Blu-ray Review: 'Silicon Valley - The Complete Second Season'

Article first published as Blu-ray Review: 'Silicon Valley - The Complete Second Season' on Blogcritics.

HBO’s Silicon Valley is releasing The Complete Second Season next week, just before the third run begins. Although not a novel approach to home video, it is certainly appreciated, as Silicon Valley is a hilarious comedy ripe for binge-watching, and had I not already seen all of the episodes on this release, I would likely be plowing through them. As it is, I am tempted to watch again anyway because the show is particularly good.

If you’re not familiar with Silicon Valley, it takes place in the tech mecca mentioned in the title, and follows a small group of programmers and their start-up company. Richard Hendricks (Thomas Middleditch) is the brains, developing a compression algorithm better than anyone else ever has before. Along with his pals, Gilfoyle (Martin Starr) and Dinesh (Kumail Nanjiani), landlord and loudmouth Erlich (T.J. Miller), organized support man Jared (Zach Woods), and the advice of Monica (Amanda Crew), who works for their first investor, Richard founded a company called Pied Piper to sell his creation.

Season two begins with the Pied Piper team shopping around for new investors, wanting to scale up their product. At first, they’re riding high from a big win at the close of the freshman year. But then Gavin Belson (Matt Ross), the villain of the piece, CEO of huge corporation Hooli (think Google), shows back up and sues Pied Piper, claiming it was developed on his computers. Belson also has Richard’s friend Big Head (Josh Brener) in his employ, a useful pawn in the competition.

The rest of the second year becomes a back-and-forth struggle as Richard and company try to keep control of their invention, while those with a lot more money than they have try to wrest it from their grasp. It’s a classic David-versus-Goliath battle in the world of geeks, and only one of them can win. Will it be our heroes? Or will Silicon Valley show them struggle through defeat and have to come up with something else to rise from the ashes? Honestly, it’s quite uncertain through most of the ten episodes.

Complicating matters are two new faces for the sophomore season. Suzanne Cryer’s (Two Guys, a Girl, and a Pizza Place) Laurie takes over Peter Gregory’s company. Gregory’s portrayer, Christopher Evan Welch, sadly passed away last year, and his character is similarly written out. Cryer does a good job, but definitely brings a different energy than Welch had. Chris Diamantopoulos (About a Boy, The Office) enters as eccentric rich man Russ Hanneman, who soon involves himself in Pied Piper’s affairs, both as a help and a hindrance. 

Silicon Valley is a geeky look at a niche subculture that everyone knows about, but few venture into. The actual Silicon Valley is a world unto itself, and it’s great to get a sneak peek inside, especially with this very talented cast of humorous performers, who make dark situations look fun; there are laughs to be found in their misery. I cannot recommend the show enough.

As far as extras go, there are six audio commentaries that are very welcome, featuring creator Mike Judge (Office Space), the hilarious T.J. Miller, and others. There are also the obligatory deleted scenes, and a brief featurette about “The Art & Science Behind Silicon Valley.” In all, not a lot, and I couldn’t help but wish for more. But at least what is present is solid.

I can’t say there are strong, specific reasons for choosing Blu-ray over DVD. There aren’t a lot of special effects, outside of the very cool theme song, and the soundtrack is pretty basic, as it usually is for most sitcoms. But things just look so much better in HD, why would you want an inferior quality if given a choice?

Silicon Valley: The Complete Second Season will be available next Tuesday, April 19, at retailers everywhere.

"Modern" COMMUNITY

Article originally published as TV Review: 'Community' - 'Modern Espionage' on Blogcritics.

The paintball war episodes used to be an annual tradition on Community, but it’s been a few years since the students took up the game. As the series quickly approaches the end of its sixth (and most likely final) season, it seems fitting to bring back such an iconic part of the show’s makeup in this week’s installment, “Modern Espionage.” And probably to end it once and for all.

Another paintball war breaks out on Greendale’s campus just as Frankie (Paget Brewster) has banned such things and is presenting an award to Deputy Custodian Lapari (Kumail Nanjiani, Silicon Valley, Portlandia). She begs Jeff (Joel McHale) to help her set an example and call the game off, and Jeff wants to help her. But he also doesn’t want to be the stick in the mud, nor does he want to let rival City College manipulate his co-workers and students into a losing battle. So he agrees to help the rest of the Save Greendale Committee, who are all active in the secret game, figure out who is behind the most recent contest and put a stop to it.

The result is a beautiful, stylized send-up of spy-type movies. Like past paintball outings, “Modern Espionage” doesn’t just tackle a specific film directly. Instead, it combines elements of a number of them such as Mr. and Mrs. Smith, James Bond, Captain America: Winter Soldier, Die Hard, and various incarnations of Batman, presenting a homage, not a parody. There’s also a great speech about Robert Downey Jr. and Iron Man worked in. Yes, some of these are superheroes, but Community is focusing on the spy and detective elements of the costumed vigilantes, rather than their super powered parts, so it fits.

As usual, some of the references are obvious, while some get pretty deep. Abed (Danny Pudi) and Annie’s (Alison Brie) style of combat at the gala is definitely from Mr. and Mrs. Smith and The Dean’s (Jim Rash) ambush in the elevator feels lifted right from Winter Soldier, which in turn references Die Hard With a Vengeance. But did you catch the song playing in the elevator when the Dean is attacked, a melody used repeatedly in the show since season three? And while giving the Committee code names such as Bale, Keaton, Kilmer, Clooney, and West are obviously actors that played Batman, did you know that The Dean’s moniker, The Voice of Diedrich Bader, is because Bader lent vocals to The Dark Knight in Batman: The Brave and the Bold?

The plot of “Modern Espionage” is thoroughly entertaining, but also fully Community. The suspense of The Dean’s elevator scene is great, but the only way he can defeat his enemies, which he does, is accidentally, not because of any skills he possesses. Having Jeff and The Dean face Lapari in the hall of mannequins seems an obvious thing to do and is great on itself, but the twist in that showdown is a hallmark of the show, with ineptitude ruling the day. The story is predictable, but that doesn’t matter.

This half hour uses the recurring cast well. From Vicki (Danielle Kaplowitz) and Garrett’s (Erik Charles Nielsen) one-person shows, to Todd (David Neher) and Starburn’s (Dino Stamatopoulos) parking garage confrontation, to Koogler’s (Mitchell Hurwitz) Club Club, we get to see bit players get good material and nail it. This is always welcome.

I do have a couple of complaints about “Modern Espionage.” For one, I would have liked to have seen Lapari joined by other actors who have played custodians in the past (most notably Nathan Fillion), at least in cameos. That’s not a knock on Nanjiani, whom I absolutely love, but it would be nice if he didn’t shoulder the burden of representing the colorful group alone when it’s shown to be a deep bench in the past. I didn’t like Frankie making the Committee actual babies. I’m also disappointed we never learn who Silver Ballz is, a hanging thread unlikely to be followed up upon, sadly.

None of these is super important, though, because Community serves its main characters, and that’s what’s important. Not only do they have a fun playground to use this week, but we see Jeff standing up for Frankie and all of them being forced to grow up a bit, coming together for good. Paintball is part of who they used to be, and as they’ve evolved, it fits less and less into their personalities. Most of the group fully embraces it when it returns now, but it’s glaringly obvious that they have moved beyond such things and this is a reversion, one last bit of fun, before they become responsible adults. Plus, the conversation between Jeff, The Dean, and Lapari about what Greendale is feels very right.

We may be near Community‘s end, with only two more episodes and an as-yet unannounced movie (but there has to be one – #sixseasonsandamovie!) left in the story. I’m OK with that because of the arcs the show has gone through and the wonderful way these characters speak to audiences. “Modern Espionage” is an excellent episode that serves Community well in the larger scheme.

Community posts new episodes every Tuesday on Yahoo! Screen.

SILICON VALLEY "Shuffle" in Wake of Death

Article first written for Seat42F.

A hanging question this past year about HBO’s SILICON VALLEY is, how will the show deal with the death of Christopher Evan Welch, who played Peter Gregory? That question is answered in the season two premiere, “Sand Hill Shuffle,” which takes place shortly after season one ends. Pied Piper considers which investor offer to accept, not confident that Gregory’s company is the smart move without its managing partner. During this, many mourn the death of Gregory, whose passing hangs heavy over the story.

SILICON VALLEY is a comedy, and as sad as everyone is over Welch’s passing, to not make his character’s death at least a little bit funny would go against the tone of the show. Some sitcoms have taken the more serious tact when losing a cast member, but it doesn’t make sense for SILICON VALLEY to do so, and so it doesn’t. From Monica (Amanda Crew) very slowly telling the story of Peter’s final moments, to eulogies being hijacked to defend products, “Sand Hill Shuffle” manages to elicit laughs, while still paying fitting tribute to the man. It’s a hard balance to strike, and this show nails it.

A strong personality is needed to replace the eccentric Gregory, who is a great presence in season one. SILICON VALLEY finds this in Suzanne Cryer, who plays the antisocial new managing partner in the firm. She is different enough from Gregory to not seem like an imitation, but still brings some of the same off-putting characteristics that provide screwball comedy in a unique-ish way. While we are only a single episode into season two, I think Cryer seems like the perfect presence to fill the hole.

As Monica adjusts to new leadership, she is caught in a very difficult position. Obviously, she values her career, but she also has feelings for Richard (Thomas Middleditch). When her new boss makes a business decision that will likely hurt Richard, Monica sticks her neck out to protect him, warning him away from the deal.

I can’t help but feel that these two have to find a way to be together. Sure, this is TV, so there has to be drama between them preventing the romance. But that can’t last forever, right? There is no point in stretching this out for six seasons of will-they, won’t-they. Season two is the time to make the relationship happen, even if it’s not until the end.

Richard proves once more that he is the brains of the operation in “Sand Hill Shuffle.” While Gilfoyle (Martin Starr) and Dinesh (Kumail Nanjiani) bicker over who is CTO, and while Erlich (T.J. Miller) beats the funding firms at their own game by being exceedingly rude, Richard actually considers the situation carefully, paying attention to everything that goes down. It’s Monica that recommends Richard not take the bigger deal, but it’s Richard that decides to make that happen while staying with the firm he wants to, even though they offer the most money, as Monica isn’t part of Pied Piper. Obviously, Monica provides the smarts here and deserves most of the credit for saving them, but as far as the tech company is concerned, Richard is the one who makes the right choice, just as he is the one who saves the day in season one.

It’s interesting that Richard is the savior. Everyone in the cast has their role, and his has been genius programmer. To also give him business sense defies convention a little bit, in my opinion. Normally, I’d appreciate seeing another main character, perhaps Jared (Zach Woods), save the day, but SILICON VALLEY always lets Richard do it. It’s an intriguing choice, and one that works for this particular program.

Basically, I don’t have any complaints about “Sand Hill Shuffle,” which is thoroughly enjoyable. It’s as funny as anything in season one, keeps the stakes alive with the cliffhanger that Gavin (Matt Ross) is suing Pied Piper, and advances the story and growth of Richard. It’s clear that the show has lost nothing during its hiatus, and despite the regrettable departure of Welch, SILICON VALLEY will live on, as good as ever.

SILICON VALLEY airs Sundays at 10 p.m. ET on HBO.

"F-" NEWSREADERS

Article first published as NEWSREADERS Review Season 2 on Seat42F.

NEWSREADERS is back on Cartoon Network’s Adult Swim this week for a second run! For those unfamiliar with the series, a semi-spin-off of Childrens Hospital, the name tells you pretty much exactly what it is. It’s a parody of a 60 Minutes-style news magazine, but delivered with tongue-in-cheek humor, sort of like The Onion. Basically, it’s very funny, so you should check it out.

The first episode back is called “F- Dancing, Are You Decent?” and is divided into several segments, despite its roughly ten-minute running time. In the first part, Amir LaRussa (Kumail Nanjiana, Portlandia, Franklin & Bash) examines a new trend sweeping teen pop culture of people actually having sex while dancing. In the second, a correspondent (Lost’s Harold Perrineau) proves people are racist, and when those walking by don’t reveal that ugly side of themselves right away, goes to extremes until they have a reaction that he can pervert into classifying as racism. There’s also a commentary from popular ‘old man’ Skip Reming (Ray Wise).

These segments are much the same as fans of the first season have come to expect. They go after a topic like a normal news reporter would, but then skew it far to the extreme, often with a weird twist few would think of, and milk it for it’s worth. All of the participants are in on the game; this isn’t just a ‘gotcha’ hidden camera show or a Daily Show-esque interview that some people could mistake as real. Instead, it’s completely scripted for maximum effect, and it lands.

The most obvious change in season two is that host Louis La Fonda (Mather Zikel) is sadly gone, though his replacement, Reagan Biscayne (Alan Tudyk, Suburgatory, Firefly), is a worthy successor. Reagan may not share Louis’ Kate Walsh obsession, but he does a fine job keeping the train on the tracks, introducing the various parts of the episode.

A level of social commentary pervades NEWSREADERS. When looking at “F- Dancing,” the trend is not all that far off from the way teenagers actually act. This lends an authenticity that allows the audience to relate to the joke, even if the particular way things are presented would never happen. They then take it a step further, showing what happens when the older generation joins in, and extending the commentary.

Now, the racism stuff is more poking fun at the way CNN and other news networks treat their reporting on racism, not actually pushing forth a political viewpoint as to whether racism is over or not. NEWSREADERS is clearly meant to make people laugh, not to effect change in our culture. It avoids judging anyone or anything real, setting itself in a crazy, fictional world.

The quality of the writing is apparent, and the talent attracted to this project further lends it gravity. Besides those listed above, Reno 911’s Tom Lennon and others appear in the first episode, with a rotating cast over the weeks, allowing many familiar faces to pop in for a spell. The way NEWSREADERS is shot allows a flexibility to include people who might not otherwise be available, given busy work schedules.

It’s difficult to evaluate a single episode of NEWSREADERS on its own. Perhaps if a bad one were ever aired, it would stick out, but instead, the program is consistent and full of small bits, not delivering a cohesive story, but not needing one. “F- Dancing, Are You Decent?” is as good as other installments I have seen.

The premiere episode of NEWSREADERS is available now on Adult Swim’s website, and fresh installments will be airing Thursday nights / Friday mornings at midnight on Cartoon Network.

SILICON VALLEY An "Optimal" Comedy

Article first published as TV Review: 'Silicon Valley' - "Optimal Tip-to-Tip Efficiency" on Blogcritics.

HBO’s new comedy, Silicon Valley, wrapped up its freshman run last night in “Optimal Tip-to-Tip Efficiency.” The team is still at the Disrupt conference, their project having been fast-tracked to the finals to avoid legal action after a crazy judge ruins their first presentation. When Gavin Belson (Matt Ross) unveils a better version of Pied Piper, all looks lost. But some risque jokes among the dejected group give Richard (Thomas Middleditch) new inspiration, and the ending of the episode, while not surprising, is inspiring.

In retrospect, it always has to be Richard that steps up for his product, not Erlich (T.J. Miller). I love Erlich’s character, and he has plenty to do in this episode, but the technology and the brains belong solidly to Richard, and if he isn’t the face that wins the day, he’ll never be the real power in the company. Silicon Valley is the story of a meteoric rise of a hero, and in order to achieve greatness, a hero must overcome. Richard’s stammering delivery on stage may not be the stuff of legends, but what he’s come up with is, and “Optimal Tip-to-Tip Efficiency” lets Richard triumph while maintaining his loser character, including a puking scene afterwards to prove he still has a long way to go.

Richard does almost get the girl, Monica (Amanda Crew), icing on the cake, but his win actually costs him any chance at a relationship, as they can’t date while working together. I will admit, her attraction to him does seem a tad dubious, given how bumbling he is around her, and pushing off their almost-certain relationship is even more forced, Silicon Valley follows the example of most TV shows in that it keeps its lead single no matter what. I wish the writers would go there or forever close the door, rather than leave this thread flapping in the wind, and maybe next season they will. There is enough tension without this.

Silicon Valley is terrific because of its mix of dirty jokes and interesting personalities. There is a lot of conflict among the characters; Gilfoyle (Martin Starr) and Dinesh (Kumail Nanjiani) even think about abandoning the company mid-episode, and that drives the story. It’s not a group of guys that inherently like each other at the start, but they are united by shared purpose and dreams of fortunes. As they go through these trials together, they will probably grow into fast friends, but that’s likely to happen without any of them realizing it, a welcome departure from people who really want to be together.

The show makes sure to serve each of the characters well. Erlich trying to start rumors about Belson to the press, dancing around anything that could seriously get him into trouble, is hilarious and a totally perfect moment for him. Gilfoyle and Dinesh wrestling with their consciences is terrific, convincing themselves they aren’t dickheads as they are being dickheads. Even Jared (Zach Woods) tosses in a great contribution to the jerk-off equation when he brings up girth, finally feeling like part of the group. Each is a distinct individual, and each has their own piece of the plot, getting development and growth for their characters.

It’s fantastic that Richard’s inspiration comes from the team calculating how Erlich can jerk off 800 dicks most efficiently. It’s a throwaway line at first that the guys, tired and slap-happy, can’t help but double and triple down on, until it grows into a beast of his own. This gives Richard his eureka moment, but it also beautifully illustrates the dynamic of the group and tone of the series, taking something ridiculous completely serious and geeking out over it. It’s a perfect sequence, saving a last-minute save from being too cheesy or stylistically abrupt.

A glaring hole in “Optimal Tip-to-Tip Efficiency” is the missing Peter Gregory (Christopher Evan Welch), weirdest of the weird and Pied Piper’s benefactor. The reason the part is absent is because the actor passed away from cancer prior to completion of the season. Rather than write him out immediately, Silicon Valley treads water, keeping him alive by mentioning where he is, but fans will likely miss his fantastic performance. What the show will do from here is still up in the air, and he is not easily replaced.

Even without Gregory, though, Silicon Valley delivers a nearly flawless season finale, with plot and characters well served, twists feeling fresh even when they shouldn’t, and a good, new starting place for next year to pick up from. I’ve been impressed with the entire first year of the show, and sticking a landing like this should solidify it as a must-watch by the time it returns.

A second season has been ordered, and Silicon Valley will likely be back on HBO in early 2015.

SILICON VALLEY a Place of Geeky Good Fun

Article first written for Seat42F.

The title of HBO’s SILICON VALLEY pilot is “Minimum Viable Product,” but the series is more than minimally viable. Tackling the world of computer programming in a high brow manner, the show (from Beavis & Butt-head creator / Office Space director Mike Judge, among others) follows a group of intelligent, nerdy guys who find themselves both in and other of their element while pursuing their careers and dreams. It’s funny and authentic.

The main character, at least in the first episode, is Richard Hendrix (Thomas Middleditch, CollegeHumor.com, The Wolf of Wall Street). Richard creates a website he’s passionate about where people can check their music to see if it infringes on any copyrights. This may sound like a narrow pet project that would be hard to garner interest in, and it is. But while some bullying co-workers are checking it out to find fodder to pick on Richard for, they discover his search algorithm is revolutionary and could change the entire internet landscape.

Richard is such an interesting character, and surely one familiar to most people. He is very focused on his passion, not even realizing the true implications of his creation. Even when he does, he’s mild-mannered enough to waffle on making any decisions. But he’s also got enough spine to distance himself from the competing voices and consider what he really wants, and that’s what he goes with. It makes him complex and different from most people on TV.

Even though it’s hard to see Richard get knocked down by his peers, it does feel realistic that the valley would have a high school-esque hierarchy. True, even the “cool” kids in this environment were probably geeks growing up, but with a lack of maturity, meaningful female partners, and discipline, the employers being lax to encourage creativity, it makes sense that base human nature would flourish.

This continues even in Richard’s home. His best friend, Big Head (Josh Brener, Glory Daze), is a true pal, but leader of the house, Erlich (T.J. Miller, The Goodwin Games), is more interested in using Richard to get his piece of the pie, demanding a 10% cut of whatever is created while living in his “incubator.” Another roommate, Gilfoyle (Martin Starr, NTSF:SD:SUV, Veronica Mars), also seems disinterested until Richard offers to let him work on the site, and then he comes around.

The house itself generates most of my favorite scenes in the first episode. It’s like a clubhouse, boys living like they would without parents, a free-wheeling place for guys to just hang out with guys. It may get more serious soon, as Richard’s baby is nurtured into a full-scale business, but hopefully the dynamic of the residents, meaning the four listed in the preceding paragraph plus Dinesh (Kumail Nanjiani, Franklin & Bash, Portlandia), the token Indian, will stay intact because it is fantastic.

Even outside the dwelling, the world is fully fleshed out and interesting. From buses owned by, and playing ads for, the business the employees riding it work for, to the boss’s observation that all the dorks move in basic sets of five, to the guy arguing that no one should go to college at a TED talk, this is a vision whose every detail has been considered and executed well. It’s a place that makes fun of itself.

The TED talk guy, Peter Gregory (Christopher Evan Welch, Rubicon), is Richard’s first investor, allowing Richard to keep ownership while growing the brand. He has a pretty assistant, Monica (Amanda Crew, Whistler), whom, of course, Richard is smitten with, providing the romantic pairing of the show. And there’s Richard’s boss, Galvin Belson (Matt Ross, Big Love), and his assistant, Jared (Zach Woods, The Office), who represent the corporate types, looking to buy out Richard and reap the rewards of his work. So the outside influences are firmly established, too.

HBO’s half hour series tend not to last long and have very niche viewership. Yet, I can’t help but think that SILICON VALLEY, perhaps because of the age in which it airs, provides enough connections to the world to bring in the viewers. Considering it follows Game of Thrones, which will have the nerds already on the right channel, it’s got a plumb viewing spot, too. I have high hopes for this to succeed.

SILICON VALLEY airs Sundays at 10 p.m. ET on HBO.