Dreaming ELECTRIC DREAMS

Article first published as TV Review: ELECTRIC DREAMS on Seat42F.

Amazon has joined the sci-fi anthology trend with PHILLIP K. DICK’S ELECTRIC DREAMS, which premiered yesterday. Each installment of the ten-episode season is based on a different novel or short story by the prolific author. The writers and directors are given wide latitude to adapt the source material as they see fit. A strong roster of actors rotate through the various parts, which have different running times, but are generally between 40 and 50 minutes, so about the length of an hour-long drama sans commercials.

I viewed the first two installments in preparation for this review. “Real Life” finds a future cop named Sarah (Anna Paquin, True Blood) dealing with the aftermath of a massacre. Her wife, Katie (Rachelle Lefevre, Under the Dome), suggests a VR ‘vacation’ to live out another life that her own mind makes up. Sarah accepts, and finds herself in the past from her perspective (roughly our present) as George (Terrence Howard, Empire). George recently, tragically, lost his wife, Katie (also Lefevre), and has invented a VR headset to escape into. But what quickly becomes confusing to Sarah/George as she/he goes back and forth is, which is the real world and which is the dream?

Episode two, “Autofac,” is set in a post-apocalyptic landscape where the surviving humans are being killed off by pollution from the still-running factories. Emily (Juno Temple, Vinyl) and her friends concoct a plan to contact the artificial intelligence running the factory, which sends a customer service bot (Janelle Monae, Moonlight) to meet with them. Will Emily’s plan to shut down the machines work? Or has the Autofac out-thought her every move?

Both of these are entertaining, if dark, installments. They have high-quality concepts that mess with one’s mind and have one guessing the nature of reality. Some of the twists you may see coming, but certainly not all of them. Written by Ronald D. Moore (Outlander, Battlestar Galactica) and Travis Beacham (Pacific Rim) respectively, they make these ideas understandable, couched in relatable characters who are also complex. They also look visually stunning, especially the future parts of “Real Life,” which features flying cars and giant, electronic advertisements.

And yet, ELECTRIC DREAMS is no Black Mirror. It’s hard to put my finger on why exactly it falls short by comparison to today’s defining sci-fi anthology series, which recently released a fourth season on Netflix. Both are similar in makeup and the talent behind them. But ELECTRIC DREAMS just seems a little less cohesive, a little more quickly done, and little cheaper, for lack of a better word.

Perhaps they shouldn’t be held up against one another, as similar as they may be, because there are important differences, and with short seasons, there are room for both. It’s a pleasure to get so much quality science fiction in this era, and no one need choose between the two. Though, if you had to, I think it’s a pretty clear choice in Black Mirror’s favor.

Perhaps because the writers are reigned in a bit by having to go off of Dick’s works, as brilliant as they are, it gives them a little less room be imaginative. That may not be the real issue; I’m really having trouble figuring out what the difference is. That’s just the only thing I can think of that would change the approach in how these stories are told.

Still, it’s not like ELECTRIC DREAMS is bad. I am interested enough to see what other concepts are explored. I just don’t think it will be giving its peer a run for it’s money at the top of the heap.

PHILLIP K. DICK’S ELECTRIC DREAMS is available now on Amazon, free to Prime members.

CBS "Heads" Back UNDER THE DOME

Article originally written for Seat42F.

CBS’s Stephen King series, UNDER THE DOME, returned last night with a season premiere penned by the horror master himself. “Heads Will Roll” picks up right where season one ended, with Barbie’s (Mike Vogel) head in a noose and the dome glowing with a bright, white light. From there, the episode introduces several new characters, says goodbye to a couple of main players, and forces Big Jim (Dean Norris) to take a long, hard look at himself. It’s a pretty solid hour.

Big Jim is the villain of the piece, of course, but it seems like “Heads Will Roll” sets him on the road to redemption. As a magnetic force renders most of the citizens unconscious, Jim is plagued by hallucinations of Dodee (Jolene Purdy), whom he killed, and Linda (Natalie Martinez), the first casualty of the premiere. It’s like his own version of A Christmas Carol, and confronted with his failings, Big Jim decides he should end himself, which he almost goes through with until Julia (Rachelle Lefevre) stops him.

Can Big Jim eventually be one of the good guys? The dynamics of UNDER THE DOME are often flimsy, changing on a whim. After all, how many times has Angie (Britt Robertson) seemingly forgiven Junior (Alexander Koch) after he kidnaps her? However, the situation is tense and stress levels are high, which does make it easier to overlook misdeeds. Big Jim has made quite a few blunders in the eyes of our heroes, but most of the townsfolk don’t hate him, so if he works to be the leader they want, which he seems serious about when he gives now-homeless Norrie (Mackenzie Lintz) and Carolyn (Aisha Hinds) a key to his house, we could end up liking him.

With arcs like this, UNDER THE DOME strives to be a serious character piece, meaty drama with layered players. The problem is, it’s just not. It takes shortcuts and allows inconsistencies that hurt the overall impression. For instance, moments before Julia saves Big Jim, she’s ready and willing to be the tool that kills him. How can she shift so suddenly? The writers definitely seemed more concerned with the actions of those on screen than the motivations behind them. And even the actions, such as the dome magnetically pulling metal to it, aren’t the most consistently thought out, with items flying willy-nilly, rather than in a logical pattern, making it more dangerous, but less believable.

Which is not to say UNDER THE DOME is a bad show. I find it quite enjoyable, and there are some genuine surprises, such as Linda being squashed and Angie getting hacked to pieces. I am curious as to what is going on, and I’m engaged with who might die next. It’s just more in the genre of summer popcorn than serious drama.

The deaths do seem a bit arbitrary, which makes it hard to predict who might go next. Angie is one of the four kids who communication with the dome, so she doesn’t seem expendable, but’s she taken out, nonetheless. Plus, she runs the diner after the owner is previously killed, so that leaves a crucial gap in the town. Linda is the last real law enforcement officer left, again, making her seem safe, but she’s replaced by Phil (Nicholas Strong) by the end of the episode, Big Jim’s lackey, for now. The show does not worry about preserving a structure, and is willing to create more conflict by removing those that don’t seem replaceable, bold moves.

To help keep the population up, we are introduced to Sam Verdreaux (Eddie Cahill, CSI: NY), who initially makes a pretty boring corner of a love triangle with Julie and Barbie, but gets more interesting when we learn he’s Junior’s uncle and acts shifty. There’s also Rebecca Pine (Karla Crome), a science teacher, who might finally give us insight on the (uneven) mechanics of the dome, and Melanie Cross (Grace Victoria Cox), a crazy girl. This new blood should keep the story humming along nicely.

More interesting is the reveal of Junior’s mother, Pauline (Sherry Stringfield), outside of the dome. We haven’t really seen how the rest of the world is reacting to the events in Chester’s Mill, and she not only potentially provides a window to the larger universe, but also has strange connections to the dome itself. I, like many viewers, had assumed she was dead. To learn she’s elsewhere only deepens the mystery.

Overall, “Heads Will Roll” is one of the better installments of UNDER THE DOME, with everything from action to self-reflection, to a cameo by King himself. Season two is off to a good start.

UNDER THE DOME airs Mondays at 10 p.m. ET on CBS.

CBS Going UNDER THE DOME

Article first published as UNDER THE DOME Review on Seat42F.

Grade: 86%

CBS, perhaps in an attempt to combat the lame, reality and re-run heavy summer fare on the basic networks, has a new offering premiering this week. Titled UNDER THE DOME, this thirteen episode series, based on the Stephen King novel of the same name, follows the residents of Chester’s Mill Maine when a transparent, sound-proof, impenetrable dome suddenly crashes down over their town.

UNDER THE DOME feels a lot like other summer programs in the past that haven’t lasted, such as the one where a handful of people were trapped in a town and were watched on cameras, or other Stephen King TV dramatizations, or even a little bit like cult-favorite Jericho. It has the sort-of post-apocalyptic, yet still small-scale and personal, feeling of a drama about people on the edge.

The cast, whom we are mostly introduced to in the first eight minutes, before the dome appears, are a broad spectrum of individuals, almost as if there was a checklist that had to be satisfied when putting together the ensemble. None of them are particularly original characters, even though there are some very good actors playing them, as they are without exception archetypes that have been seen on a variety of other shows.

Among those featured are: Barbie (Mike Vogel, Bates Motel, Pan Am), an ex-Army officer who comes to town and kills someone, then is trapped before he can escape; Big Jim (Dean Norris, Breaking Bad), the crooked councilman who wants to use the disaster to manipulate the town into his own personal kingdom; Angie (Britt Robertson, Life Unexpected), a waitress who dates a too-clingy boy; Junior (Alexander Koch), Big Jim’s mentally unbalanced son who has designs on Angie; Julia (Rachelle Lefevre, What About Brian), a journalist with a missing husband; Dodee (Jolene Purdy, Gigantic), a mouthy radio engineer; Duke (Jeff Fahey, Lost), the ineffective patsy cop; and Linda (Natalia Martinez, Detroit 1-8-7), a deputy whose fireman boyfriend is outside the dome.

Believe it or not, that is not a complete roster of the characters featured in the “Pilot.” UNDER THE DOME presents a sprawling cast with few connections between one another thus far, but surely more will be revealed as things unfold, as we’ve been taught it common for small towns. Unlike a series like Lost, these people aren’t banding together, but instead following their own motivations and activities.

As such, there isn’t a clear, cohesive story in episode one. Everyone has their own implications of the occurrence to deal with, and as no one even really knows what’s going on yet, there has been no concentrated effort to solve the mystery or find a way out of the disaster. A couple people have sort of started down that road, but have barely begun to investigate.

Which isn’t to say there aren’t some intriguing set-ups. A couple of theories are put forth, at least one character reveals to viewers that he actually does know what is happening, one on the roster above is dead by the end of the first hour, there are some clues that indicate a larger conspiracy, strange seizures appear other-worldly, and various family connections pop when one is not expecting.

There are also a few missteps in UNDER THE DOME. I feel like the dome actually coming down is unnecessarily brutal. A cow is split in half and slides down the wall, leaving a bloody streak. A plane smashes into the dome, and among the debris raining down is a severed limb. A truck rams the barrier and becomes almost as flat as a pancake. None of these are executed in impressive fashion, given the low special effects budget and broadcast network restrictions, so they aren’t particularly amazing. Instead, they come off as cheap gags designed to entice the viewer, but failing to do so because of their cheesy execution. It would be better if we got more dialogue scenes and less of these “shockers.”

If the focus stays on the characters, rather than gross gimmicks, UNDER THE DOME should provide satisfying summer entertainment, probably the best of the Big Four networks’ programming. There is some real talent present that can be better utilized than we’ve seen so far. But it’s not regular season-quality, and it does feel like an amateur effort compared to other projects. King may be able to write fantastic novels, but they seldom translate into groundbreaking shows or movies, and this one is not on the level of The Shining or the few other notable exceptions to that rule.

UNDER THE DOME premieres Monday, June 24th at 10 p.m. ET on CBS.

"In Case of Loss of Control," consult A Gifted Man

NOTE: "In Case of Loss of Control" is listed as episode #1.07 on both imdb.com and wikipedia.com, but aired fifth in the series. Thus, as far as continuity goes, it might seem slightly out of place.

     Last night, CBS presented "In Case of Loss of Control," the newest episode of A Gifted Man. Michael (Patrick Wilson) courts Dr. E-Mo (Eriq La Salle, ER), a neuropsychiatrist, to join his practice. Together, they examine a young girl (Samantha Futerman) who keeps lying about her habits. Meanwhile, Michael also helps out at the clinic, as they take care of a young boy who needs a kidney, but who is an illegal alien. The boy's mother, his best chance at getting said kidney, is arrested, so Zeke (Rhys Coiro, Entourage) and Kate (Rachelle Lefevre) lie to Michael to get him to help.

     Michael is finally finding a rhythm between his practice and the clinic. Now that he has agreed to help Kate out several hours a week, he seems to be getting his life back on track. In fact, Anna (Jennifer Ehle) has little to do with the path Michael goes on "In Case of Loss of Control," mostly observing what is going on, without causing any trouble. Obviously, for A Gifted Man to stay interesting, and Anna's character to continue to be valued, this cannot be the norm. But after all of the craziness of the first few episodes, it must be nice for Michael to go through his business in a regular manner.

      The relationship between Michael and Rita (Margo Martindale) is calming down, too, now that she knows he has other priorities, and is able to schedule around them. What's more, with the addition of E-Mo to the staff at the main practice, Michael is under less pressure there. He has someone competent to help him out. The two worlds may be seperate, to some degree, but they are calming down into a nice balance, at least one the practice end.

     Too bad the same can't be said for Michael's interaction with the clinic docs. Zeke and Kate deciding to lie to Michael shows that his transformation, or at least how people see him, is not complete. They worry that Michael would hang the kids out to try if he learned of his less than legal status. Given the first few episodes, had Michael known the truth, he would have protested, but done the right thing in the end. Kate might still be suspicious, and that's understandable, but Zeke has been around a little longer, and should know better by now.

     Kate wastes no time in shaking up the clinic. Securing a grant, she is able to have Anton (Pablo Schreiber) continue construction, already expanding the space. Of course, even when she runs out of money, Anton keeps working, because he's such a good guy. But the point is, Kate is barely starting out and she is already taking on a lot. It is commendable that she wants to make the clinic a better place, but shouldn't she work on fixing what she has before adding to the load? The facilities need some updating, and certainly better equipment and supplies top the list. Expanding the floor space seems silly and stupid, given the circumstances. I guess it just looks more dramatic for a television program. It's a good thing the characters are interesting enough to overlook such foolishness.

     Watch A Gifted Man Fridays at 8 p.m. ET on CBS.

     If you like my reviews, please follow me on Twitter!

A Gifted Man might be a gift

     CBS's newest Friday night drama is A Gifted Man. The titular guy is Michael Holt (Patrick Wilson, Watchmen, Phantom of the Opera), a very talented and successful brain surgeon. Michael is visited by ex-wife, Anna (Jennifer Ehle, The King's Speech), only to learn that she died two weeks ago. Michael's sister, Christina (Julie Benz, Angel, Dexter) is excited, knowing that Michael was a better person than with Anna, and definitely buying the whole "visited by the dead" thing. Michael asks Christina's friend (Pablo Schreiber, Weeds, The Wire) to extract Anna. But as Anna pushes Michael to help those in need at her clinic, Michael decides to let her stay.
 
     A Gifted Man brings to mind the too-quickly-canceled drama Eli Stone. Both involve messages from the supernatural world pushing the main character to be a better person, even though their life is going quite well up til then. There are major differences between the two, to be sure, so this new series cannot be called a copy. But for fans still mourning the loss of Eli, this might just be the best they're going to get.

     It's not that Michael is a terrible person, exactly. He's just a bit of a jerk, and is just now realizing that maybe replacing living a life with living a career is a mistake. As such, he soon begins helping patients from Anna's clinic. To what extent Michael will go remains to be seen. He does not seem anxious to quit his own practice, probably a good thing, considering that is what is making him all the money. But maybe he can start funneling some of the profit, or his seemingly large salary, into avenues to assist the less fortunate. It's likely to be a slow process. Otherwise, A Gifted Man would be a movie instead of a television show. But there is plenty of room to grow.

     All of this means A Gifted Man will not be a standard procedural. It is on CBS, so there are sure to be elements. Michael may end up helping a new patient every week. But there are also bound to be many other elements. Considering it wasn't too long that Ghost Whisperer occupied the same slot, and it was allowed to be character driven, this bodes well for A Gifted Man.

     Wilson is a gifted actor, and handle the plot very well. Ehle doesn't seem to be as good, but perhaps the qualities that can appear weaknesses to some, will be chalked up by others as her talking from the "other side." It will be interesting to see how Schreiber's character fits into the fix, perhaps helping Anna and Michael connect and better communicate will be his mission.

     The only real regret going into this is that Margo Martindale is locked into a main character role as a secretary. Just coming off her Emmy-winning, layered performance on Justified, this definitely seems like a step backwards. Surely, her talents are far above this level. However, since only the "Pilot" had aired, it is possible that there something much deeper planned for her, as unlikely as that might seem.

     The fifth main character, Kate (Rachelle Lefevre, Off the Map, Twilight), will join the cast next week. Watch A Gifted Man Fridays at 8 p.m. ET on CBS.

     If you like my reviews, please follow me on Twitter!

Off the Map: The Complete Series now on DVD!

     ABC's Off the Map had a lot going for it when it premiered in January. For one thing, Jenna Bans, who worked on Grey's Anatomy and Desperate Housewives, created it. Shonda Rhimes, the brain trust behind Grey's, produced it. The cast was excellent. Set in a South American jungle, it was a unique medical show about some very strange cases, and American doctors trying to escape their past having, while to adapt to the local culture. Think Grey's meets Star Trek: Deep Space 9 in a setting that looks like Lost. Yes, those are all intended to be serious compliments.

     The series begins as Lily Brenner (Caroline Dhavernas, Wonderfalls) comes to the clinic, haunted by the memory of her dead fiance. She is accompanied by two other new, young doctors, Tommy Fuller (Zach Gilford, Friday Night Lights) and Mina Minard (Mamie Gummer, The Good Wife). Fuller is a plastic surgeon who has a family who doesn't like or respect him, as he spent his college days drinking. Minard let a patient die while exhausted, thinking he simply had a case of the flu, instead of the zebra of a case that it actually was. So she was kicked out of her residency program. All three hope this will be a nice change of pace, allowing them to re-evaluate their lives. Of course, they soon realize they are biting off more than they can chew.

     Then there's the older doctors, who have been there long enough to know the lay of the land. Dr. Ben Keeton (Martin Henderson, Big Sky) is the strong, male lead. Mentor to all, he is the subject of Lily's initial crush, but he already has someone. Kind of. That's Ryan Clark (Rachelle Lefevre, Twilight), who is struggling with her own severe medical problems. Otis Cole (Jason George, Grey's Anatomy) is said to be a jerk, but he's pretty likeable, and has a thing for Zita Alvarez (Valerie Cruz, True Blood). Zita is actually from the region, so unlike the others, she isn't trying to forget anything.

     It's a motley crew, to be sure, but one that's good in a crisis, and can get things done effectively. Which they do, over and over again, for the thirteen episodes of Off the Map's too-short run. Each character actually shows not only some depth in personality and back story, but growth. For instance, Lily only really drools over Keeton for a short time before switching to a guy that is actually available. Otis figures out his feelings for Zita, instead of continuing to stew over them. New relationships bloom where they may not be exactly expected. And there isn't a weak actor in the cast.

     There are such drastic improvements on most of the characters' outlooks, it's with bittersweetness that one begins to wonder where the series would have gone, had it continued. Surely, new, fresh faces would have joined the ranks, and life would have gone on. Not everyone can stay in the jungle long-term, but Off the Map already established a core group that could brave the dangers of the jungle and come through with flying colors.

     The principal cast is not the only reason to watch. A slew of fantastic guest stars, from Michael McKean to Aimee Garcia to Cheech Marin to Judy Reyes cross the threshold of the small, poor clinic. Each brings their own intriguing twist with them. Plus, the staff often deals with strange medical conditions and has to rescue patients from dangerous conditions. Tourists aren't easily prepared for such a risky environment, and many end up in the make shift hospital. As such, there is a lot going on in each and every episode. Plus, no subtitles for when the locals speak Spanish, making viewers feel as lost as the doctors!

     The DVD release's special features reflect the strange setting in which the story takes place. Clocking in at around five minutes, "Jungle Medicine" examines some of the strange medical mysteries the characters encounter, and promises that each is based on a real-life story. The eight-minute "On Set At Off the Map" interviews cast members and producers about what it was like to film in Hawaii, as well as how they made things look like South America. There are also eleven deleted scenes and a standard two-minute blooper reel. Not too shabby for a series that only last thirteen episodes!

     In short, it's a real shame Off the Map won't be back this fall, and despite the cliffhanger of an ending, I do recommend purchasing this three disc set. It's a wonderful adventure with rich characters in interesting scenarios, and not at all a waste of time to watch. It's a unique show with some brave choices that set it apart from standard fare.

     Off the Map: The Complete Series boasts Dolby Digital 5.1 surround sound, Spanish and French subtitles, and 1.78:1 Widescreen picture. Which means it looks and sounds fantastic.

     Buy Off the Map: The Complete Series today.

     If you like my reviews, please follow me on Twitter!

Article first published as DVD Review: Off the Map: The Complete Series on Blogcritics.

Off the Map - "Saved By the Great White Hope"

Click here for all of Jerome's Current Season Reviews.

     With Shonda Rhimes on board as producer, and the main characters mostly doctors by profession, you can be forgiven for thinking that ABC's new Off the Map is just another Grey's Anatomy clone. Forgiven, because it sounds likely, but you would be mistaken. The show is not created by Rhimes, but rather by Jenna Bans. Bans has worked on Grey's and Desperate Housewives, so she's part of the ABC family, but also brings something slightly different to the table. That's what Off the Map is: different, but not so much so that it feels out of place among the network's popular series.

     When Lily Brenner (Caroline Dhavernas, Wonderfalls) first appeared on screen, I immediately pegged her as Meredith Grey type. Then I started thinking Christina Yang. Soon, it became apparent that she was neither, and both, with a dose of House's Cameron mixed in, as she did lose her fiance. But Brenner is more than that. She's that idealistic hero, brave and smart, that can rise to the circumstance, that every great show needs. After saving a man (the great Michael McKean guest starring) who trapped his arm in a zip line, and then making sure he got to dump his wife's ashes before he took off in a helicopter, Brenner has already made herself TV's newest leading lady. She owned the show.

      Brenner may have stood out to me, but she is not alone. Two other young docs arrived with her in the form of Tommy Fuller (Zach Gilford, Friday Night Lights) and Mina Minard (Mamie Gummer, The Good Wife). Each of the three has something in their past that has driven them far away into the wilderness, as we're told each person that comes to the clinic from the U.S. has. Brenner's is the dead fiance, which caused her to take an extended leave of absence. Fuller has a family who doesn't like or respect him, as he spent his college days drinking. He has already earned the nickname 'Plastics' because his idea of a great surgery is implanting fake breasts. Minard let a patient die while exhausted, thinking he simply had a case of the flu, instead of the zebra of a case that it actually was. You know, when you hear hoof beats, think horses, not zebras? We're told she was kicked out of her residency program for the mistake, though that seems a little harsh to me. Perhaps there is more to the story?

     Not only the young ones, but the elder doctors must have issues, too. Something has to make Otis Cole (Jason George, Grey's Anatomy, Eli Stone) the jerk that he is. At least, he's called a jerk. I found him very likable, as George's characters always are. In fact, I liked him best of the elder docs on staff. He has spirit, a sense of fun, and he doesn't put up with anything that he shouldn't, especially from snotty new arrivals.

 

     Cole isn't the only one displeased with the newbies before he even gets to know them. Zita Alvarez (Valerie Cruz, True Blood, Dexter) had an even better reaction. The barb she gave that stuck with me was about the new doctors not even bothering to learn Spanish, though clearly that's what most of the locals speak. I like this, because it reinforces the idea that this clinic is someplace to run to, not someplace anyone really wants to be. As such, it sets a different tone from other medical dramas immediately, and tells us something vital about each of the characters, even though its not an obvious characteristic of everyone... yet. Not only that, the culture barrier is emphasized nicely to the audience by not subtitling the Spanish speak. I'm as clueless as those new doctors as to what the residents are saying. Very neat.

 

     Though George is certainly a hunk to many, as a show with Rhimes involved, there has to be a Mc-someone, and he is there in the form of Dr. Ben Keeton (Martin Henderson, Big Sky. From the moment Brenner and Minard ogle his abs as he takes off his shirt, you know he's going to have a Mc-nickname soon. Plus, he has an accent, so double points. Honestly, I found Keeton a little bland, the only character I thought that of. I'm sure it's simply because he didn't get enough development. We got only the barest glimpse into his issues at the end of the episode, and there will surely be more to come.

     Speaking of the end of the episode, I was incredibly disappointed that Ryan Clark (Rachelle Lefevre, Twilight, What About Brian?) had so little screen time in the pilot. She is one of my favorite TV actresses, and we still know nothing about her character. As she is listed as a principal cast member, it can't be long before more of her is revealed, but I'm impatient in that regard.

     I won't say that this show changed my world, or that it belongs at the top of the ratings. But I will say there's something pretty cool here, and it's not just another procedural clone. As such, I urge you to check out Off the Map, which airs Wednesday nights at 10 p.m. on ABC.

Article first published as TV Review: Off the Map - "Saved By the Great White Hope" on Blogcritics.