WAYWARD PINES a Murky Place

Article originally published as WAYWARD PINES Review at Seat42F.

Carla Gugino & Matt Dillon Wayward Pines

 

WAYWARD PINES, premiering this week on FOX, is the story of a Secret Service agent who, while looking into the appearance of two fellow agents, becomes trapped in a mystery-laden town. Produced by M. Night Shyamalan (The Sixth Sense) and based on the book series by Blake Crouch, it’s a dense thriller that poses far more questions than it answers, at least initially.

My first impression is that Wayward Pines is trying too hard. The pilot, “Where Paradise Is Home,” rips off the beginning of Lost; you’ll know immediately what I’m talking about when you see it. Except, instead of being set on an untethered island or trapped under a dome (like CBS’ Under The Dome, which it will compete with this summer), it takes place in the small town of Wayward Pines, Idaho – a place that is completely isolated in a valley, cut off from the rest of the world. So yeah, it’s just like those other two, at least in this one regard.

Our hero is Ethan Burke (Matt Dillon, Sunlight Jr., Wild Things), and “Where Paradise Is Home” revolves around him, telling a disjointed, nonlinear story. He’s married to a woman named Theresa (Shannyn Sossamon, Mistresses), but cheated on her with his former partner, Kate (Carla Gugino, Entourage, Watchmen), who shows up where you might not expect her. Almost immediately, he makes a connection with a bartender named Beverly (Juliette Lewis, Secrets and Lies, Christmas Vacation), so I guess perhaps hero is too strong a word. Let’s just call him the protagonist.

What does any of that have to do with the story? Well, something. There’s a Truman Show-esque twist that ties Ethan’s messy love life into the town, but to what end, I have no idea. Nor do I know why someone says Beverly isn’t really a bartender, nor why Nurse Pam (Melissa Leo, Treme, The Fighter) acts in such a sinister manner, nor why Sheriff Pope (Terrence Howard, Empire, Iron Man) won’t help, nor why Reed Diamond (Franklin & Bash, Moneyball) has been cast as a toymaker. The only thing that makes much sense is Toby Jones (Captain America) playing a psychiatrist, which seems perfectly natural.

I love dense, genre mystery shows. If you give me a solid cast and a well-thought out story, I couldn’t possibly be any happier watching television. I’m much more reticent to jump into WAYWARD PINES than others of its ilk, though. Part of it is that they are selling themselves as a “Twin Peaks-like” drama and stealing so much from other stories along the way. Now, some of that may come from the book; I haven’t read it so I don’t know. But the way the program is presented doesn’t even feel like those involved are trying to do something new.

It also concerns me to see the cast list. They’re almost universally strong performers, so that makes me think perhaps I should give the material a chance. But part of being so strong is that many of them have other jobs on currently running shows. Wayward Pines season one is announced to be only ten episodes, and presumably, subsequent seasons could be equally short to allow scheduling to work out. I just can’t see all of these people agreeing to stretch themselves so thin over any extended period of time, though.

WAYWARD PINES has a lot of good ingredients. The question will be, did the chefs take some liberty with the recipe, tossing in the unique spices that will make it a fresh and delicious dish (like Lost), or did they follow the book exactly, making something bland and derivative (like Under The Dome)? The answer to this will be what makes or breaks this show.

WAYWARD PINES premieres Thursday at 9 p.m. ET on FOX.

CBS "Heads" Back UNDER THE DOME

Article originally written for Seat42F.

CBS’s Stephen King series, UNDER THE DOME, returned last night with a season premiere penned by the horror master himself. “Heads Will Roll” picks up right where season one ended, with Barbie’s (Mike Vogel) head in a noose and the dome glowing with a bright, white light. From there, the episode introduces several new characters, says goodbye to a couple of main players, and forces Big Jim (Dean Norris) to take a long, hard look at himself. It’s a pretty solid hour.

Big Jim is the villain of the piece, of course, but it seems like “Heads Will Roll” sets him on the road to redemption. As a magnetic force renders most of the citizens unconscious, Jim is plagued by hallucinations of Dodee (Jolene Purdy), whom he killed, and Linda (Natalie Martinez), the first casualty of the premiere. It’s like his own version of A Christmas Carol, and confronted with his failings, Big Jim decides he should end himself, which he almost goes through with until Julia (Rachelle Lefevre) stops him.

Can Big Jim eventually be one of the good guys? The dynamics of UNDER THE DOME are often flimsy, changing on a whim. After all, how many times has Angie (Britt Robertson) seemingly forgiven Junior (Alexander Koch) after he kidnaps her? However, the situation is tense and stress levels are high, which does make it easier to overlook misdeeds. Big Jim has made quite a few blunders in the eyes of our heroes, but most of the townsfolk don’t hate him, so if he works to be the leader they want, which he seems serious about when he gives now-homeless Norrie (Mackenzie Lintz) and Carolyn (Aisha Hinds) a key to his house, we could end up liking him.

With arcs like this, UNDER THE DOME strives to be a serious character piece, meaty drama with layered players. The problem is, it’s just not. It takes shortcuts and allows inconsistencies that hurt the overall impression. For instance, moments before Julia saves Big Jim, she’s ready and willing to be the tool that kills him. How can she shift so suddenly? The writers definitely seemed more concerned with the actions of those on screen than the motivations behind them. And even the actions, such as the dome magnetically pulling metal to it, aren’t the most consistently thought out, with items flying willy-nilly, rather than in a logical pattern, making it more dangerous, but less believable.

Which is not to say UNDER THE DOME is a bad show. I find it quite enjoyable, and there are some genuine surprises, such as Linda being squashed and Angie getting hacked to pieces. I am curious as to what is going on, and I’m engaged with who might die next. It’s just more in the genre of summer popcorn than serious drama.

The deaths do seem a bit arbitrary, which makes it hard to predict who might go next. Angie is one of the four kids who communication with the dome, so she doesn’t seem expendable, but’s she taken out, nonetheless. Plus, she runs the diner after the owner is previously killed, so that leaves a crucial gap in the town. Linda is the last real law enforcement officer left, again, making her seem safe, but she’s replaced by Phil (Nicholas Strong) by the end of the episode, Big Jim’s lackey, for now. The show does not worry about preserving a structure, and is willing to create more conflict by removing those that don’t seem replaceable, bold moves.

To help keep the population up, we are introduced to Sam Verdreaux (Eddie Cahill, CSI: NY), who initially makes a pretty boring corner of a love triangle with Julie and Barbie, but gets more interesting when we learn he’s Junior’s uncle and acts shifty. There’s also Rebecca Pine (Karla Crome), a science teacher, who might finally give us insight on the (uneven) mechanics of the dome, and Melanie Cross (Grace Victoria Cox), a crazy girl. This new blood should keep the story humming along nicely.

More interesting is the reveal of Junior’s mother, Pauline (Sherry Stringfield), outside of the dome. We haven’t really seen how the rest of the world is reacting to the events in Chester’s Mill, and she not only potentially provides a window to the larger universe, but also has strange connections to the dome itself. I, like many viewers, had assumed she was dead. To learn she’s elsewhere only deepens the mystery.

Overall, “Heads Will Roll” is one of the better installments of UNDER THE DOME, with everything from action to self-reflection, to a cameo by King himself. Season two is off to a good start.

UNDER THE DOME airs Mondays at 10 p.m. ET on CBS.

CBS Going UNDER THE DOME

Article first published as UNDER THE DOME Review on Seat42F.

Grade: 86%

CBS, perhaps in an attempt to combat the lame, reality and re-run heavy summer fare on the basic networks, has a new offering premiering this week. Titled UNDER THE DOME, this thirteen episode series, based on the Stephen King novel of the same name, follows the residents of Chester’s Mill Maine when a transparent, sound-proof, impenetrable dome suddenly crashes down over their town.

UNDER THE DOME feels a lot like other summer programs in the past that haven’t lasted, such as the one where a handful of people were trapped in a town and were watched on cameras, or other Stephen King TV dramatizations, or even a little bit like cult-favorite Jericho. It has the sort-of post-apocalyptic, yet still small-scale and personal, feeling of a drama about people on the edge.

The cast, whom we are mostly introduced to in the first eight minutes, before the dome appears, are a broad spectrum of individuals, almost as if there was a checklist that had to be satisfied when putting together the ensemble. None of them are particularly original characters, even though there are some very good actors playing them, as they are without exception archetypes that have been seen on a variety of other shows.

Among those featured are: Barbie (Mike Vogel, Bates Motel, Pan Am), an ex-Army officer who comes to town and kills someone, then is trapped before he can escape; Big Jim (Dean Norris, Breaking Bad), the crooked councilman who wants to use the disaster to manipulate the town into his own personal kingdom; Angie (Britt Robertson, Life Unexpected), a waitress who dates a too-clingy boy; Junior (Alexander Koch), Big Jim’s mentally unbalanced son who has designs on Angie; Julia (Rachelle Lefevre, What About Brian), a journalist with a missing husband; Dodee (Jolene Purdy, Gigantic), a mouthy radio engineer; Duke (Jeff Fahey, Lost), the ineffective patsy cop; and Linda (Natalia Martinez, Detroit 1-8-7), a deputy whose fireman boyfriend is outside the dome.

Believe it or not, that is not a complete roster of the characters featured in the “Pilot.” UNDER THE DOME presents a sprawling cast with few connections between one another thus far, but surely more will be revealed as things unfold, as we’ve been taught it common for small towns. Unlike a series like Lost, these people aren’t banding together, but instead following their own motivations and activities.

As such, there isn’t a clear, cohesive story in episode one. Everyone has their own implications of the occurrence to deal with, and as no one even really knows what’s going on yet, there has been no concentrated effort to solve the mystery or find a way out of the disaster. A couple people have sort of started down that road, but have barely begun to investigate.

Which isn’t to say there aren’t some intriguing set-ups. A couple of theories are put forth, at least one character reveals to viewers that he actually does know what is happening, one on the roster above is dead by the end of the first hour, there are some clues that indicate a larger conspiracy, strange seizures appear other-worldly, and various family connections pop when one is not expecting.

There are also a few missteps in UNDER THE DOME. I feel like the dome actually coming down is unnecessarily brutal. A cow is split in half and slides down the wall, leaving a bloody streak. A plane smashes into the dome, and among the debris raining down is a severed limb. A truck rams the barrier and becomes almost as flat as a pancake. None of these are executed in impressive fashion, given the low special effects budget and broadcast network restrictions, so they aren’t particularly amazing. Instead, they come off as cheap gags designed to entice the viewer, but failing to do so because of their cheesy execution. It would be better if we got more dialogue scenes and less of these “shockers.”

If the focus stays on the characters, rather than gross gimmicks, UNDER THE DOME should provide satisfying summer entertainment, probably the best of the Big Four networks’ programming. There is some real talent present that can be better utilized than we’ve seen so far. But it’s not regular season-quality, and it does feel like an amateur effort compared to other projects. King may be able to write fantastic novels, but they seldom translate into groundbreaking shows or movies, and this one is not on the level of The Shining or the few other notable exceptions to that rule.

UNDER THE DOME premieres Monday, June 24th at 10 p.m. ET on CBS.