BETTER CALL SAUL Worth Picking Up

Article first published as BETTER CALL SAUL Review on Seat42F.

BETTER CALL SAUL doesn’t shy away from its roots. Last night’s series premiere on AMC, “Uno,” begins a little bit after Breaking Bad ended. Saul Goodman (Bob Odenkirk) has relocated to Omaha, Nebraska and is the sad, pathetic manager of a mall Cinnabon. The highlight of his day is going home to his little house, pouring himself a stiff drink, and watching commercials from his glory days. This is where the story ends, and where it begins.

The meat of BETTER CALL SAUL is set six years before Breaking Bad even starts. Saul is known as Jimmy McGill back then, a very unsuccessful lawyer with a crummy office in the back of a nail salon. Desperate for clients, he also cares deeply for his disabled brother, the once-great lawyer Chuck McGill (Michael McKean, Clue, This Is Spinal Tap). Jimmy is at the end of his rope, making very little money representing very cruel teenagers and unable to convince Chuck he should cash out of the thriving firm he helped create.

Jimmy is not as far away from Saul as Walter begins away from Heisenberg, but there is definitely a lot that must happen to turn Jimmy into the sleazy, well-connected “success” he will become. This version of Saul is plenty willing to work outside the law; he just only does so in small ways, and his bravado is much more faked.

I don’t think we can condemn Jimmy for his hatred of Chuck’s partner, Howard Hamlin (Patrick Fabian, Big Love, Veronica Mars). Jimmy thinks Chuck, trapped at home without power because of a crippling disability, is being taken advantage of. Chuck obviously has a big heart, not wanting to hurt the business he built because of how it would affect the employees. But Jimmy sees his big bro as a bit of a schmuck who Howard is pulling one over on. Is Jimmy right, or does he just not have the mind-frame to see Howard and Chuck’s more altruistic viewpoints?

It’s easier to blame Jimmy for what happens or will happen to a pair of young scammers. To try to win a client who is (understandably) reluctant to sign, Jimmy gets the boys to fake an accident. What Jimmy doesn’t know is that this leads them into the den of psychopathic drug dealer Tuco (Raymond Cruz), a place Jimmy ends up as well by the end of the hour. Jimmy may not know who he’s messing with, but he does do something incredibly dumb that gets him and the boys into the situation, so he is to blame.

That makes me wonder how viewers are supposed to feel about the protagonist. Breaking Bad proved you can make a show about a character who is often unlikeable, but there’s something about Saul that makes me care. In Jimmy, this is even more prevalent. He’s the little guy, pushed down, and all his antics are him fighting back against what he sees as a rigged system. This is a sympathetic position, whether he’s right or not.

The style of BETTER CALL SAUL is very reminiscent of Breaking Bad. It is slow burn, with very artistic direction, confusing close-ups, and the very real feel of a larger story than what is being presented. This is by the same guys who did that show, and you can easily tell that, the connections being more than just a character or two.

Joining Jimmy, Chuck, and Howard, the cast includes: Mike (Jonathan Banks), whom fans will remember from the mother ship, and who gets only one (very special) scene in “Uno;” Kim (Rhea Seehorn, Whitney, Franklin & Bash), a lawyer who works for Howard, but seems to at least like Jimmy a little bit; and Nacho (Michael Mando, Orphan Black), a criminal I didn’t notice at all in the first episode, so he may not have shown up yet. This seems a good mix of new and old faces from various worlds, leaving open a number of possibilities as to how the series can move forward.

I like Better Call Saul. Odenkirk is still doing the great work he did in Breaking Bad, deepening the character and showing more range. While I have pointed out a number of similarities to that other series, it also has the bones to be its own story completely, not reliant on its predecessor as it goes on, with references being more funny that necessary. It’s early to make a judgment, but AMC’s decision to already order a second season makes me optimistic my faith in BETTER CALL SAUL is not misplaced.

BETTER CALL SAUL moves to its normal night and time this evening, airing episode two at 10 p.m. ET on AMC.

Climbing the Family Tree

Article first published as FAMILY TREE Review on Seat42F.

Grade: 94%

Many are familiar with the work of Christopher Guest, who has made such fantastic mokumentary films as Best in Show, A Might Wind, and This Is Spinal Tap. It’s about time, then, that he gets a weekly series on television. FAMILY TREE, which premiered on HBO last night, is that series.

Set in London, England, FAMILY TREE stars Chris O’Dowd (Bridesmaids, Girls) as Tom Chadwick, an unemployed, heartbroken man in his thirties who inherits a box of bits and bobs from his great Aunt Victoria. In that box are mementos from his family’s history, which he will make his mission to dive into and discover his roots.

It’s a simple premise, to be sure, and one that many can relate to. We’ve all had times in our lives where we lack direction and need to figure out our purpose. Many choose to examine the past to find clues as to a possible future. Tom is easy to relate to and sympathetic in his journey, wonderfully brought to complex life by O’Dowd.

Tom has help in his journey in the form of best mate Pete Stupples (Tom Bennett, PhoneShop), who lives in the past, but in a bad way. Whereas Tom seeks meaning and enrichment from his own history, Pete wants to maintain a silly, sex-obsessed, immature existence as long as he possibly can. He’s also the type of friend to latch onto a person and never let go, whether the other person wants them there or not. Tom is in exactly this position with Pete.

I’m not saying Tom should ditch Pete, even if Tom is a much more likeable person. They have a lot of shared stories together, and Pete is a nice enough bloke, certainly loyal. He provides the comic relief to the more serious Tom, which is probably why Tom doesn’t mind having him around so much, for laughs.

In the pilot, “The Box,” Tom and Pete take an old military photograph to expert Neville St. Aubrey (Christopher Fairbanks, Pirates of the Caribbean: On Stranger Tides) to examine. Tom at first believes that the man shown is his great grandfather, but Neville is able to discover that Tom’s relation is the photographer, not the subject, and in finding a photo of said great grandfather, Tom learns he is descended from a “Chinaman.”

If that amuses you, you will likely enjoy the humor exemplified in FAMILY TREE. It’s in a similar vein to other Guest works, silly and irreverent, but toned down a bit here, not so in-your-face as some of his movies have been. Many of the jokes are quiet, though unexpected, the nuance taking precedence over the slapstick. It’s a very specific brand, well executed.

There’s also an underlying level of sadness to the proceedings of “The Box.” Obviously, Tom is not doing so well, with little going right in his life. As positive as he tries to be about it, one can sense that any bit of optimism displayed may just be a coping mechanism. He’s had about all he can take, and only through embarking on a new adventure, learning about his heritage, can he get a foot hold and begin to pull himself back up.

Yet, Tom is not the saddest character introduced in “The Box.” That honor belongs to his sister, Bea (Nina Conti, Bromwell High), who walks around with a monkey puppet on her arm. Unlike Tom, who was raised in Ireland by their mother, Bea was subject to father Keith’s (Michael McKean, Clue) inept, unobservant style of parenting. Bea clings to the monkey as a way to find her voice, and thus is quite a depressed, and depressing, person. I look forward to learning more about her, and how she might be inadvertently helped by Tom’s work.

Somehow, Guest rings the humor out of such people, whether it be in interactions between the various characters, the situations they get into, or cut scene interviews with the players. There is always something to find amusing, even in the darkest bit of the half hour, and it is played to great effect.

Besides McKean, other frequent Guest veterans will appear in the series, including Ed Begley Jr. and Fred Willard. Guest has built his own stable of actors over the years, and although they are not the focus in his latest project, he certainly isn’t abandoning them, either. They get his tone and style perfectly, and will only enhance FAMILY TREE in their recurring appearances.

I like FAMILY TREE a lot. It has the distinctive Guest feel, but also comes across as fresh and original. There isn’t really another series on television to compare it to, at least not in anything but broad strokes, taking a simple story and telling it in a very unique manner. If it can find an audience, and it is certainly accessible enough to do so, it should make a great addition to the HBO lineup.

FAMILY TREE airs Sundays at 10:30 p.m. ET on HBO.

Off the Map: The Complete Series now on DVD!

     ABC's Off the Map had a lot going for it when it premiered in January. For one thing, Jenna Bans, who worked on Grey's Anatomy and Desperate Housewives, created it. Shonda Rhimes, the brain trust behind Grey's, produced it. The cast was excellent. Set in a South American jungle, it was a unique medical show about some very strange cases, and American doctors trying to escape their past having, while to adapt to the local culture. Think Grey's meets Star Trek: Deep Space 9 in a setting that looks like Lost. Yes, those are all intended to be serious compliments.

     The series begins as Lily Brenner (Caroline Dhavernas, Wonderfalls) comes to the clinic, haunted by the memory of her dead fiance. She is accompanied by two other new, young doctors, Tommy Fuller (Zach Gilford, Friday Night Lights) and Mina Minard (Mamie Gummer, The Good Wife). Fuller is a plastic surgeon who has a family who doesn't like or respect him, as he spent his college days drinking. Minard let a patient die while exhausted, thinking he simply had a case of the flu, instead of the zebra of a case that it actually was. So she was kicked out of her residency program. All three hope this will be a nice change of pace, allowing them to re-evaluate their lives. Of course, they soon realize they are biting off more than they can chew.

     Then there's the older doctors, who have been there long enough to know the lay of the land. Dr. Ben Keeton (Martin Henderson, Big Sky) is the strong, male lead. Mentor to all, he is the subject of Lily's initial crush, but he already has someone. Kind of. That's Ryan Clark (Rachelle Lefevre, Twilight), who is struggling with her own severe medical problems. Otis Cole (Jason George, Grey's Anatomy) is said to be a jerk, but he's pretty likeable, and has a thing for Zita Alvarez (Valerie Cruz, True Blood). Zita is actually from the region, so unlike the others, she isn't trying to forget anything.

     It's a motley crew, to be sure, but one that's good in a crisis, and can get things done effectively. Which they do, over and over again, for the thirteen episodes of Off the Map's too-short run. Each character actually shows not only some depth in personality and back story, but growth. For instance, Lily only really drools over Keeton for a short time before switching to a guy that is actually available. Otis figures out his feelings for Zita, instead of continuing to stew over them. New relationships bloom where they may not be exactly expected. And there isn't a weak actor in the cast.

     There are such drastic improvements on most of the characters' outlooks, it's with bittersweetness that one begins to wonder where the series would have gone, had it continued. Surely, new, fresh faces would have joined the ranks, and life would have gone on. Not everyone can stay in the jungle long-term, but Off the Map already established a core group that could brave the dangers of the jungle and come through with flying colors.

     The principal cast is not the only reason to watch. A slew of fantastic guest stars, from Michael McKean to Aimee Garcia to Cheech Marin to Judy Reyes cross the threshold of the small, poor clinic. Each brings their own intriguing twist with them. Plus, the staff often deals with strange medical conditions and has to rescue patients from dangerous conditions. Tourists aren't easily prepared for such a risky environment, and many end up in the make shift hospital. As such, there is a lot going on in each and every episode. Plus, no subtitles for when the locals speak Spanish, making viewers feel as lost as the doctors!

     The DVD release's special features reflect the strange setting in which the story takes place. Clocking in at around five minutes, "Jungle Medicine" examines some of the strange medical mysteries the characters encounter, and promises that each is based on a real-life story. The eight-minute "On Set At Off the Map" interviews cast members and producers about what it was like to film in Hawaii, as well as how they made things look like South America. There are also eleven deleted scenes and a standard two-minute blooper reel. Not too shabby for a series that only last thirteen episodes!

     In short, it's a real shame Off the Map won't be back this fall, and despite the cliffhanger of an ending, I do recommend purchasing this three disc set. It's a wonderful adventure with rich characters in interesting scenarios, and not at all a waste of time to watch. It's a unique show with some brave choices that set it apart from standard fare.

     Off the Map: The Complete Series boasts Dolby Digital 5.1 surround sound, Spanish and French subtitles, and 1.78:1 Widescreen picture. Which means it looks and sounds fantastic.

     Buy Off the Map: The Complete Series today.

     If you like my reviews, please follow me on Twitter!

Article first published as DVD Review: Off the Map: The Complete Series on Blogcritics.

Off the Map - "Saved By the Great White Hope"

Click here for all of Jerome's Current Season Reviews.

     With Shonda Rhimes on board as producer, and the main characters mostly doctors by profession, you can be forgiven for thinking that ABC's new Off the Map is just another Grey's Anatomy clone. Forgiven, because it sounds likely, but you would be mistaken. The show is not created by Rhimes, but rather by Jenna Bans. Bans has worked on Grey's and Desperate Housewives, so she's part of the ABC family, but also brings something slightly different to the table. That's what Off the Map is: different, but not so much so that it feels out of place among the network's popular series.

     When Lily Brenner (Caroline Dhavernas, Wonderfalls) first appeared on screen, I immediately pegged her as Meredith Grey type. Then I started thinking Christina Yang. Soon, it became apparent that she was neither, and both, with a dose of House's Cameron mixed in, as she did lose her fiance. But Brenner is more than that. She's that idealistic hero, brave and smart, that can rise to the circumstance, that every great show needs. After saving a man (the great Michael McKean guest starring) who trapped his arm in a zip line, and then making sure he got to dump his wife's ashes before he took off in a helicopter, Brenner has already made herself TV's newest leading lady. She owned the show.

      Brenner may have stood out to me, but she is not alone. Two other young docs arrived with her in the form of Tommy Fuller (Zach Gilford, Friday Night Lights) and Mina Minard (Mamie Gummer, The Good Wife). Each of the three has something in their past that has driven them far away into the wilderness, as we're told each person that comes to the clinic from the U.S. has. Brenner's is the dead fiance, which caused her to take an extended leave of absence. Fuller has a family who doesn't like or respect him, as he spent his college days drinking. He has already earned the nickname 'Plastics' because his idea of a great surgery is implanting fake breasts. Minard let a patient die while exhausted, thinking he simply had a case of the flu, instead of the zebra of a case that it actually was. You know, when you hear hoof beats, think horses, not zebras? We're told she was kicked out of her residency program for the mistake, though that seems a little harsh to me. Perhaps there is more to the story?

     Not only the young ones, but the elder doctors must have issues, too. Something has to make Otis Cole (Jason George, Grey's Anatomy, Eli Stone) the jerk that he is. At least, he's called a jerk. I found him very likable, as George's characters always are. In fact, I liked him best of the elder docs on staff. He has spirit, a sense of fun, and he doesn't put up with anything that he shouldn't, especially from snotty new arrivals.

 

     Cole isn't the only one displeased with the newbies before he even gets to know them. Zita Alvarez (Valerie Cruz, True Blood, Dexter) had an even better reaction. The barb she gave that stuck with me was about the new doctors not even bothering to learn Spanish, though clearly that's what most of the locals speak. I like this, because it reinforces the idea that this clinic is someplace to run to, not someplace anyone really wants to be. As such, it sets a different tone from other medical dramas immediately, and tells us something vital about each of the characters, even though its not an obvious characteristic of everyone... yet. Not only that, the culture barrier is emphasized nicely to the audience by not subtitling the Spanish speak. I'm as clueless as those new doctors as to what the residents are saying. Very neat.

 

     Though George is certainly a hunk to many, as a show with Rhimes involved, there has to be a Mc-someone, and he is there in the form of Dr. Ben Keeton (Martin Henderson, Big Sky. From the moment Brenner and Minard ogle his abs as he takes off his shirt, you know he's going to have a Mc-nickname soon. Plus, he has an accent, so double points. Honestly, I found Keeton a little bland, the only character I thought that of. I'm sure it's simply because he didn't get enough development. We got only the barest glimpse into his issues at the end of the episode, and there will surely be more to come.

     Speaking of the end of the episode, I was incredibly disappointed that Ryan Clark (Rachelle Lefevre, Twilight, What About Brian?) had so little screen time in the pilot. She is one of my favorite TV actresses, and we still know nothing about her character. As she is listed as a principal cast member, it can't be long before more of her is revealed, but I'm impatient in that regard.

     I won't say that this show changed my world, or that it belongs at the top of the ratings. But I will say there's something pretty cool here, and it's not just another procedural clone. As such, I urge you to check out Off the Map, which airs Wednesday nights at 10 p.m. on ABC.

Article first published as TV Review: Off the Map - "Saved By the Great White Hope" on Blogcritics.

 

Guess who's coming back to Smallville?

     The CW's Smallville is having an exciting year, especially where guest stars are concerned.  With a new two hour TV movie coming up in a couple of weeks, featuring a whole bunch of other heroes, the show is brimming with talent.  However, some news broke a few days ago that is even bigger for the show.  Two Superman heavyweights are returning.  No, no, sorry.  Michael Rosenbaum's Lex Luthor is not coming back...yet, anyway.  It seems that actor is reluctant to go bald again.  But hey, Gene Hackman played Lex with hair, so why not Rosenbaum?  Anyway, I think you will be pleased with who is returning.

     Annette O'Toole (Nash Bridges) played mother Martha Kent for 132 episodes of the series, leaving almost two years ago.  (Fun fact: Annette O'Toole also played Superman love interest Lana Lang in the movie Superman III.)  The last of the adults to leave the cast, Martha went to take her deceased husband's job as a Senator in Washington D.C.  Though fans had been promised an occasional return of Ma Kent, she has been absent from the show since May 2007.  However, I am please to report that she is returning to the town of Smallville this May in the season's penultimate episode.

     Shortly after O'Toole's return was announced, so was the comeback in the same episode of her real life husband, Christopher Guest movie staple, Michael McKean (Clue, Best in Show, This Is Spinal Tap).  McKean was previously on Smallville back in a  2003 titled "Perry", when he played the legendary editor of the Metropolis newspaper The Daily Planet, Perry White.  White has been portrayed by many actors in many versions of Superman, including Jackie Cooper in four movies, Lane Smith in the television show Lois & Clark: The New Adventures of Superman, and most recently Frank Langella (Frost / Nixon) in the 2006 film Superman Returns.  McKean's take was memorable, however, as his Perry White has a drunkard, washed up, unemployed loser.  Clark met him and set him on the proper path, and viewers of the show have long awaited his triumphant remergence.  It is not clear if McKean will become recurring, as both Clark (Tom Welling) and Lois (Erica Durance) currently work at The Daily Planet on the show.  There have been several editors of the newspaper on Smallville, including Princess Leia herself, Carrie Fisher (Star Wars).  Could Perry White have finally arrived once and for all?  And is he romantically linked to Martha Kent?  Considering how important a role White plays in the Superman legacy, his return to the show is big news.

     While O'Toole and McKean won't arrive until May, you can watch Smallville every Friday night on The CW, as it returns from its winter hiatus this coming Friday.