WAYWARD PINES a Murky Place

Article originally published as WAYWARD PINES Review at Seat42F.

Carla Gugino & Matt Dillon Wayward Pines

 

WAYWARD PINES, premiering this week on FOX, is the story of a Secret Service agent who, while looking into the appearance of two fellow agents, becomes trapped in a mystery-laden town. Produced by M. Night Shyamalan (The Sixth Sense) and based on the book series by Blake Crouch, it’s a dense thriller that poses far more questions than it answers, at least initially.

My first impression is that Wayward Pines is trying too hard. The pilot, “Where Paradise Is Home,” rips off the beginning of Lost; you’ll know immediately what I’m talking about when you see it. Except, instead of being set on an untethered island or trapped under a dome (like CBS’ Under The Dome, which it will compete with this summer), it takes place in the small town of Wayward Pines, Idaho – a place that is completely isolated in a valley, cut off from the rest of the world. So yeah, it’s just like those other two, at least in this one regard.

Our hero is Ethan Burke (Matt Dillon, Sunlight Jr., Wild Things), and “Where Paradise Is Home” revolves around him, telling a disjointed, nonlinear story. He’s married to a woman named Theresa (Shannyn Sossamon, Mistresses), but cheated on her with his former partner, Kate (Carla Gugino, Entourage, Watchmen), who shows up where you might not expect her. Almost immediately, he makes a connection with a bartender named Beverly (Juliette Lewis, Secrets and Lies, Christmas Vacation), so I guess perhaps hero is too strong a word. Let’s just call him the protagonist.

What does any of that have to do with the story? Well, something. There’s a Truman Show-esque twist that ties Ethan’s messy love life into the town, but to what end, I have no idea. Nor do I know why someone says Beverly isn’t really a bartender, nor why Nurse Pam (Melissa Leo, Treme, The Fighter) acts in such a sinister manner, nor why Sheriff Pope (Terrence Howard, Empire, Iron Man) won’t help, nor why Reed Diamond (Franklin & Bash, Moneyball) has been cast as a toymaker. The only thing that makes much sense is Toby Jones (Captain America) playing a psychiatrist, which seems perfectly natural.

I love dense, genre mystery shows. If you give me a solid cast and a well-thought out story, I couldn’t possibly be any happier watching television. I’m much more reticent to jump into WAYWARD PINES than others of its ilk, though. Part of it is that they are selling themselves as a “Twin Peaks-like” drama and stealing so much from other stories along the way. Now, some of that may come from the book; I haven’t read it so I don’t know. But the way the program is presented doesn’t even feel like those involved are trying to do something new.

It also concerns me to see the cast list. They’re almost universally strong performers, so that makes me think perhaps I should give the material a chance. But part of being so strong is that many of them have other jobs on currently running shows. Wayward Pines season one is announced to be only ten episodes, and presumably, subsequent seasons could be equally short to allow scheduling to work out. I just can’t see all of these people agreeing to stretch themselves so thin over any extended period of time, though.

WAYWARD PINES has a lot of good ingredients. The question will be, did the chefs take some liberty with the recipe, tossing in the unique spices that will make it a fresh and delicious dish (like Lost), or did they follow the book exactly, making something bland and derivative (like Under The Dome)? The answer to this will be what makes or breaks this show.

WAYWARD PINES premieres Thursday at 9 p.m. ET on FOX.

Lock Up The Prisoner

    AMC remade the British classic, The Prisoner, but unfortunately, it was a snooze fest.  For purposes of full disclosure, I have never seen the former version, and though I enjoy the AMC original series Breaking Bad, I find their critical hit Mad Men to be incredibly boring.  So if your opinion of the network differs from mine, you may not be pleased with this review.

     The story centers on 6, a man known only by a number, waking up in some strange desert town called The Village (no, not the same Village from M. Night Shyamalan).  The residents of the Village insist that there is no other world outside of this place, but 6 is plagued by dreams of another life, and doesn't remember being there before, though he has a house.  The mystery deepens as he struggles to find out why an old man has died, and why others dream strange dreams and sketch landmarks such as Big Ben and the Statue of Liberty.  Running The Village is 2, who has a son 11-12, and whose mother is in a coma.  The first major twist is when 6 discovers that 16, who told him they were brothers, was lying, but for what purpose?  Every time 6 seems close to figuring out a piece of the puzzle, someone is killed or disappears or distracts him.

     The problem is, the story is just not that interesting.  James Caviezel (Jesus in The Passion of the Christ) plays a 6 that doesn't have viewers rooting for him at all.  He seems more annoying that heroic.  Similarly, 11-12, who is supposed to have major subplot, just comes across as whiny and cold.  The female love interests are not in the least attractive nor compelling.  And by the time something starts to happen in the 5th and 6th hours, a 2 and 6 duplicate have shown up and made things even more confusing.  Is it all happening in their heads, or is there really an isolated Village?  I don't really care, nor do I care about the evil company behind it.  It's been done before, and with more talent behind it.  Admittedly, this show was made in the sixties, so it predates many of the stories I am comparing it to, but since this is a new miniseries, it faces those comparisons.

     The bright spot is Sir Ian McKellen (Lord of the Rings, X-Men) playing 2.  He is always a wonderful actor, and this is no exception.  Surrounded by dullards, he manages to shine even more by comparison.  His is clearly a complicated character, with much motivation hidden eternally, and yet, McKellen manages to convey those secrets.  He is the only reason I still have the 6th hour running on my TV as I write this article, already having given up on 2's plight.

     One final comment, the tone and mood of this miniseries, as well as the score and special effects, lead one to conclude that this show would have more appropriately aired on the SyFy channel.  Previous efforts of their's, Flash Gordon and Tin Man come to mind, were similar.  Though SyFy doesn't always have the best judgment on their programming (Battlestar Galactica excepted), one has to wonder if perhaps they weren't offered the show and wisely passed.