilities. I’m not sure yet exactly what his role will be this season, as his first appearance is more as a guest star than a central lead, but I look forward to finding out.

Lest one wonder what Yahoo has done different with COMMUNITY than NBC, I’m not sure any of the changes made are because of the new platform. If anything, the budget seems increased, with more exteriors and new sets than we’re used to seeing. The same recurring players are glimpsed in multiple scenes. The offbeat sense of humor is present, with some inexplicable and ridiculous plot points and jokes. Abed (Danny Pudi) still thinks of the world as a television show.

Change is a major theme, though, and I think that’s because of necessity. With so many of the original group gone and some cast members no longer being students, there will be a different vibe. Greendale has barely hung on, and while the Save Greendale Committee has done much to ensure the institution’s future, it does feel like we’re building towards a major conclusion. I’m not anxious to see a beloved favorite like this series end, but should these thirteen episodes tee up a movie with much finality, I won’t complain, as long as everyone returns for the end.

As mentioned, there is a lot of weirdness, as usual. The second half hour reveals a major conspiracy happening right under one of our main character’s noses these past six years. It’s quite a secret, but one that proves COMMUNITY has not lost its touch, tying things together and shifting perspective. It’s this sort of thing that makes me comfortable in saying I expect COMMUNITY season six to be every bit as good as season five, even remaining a little more somber and grounded than the first few years.

Oh, and the stinger of the premiere is not yet released, even to press, so I’m guessing they’ll be something really good there.

COMMUNITY launches its first two episodes of season six this Tuesday exclusively on Yahoo Screen.

Thursday, February 12, 2015

BETTER CALL SAUL Worth Picking Up

Article first published as BETTER CALL SAUL Review on Seat42F.

BETTER CALL SAUL Review




BETTER CALL SAUL doesn’t shy away from its roots. Last night’s series premiere on AMC, “Uno,” begins a little bit after Breaking Bad ended. Saul Goodman (Bob Odenkirk) has relocated to Omaha, Nebraska and is the sad, pathetic manager of a mall Cinnabon. The highlight of his day is going home to his little house, pouring himself a stiff drink, and watching commercials from his glory days. This is where the story ends, and where it begins.


The meat of BETTER CALL SAUL is set six years before Breaking Bad even starts. Saul is known as Jimmy McGill back then, a very unsuccessful lawyer with a crummy office in the back of a nail salon. Desperate for clients, he also cares deeply for his disabled brother, the once-great lawyer Chuck McGill (Michael McKean, Clue, This Is Spinal Tap). Jimmy is at the end of his rope, making very little money representing very cruel teenagers and unable to convince Chuck he should cash out of the thriving firm he helped create.

Jimmy is not as far away from Saul as Walter begins away from Heisenberg, but there is definitely a lot that must happen to turn Jimmy into the sleazy, well-connected “success” he will become. This version of Saul is plenty willing to work outside the law; he just only does so in small ways, and his bravado is much more faked.

I don’t think we can condemn Jimmy for his hatred of Chuck’s partner, Howard Hamlin (Patrick Fabian, Big Love, Veronica Mars). Jimmy thinks Chuck, trapped at home without power because of a crippling disability, is being taken advantage of. Chuck obviously has a big heart, not wanting to hurt the business he built because of how it would affect the employees. But Jimmy sees his big bro as a bit of a schmuck who Howard is pulling one over on. Is Jimmy right, or does he just not have the mind-frame to see Howard and Chuck’s more altruistic viewpoints?

It’s easier to blame Jimmy for what happens or will happen to a pair of young scammers. To try to win a client who is (understandably) reluctant to sign, Jimmy gets the boys to fake an accident. What Jimmy doesn’t know is that this leads them into the den of psychopathic drug dealer Tuco (Raymond Cruz), a place Jimmy ends up as well by the end of the hour. Jimmy may not know who he’s messing with, but he does do something incredibly dumb that gets him and the boys into the situation, so he is to blame.

That makes me wonder how viewers are supposed to feel about the protagonist. Breaking Bad proved you can make a show about a character who is often unlikeable, but there’s something about Saul that makes me care. In Jimmy, this is even more prevalent. He’s the little guy, pushed down, and all his antics are him fighting back against what he sees as a rigged system. This is a sympathetic position, whether he’s right or not.

The style of BETTER CALL SAUL is very reminiscent of Breaking Bad. It is slow burn, with very artistic direction, confusing close-ups, and the very real feel of a larger story than what is being presented. This is by the same guys who did that show, and you can easily tell that, the connections being more than just a character or two.

Joining Jimmy, Chuck, and Howard, the cast includes: Mike (Jonathan Banks), whom fans will remember from the mother ship, and who gets only one (very special) scene in “Uno;” Kim (Rhea Seehorn, Whitney, Franklin & Bash), a lawyer who works for Howard, but seems to at least like Jimmy a little bit; and Nacho (Michael Mando, Orphan Black), a criminal I didn’t notice at all in the first episode, so he may not have shown up yet. This seems a good mix of new and old faces from various worlds, leaving open a number of possibilities as to how the series can move forward.

I like Better Call Saul. Odenkirk is still doing the great work he did in Breaking Bad, deepening the character and showing more range. While I have pointed out a number of similarities to that other series, it also has the bones to be its own story completely, not reliant on its predecessor as it goes on, with references being more funny that necessary. It’s early to make a judgment, but AMC’s decision to already order a second season makes me optimistic my faith in BETTER CALL SAUL is not misplaced.

BETTER CALL SAUL moves to its normal night and time this evening, airing episode two at 10 p.m. ET on AMC.

Wednesday, April 16, 2014

COMMUNITY "Story" Far From "Basic"

Article first published as TV Review: 'Community' - 'Basic Story' on Blogcritics.

C1NBC’s Community has reached the end of its fifth season with the two-parter that airs this week and next. Part one, called “Basic Story,” finds absolutely no story happening at Greendale. This drives Abed (Danny Pudi) nearly insane, as there always must be a story. But no, the Save Greendale Committee has done its job and saved the school, so all is good in the world. That is, until an insurance appraiser (Michael McDonald, Web Therapy) finds the campus has value, and then the school board can’t wait to sell it off, meaning the Save Greendale Committee did their job too well and had the opposite effect on the school.

It’s absolutely fantastic that “Basic Story” starts with no story. True, Seinfeld made a ten-year run off of a lack of plot, but Community is a show that almost always has something going on. The meta way in which Abed references this, combined with his break down, as he sees his life as a television show and can’t cope with that illusion being broken, is funny and intelligent. It’s another new direction for Community, one that feels very apropos, should this end up being the series finale, the real end of the story.

Fans of Community have long pushed for six seasons and a movie, made famous by their hashtag. Since this is only year five, these viewers, myself included, do not want to see things come to an end now. It would be a promise unfilled, and a terrible tease to get so close to that goal and then fall short. Yet, as has frequently been the case in years past, Community teeters on the brink, unsure of it’s fate. Will the network please just give it one more run, bringing us that much closer to the twitter prophecy?

It’s hard to imagine talking about any other show in these terms, pointing to a social media trend and calling it destiny. Yet, for a series as weird as this one, a program that breaks all the conventional rules of the standard sitcom, it feels right. Just like Abed breaks the fourth wall within the confines of the series, Community should match up with the expectations and dreams of its fans. NBC would be stupid not to give it one more pick up, a gift to those who have followed it for so long, even if it barely makes financial sense. It’s not like the network has an abundance of other successful options to choose from.

If “Basic Story” and its second half does end up being the series finale, though, it is sure to be a good one. This whole fifth year has been a depressing tale of accepting life as it is and giving up on flights of fancy. Jeff (Joel McHale) has to be realistic, returning to the place that drives him crazy and accepting that’s where he belongs. That this place may now be yanked away from him, after he’s put forth so much effort to make it work, feels like the ultimate injustice, and yet one that fits with the tone of the show as a whole.

Jeff deals with the situation as fans would expect him to. At first, he’s in denial, even sending Abed away because he’s can’t cope with the possibility that there might be a problem at Greendale. Then, he acts like he’s OK with the outcome, dissolving the Save Greendale Committee without any huge, outward display of emotion. Finally, he prepares to hook up with Britta (Gillian Jacobs) again, even proposing marriage, settling in love as he does in life.

Some root for Jeff and Britta to be a couple, but I’ve long been a Jeff-Annie shipper. While Britta helps Jeff grow, usually unintentionally, she often feels like she’s the wrong choice for Jeff. In the end, she could be right, but not under these circumstances, where Jeff is just clinging to an anchor as the ship goes down. Their almost-sex is pathetic and sad, not celebratory or fulfilling. So Annie (Alison Brie) is still in the running!

C2Speaking of Annie, she allows herself to be pulled in to a treasure hunt with the Dean (Academy Award-winner Jim Rash) and Abed. At the last moment, Abed discovers a clue that could save Greendale from being bought out by Subway (anyone else getting Chuck flashbacks?), and they begin searching for the lost riches. This is zany, silly stuff, the kind that the best of Community is made of. But is it real, a Greendale mystery brought to light, or is it Abed forcing a savior into being where none exists?

“Basic Story” has other great character moments, too. The Dean’s breakdown is moving, Shirley (Yvette Nicole Brown) shoots off some terrific one-liners, and Hickey (Jonathan Banks) and Duncan (John Oliver) bond over an unexpected possible family connection. Best of all, Chang (Ken Jeong) betrays the group yet again. If this is how Community is going out, it’s fitting that Chang should become a henchman for the wrong side, the Subway stooge that spies on the group. Another excellent effort in a long string of them for this show.

Community will conclude its tale, at least for now, Thursday at 8 p.m. ET on NBC.

Wednesday, April 9, 2014

"Jeff" Supported By COMMUNITY

Article first published as "Jeff" Supported By COMMUNITY on TheTVKing.

The latest installment of NBC's Community, "G.I. Jeff," doesn't feel like Community when it first begins. Animated in an older style, the opening has G.I. Joe and company in combat with Cobra. Then Jeff (Joel McHale) and his friends join the battle, fighting for Joe, which ends poorly when Jeff kills one of the bad guys. Because, after all, you're not supposed to kill people in cartoon war.

Community has poked fun at a number of genres and mediums in the past, and the G.I. Joe take-off is the latest in this tradition. It's clever and well-drawn, fitting the style and format. I love how the writers bend the conceits of the genre in general and the show in particular, pointing out the absurdities and inconsistencies.

To make a good idea even better, Community adds themed commercials for the G.I. Joe toys, which are part of the tale, a layer of the world. These are fun, but they also mean something, as does the "message" tag on the end. This demonstrates not only a clear understanding of the topic being parodied, but also a brilliant formation of a cohesive story.

The cast of Community is folded nicely into this imaginary world. Jeff and the study group fight for the right side, with Britta (Gillian Jacobs) being renamed Buzzkill, Shirley (Yvette Nicole Brown) always mentioning her three kids, and so called Three Kids, Abed (Danny Pudi) pointing out the elements of the format as Fourth Wall, the Dean (Jim Rash) serving as the Vice Commander of Cobra, Duncan (John Oliver), Hickey (Jonathan Banks), and Chang (Ken Jeong) are sort of themselves, and Greendale is a dangerous place that thrives on ambition but sucks away the soul. It's a fitting parallel.

That Annie (Alison Brie) is a big-boobed sexpot may not completely match her character, but it quickly becomes clear why she's taken on this persona when we find out "G.I. Jeff" happens in Jeff's mind. Depressed on his fortieth birthday, Jeff has drank too much scotch and taken some suspicious pills, resulting in a delirium while he recovers in the hospital, his friends surrounding him. This whole thing is Jeff's attempt to recapture his youth and expose his frustrations.

Thus, as much of the season has done, "G.I. Jeff" takes a dark turn. Jeff isn't trying to kill himself, but he isn't happy and needs to get unstuck from his current situation. While past years have seen our heroes revel in their joyous fantasies and friendships, this one focuses on the undercurrent of depression and failure. For some, becoming a college professor would feel like a dream fulfilled. For Jeff, returning to a place he has a love-hate relationship with, it's killing him.

There is no closure in this plot, nor can there be at this time. Jeff does realize he's loved, and that will help him heal from the latest wound. But the damage to his psyche is much deeper. He can escape the animated world in his head, but he cannot escape his reality.

This does not bode well as to how the series will end. Jeff has to leave, which will, by necessity, separate him from the people he cares about. The group may remain friends, but nothing will ever be the same when they leave the sheltered community college. However, leave they must, as that's the only way to find the successes and satisfaction they crave.

"G.I. Jeff" is a clever way to deliver this sermon, all the while playing to the familiar Community characteristics and style that make the show so good. A reference to Pierce and 'Harmon Sucks' graffiti are the touches that make the show so beloved, and even when an episode is more emotional than funny, it remains highly entertaining.

Community airs Thursdays at 8 p.m. ET on NBC.

Wednesday, March 26, 2014

No "Dungeons" for COMMUNITY

Article first published as No "Dungeons" for COMMUNITY on TheTVKing.

This week's installment of NBC's Community, "Advanced Advanced Dungeons & Dragons," is an excellent entry for the series. While avoiding many of the fantasy-heavy elements other, similar episodes show us, in some stellar acting (with choice sound effects tossed in), the cast paints a picture of a tale as personal as it is made up, luxuriating in the relationships between the players. Plus, there are oodles of the stuff that makes Community so charming.

The little touches that season five lacked are in almost every scene of "Advanced Advanced Dungeons & Dragons." It begins right off the bat as Jeff (Joel McHale) mentions Neil (Charley Koontz) as a background character - while Neil strolls through the background. The Dean (Jim Rash) says the school doesn't have insurance, Abed (Danny Pudi) is excited to tackle the challenge of making a good sequel, and Hickey (Jonthan Banks) doesn't know the game his son loves involving dungeons and dragons is called Dungeons & Dragons. All of these things kick the writing up a notch.

Also, there are little references for Community fans to pick up. The names Abed comes up with for the characters within the game, from Joseph Gordon and Riggs Diehard to the troll, all mean something. And the Hawthorne Mountains are a clear tribute to Pierce.

There are also brilliant lines of dialogue sprinkled within. Hickey's son, Hank (David Cross, Arrested Development), whom the gang plans this activity to help Hickey reconnect with, calls Abed 'Aziz,' which sounds a little racist, but is a wonderful shout out to Aziz Ansari. When Hickey is asked what drew him to this game at age sixty, he responds with "Dungeons. It'd be the dungeons," delivered just beautifully. Chang wondering if Hank means Times Square when saying his father missed birthdays because he was somewhere rhyming with no there is so earnest it evokes a smile. Everything Abed says as a troll, either troll, is gold. And Shirley's (Yvette Nicole Brown) parting shot after dying in the game, "Just remember, whenever the wind whispers through the woods, you got me killed," is classic wit.

But beyond all of this, as usual, it's the character development that makes the installment a winner. Jeff's own relationship with his father colors his desire to help Hickey and Hank reconnect, and the tenuous bond, which a proud Hickey is willingly to do just about anything to heal, it very moving. This parent-child connection is one the show has explored before, and it really works well here.

Of course, Abed is outside of this, not being one who relates well to others. His role in "Advanced Advanced Dungeons & Dragons" is to take the game completely seriously, at the expense of all else. He even gets mad that Hickey treats some of the proceedings as a joke. We're reminded once more why Abed isn't normal, but there's also a vulnerability here that informs on who he is and still makes him sympathetic, and his detachment is what drives the great scenario.

Other, small moments are also worth noting. Hickey's instincts is to punch things in the heart, but that's because he's interested in setting his own rules and not feeling helpless, not because he's overly violent. Annie (Alison Brie) mourns Shirley for only a moment before rooting around in her gear, showing how she presents a nice facade to the world, but is ruthless enough to be a competitor. And the Dean's commitment to playing Jeff's son in the D&D world is not only sweet, but integral to who he is.

The ending of all this is great and realistic. Hank and Hickey aren't all smiles and hugs, but a door has been opened between them as efforts are made. They cannot repair such a broken relationship in one afternoon, but thanks to the Save Greendale organization, they have the opportunity to find common ground to start from. It may be just about the most perfectly constructed conclusion of a Community episode yet.

Community airs Thursdays at 8 p.m. ET on NBC.

Wednesday, March 19, 2014

"Maintenance" Keeps COMMUNITY On Track

Article first published as "Maintenance" Keeps COMMUNITY On Track on TheTVKing.

The latest installment of NBC's Community is "VCR Maintenance and Educational Publishing." Buoyed by several memorable guest stars, many of them non-actors doing a great job in rare appearances on screen, the study group is split in two this week for a couple of enlightening stories, leading to a new side being revealed for at least a couple of players. It's an emotional and entertaining episode that continues some of this season's arcs.

After an absolutely terrific opening featuring the under-used Dean (Jim Rash) rapping and breaking down, Jeff (Joel McHale), Shirley (Yvette Nicole Brown), and Hickey (Jonathan Banks) head off to clean a storage closet. They find 120 mint-condition chemistry text books hidden in a vent, and soon are in a drug deal-esque story to unload them. Things get more complicated when Britta (Gillian Jacobs) is brought in as a middle(wo)man, Chang (Ken Jeong) stumbles on the stash, and Jeff has a crisis of conscience, and in the end, their buyer (compose Paul Williams) walks away without a deal.

Apart from the obvious genre parodying, which is enjoyable, the element that really steals the plot is the turning of Shirley into a kingpin. Brown plays the religious mother so sweetly most times, and despite her prejudices, hypocrisy, and judgmental nature, Shirley is usually very likeable. But when her dark side emerges, usually covered with a layer of honey, watch out! "VCR Maintenance and Educational Publishing" may just be the nastiest we've seen her yet, conveying much with a tilt of her head or a lift of her eyebrow.

I also like that Jeff is the one has doubts about their enterprise. He's really turned a corner in what a good person he can be, and while he still makes some bad choices, such as being the one to encourage their illicit activity in the first place, he can't stand to see Shirley go evil and feels bad about his fault in it. I don't think his moral compass was nearly so strong at the start, and it's gratifying to see this growth.

It's worth nothing that much of this season has concerned Greendale's precarious financial situation. The Dean announces paychecks will be late at the start of this episode, and it's likely the text books were hidden precisely because they were worthless misprints, perhaps another mistake the Dean made to drive them further into the hole. Will the Save Greendale Committee be able to preserve the school? Or might this make an excellent main story for the movie referenced in the hashtag #sixseasonsandamovie?

The other side of "VCR Maintenance and Educational Publishing" involves Annie (Allison Brie) and Abed (Danny Pudi) searching for a roommate. This is necessary because they can't afford the rent on their own. Annie would like her brother (production staff member Spencer Crittenden) to live with them, while Abed argues for his girlfriend of one month, Rachel (Brie Larson). To settle the disagreement, Annie and Abed drag the other two into a high-stakes round of the old (fictional) VHS game Pile of Bullets.

Bringing up such an outdated form of entertainment as a VHS game is both fitting for Community and hilarious. Breaking Bad creator Vince Gilligan does a fantastic job as the star of the tape, and his tag at the end of the episode with Gina Gershon makes for some pretty funny meta stuff. The show frequently brings up old trends from the past, and this is another link in that proud legacy.

Of course, things for Annie and Abed aren't so easily solved. As Annie's brother points out, there is a serious vacuum left in the apartment since Troy's departure. No one can really replace Troy in the role he held in their lives, and by trying to force someone into that hole, the two risk ruining whoever they set their sights on. Instead, they need to get a stranger to help pay the rent for practical reasons, then tackle the emotional void on their own.

Abed is already showing signs of development with his crutch gone. Rachel is good for Abed, letting him know when he's acting in an unacceptable manner and charmed by his better qualities. Abed almost loses her in his obsession with the game, but does wake up enough to realize her importance and win her back, creating one of his real, honest moments as he confesses his underlying concerns. She is patient and forviging, and there's a real sense of hope that she might be just what Abed needs to become a whole human being.

"VCR Maintenance and Educational Publishing" may not be a particularly special episode, but it's another good one, keeping the show alive to the millions of fans happy to see it survive. Might it be too much to ask from NBC to give us one more season and a film?

Community airs Thursdays at 8 p.m. ET on NBC.

Tuesday, March 11, 2014

Dystopian COMMUNITY

Article first published as Dystopian COMMUNITY on TheTVKing.

This week's installment of NBC's Community is called "App Development and Condiments." A pair of software developers (Brian Posehn and Steve Agee from The Sarah Silverman Program) introduce Greendale to a new social rating app for their smart phones, MeowMeowBeanz. Soon, as is par for this college, the app makes the campus devolve into a futuristic dystopian society where the highest rated rule the caste system, and the lowers are treated as slaves.

Only at Greendale Community College can the world change so rapidly. It's not like we haven't seen it before, even within this fifth season. A scenario is introduced into the population, and they whole-heartedly embrace it. Until, that is, it gets too dangerous and real and the study group find a way to dismantle the whole system, having worked out their own personal problems. It's the closest thing Community has to a formulaic episode, and it's highly enjoyable.

MeowMeowBeanz is a clever idea. While "App Development and Condiments" doesn't seem to parody any other particular work, it's sort of like if facebook and hot or not went crazy and evolved into a Hunger Games type of world in which everyone is ruled by this bad, useless technology. And having little cat faces all over the dark set is absurd in the best of ways. Toss in some strange future dance and some white curtains, with a flamboyant class just one step below, and suddenly Community has created a familiar and, at the same time, wholly original landscape.

Of course, these are all trappings for the real story. This week finds Shirley (Yvette Nicole Brown) with her feelings hurt because Jeff (Joel McHale) didn't invite her to a dinner he knows she can't attend. Community doesn't do Jeff-Shirley stories often, but whenever they do, it's great. They are such similar people in their love of other people's adoration, while also being completely different in their belief systems and manipulative tactics, and they make for a surprising friendship.

"App Development and Condiments" lets Shirley and Jeff play out their feud on a grand scale, drawing everyone else into the battle. This hyper reality is a major draw of the show, and it's quite fun when a personal beef is taken to such extremes. At heart is the argument which can be solved with a simple apology, but everything has to fall apart before either can swallow their pride enough to mend the bond, forced to take a look at themselves by their friends forcing them to do so.

Everyone has their own way of coping with the circumstances of the episode, showing beautifully the wonderfully varying people who make up the show. Annie (Alison Brie) becomes Shirley's butt-kisser. Abed (Danny Pudi) succeeds because he understands numbers and stats, but then doesn't like being in a position of authority. Professor Hickey (Jonathan Banks) gets ahead by pretending its his birthday, every day for over a week, while Chang (Ken Jeong) discovers people like limping and commits to that fully. Star-Burns (Dino Stamatopoulos) tries to serve everyone at once, spying and sneaking, but never rising far.

We also have new character Koogler (Arrested Development creator Mitchell Hurwitz), who seems to come straight out of an 80s film, a fact hit home by the fake movie trailer in the tag. Not an actor, it seems unlikely that Hurwitz will become part of the recurring cast, which makes his appearance superfluous. I enjoyed his role, but would rather he not be included at all if his presence isn't going to be explained or repeated.

Lastly, we have Britta (Gillian Jacobs) doing what she does best - championing a cause. In this case, she's the one that brings down dystopia when she stages a revolution. Her fellow students begin to listen to her only when she has mustard on her face, so she embraces that until eventually the effect wears off. But it's great to see self-righteous Britta, desperate for approval, making it less likely to be given.

"App Development and Condiments" does seem like a fairly typical episode of Community, but that isn't necessarily a bad thing. They are layers of story, always present in the best of the series, and some terrific one-liners, such as when Jeff scolds the students for playing through this on a Saturday, when they could have gone home. Tiny bits, like a 4 approving of 'forbidden love' between 4 Jeff and 2 Britta, sell the universe presented. Very good job.

In fact, if I have one complaint about this season, which we are more than halfway through, it's that the Dean (Jim Rash) hasn't really had any story, reducing him back to the small, supporting role he used to occupy. Rash deserves better material, and he is hilarious when he gets it. Let's hope there's at least one meaty Dean story before the end.

Community airs Thursdays at 8 p.m. ET on NBC.

Tuesday, March 4, 2014

COMMUNITY Celebrates the "Beta Male"

Article first published as COMMUNITY Celebrates the "Beta Male" on TheTVKing.

The latest installment of NBC's Community, the season's mid-point, is titled "Bondage and Beta Male Sexuality." Most of the study group attends a charity show where Professor Duncan (John Oliver) intends to take advantage of a vulnerable Britta (Gillian Jacobs), but both find themselves confronted with self-reflection instead. Meanwhile, Abed (Danny Pudi) bonds with Professor Hickey (Jonathan Banks).

Professor Duncan has always been a bit of a flat character, which makes sense, since he's only a recurring part, rather than one of the personalities at the center of the show. His presence has increased this season, however, and with that comes a bit of depth. Before, he's been a lecherous jerk, but now we see the compassionate, human side of him. I really thought Duncan would sleep with Britta, but that would have sabotaged his development, knocking him back to what he was before this season.

Community loves point out absurdities right in front of our faces. The friendship between Duncan and Jeff (Joel McHale) is one of those. We're told they're friends, but we never see it. They aren't that nice to one another, and they don't help each other out much. "Bondage and Beta Male Sexuality" corrects that. We still don't know what brought them together or why they've stayed close, but we see Jeff try to help Duncan with Britta, and then Duncan stays away from Britta at least partly for Jeff, instead choosing to spend time with a guy who's down.

Jeff's feelings for Britta have long lingered in the background. Last year, amid a weak overall season, the two shared some really great bits. Now, that attraction is brought out again when Britta is admired by her peers. This does make Jeff a little shallow, but it's nice to see him pull back, both out of affection for Duncan and because preying on Britta for the wrong reasons would be bad. They may still end up together, but probably not, and this was not the right time for it.

Britta herself also demonstrates growth. In the past, she'd rush to some guy's arms to make herself feel better when humiliated in front of former colleagues. Or, at minimum, she'd need a good friend to cheer her up. She and Duncan aren't really pals, so he just provides a ride home. There, she engages in introspection, and while this happens off-screen, it's advancement for her. Probably temporarily, somewhat false advancement in a way, knowing Britta, but still, baby steps are good.

Back at Greendale, Abed wanders into Hickey's study before heading to a movie. One has to assume he's lonely and that's why Abed seeks companionship, as he certainly doesn't have any real purpose for going to Hickey. With Troy gone, Abed does seem adrift, his nerdy antics more pathetic these days, and Abed has to sense that, despite his emotional handicaps. Hickey is the only one around, so Abed seeks that connection to another human being.

This has to prove Abed is not too far gone to save. As much as Community viewers enjoy odd Abed, he can never have a happy ending while remaining so detached from reality. This plot has long been building, at least the past couple of years, and with enabler Troy gone, Abed has no choice but to actually confront it.

Hickey, on the other hand, also lacks many bonds to others. He's suffered, to be sure, but he's also soulful, with a creative side that he caters to. He won't put up with Abed's crap, but he does seem willing to help. Through assisting Abed, Hickey might also find purpose in himself, as he doesn't really seem to like teaching at this point. This relationship could lead to real meaning for both.

Then there's the Chang (Ken Jeong) subplot in which he may or may not have gone to the theater and, while there, may or may not have interacted with ghosts. "Bondage and Beta Male Sexuality" doesn't tell us what happened with Chang, but one might think he's having a bit of a breakdown while going through a divorce; at least, that's one theory from the clues presented. At least Chang's delusions aren't mean-spirited this time, but while funny, this unexplained side story is also sad at its core.

I'd rate "Bondage and Beta Male Sexuality" as a middling Community episode. I enjoy it because of the good character stuff, much better than anything last season, but it is lacking any real excitement or outrageous humor (save for the hilarious Duncan / Dean (Jim Rash) tag). It's a more somber note, as much of this season has been, one heralding change for the better, but in incremental movements.

Community airs Thursdays at 8 p.m. ET on NBC.

Tuesday, February 4, 2014

COMMUNITY Breezes Through "Networking"

Article first published as COMMUNITY Breezes Through "Networking" on TheTVKing.

The latest installment of NBC's Community is "Analysis of Cork-Based Networking." The Save Greendale Committee splits into three groups for different projects. Abed (Danny Pudi) and Britta (Gillian Jacobs) conduct a student census. Annie (Alison Brie) and Hickey (Jonathan Banks) try to get a fallen bulletin board rehung. And the other four attempt to decorate for a school midterms dance. Needless to say, none of these subplots are that straight forward.

It's a classic sitcom structure to split a larger ensemble into smaller groups, preferably pairing those who rarely interact with one another, and let characters come to new understandings with others. That's exactly what "Analysis of Cork-Based Networking" does. Annie and Hickey have never gotten along, and now they have to work together. Same goes for Britta and Abed, probably the two with the least to talk about in the gang. And no one likes Chang (Ken Jeong), who is on a mission to prove he can be part of their club this week.

Chang is an odd character because he's always been a member of the main cast, but doesn't exactly fit in. It's worthy noting he isn't assigned a task when Annie doles out the assignments in the beginning, ending up with decorating by default. He's flirted with joining the study group before, but it's never really gelled, with him usually splitting off to end up a villain. But now, with his treachery probably having been taken as far as it can be, and since he didn't actually permanently alienate everyone in the process, he tries to work his way into their good graces by assisting the Save Greendale Commitee. He certainly endears himself to the viewer this week, especially with his special dance.

Chang's inclusion brings the committee up to eight members, finally filling out the table once more (Professor Duncan has also apparently joined). It's nice to not see the holes during the library scenes, and the mix of four teachers and four students seems like the appropriate make up of such an organization. Community, despite its losses, feels whole again.

Of course, Chang screws things up spectaculary, convincing Jeff (Joel McHale), Duncan (John Oliver), and Shirley (Yvette Nicole Brown) to go with a bear-birthday theme, forgetting that he saw on the news that morning that a bear attacked a kid's birthday party and mauled a bunch of people to death. They try to cover it up by turning their the bears they already made into fat dogs, inventing a Wikipedia term (it really isn't as easy to screw up Wikipedia as TV shows pretend it is; there are editors who monitor such things), and following Chang's example of crying to confuse Annie, but they are caught in the end.

This is the kind of zany, weird stuff that only Dan Harmon can do well. Most series couldn't make a wild animal murdering innocent children funny, but the idea is carried out with utter sincerity by the cast, and the visuals of the actual decorations, horrible in their lack of artistic skill, will earn snickers, at minimum. It's a completely original idea executed in the best of ways.

In "Analysis of Cork-Based Networking," Annie starts out on the decoration committee (which is why the others join, thinking she'll do all the work), but goes with Hickey when he can't get the bulletin board hung himself. What follows is a series of bargains, bribes, and threats as the duo go from department to department, building an elaborate chain of favors to get their task done. But to accomplish this, Annie must toss her ideals out the window, something Hickey refuses to do, which threatens the tenuous respect they've earned for one another with their cleverness and tenacity throughout the half hour.

My biggest complaint about this subplot is all of the famous faces that breeze by with barely a couple of lines of dialogue. Nathan Fillion (Castle, Firefly) plays the head custodian, while Kumail Nanjiani (Portlandia, Franklin & Bash) works with him, joining recurring janitors Jerry (Jerry Minor, Brickleberry) and Crazy Schmidt (Eddie Pepitone, Conan). Paget Brewster (Criminal Minds) is an IT girl. It's practically criminal that these people appear so briefly, and they should absolutely return for longer stints in the future.

But other than that, I really enjoyed seeing Hickey and Annie interact. He could really be a mentor to her if he'd let himself open up just a smidgen more, and it certainly seems like her disapproval of him stems from his refusal to grant her his approval. They have terriffic chemistry, and it was great fun to see them spend this time together, clearly leaving plenty of material to mine in their relationship.

Finally, the third story has Britta trying to, well, britta, Abed's favorite new series, which is a very clear play on Game of Thrones. When Abed adeptly sidesteps Britta's attempts to spoil the plot, Britta pays off Abed's new flirtation (Katie Leclerc, Switched at Birth) to do it for her. This hurts Abed deeply.

There isn't much purpose to Britta destroying Abed in "Analysis of Cork-Based Networking." It's more just Britta being Britta, stuck on a mission she invents for herself and carrying it too far. Their friendship will survive it, neither being willing to leave their social circle, but this does effectively sabotage any closeness that may have been earned last week when Britta helped Abed deal with Troy leaving. It resets them to the status quo, which is fine, as they are good how they are.

More interesting is Abed's love life. There's an early reference to Rachel, a.k.a. The Coat Check Girl (Brie Larson), one of the only good things to come out of season four, the Harmon-less, so-called "gas leak" year, and it looks like the new girl will be just a one-time thing, too. Which makes it super surprising when Rachel is seen again late in the program, and she and Abed go off to have dinner.

Might Rachel be just what Abed needs to get over Troy? I really hope she returns because she brings out a very different side of Abed that we don't usually see. Her inclusion here is perfect timing, and while "Analysis of Cork-Based Networking) doesn't reveal what happens on their date, it certainly seems like it'll go well, maybe even turning into something long-term, which would be a first for Abed, romantically speaking.

Among the awesome little tidbits that slip their way into this episode are: two completely opposing viewpoints on the movie Labyrinth; Abed watching Rick and Morty, a new Adult Swim series created by returned Community showrunner Dan Harmon; and Troy (Donald Glover) and LeVar Burton (himself) have apparently been captured by pirates in the Gulf of Mexico, as reported by a news scroll when Hickey is watching TV during the dance.

This last bit has to make it on screen at some point. Please, please, please let Burton and Glover film a spin-off TV movie covering their trip around the world. Community is practically begging for it.

"Analysis of Cork-Based Networking" may be considered a "typical" Community episode, which is fair, but it is completely enjoyable from beginning to end. The magic is back, as I've been saying for weeks, and if every installment were simply as good as this one, it would remain my favorite currently running comedy on TV. This is the perfect example of what Community should be, when it's not doing oddball one-offs, which are most appreciated, too.

Community airs Thursdays at 8 p.m. ET on NBC.

Wednesday, January 29, 2014

Abed Resorts to "Escapism" in COMMUNITY

Article first published as Abed Resorts to "Escapism" in COMMUNITY on TheTVKing.

The most recent installment of NBC's Community, "Geothermal Escapism," follows in the proud tradition of episodes such as the paintball wars and the pillow fort, turning the community college into a battleground where a hyper reality can play out. It brings some new, creative adaptations to sets, specific terminology to the situation, and some dramatic moments as friends and colleagues die in the lava that everyone pretends the floors of Greendale have morphed into. It's nothing short of fantastic.

The costumes, too, match this futuristic, post-apocalyptic landscape. From Britta's (Gillian Jacobs) black leather and frizzy hair to Shirley's (Yvette Nicole Brown) religious leader robes to Buzz Hickey's (Jonathan Banks) machine that seems to be a part of himself, the references are clear and the tone is firmly set. Chang (Ken Jeong) and his "locker boy" followers are entertaining, and most of the recurring players show up for at least one fun line. It's a total immersion in this new world.

My only real complaint is that the Dean (Jim Rash) disappears early in the episode, and we never seen him participating in the game. One must assume that there is a deleted scene somewhere, and with all of the things that must be served in the half hour, especially the Troy / Abed / Britta plot, there just wasn't room for him. Too bad. He's a character who consistently delivers, and rarely gets too heavily involved in these weird excursions.

"Geothermal Escapism" does make room to show Jeff (Joel McHale) and Annie (Alison Brie) teaming up once more. Is this a sign that they may be sleeping together again? Or forming a real relationship? Or do they just enjoy their games, and haven't been able to make a real commitment to one another yet?

Most importantly, "Geothermal Escapism," is the last one for the character of Troy (Donald Glover). A member of the study group from the beginning, Troy sets sail around the world to fulfill the terms of the inheritance bequeathed to him by Pierce. But before he can depart, his best friend, Abed (Danny Pudi), must let go, something easier said than done

Abed and Troy's friendship has been such an essential part of Community that it's hard to imagine what the show will be like without it. Will someone else replace Troy as Abed's bestie, or will Abed now be alone, as no one else understands him? Will it feel like an essential element of the series is missing, or will this finally give Abed the room he needs to grow and develop?

Abed is an emotionally stunted individual, and so dealing with the strong feelings of grief he has over losing Troy are not something he is equipped to do. As so often has been the case, Abed chooses to ignore reality, putting himself in a fantasy world, hoping that will give him the context he needs to process his sorrow. And, as has happened before, Abed drags the whole school down the rabbit hole with him.

With Abed broken again, the only person who can help him is Britta. Community fans and characters alike frequently make fun of Britta for her ineptitude; her name is even used as a verb meaning "to screw things up." Yet, in the past couple of years, we've seen her mature as a mental health professional. She may not understand how to diagnose and treat Abed, but she is the one that finds a loophole in his created realm that can be used to help him move forward, even if it's not a professional method. She saves the day.

After the action-packed installment of Lava World is mostly played out, Community does leave a few minutes for some very heartfelt goodbyes. Troy gets a moment with each of the study group in turn, and I can't think of a thing I'd change about the words they exchanged. Each player reveals something about themselves and offers at least a glimpse of the depth of their affection. It's a tear-inducing scene, played perfectly by all involved.

And then, icing on the cake, we learn that Troy is setting sail with his hero, LeVar Burton (himself). It's a call back to an earlier story, and one that gives us a hint that Troy won't be miserable and alone on his journey. It provides hope for a fun future for him, even as he leaves Greendale and his friends behind.

"Geothermal Escapism" is a near-perfect episode, serving Troy, Britta, and Abed, especially, but also squeezing in enough little bits and one-liners, such as Britta and Jeff's knock-knock argument, to make it feel authentically Community, avoiding being too narrowly focused. Let's hope if anyone else leaves, they get at least half the send-off Troy does. Better yet, let's hope Troy completes his voyage and comes back for a (not-yet-ordered) sixth season.

Community airs Thursdays at 8 p.m. ET on NBC.

Monday, January 6, 2014

COMMUNITY Introduces a New Teacher Or Two

Article first published as COMMUNITY Introduces a New Teacher on TheTVKing.

If the first half of tonight's Community season five premiere on NBC is all about rebooting and setting up a new premise, the second half, "Introduction to Teaching," focuses on the characters trying to find their footing, the new normal, if you will. In my opinion, it's just a little weaker than episode one, lacking the emotional heft, but overall, it's still a pretty great installment, definitely feeling more cohesive than all of season four.

Jeff (Joel McHale) starts his job as a teacher, and quickly realizes he has no clue what he's doing. Not being educated in the content, he doesn't know what to tell his students, and not having any experience or knowledge about teaching, he doesn't have a methodology as a basis, either. Basically, he's a mess, and he knows it. At least he feels bad about it.

But only at first. It doesn't take Jeff long to bond with his office mate, Professor Buzz Hickey (Jonathan Banks, Breaking Bad), who introduces him to the finer points of teaching. They get to bully students, like Leonard (Richard Erdman), drink in the faculty lounge, and the Dean (Jim Rash) must stay away from them. The professors rule the school, and it takes Jeff very little time to adapt to the new position.

Except, Jeff isn't the same person he used to be. In the past, shallow Jeff could enjoy the perks and coast through the job without caring. This Jeff cares, which Annie (Alison Brie) is quick to remind him when she signs up for his class and pushes him to do better. An attempt by Hickey to scare Annie off her quest only convinces Jeff to side with her more strongly. Plus, he really doesn't like that he's suddenly on the other side of the war between teachers and students, his former classmates (other than the study group) treating him differently.

So what does Jeff do about it? At the Dean's urging, he gets Hickey and his friends to form a Teacher / Student Alliance to work towards a better Greendale. This actually demonstrates real growth for Jeff, working on a program that doesn't directly benefit him much. He could keep going along with the divide, but instead, he chooses to make Greendale a better place.

That seems to be the whole point of season five: Jeff saving Greendale. The Dean mentions that Jeff's Save Greendale group is fake, but the alliance is a version of that, a realistic way to effect change. Perhaps this doesn't solve every problem the community college faces, but at least it seeks to unite those who have a vested interest in the place, and could definitely come in handy when the hammer comes down.

And this gives the main characters a great, believable reason to stay together as a unit, with Hickey replacing Pierce (Chevy Chase) at the table, albeit in a very different type of role.

I really dig Hickey. Jeff needs a new buddy that's in the part of his life that his pals can't follow. Hickey is also a very fresh role, not being anything like any other character on the show. He's not just a threatening stereotype, with layers already peeled backed in his first appearance. There is some real potential for him to be a main character and bring something new to Community, and that appears to be the direction the show is taking him in.

The dynamic between students and staff in "Introduction to Teaching" is interesting. It's not something we've really seen before, with Chang (Ken Jeong) the most developed teaching character up 'til now, and surely not a typical representative of the faculty. Now we see how Chang got by, but it also explains a lot about why the education provided at Greendale is as sucky as it is. The teachers don't care about their charges, but Jeff does, and he wants to change it.

While Jeff is settling into his new position, the rest of the study group take an "easy" class from Professor Sean Garrity (Kevin Corrigan), someone we've seen before. The course poses the question "Is Nicholas Cage good or bad?" It's just the type of bizarre subplot Community is known for, and it's quite funny.

Abed (Danny Pudi), predictably, becomes obsessed with finding out the answer. Surprisingly, he isn't able to. We all know Cage is a weird man who takes on a variety of roles and is both revered and hated by moviegoers. So why does he exist in this pocket universe, with individuals having such varying perspectives on his talent, and his skill seemingly very uneven across pictures?

Not being able to definitively find a conclusion, Abed snaps, becoming a crazy Cage himself. Abed has been more fragile in the later seasons of Community, and something like this shakes him to his very core. Abed bases all his faith and framework of understanding life on the movie world, and to come across such an unexplainable mystery practically destroys him.

It's easy to see the parallels between Abed and a religious person, and so it has to be Shirley (Yvette Nicole Brown) that saves the day. After all, who else understands belief the way she does? Abed and Shirley rarely get screen time together outside of the group, so this is a pleasant twist that I'd like to see explored more, though it's hard to imagine it will be, as Shirley will never accept Abed's ideas as a true religion.

Other little bits are also entertaining. The Dean attempts to learn Excel, and feels left out when Jeff finds ways to cut the Dean from his life. Britta (Gillian Jacobs) has some choice one-liners, including one about an Asian. Familiar recurring parts are seen in the riot of the students, a scaled-down epic event on scale with other Community disasters. As much as I love the main story, it's the details that were missing last season, and by getting them right, it restores the high quality of the show once more.

My only complaint is that Troy (Donald Glover) seemingly has had less to do than anyone else in the first two episodes back, and with the actor only signed on for three more installments, his time is dwindling. Hopefully, the rest of his run will give him his due.

Community airs Thursdays at 8 p.m. ET on NBC.

Sunday, January 5, 2014

COMMUNITY Season Five Preview



Article originally written for Seat42F.com

NBC’s COMMUNITY is back this week! And so is creator Dan Harmon! After three fantastic seasons, Harmon and the show parted ways, resulting in a not-so-good fourth year. But as the story picks up for round five, months later, it’s quickly clear that Harmon’s return heralds the show getting back to form quite quickly.

***This review contains light spoilers, with much more focus on tone and quality than plot. There are some fantastic, surprising bits in the hour, and those will NOT be revealed in this article. Still, if you’d rather not know anything ahead of time, please check back here after the show airs.***

Two episodes are presented this week: “Repilot” and “Introduction to Teaching.” Rather than throwing out a whole batch of episodes that aired in 2013, these installments attempt to reset the tale, taking into account developments such as Jeff (Joel McHale) graduating, and finding a way to move the story forward again. The first half hour is concerned with a realistic way of bringing the characters back together, while the second strives to establish a new normal, which should carry on for the rest of the season.

The biggest change by far, and it’s one made pretty early on, so I don’t feel it’s a big spoiler, is that Jeff becomes a teacher at Greendale. I won’t go into the circumstances that lead him to this point, but suffice it to say, he must return to the place he couldn’t wait to escape from. And he’s not alone.

It’s no secret that Greendale Community College is a haven for losers, those that failed at life in general, and have few options to better themselves. Still, it takes a bit of spirit and drive to go to college at all, and through this, we’ve found reasons to care about the students enrolled, making them underdogs to root for, instead of failures to pity.

Leaving the safe walls of the school, though, it turns out that our ‘heroes’ may not be exactly prepared for the real world yet. Jeff sure isn’t, and Annie (Alison Brie), Britta (Gillian Jacobs), Troy (Donald Glover), Abed (Danny Pudi), and Shirley (Yvette Nicole Brown) aren’t, either, leading them all to make their way back early in COMMUNITY’s return.

As one might imagine, this makes “Repilot” extremely depressing. COMMUNITY is first and foremost a comedy, and there are funny parts even in this premiere episode. However, there’s also a sadness that has always underlain the story. “Repilot” brings that up to the surface, really digging into who these people are and what they need. It’s gloomy, but there is also hope. More than most installments of the show, this one is a dramedy.

Now, many shows would have to do something hokey to contrive to keep a group of people together whose time has naturally come to an end, in this case through graduation. COMMUNITY does not. It builds upon who the characters portrayed in the show are and how they’ve grown, as well as how far they have yet to go. The way everything comes together makes total sense and promises that, while the series will still be what fans love, there is a trajectory that is being followed, and there has been movement on that path.

The Dean (Jim Rash) and Chang (Ken Jong) are back, too, of course, with the former taking a big role in “Repilot” and “Introduction to Teaching.” There is a definite arc to season five, which is only just getting started, and it will involve the Dean. We also get to see a side of the Dean we haven’t seen before, a raw, exposed nature that has always existed, but never focused on until now. It’s not that pleasant to think about, but it makes sense, and it makes me wonder what the endgame will be exactly.

“Introduction to Teaching” introduces one of this year’s big new players. Besides the return of Professor Duncan (John Oliver), which does not happen this week, another teacher who will fill a major role in year five is Buzz Hickey (Jonathan Banks, Breaking Bad). He’s gruff and stern, hinting at Bank’s infamous AMC character, but he’s also someone of layers. Intriguing from the start, Hickey lends a new dynamic to the cast that should shake up interactions for the foreseeable future.

All of this is great, but what viewers want to know is, is COMMUNITY fixed? After two episodes, I feel confident in unequivocally saying yes. The series was still funny and the characters remained the same people in season four, but the stories lacked depth and cohesion, with that intangible spark absent. Both “Repilot” and “Introduction to Teaching” are much improved, with the feeling one gets when watching the best of COMMUNITY fully restored. It’s hard to pinpoint exactly why the Harmon-led installments are so much better than the others, but there’s just an overall depth and charm to the early years, and that is definitely back now, in a darker manner befitting the changes that have occurred.

COMMUNITY premieres Thursday, January 2nd at 8 p.m. ET on NBC.