"Maintenance" Keeps COMMUNITY On Track

Article first published as "Maintenance" Keeps COMMUNITY On Track on TheTVKing.

The latest installment of NBC's Community is "VCR Maintenance and Educational Publishing." Buoyed by several memorable guest stars, many of them non-actors doing a great job in rare appearances on screen, the study group is split in two this week for a couple of enlightening stories, leading to a new side being revealed for at least a couple of players. It's an emotional and entertaining episode that continues some of this season's arcs.

After an absolutely terrific opening featuring the under-used Dean (Jim Rash) rapping and breaking down, Jeff (Joel McHale), Shirley (Yvette Nicole Brown), and Hickey (Jonathan Banks) head off to clean a storage closet. They find 120 mint-condition chemistry text books hidden in a vent, and soon are in a drug deal-esque story to unload them. Things get more complicated when Britta (Gillian Jacobs) is brought in as a middle(wo)man, Chang (Ken Jeong) stumbles on the stash, and Jeff has a crisis of conscience, and in the end, their buyer (compose Paul Williams) walks away without a deal.

Apart from the obvious genre parodying, which is enjoyable, the element that really steals the plot is the turning of Shirley into a kingpin. Brown plays the religious mother so sweetly most times, and despite her prejudices, hypocrisy, and judgmental nature, Shirley is usually very likeable. But when her dark side emerges, usually covered with a layer of honey, watch out! "VCR Maintenance and Educational Publishing" may just be the nastiest we've seen her yet, conveying much with a tilt of her head or a lift of her eyebrow.

I also like that Jeff is the one has doubts about their enterprise. He's really turned a corner in what a good person he can be, and while he still makes some bad choices, such as being the one to encourage their illicit activity in the first place, he can't stand to see Shirley go evil and feels bad about his fault in it. I don't think his moral compass was nearly so strong at the start, and it's gratifying to see this growth.

It's worth nothing that much of this season has concerned Greendale's precarious financial situation. The Dean announces paychecks will be late at the start of this episode, and it's likely the text books were hidden precisely because they were worthless misprints, perhaps another mistake the Dean made to drive them further into the hole. Will the Save Greendale Committee be able to preserve the school? Or might this make an excellent main story for the movie referenced in the hashtag #sixseasonsandamovie?

The other side of "VCR Maintenance and Educational Publishing" involves Annie (Allison Brie) and Abed (Danny Pudi) searching for a roommate. This is necessary because they can't afford the rent on their own. Annie would like her brother (production staff member Spencer Crittenden) to live with them, while Abed argues for his girlfriend of one month, Rachel (Brie Larson). To settle the disagreement, Annie and Abed drag the other two into a high-stakes round of the old (fictional) VHS game Pile of Bullets.

Bringing up such an outdated form of entertainment as a VHS game is both fitting for Community and hilarious. Breaking Bad creator Vince Gilligan does a fantastic job as the star of the tape, and his tag at the end of the episode with Gina Gershon makes for some pretty funny meta stuff. The show frequently brings up old trends from the past, and this is another link in that proud legacy.

Of course, things for Annie and Abed aren't so easily solved. As Annie's brother points out, there is a serious vacuum left in the apartment since Troy's departure. No one can really replace Troy in the role he held in their lives, and by trying to force someone into that hole, the two risk ruining whoever they set their sights on. Instead, they need to get a stranger to help pay the rent for practical reasons, then tackle the emotional void on their own.

Abed is already showing signs of development with his crutch gone. Rachel is good for Abed, letting him know when he's acting in an unacceptable manner and charmed by his better qualities. Abed almost loses her in his obsession with the game, but does wake up enough to realize her importance and win her back, creating one of his real, honest moments as he confesses his underlying concerns. She is patient and forviging, and there's a real sense of hope that she might be just what Abed needs to become a whole human being.

"VCR Maintenance and Educational Publishing" may not be a particularly special episode, but it's another good one, keeping the show alive to the millions of fans happy to see it survive. Might it be too much to ask from NBC to give us one more season and a film?

Community airs Thursdays at 8 p.m. ET on NBC.

COMMUNITY Breezes Through "Networking"

Article first published as COMMUNITY Breezes Through "Networking" on TheTVKing.

The latest installment of NBC's Community is "Analysis of Cork-Based Networking." The Save Greendale Committee splits into three groups for different projects. Abed (Danny Pudi) and Britta (Gillian Jacobs) conduct a student census. Annie (Alison Brie) and Hickey (Jonathan Banks) try to get a fallen bulletin board rehung. And the other four attempt to decorate for a school midterms dance. Needless to say, none of these subplots are that straight forward.

It's a classic sitcom structure to split a larger ensemble into smaller groups, preferably pairing those who rarely interact with one another, and let characters come to new understandings with others. That's exactly what "Analysis of Cork-Based Networking" does. Annie and Hickey have never gotten along, and now they have to work together. Same goes for Britta and Abed, probably the two with the least to talk about in the gang. And no one likes Chang (Ken Jeong), who is on a mission to prove he can be part of their club this week.

Chang is an odd character because he's always been a member of the main cast, but doesn't exactly fit in. It's worthy noting he isn't assigned a task when Annie doles out the assignments in the beginning, ending up with decorating by default. He's flirted with joining the study group before, but it's never really gelled, with him usually splitting off to end up a villain. But now, with his treachery probably having been taken as far as it can be, and since he didn't actually permanently alienate everyone in the process, he tries to work his way into their good graces by assisting the Save Greendale Commitee. He certainly endears himself to the viewer this week, especially with his special dance.

Chang's inclusion brings the committee up to eight members, finally filling out the table once more (Professor Duncan has also apparently joined). It's nice to not see the holes during the library scenes, and the mix of four teachers and four students seems like the appropriate make up of such an organization. Community, despite its losses, feels whole again.

Of course, Chang screws things up spectaculary, convincing Jeff (Joel McHale), Duncan (John Oliver), and Shirley (Yvette Nicole Brown) to go with a bear-birthday theme, forgetting that he saw on the news that morning that a bear attacked a kid's birthday party and mauled a bunch of people to death. They try to cover it up by turning their the bears they already made into fat dogs, inventing a Wikipedia term (it really isn't as easy to screw up Wikipedia as TV shows pretend it is; there are editors who monitor such things), and following Chang's example of crying to confuse Annie, but they are caught in the end.

This is the kind of zany, weird stuff that only Dan Harmon can do well. Most series couldn't make a wild animal murdering innocent children funny, but the idea is carried out with utter sincerity by the cast, and the visuals of the actual decorations, horrible in their lack of artistic skill, will earn snickers, at minimum. It's a completely original idea executed in the best of ways.

In "Analysis of Cork-Based Networking," Annie starts out on the decoration committee (which is why the others join, thinking she'll do all the work), but goes with Hickey when he can't get the bulletin board hung himself. What follows is a series of bargains, bribes, and threats as the duo go from department to department, building an elaborate chain of favors to get their task done. But to accomplish this, Annie must toss her ideals out the window, something Hickey refuses to do, which threatens the tenuous respect they've earned for one another with their cleverness and tenacity throughout the half hour.

My biggest complaint about this subplot is all of the famous faces that breeze by with barely a couple of lines of dialogue. Nathan Fillion (Castle, Firefly) plays the head custodian, while Kumail Nanjiani (Portlandia, Franklin & Bash) works with him, joining recurring janitors Jerry (Jerry Minor, Brickleberry) and Crazy Schmidt (Eddie Pepitone, Conan). Paget Brewster (Criminal Minds) is an IT girl. It's practically criminal that these people appear so briefly, and they should absolutely return for longer stints in the future.

But other than that, I really enjoyed seeing Hickey and Annie interact. He could really be a mentor to her if he'd let himself open up just a smidgen more, and it certainly seems like her disapproval of him stems from his refusal to grant her his approval. They have terriffic chemistry, and it was great fun to see them spend this time together, clearly leaving plenty of material to mine in their relationship.

Finally, the third story has Britta trying to, well, britta, Abed's favorite new series, which is a very clear play on Game of Thrones. When Abed adeptly sidesteps Britta's attempts to spoil the plot, Britta pays off Abed's new flirtation (Katie Leclerc, Switched at Birth) to do it for her. This hurts Abed deeply.

There isn't much purpose to Britta destroying Abed in "Analysis of Cork-Based Networking." It's more just Britta being Britta, stuck on a mission she invents for herself and carrying it too far. Their friendship will survive it, neither being willing to leave their social circle, but this does effectively sabotage any closeness that may have been earned last week when Britta helped Abed deal with Troy leaving. It resets them to the status quo, which is fine, as they are good how they are.

More interesting is Abed's love life. There's an early reference to Rachel, a.k.a. The Coat Check Girl (Brie Larson), one of the only good things to come out of season four, the Harmon-less, so-called "gas leak" year, and it looks like the new girl will be just a one-time thing, too. Which makes it super surprising when Rachel is seen again late in the program, and she and Abed go off to have dinner.

Might Rachel be just what Abed needs to get over Troy? I really hope she returns because she brings out a very different side of Abed that we don't usually see. Her inclusion here is perfect timing, and while "Analysis of Cork-Based Networking) doesn't reveal what happens on their date, it certainly seems like it'll go well, maybe even turning into something long-term, which would be a first for Abed, romantically speaking.

Among the awesome little tidbits that slip their way into this episode are: two completely opposing viewpoints on the movie Labyrinth; Abed watching Rick and Morty, a new Adult Swim series created by returned Community showrunner Dan Harmon; and Troy (Donald Glover) and LeVar Burton (himself) have apparently been captured by pirates in the Gulf of Mexico, as reported by a news scroll when Hickey is watching TV during the dance.

This last bit has to make it on screen at some point. Please, please, please let Burton and Glover film a spin-off TV movie covering their trip around the world. Community is practically begging for it.

"Analysis of Cork-Based Networking" may be considered a "typical" Community episode, which is fair, but it is completely enjoyable from beginning to end. The magic is back, as I've been saying for weeks, and if every installment were simply as good as this one, it would remain my favorite currently running comedy on TV. This is the perfect example of what Community should be, when it's not doing oddball one-offs, which are most appreciated, too.

Community airs Thursdays at 8 p.m. ET on NBC.

Community Tells "Herstory of Dance"

Article first published as Community Tells "Herstory of Dance" on TheTVKing.

This week's installment of NBC's Community achieves the great feat of giving something good to almost every main character in the series, and yet still misses the goal or greatness. The main plot is Britta (Gillian Jacobs) and the Dean's (Jim Rash) competition to throw the best school dance, while Abed (Danny Pudi) juggles two dates at said events. But it's the minor details and touches that make the episode, more so than the overall story, as moments soar, but overall, it fails to achieve.

The Dean is often in on the fringes of the show, and rarely gets involved in what the Study Group is up to. "Herstory of Dance" pits him directly against Britta, bringing him more into the central story. Britta doesn't mean to start a feud with him, but an offhand comment she makes gets him all riled up, and he is bent on seeing her fail. He even stands around at the dance, wishing to see Britta screw up more than his own efforts succeed, apparently to protect some sort of amulet, which I don't recall ever hearing about before, though it is kinda of funny.

Plus, that black and white costume, complete with pasty painted skin, as creepy as it is, ends up being hilarious. Few people have tried to actually appear black and white in the real world, but the Dean somehow pulls it off. Sort of.

Britta, for her part, doesn't even realize that she's engaged in the fight, which makes it all the better, as the Dean battles against a perceived enemy. Instead, she's more worried about what Jeff (Joel McHale) will say, since she stages the entire thing just to keep from admitting that she said the wrong person's name early in the half hour. It's stubborn to the extreme, pushing the limits of what we've already seen is in Britta, and in doing so, finding out more about her. She's been beaten down, and she, tired of being the butt of the joke, so desperately needs a win.

Jeff continues his trend this year of being a better person. He doesn't gloat when Britta fails, and he congratulates her magnanimously when things come together for her, even if it isn't by her hand that she pulls it off. This not only shows even more growth for Jeff, but also allows for a bit of peace between the two characters, who have long held tension between one another. Sacrificing using the word "Britta" as a negative verb, admittedly a fun aspect of the show, is a small price to pay to see such a sweet reconciling.

Chang (Ken Jeong) serves as DJ for both dances at once. This is a fitting use for him. He isn't interfering too much, still gets some small, funny bits, and is involved without being overwhelming. Chang tends to be an all-or-nothing character, either dominating or being absent entirely. "Herstory of Dance" manages to put him in a nice supporting role, a good change of pace for the character.

Pierce (Chevy Chase) also has one of the best plots he's had in quite some time. He gets to help Britta, and doesn't seem pathetic while doing so. He gets some great lines, such as when he wants to get on the computer because that particular computer has his e-mail and the post office is about to close. Yes, this means he is inept and elderly as ever, but his character works in this manner, when the material actually suits him, rather than how he is normally wasted, floundering for attention.

Annie (Alison Brie) and Shirley (Yvette Nicole Brown) have their own little rift this week, as they each try to find a date for Abed. They both think that they know what's best for him, and bring girls somewhat like themselves. What's more fun, though, are the scenes where they get in each other's faces, or plot against one another. I like both characters individually, and don't find myself rooting for one side over the other, but I thoroughly dig the competition between them, and what it brings out of each woman.

Abed pledges to start to mature, making references to something other than TV and movies, but then accepts two dates in the same night so that he can live out yet another fantasy, rushing back and forth, swapping clothes. This is typical Abed, and while for some reason his antics have consistently seemed weaker this year than in past seasons, this one actually works OK, even if it doesn't help him get any better.

While I was thinking that perhaps Abed is broken and should soon be fixed, his romance with a third woman this week, Rachel (Brie Larson, United States of Tara), whom engages in shenanigans with him, seems to point in a different direction. If Abed can find a girl who gets him, and whom he can have fun with, he will never change, and will only sink deeper into the psychosis. Yet, Community paints them as well adjusted and well matched. This would have been sweet last year, and comes across as such when this episode is taken by itself, but as much as I like the introduction of Rachel and Larson's take on her, it only contributes to everything that is wrong with Abed lately.

Now that Abed has a lady friend to play his fantasy games with, Troy (Donald Glover) is even more on the outs with his bestie. With no Abed replacement, including his girlfriend, Britta, who is busy with the dance, Troy seems sadder than usual, playing with himself in an odd manner. He may not have as much time for Abed lately, but he also doesn't want to lose Abed completely, and that's what seems to be happening.

Abed and Troy are a linchpin of Community. The fact that "Herstory of Dance," like so many other recent episodes, keeps them apart may be a clue to why Community isn't living up to greatness this season. This is still an enjoyable episode, but it lacks the magic that past seasons have had. I think part of this is the shifting chemistries, which were carefully balanced before. With Troy and Abed growing apart, a vital bond is broken.

That's why, despite the good things that "Herstory of Dance" has to offer, I just can't get too excited about it. It's good, to be sure, but it's not terrific. As we move into the back half of what will likely be the final season, it seems all hope of redemption by finale time is lost.

Though next week does have puppets. That sounds promising.

Community airs Thursdays at 8 p.m. ET on NBC.

The League scores a touchdown with the Complete Season Three

FX's The League now has its Complete Season Three out on Blu-ray and DVD.  If you have missed this fantasy football-based comedy, with the all-around amazing cast, up 'til now, it's time to start watching, as it has become one of the most original, funniest shows on television. Season three is a great entry point, and after watching every installment on this two disc set, you'll probably be motivated enough to go seek out the other seasons.

As season three begins, Ruxin (Nick Kroll) is still rubbing his victory from last year in everyone's face, being more insufferable than usual. The others plot to pick the draft order behind his back, giving them an unfair advantage, and hoping to allow them to knock Ruxin down a few pegs this year. This sort of back fires, as once that bond of trust is broken, even if Ruxin doesn't figure it out for a long time, the others begin not trusting each other, too, making for a trade-less, frustrating fantasy football league.

In The League, though, Shiva Bowl Champion is not the only title. There is still unfinished business to attend to concerning last year's loser, the Sacko prize winner, Andre (Paul Scheer). For that, the boys turn to former member Rafi (Jason Mantzoukas) and his friend Dirty Randy (Seth Rogen), who help them humiliate Andre with the ultimate prank.

All of this unfair backstabbing may sound mean, but it's not. The heart of The League is a group of friends who care about one another. Sure, they give each other a hard time, as friends do, and sometimes they go a little too far. But their shared love of football, and the good times they have picking their fantasy team and watching the games, are why they stick together. The characters do not have to express their emotions to feel the affection between them, as we see during a near-tragedy at the end of the season.

They do, however, have to be really, really funny, and The Complete Season Three showcases this in many fantastic ways. Whether Kevin (Stephen Rannazzisi) is "cheating" on his wife, Jenny (Katie Aselton), the sole female member of the group, with an ESPN analyst, or Ruxin is growing unhappy about his attractive au pair (Brie Larson, United States of Tara), whom Pete (Mark Duplass) has his eye on, there are lots of humorous moments. Toss in Taco (Jonathan Lajoie), who is basically a walking joke, especially when inventing an analog social network called "My-face," and you have the recipe for something pretty cool.

Among the best installments of this season are:

• "The Lockout" In which Ruxin is screwed over figuratively, and Andre is screwed over literally (sort of).
• "Bobbum Man" Kevin is afraid of Pete's made-up creature, the Bobbum Man.
• "Carmenjello" Kevin and Jenny search for the perfect paint color, but a defective can means awkward explanations to daughter Ellie (Alina Foley).
• "Thanksgiving" Ruxin's dad (Jeff Goldblum, Jurassic Park) and Andre's sister (Sarah Silverman, The Sarah Silverman Program) join the gang for a turkey with a very interesting and unique stuffing.
• "The Light of Genesis" Ruxin joins a cult that could help him win in fantasy football, while Kevin is worried his Krav Maga teacher (Eliza Dushku, Dollhouse) is attracted to him.
• "The Funeral" Every arc from this season comes to a head with the Shiva and the Sacko on the line.

The League The Complete Season Three is fully packed with bonus features. The best thing is that ten of the year's thirteen episodes are extended on the DVD, providing quite a few more laughs than as aired. There is also a gag reel, deleted scenes, and two featurettes, "Alt Nation" and "Taco Tones." For a thirteen episode comedy, this turns out to be quite a bit.

Check out The League The Complete Season Three, available now, and watch brand new season four episodes Thursday nights at 10:30 p.m. ET on FX.

If you like my reviews, please follow me on Twitter! Check out my website, JeromeWetzel.com! First posted on TheTVKing

"The Good Parts" of United States of Tara

     Showtime's United States of Tara ends after three seasons with "The Good Parts." Not written as the series finale, the episode opens with Tara (Toni Collette) killing her newest alter, Bryce, who has already killed off the other personalities that live inside Tara's head. One might think that would be a relief for Max (John Corbett), especially since Tara plans on seeing a specialist doctor in Boston, but instead, his frustration with the situation builds until he blows his top at dinner. As Max and Tara prepare to leave town, what will happen to suddenly emotionally distant Marshall (Keir Gilchrist) hangs in the air, and Kate (Brie Larson) considers Evan's (Keir O'Donnell) invitation to move to St. Louis.

     "The Good Parts" would serve as a fine season finale, but as a series ender, it leaves much to be desired. While this season, certainly the best of United States of Tara's three, has been an amazing discovery of the trauma behind what makes Tara the way she is, it also leaves things far from resolved. Bryce's major disruption of the status quo shakes Tara into not only understanding her issues, but moving in new ways to finally solve them once and for all. Bryce's murder of Tara's alters is deeply disturbing, but it opens the door to something exciting and different for a fourth season. Definitely, progress will be made. Sadly, with Tara on her way to get help, the brief reappearance of the beat up, but somehow surviving, three main alters, T, Buck, and Alice, actually cheapens the moment. This seems like a turning point, but they reset her to square one.

     Please, Showtime, isn't there any way to reconsider? While United States of Tara may not carry the audience some other series on the network do, the writing is top notch, the acting is excellent, and the story is evolving in very interesting ways that will now never be played out. It seems a shame to cancel a show at its creative peak. Maybe allow a television movie or a few, or even a shortened fourth season to wrap things up?

     Perhaps most disappointing, had a fourth season been ordered, would have been Charmaine (Rosemarie DeWitt) and Neil's (Patton Oswalt) move to Houston. They are enjoyable supporting players, and while they may need distance from Tara and her drama for a happy ending, including an upcoming (finally!) marriage, they would have been sorely missed. Of course, now I guess they don't have to be, because the whole series will be missed. Had the series been picked up for another season, they may have moved back or taken frequent trips back and forth to keep them involved in the story. Guess that decision will never have to be faced.

     Max gets some serious development right at the end. Being married to a woman like Tara must be a serious struggle for any man, but much of what Max goes through has been kept hidden. Marshall forces some hidden disappointments to the surface with his film. Even though Max doesn't like it, much of what Marshall says rings true. Max's pain could be because his son hits too close to home. Max's dinnertime eruption in the series finale is a fine way to show how he is not as easy going as he often appears to be, and is struggling to hold it together. Further exploration of his psyche, and why he does what he does, would be welcome. If there were more episodes, which there will not be.

     Marshall also gets some intriguing growth in season three, as the death of Lionel (Michael J. Willett) spurs him to also release pent up emotions. Faced with serious loss, Marshall gets a renewed sense of today, which could be construed as a commonly used device, but in the hands of Willett, opens up whole new areas of the character. Marshall is the steady rock of the household, and his losing it helps Tara and Max see how their lives affect their children. It's a revelation that is obvious in retrospect, and worth talking about. Marshall needing some distance makes sense, and it a logical, good storytelling move. He will be available to love and help them, but he is not a care taker, and he should not be, as Max and Tara agree.

     Kate struggles with finding a place in the world throughout the series, bouncing between interests and careers. "The Good Parts" leaves her with a strong romantic bond, and a finding of responsibility. Being with Evan really seems to mature Kate, in ways she really needs to grow up. He's a great influence on her in so many ways. It's too bad there will not be a chance to explore her stephmotherhood.

     Kate and Marshall's relationship is one of the best sibling pairings on television, as they need each other more than most brothers and sisters. To see Kate step up to help Marshall the way she does is incredibly gratifying. The two are as co-dependent as Max and Tara in a totally different way that is healthy for them both. This is the factor done most correctly in the series finale.

     Yes, this review is a little truncated. Just like United States of Tara. I did it on purpose, as a tribute.

     It may be too little, too late, but if you are so inclined, I urge you to write to Showtime asking them to bring this brilliant series back. Click here for the Facebook page trying to do just that.

     If you like my reviews, please follow me on Twitter! Click here for all of my Current Season Reviews.

     Go to amazon.com to buy past seasons of The United States of Tara.

My Other United States of Tara Reviews:
United States of Tara "The Road to Hell..." Tara / Family / Kids
United States of Tara says "...youwillnotwin...": Tara / The Rest of the Family
United States of Tara is held together by love
United States of Crazy

Article first published as TV Review: United States of Tara - "The Good Parts" on Blogcritics.

United States of Tara and "The Road to Hell Is Paved With Breast Intentions"

     This season of The United States of Tara finds Tara (Toni Collette) dealing with her alters more directly. No longer are they just using her body, but she is communicating with them, and making agreements with them. But this week’s episode, “The Road to Hell Is Paved With Breast Intentions,” finds Tara touching on something else that may be going on. For the first time, it occurs that Tara may actually be using the personalities as an excuse, as Dr. Hattarras (Eddie Izzard) theorizes. It’s not that she is consciously doing it, but the fact that her alters begin taking over to shield Tara from her mother, Beverly (Pamela Reed), whom Tara does not get along with, is a sign.

     That does not mean that Tara is in control of the others yet. It merely hints that she may be able to control them, once she understands them better, and knows where they come from and why. While this has been an overaching theme of the series, Dr. Hattarras does a lot more to define it than Tara herself, or even Shoshanna, her psychologist personality, has. As such, Tara is actually making much faster progress than she previously has, especially in “The Road to Hell Is Paved With Breast Intentions.”

     Dr. Hattarras does not have all the answers. Not even close. He is skeptical at first that Tara isn’t already controlling her alters. Which goes to show that Tara is probably a much more severe case than most. Surely, Hattarras has dealt with others with the disorder that led him to draw the conclusions he holds. So Tara is something entirely new and different to him, an experienced mental health expert.

     At the end of the episode, Dr. Hattarras us listening to tapes of his sessions with Tara, and one piece of audio sticks out. A strange voice comes out of Tara saying “You will not win.” This is a reference back to the season premiere, when Tara faced the same phrase. What does it mean? Is it a new, unseen alter fighting against her? Or is it her, fighting against whatever caused the condition? This seems to be a whole-season mystery. The whole situation has really raised this season to whole new levels, making it far superior to the first two.

     A side plot where Dr. Hattarras tries, and eventually succeeds, in trapping a rat that has infested his office, is curious. Is the rat a methaphor for Tara’s condition? It proves elusive and grates at him, and then, all of the sudden, he understands it? Perhaps it is just a silly gag, but that seems unlikely.

     How important is family? In this week’s episode of Showtime’s The United States of Tara, “The Road to Hell Is Paved With Breast Intentions,” Neil (Patton Oswalt) calls his mother-in-law, Beverly (Pamela Reed), who is estranged from her daughter, to reconnect with the family. Neil’s motives are not pure. He and Beverly’s daughter Charmaine (Rosemarie DeWitt) have recently had a baby, and since Neil lost his job, his hope is that the rich Beverly will spend a bit to help them out during her stay. Unfortunately, Beverley no longer is swimming in cash, and that motive never pays off.

     It may seem callous of Neal to invite Beverly just for that reason, but Beverly spent many years lying about very important things to her family, and may be part of the reasons that her other daughter Tara (Toni Collette) developed multiple personalities. Because of that, Tara and Charmaine have cut their mother out of their lives, much to Beverly’s chagrin. Is it wrong to use someone when they don’t deserve your respect and love?

     Beverly realizes immediately why Neil has called her, but decides to go anyway, without telling anyone the truth. She just wants to meet her infant granddaughter. The debate here is, is Beverly just as manipulative and conniving as she was, or does her desire to know her daughter’s child supersede the not-so-nice way she goes about it? This isn’t easily answered, as both sides of the disagreement have valid positions and arguments.

     Personally, I am always for the importance of family, and despite the bad things that Beverly did, she should be in her daughters’ and granddaughter’s life as much as possible. That’s why it is so sweet that Tara decides to reach out to her mother as part of her therapy. Perhaps Tara is dealing with the difficult Beverly for somewhat selfish reasons, but at least they are renewing their relationship. That is something to be thankful for.

     This week on Showtime’s The United States of Tara, Tara’s (Toni Collette) kids, who aren’t yet quite adults, continue to forge their own paths, as their parents are too busy to offer much guidance. It’s resulted in a situation where both Marshall (Keir Gilchrist) and Kate (Brie Larson) have made some not-so-wise choices. In “The Road to Hell Is Paved With Breast Intentions”, this continue to act on following the decisions they have made.

     Kate is now a flight attendant, which is the latest in a long line of attempts to figure out who she is. It is not likely that Kate will stay a slight attendant very long, as nothing else she has done ever sticks either, no matter how much she initially likes it. While Kate is still young enough to make some mistakes, and search for her calling, she does need to spend some serious time considering, instead of jumping wildly from one thing to another without forethought. Otherwise, perhaps Tara isn’t the only crazy lady in the house.

     Daughter Kate also spends time flirting with a passenger. After subtly being rejected by him, she asks him out directly, to which he also lets her down. While Tara’s motherly advice to go for it may have been good given the facts that Tara knows, Kate could have predicted what the passenger’s response would be, given his behavior. And after such a brief meeting, why is she so smitten? It continues her pattern of obsessing over things she knows little about.

     Marshall, on the other hand, who always did carefully consider things, is now also acting on impulse. After a threesome instigated by Marshall’s boyfriend, Lionel (Michael J. Willett), Marshall ends up kissing the third party, Noah (Aaron Christian Howles, Swingtown). Lionel dumps Marshall when he finds out, and Marshall and Noah immediately begin seeing each other.

     While Marshall’s unhappiness with Lionel is relatively clear, especially when Marshall admits that part of the reason they are together is because of lack of choice, he is going about things all wrong. It would be out of character for Marshall to cheat, except, he is a teenager who recently first experienced physical love, and he is pursuing the guy he wants at the time. Hormones and lust can cause people to behave illogically, and Marshall has subcumbed to that.

     In this week’s episode, Marshall and Noah look at home movies, and discover a real love between Tara and Max (John Corbett) that is not exactly what Marshall is used to seeing. What he now realizes is that his parents have a real, loving, stable relationship based on deep emotions, not just physical attraction. Despite Max and Tara’s problems, they have a strong marriage. Hopefully, Marshall will use this new realization in his own love life, and stop acting so stupidly.

     United States of Tara airs Monday nights at 10:30 p.m. ET on Showtime.

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 My Other United States of Tara Reviews:

United States of Tara says "...youwillnotwin...": Tara / The Rest of the Family

United States of Tara is held together by love

United States of Crazy

United States of Tara says "...youwillnotwin..."

     Lots of changes are occurring as United States of Tara begins its third season on Showtime. Season two ended a number of subplots pretty completely, so it's time to move on, though some of the new directions may take some getting used to. The biggest change may be the abandonment of the theme song, at least in the season premiere. It needs an update if they're going to continue to use it, anyway. Also, it appears that several minor characters are gone, quite possibly for good, while others are entrenching themselves even more firmly into the cast. As such, new dynamics are solidifying. Unlike other shows, I often feel United States of Tara is still finding its way, even three seasons in. However, that's part of the fun, as the series's story is as up and down a roller coaster ride as the character of Tara (Toni Collette) is, so it's not a bad thing, as it would be elsewhere.

      Tara has decided to go back to college, always having regretted dropping out just a few courses shy of a degree. Neighbor Ted (Michael Hitchcock) makes a call and gets her accepted into the right program, but she soon hits a snag when a class she needs is full. Appealing to the grumpy Professor Harris (Eddie Izzard) is partially successful, as he agrees to let her in - if he's impressed with an essay she writes. Unfortunately, as Tara sits down to write, she discovers it is much harder than she expected it to be.

     Meanwhile, Tara's husband Max (John Corbett) isn't very happy with her decision. It's not that he wants to hold her back, but she dropped out the first time, years ago, because she tried to kill herself. Max is worried Tara's current stresses, including recently finding out about childhood abuse, will drive her to do something dangerous again. He's not wrong, as Tara soon puts a knife to her wrist while struggling with the assigned essay.

     But this time, Tara's four main alter personalities - Buck, Alice, T, and Shoshana (all also played by Collette) - arrive to help her, convincing her to put down the weapon. Shoshana offers to come up with the prose, while Tara types, Alice pours Tara tea, Buck rubs Tara's shoulders, and T, well, tries not to get in the way. This is an unexpected turn; quite a surprise. Up until now, Tara's personalities have appeared to cause her problem after problem. Obviously, they hold they key to Tara getting better and overcoming her disorder, but they have gone about their business in a chaotic way, never in one that is blatantly useful.

     Has Tara finally accepted them enough to embrace them as a part of her? Or perhaps there are less secrets that need revealed now, so they can act in a manner not so obtuse? I'm not so sure this will be a permanent change, as Buck does take over Tara's body at the beginning of the episode to look for Tara's missing brother. Perhaps a balance can be found?

     Charmaine (Rosemarie DeWitt) is left at the altar last season, and is now determined to be an independent woman. As long as that independence allows her to rely almost entirely on Neil (Patton Oswalt), who buys her groceries, pays her bills, and paints her toenails. Oh, did I mention that Charmaine is pregnant with Neil's baby, and he is not the one who left her during the wedding? Neil wants to make things more official, and proposes, but Charmaine turns him down. Neil continues caring for her, even as she fails to appreciate him. However, Neil does eventually get more forceful after not being there during Charmaine's false labor, and insists on moving in. She relents to that, at least.

     These two have been in a delicate dance for years, and it's nice to see some forward momentum. Charmaine is damaged, like her sister Tara, but has different ways of coping. One way is clearly to push Neil away verbally, even while depending on him heavily. Neil is much more patient than most men would be, and the two share genuine affection. At first, I assumed Charmaine didn't want Neil because she is shallow. Now, I think the situation is much more complicated than that. I hope that Charmaine will eventually marry Neil, but what it will take to get her to that point is unknown at this time.

     Tara's daughter, Kate (Brie Larson), is learning a valuable lesson many young people are probably repeating all over the country. She seeks employment, but is haunted by her past, namely, sitting on a cake in a sexual manner, something readily searchable on the internet. There is some debate as to how a whole generation of internet exhibitionists will be affected in the long-term by their lack of discerning judgment. I personally feel like so many people post their whole lives that it will matter less and less as time goes on. The writers have chosen the more immediate option, though, and Kate will have a very hard time getting a job in any industry but one where morals are loose.

     Kate's brother, Marshall (Keir Gilchrist), is also dealing with contemporary issues. He is in a relationship with Lionel (Michael J. Willett). Lionel doesn't like labels like "boyfriend," though Marshall is more traditional. Well, as traditional as a homosexual can be, considering gayness is not usually thought of as traditional. I know marriage is trending towards later in life, if at all, and many couples rebel against convention. I find myself in Marshall's camp, however, it's hard to know what the new norm will be in a couple of decades. Is this a cycle, that will someday swing back more conservatively? Or is this a new trend that may lead to the end of marriage as we know it?

     See? United States of Tara is educational and thought provoking, as well as entertaining. You should watch it when it airs Monday nights at 10:30 p.m. ET on Showtime.


Article first published as TV Review: United States of Tara - "...youwillnotwin..." on Blogcritics.

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My Other United States of Tara Reviews:
United States of Tara is held together by love
United States of Crazy

The United States of Tara is held together by love

     Showtime's United States of Tara ended their second season with "From This Day Forward" this week.  If I can some up the change from season one to two it is this: the second season focused more on Tara (Toni Collette, Little Miss Sunshine)  than her personalities.  This was a good thing.  Season one was lots of fun, watching the crazy woman who could turn into Alice, Buck, T, or even Gimme at any time.  And sure, there was some delving into her past to discover how she got the way she is.  But now the focus is on Tara's growth and acceptance, and why certain personalities are.  Adding Chicken and Shoshanna, two new alters, into the mix, revealed more about the woman than the new characters.  And we got a lot more background on how Tara grew up.

     That wasn't the only thing that was different, though.  Tara's family got much more interesting.  Marshall (Keir Gilchrist) accepted who he was, and figured out just what kind of gay he was going to be.  Max (John Corbett, Sex and the City) cheated on his wife, and had to figure out all over again how he fit in with the alters.  Kate (Brie Larson) had her own awakening, and was once again unlucky in love, despite her sincere efforts and hopes.  And my favorite of the bunch, sister Charmaine (Rosemarie DeWitt, Rachel Getting Married) was left at the altar by her fiance, who just wasn't right for her, allowing her to stop trying to be normal and follow her heart back into the arms of true love and father of her unborn child, Neil (the incredibly talented and sweet Patton Oswalt).  Or so it appeared.

     The season ended with many more questions than it began with.  Who was Tara and Charmaine's half brother?  What exactly did he do to them?  Why is Tara the only one with split personality?  What effect did it have on Charmaine?  It may be too late to get all the answers, with their mother still being defiant, and their father slipping into Alzheimer's.  Will Tara begin getting better as more is revealed, or will she keep splitting into more people?

      One thing was not left up in the air though.  The series is about a devoted family who love each other very much.  Whatever issues they go through, they will support each other, and come through them.  Not in a soap-opera cheesy way, but in an authentic, caring way.  The show is realistic, despite being about an unusual topic, and sheds light on well defined characters, played by an amazing cast.  I look forward to season three next late winter / early spring.

United States of crazy

     United States of Tara returned to Showtime last night to begin its second season.  Centering on a woman with multiple personalities, it tells the story of a family and their struggles to get through life.  Tara is played by the superb Toni Collette, as are her alters, Alice, Buck, T, and Gimme.  Word is there will be a new alter soon, known as Shoshanna, a therapist.  Shoshanna was not to be seen in this first episode of the season, but the groundwork for her appearance was laid.

     As the episode begins, Tara has gone for three months without any of her other personalities asserting themselves.  This follows her stint in a heavy therapy situation where she sought, and failed, to discover the trauma that made her who she is in the first place.  However, by episode end, Buck made a come back, and began to woo the lovely Joey Lauren Adams (Chasing Amy), a barmaid (see picture).  How this will affect Tara's relationship with her husband, Max (John Corbett, Sex and the City) is anyone's guess, but I'd bet he'd be happier than if it was any of her female alters taking up with a new man.

     Tara's kids are also a major draw.  Unlike in other dramas, they are utilized as full characters in their own right, with intriguing plots.  Daughter Kate (Brie Larson) is done with her sexual harassment suit attempt and has switched her manipulative skills to debt collection.  Son Marshall (Keir Gilchrist) has seemingly embraced his gayness in public, though that will be tested soon, and forgiven his mother, or rather T, for stealing his guy.  Equally fascinating, though not a child, is Tara's sister Charmaine (Rosemarie DeWitt), who after her boob job was corrected, finds herself torn between a dreamy guy who wants to marry her, and Max's portly friend Neil (hilarious, but also good at drama, Patton Oswalt).

     Bottom line is, there is plenty of crazy coming out of Tara and her crew, and I'm surely not going to miss a second.  United States of Tara airs on Showtime Mondays at 10:30pm.