Journey to KRYPTON

Article first published as TV Review: KRYPTON on Seat42F.

Are you tired of all the superhero television shows out right now? If you aren’t, SyFy has a new entry in the genre called KRYPTON. And if you are tired of them, KRYPTON might be something a bit different, since it takes place on the alien world two centuries before the birth of Superman. Hence, it’s not a bunch of people with powers running around. If tonally it didn’t feel so similar to other SyFy programming, I would say this is a very unique take on what has become a saturated market, giving it a hook to allow it to break through. As it is, it’s still pretty good.

As only a casual Superman fan (with basic knowledge primarily from movies and TV, not the comics), KRYPTON is a completely new story, full of things I’d never heard of, so I don’t know if it follows established mythology or is something original. Either would be a valid choice for a show to make, but I don’t know if it’s a very loose reimagining, like Gotham, or if it sticks close to previously established backstory. A cursory internet search seems to indicate the latter, with some liberties taken.

KRYPTON begins with Seg-El (Cameron Cuffe, The Halcyon) watching his grandfather (Ian McElhinney, Game of Thrones) executed and his family stripped of their title. The House of El is no more, and Seg and his parents are forced to live with the un-titled down in the ghettos of the city. Years later, Seg is coming of age and, despite family grudges, saves the life of Daron-Vex (Elliot Cowan, Da Vinci’s Demons), the chief magistrate who executed Seg’s grandfather. Daron offers Seg the chance to join the House of Vex and bind with his daughter, Nyssa (Wallis Day, Hollyoaks), the youngest of five, who otherwise probably wouldn’t marry anyway. This might be an opportunity for Seg to climb back up the social ladder, or it could be Daron’s chance to fully conquer the Els once and for all.

If that doesn’t sound complicated enough, don’t worry, it gets even more twisty within the first hour. See, Seg may be making a child with Nyssa (which does not involve sex), but is sleeping with Lyta Zod (Georgina Campbell, Broadchurch), a soldier. And Seg’s parents, Ter (Rupert Graves, Sherlock) and Charys (Paula Malcomson, Caprica), are secretly continuing Seg’s grandfather’s work to try to save their race. Also, Adam Strange (Shaun Sipos, The Vampire Diaries) arrives from the future to warn of Brainiac’s (Blake Ritson, Da Vinci’s Demons) impending coming, the villain intending to destroy Krypton before Superman can even be born. So there’s a LOT packed into this series opener, and I haven’t even mentioned all the series leads.

It takes some time to get into KRYPTON. Not only is there a dense story, but the society is so much different than ours. The caste system feels very outdated, even while the planet is futuristic. Procreation without physical intercourse and babies raised in bubbles cared for by machines feel cold and impersonal, which matches much of the rest of the culture we’re seeing. Except in the lower class, which still parties and fights and loves at will. Is this a cautionary tale or a commentary? The refusal of some to listen to science and fact hits a little too close to home in the current political climate.

All of this is very interesting, and I found myself more and more drawn in as it played out. Where my hesitation lives is that most of the central characters are good looking, very young adults, an overdone television trope, and the tone of the program is not as weighty as it could be with the material. I hope it finds its legs, but I fear it will be a ‘typical’ Syfy show lost in the crowd.

KRYPTON airs Wednesdays on SyFy.

SUPERGIRL Takes Flight

Article originally published as SUPERGIRL Review on Seat42F.

Joining the already crowded superhero landscape is CBS’ SUPERGIRL, premiering this week. In it, Kara Danvers (Melissa Benoist, Glee), cousin of the more famous Kal-El, comes of age and is ready to take on the bad guys to save the city. To do so, she has a bit of a different approach than Superman (oops, didn’t mean to say the name), and a supportive group around her.

SUPERGIRL dances around the Superman lore, but not as much as past efforts like Smallville have. Viewers will get to see and hear plenty about him; the name just isn’t uttered much, usually spoken about as a mythical ‘him.’

Doing this sets Supergirl apart from Superman. Superman is an alien who is aloof, apart from the human race. Supergirl is someone who is in the fight alongside everyone else. While Superman cares inherently, Supergirl cares because of her adopted sister, Alex (Chyler Leigh, Grey’s Anatomy), and her friend, Winn (Jeremy Jordan, Smash), and others. She’s a part of the population of the Earth far more than he i, and takes what she does very personally.

Right off the bat, it’s clear Supergirl won’t be working alone like Superman does. No less than three people know her secret in the pilot, not including Hank Henshaw (David Harewood, Homeland) and his organization. She does have a secret identity; her boss, Cat Grant (Calista Flockhart, Brothers & Sisters) doesn’t know she has the caped crusader working for her. Yet, it’s not as closely guarded a secret, and it changes the tenure of SUPERGIRL from most Superman incarnations.

Also different, Kara gets in over her head early on. While Superman eases into fighting the baddies, Kara immediately has to fight prison escapees from the Phantom Zone. This isn’t the plot of a single episode, but rather a set up for the series. There are dozens of alien convicts on the Earth and they are focused on her, for good reason, as we’ll find out. So Kara needs these others to be around her.

For fans of Superman who never really got into Supergirl, this program provides plenty of connection to that more established world. As mentioned, Cat Grant, a figure in Clark Kent’s life, is present, as is James Olsen (Mehcad Brooks, Necessary Roughness), albeit a bit older than you might remember him. The production also pays homage to past actors of the franchise, much as The Flash does, by casting Dean Cain (Lois & Clark: The New Adventures of Superman) and Helen Slater (1984’s Supergirl) as Kara’s adoptive parents. Not to mention, the messages of Alura Zor-El (Laura Benanti, Go On) will bring to mind similar communications from Jor-El to Superman.

As society progresses, feminism has taken root. As such, some may argue it’s not right to call Kara Super’girl’ instead of Superwoman. The character of Supergirl has a long history, though, and it’s too late to change it now. Thankfully, SUPERGIRL addresses this disparity head-on in episode one, and I’m satisfied with the explanation. I think most viewers will be, too.

Because SUPERGIRL is on CBS, it’s likely to be largely a procedural. I assume most weeks will find her dealing with a single antagonist, whom she defeats by the ending credits. But there is a lot more personal drama going on than in most shows on the network, a la The Good Wife. Should SUPERGIRL follow The Good Wife’s pattern, concentrating more on the characters than the cases, it’ll do well.

SUPERGIRL is a solid entry on the television landscape. It is enjoyable, with a great cast and interesting premise. It will take more than one episode to see if it deserves to hang with its successful DC brethren, Gotham, Arrow, and The Flash, but I’d say it’s off to a pretty good start.

SUPERGIRL premieres Monday at 8:30 p.m. ET on CBS.

Smallville: Clark meets "Booster"

     The CW's Smallville is drawing to a close. The most recent episode, “Booster,” furthers the Superman mythology, bringing Clark Kent (Tom Welling) closer to his destiny.  Advertisements for this episode make it seem like a goofy side adventure, a weird way to go with only a few hours left in the series. That is not the case, as not only are both Booster Gold and Blue Beetle foils for Clark in different ways, but Clark gets even closer to becoming Superman. He changes in a phone booth for the first time (who even knew any still exist?), and refines the geeky demeanor he will use as his secret identity. Booster recommends Clark choose a cooler name that incorporates his "S" symbol, preferably something "super." These important touches make this episode better than the average one, and show it is worthy to be included this close to the end.

     In the episode, Lois (Erica Durance) helps Clark further build his geeky demeanor so that he can come out publically as a hero. Cat (Keri Lynn Pratt) is still not a supporter of The Blur, but she is taken in by a new hero in town: Booster Gold (Eric Martsolf), claiming his "openness" as the source of her attraction. Booster arrives to try to take The Blur’s place in Metropolis, but unlike Clark, he uses flashy commercials and events to get attention. Meanwhile, Booster’s presence has unexpected consequences when, during a rescue, an alien scarab is released, and it latches onto nerdy Jaime Reyes (Jaren Brandt Bartlett), turning him into the Blue Beetle.

     A major development that may be a tad unexpected: Clark's biggest worry about assuming his new persona is not about himself, but how it will reflect on Lois, who still plans on marrying him. He argues this will seems out of place, since she is now so successful, and he is... well, not. He basically gives her a pass, which she chooses not to use, because she doesn't care how it looks. She loves him. Score another point for the gumption of Lois Lane, a character trait found in virtually all versions of the character.

     In other Superman incarnations, Lois falls for the nerdy Clark before she realizes that he has super powers, though she also often has a thing for Superman. While Smallville did toy with a Lois / Clark / The Blur love triangle, before Clark even becomes Superman, this Lois alone knows all of his secrets. She knows the real him, not the made up persona. Because of this, this Superman is being shaped and grown with Lois's help. It gives her even more influence and praise for her role in him as a the superhero than before. She helps make him who he is. If anything, that makes this particular Lois among the greatest.

     Now, the question is, how soon until bumbling Clark can make it upstairs in the Daily Planet with Lois? She earns a promotion, but he stays in the basement. The Lois and Clark famous duo share many an important byline. Perhaps it makes sense that Clark's time to shine as a newsman will have to wait. His new faux personality lends itself to a slow climb rather than a quick blast off, unlike Lois. This also works better with the traditional tale, where Lois has already established herself an an anchor of the paper before Clark joins her.

     Clark has a very different encounter with Booster Gold than he has with other superheroes. Up until now, Clark has defeated many an enemy, but typically, the other superheroes he has encountered have been more put together than he is. Even as serveral begin to form a League, he stays on the sidelines for quite awhile longer, waiting to join them until after they've been established for awhile. Clark's evolution to Superman is a slow one, and at first, he doesn't want to get involved.

     But with Booster, Clark is able to serve as a mentor and inspiration. Admittedly, Booster already knows who Clark is ahead of time, so future Clark likely means as much to him as the present day one. Booster draws strength from knowing the effects Superman has had on his world. While he initially thinks he can replace him, as soon as he meets Clark, and stops to think about who he is by comparison, he begins to clean up his act. This is the first encounter a mature Clark has with someone in that regard, but those familiar with the Superman tale know it will not be the last.

     By extension, Booster decides to help Jaime become a good, just Blue Beetle. Knowing he cannot save everyone, as Clark will soon be doing, Booster focuses his efforts on one person he can positively influence. As Clark used to keep his activities small scale, so now does Booster, who is really just starting out. If his path to greatness is anything like Clark's, he will become much better than he is over time, with lots of hard work. As such, Booster Gold is able to put foolishness behind him and have a lasting positive affect on the world.

     Sadly, Tess (Cassidy Freeman) and Oliver (Justin Hartley) sit this episode out, as they have frequently done this season. Surely, they will be back before the finale, though it does look like the final episodes will be mostly about Clark. Which is appropriate enough, considering he is the main character and the only original full-time cast member left. Side characters have been invaluable on the series, but only Clark can become Superman.

     If you like my reviews, please follow me on Twitter! Click here for all of my Current Season Reviews.

     Smallville airs Friday nights at 8 p.m. ET on the CW.

Article first published as TV Review: Smallville - "Booster" on Blogcritics.

Smallville episode "Booster" airs tonight at 8 p.m. ET

     Only a handful of episodes remain for the CW’s Smallville. Tonight’s entry, “Booster”, will further the Superman mythology, bringing Clark Kent (Tom Welling) to meet his destiny. In it, Lois (Erica Durance) helps Clark further build his geeky demeanor so that he can come out publically as a hero. Cat (Keri Lynn Pratt) is still not a supporter of The Blur, but she is taken in with a new hero in town: Booster Gold (Eric Martsolf). Booster arrives to try to take The Blur’s place in Metropolis, but unlike Clark, he uses flashy commericals and events to get attention. Meanwhile, Booster’s presence has unexpected consequences when, during a rescue, an alien scarab is released, and it latches onto nerdy Jaime Reyes (Jaren Brandt Bartlett), turning him into the Blue Beetle.

     The following contains light spoilers, meant to get fans excited about tonight’s episode, but refrains from revealing any big twists. If you’d rather go into the hour without knowing anything, please do not read it.

     Which advertisements for the episode make it appear that Clark will be encountering yet another superhero, like many before him, Booster helps Clark learn something about himself. Booster has a few secrets, such as where he came from, and which exactly he chose now, when Clark is on the verge of going public himself, to come to town. Booster actually serves a foil or cautionary tale, rather than just being a distraction. He also gives Clark the chance to demonstrate his saving power, and not in action sequences.

     Jaime / Blue Beetle is the other extreme from Booster. He does not have a secret agenda, but plays more to the other side of Clark, the persona Clark is creating as his secret identity. As such, Jaime also has something that Clark can learn from.

     Besides the main plot, several Superman staples are touched on, strengthening the mythology, and reminding us that the series is coming to an end, and Clark will soon be Superman. In this episode, for the first time, the Clark Kent known and beloved by comic book and movie fans makes an appearance. For anyone doubting that the Clark we’ve watched for ten years can be the traditional image, watch and be amazed. Also, a phone booth makes a quick cameo.

     If you like my reviews, please follow me on Twitter! Click here for all of my Current Season Reviews.

     Check back tomorrow for a full review of the episode and to discuss what you saw. Smallville airs Friday nights, including tonight, at 8 p.m. ET on the CW.

Smallville explores what it means to be a "Kent"

     Four weeks are left until the CW's Smallville series finale. The show has been on there air for a decade. Ten full years. There aren't many series that can boast such a long run, and the show now is drastically different from the way it began. With a primary cast of only four characters (five, if counting Allison Mack's Chloe, though she is only doing a handful of episodes this season), the focus has shifted fully into Clark Kent (Tom Welling) becoming Superman. Sure, that has always been the understood journey of the show, but with the end fast approaching, it is more prevalent than ever.

     This week, in "Kent", Clark is sent back to the alternate universe by his doppelgänger, Clark Luthor. Luthor is hunted in his world, and everyone knows how to kill him, thanks to the now deceased Oliver Queen (Justin Hartley). Clark Kent runs into Oliver's widow, Lois (Erica Durance), and then finds the shell of a man that is Jonathan Kent (John Schneider). Jonathan captures Clark, intending to hand him in for the reward money. But would-be father and son bond, and Jonathan lets Clark go, both having new perspectives on their lives.

     Jonathan Kent died in the regular universe years ago, but having Clark face his father once more, right before the end, is not just a throwback to who he was. Jonathan has shaped who Clark has become. He also helps his son see that things in life aren't nearly as important as the people. Clark does know Lois is the most cherished element in his life, but this bit of advice gives him the courage to go through with a momentous event in his life: selling the Kent family farm.

     Giving up his boyhood home may not seen like a major step to many. In fact, many origin Superman stories on screen have dispersed with the farmhouse early in the movie or series. But as the entirety of Smallville takes place prior to Clark putting on the cape and tights, getting rid of the homestead reminds us that the end is very near, and he will soon become the hero he is meant to be. This particular Clark's journey is finishing, as he is about to become the character beloved for decades.

     Back in the 'real' universe, Lois quickly realizes the imposter. She enlists Emil's (Alessandro Juliani) assistance in repairing the one device that can bring her love back home again. Unlike other incarnations of Superman, where Lois is a fiercely independent woman who doesn't 'need' Clark, this Lois has known him since his geeky days, and understands the role they play in each other's lives. It does not detract from her strength to be so bonded to Clark. Rather, it makes them both more complex, interesting individuals as they balance the duality of individualism with their romance. Smallville shows this better than any other version of the story told before. This may be the closest look at Lois and Clark's relationship ever shown on screen.

     Clark Luthor has come to the commonly considered standard reality to find Lionel Luthor (John Glover), his adopted father, who escaped to this side months ago, and kill him. It is a really well illustrated example of nurture winning out over nature. Yet, while Clark Luthor does not accomplish his wicked goal, Clark Kent sees something in his counterpart that may be redeemable. When Clark Luthor is sent back to his universe in the Fortress, it appears he may finally consider Jor-El's (Terence Stamp) wisdom. Even after everything that has happened, a good father figure, as well as a peek into what might have been, could still save his soul. If nothing else, it's a comforting idea. And a reminder that Superman is, at his core, optimistic.

     Caught up in Clark Luthor's games is his half sister, Tess (Cassidy Freeman). Recently realizing she is a Luthor, and struggling over how to deal with her biological father, Lionel, Clark Luthor tells Tess she must help him kill their daddy, or face death herself. She pretends to go along with Clark's wishes, but betrays him, almost resulting in her death. Thanks to a timely rescue, which is never assured so close to a series' end, Tess will breathe for at least another week.

     The fact that Tess chose good shows a real character development for her. Ever since her introduction, she has straddled the line between good and evil, much as Lex (Michael Rosenbaum) used to. As his replacement, that is appropriate. But she is making the opposite decision than her brother did. While Tess's ultimate loyalty may still be up in the air, it seems likely she will stick to the right choice.

     Tess, more than anyone, is not given her due. She is a complicated person, with deeply dark hues. Freeman is an excellent actress, managing to do much with what little she is given. With only four weeks left, Tess will be the one character that provides the least satisfaction. She could be taken so much further than she will be. Freeman deserves much gratitude from the fan base for her contribution to the show.
  
     Smallville still airs Friday nights at 8 p.m. ET on the CW, though not for much longer.

     If you like my reviews, please follow me on Twitter! Click here for all of my Current Season Reviews.

Article first published as TV Review: Smallville - "Kent" on Blogcritics.

Smallville "Masquerade": Clark, Chloe, Villains, and Weddings

     This being Smallville's final season, after ten long years, I am paying a bit more attention to it than I usually do, and than I do to other shows. As the series ramps up to the two-hour May finale, important pieces of the Superman puzzle keep falling into place. At first, I considered not covering this week's episode, "Masquerade", because overall it was just another run-in with one of Darkseid's minions, Desaad (Steve Byers). Sure, a good chapter in the season-long villain arc, but not particularly noteworthy. However, interspersed within that main story, there was a lot of interesting and important milestones in the Superman saga, and so I feel compelled to address them.

     First of all, Clark Kent is the disguise. Lois (Erica Durance) tried to make The Blur's outfit more costume-y, adding dark sunglasses and a hood. Clark (Tom Welling) didn't really go for that. However, his monologue near the end about how The Blur is who he really is, and that he needs to stay true to himself, was perfect. It really encapsulated who Superman is, and revealed a deep understanding of the character that hasn't always been immediately evident in Smallville. Of course, now that can be excused, as it was all part of the journey of Superman's origin, building to the hero he will become.

     Never has an origin story been told over ten years before, at least not one that I can remember. Usually, the origin is a quick beginning, maybe thirty minutes or less at the start of a movie. At most, a pilot episode of a series. What is so interesting about Smallville is that we finally saw Superman's entire climb to who he is. I've thought for awhile that Clark was getting too old to still be learning about himself, he should be defined by now, but looking back, the progression has been mostly natural and thrilling. Anticipating seeing a true Superman come out in the show in the next few months is incredibly exciting!
 
     I really enjoyed the modern spin as to why The Blur / Superman / Clark needs a disguise. When the character of Superman was first introduced, many decades ago, the glasses and hair costume was plenty. In the age of internet and cell phone cameras, it is a miracle that the Clark / Blur connection hasn't been solidly broken yet. One can only assume that it is because of the great care Clark takes to protect his secret, as well as Clark's relative mid-Western obscurity, that he has managed. Lois is right. It's time to make a change.

     In that same vein, it may seem odd that glasses and a hair style, the latter of which he hasn't even adapted yet, will be enough to disguise Clark in the 21st century. Thus, Clark and Lois rightly agreed that attitude makes all the difference. Perception is reality. Clark Kent's mild mannered-ness is as much a part of the costume as the glasses are. The immediate effect of the new Clark was stunning, but not totally out of left field. Act like a mouse, and thou shall be treated as one. Brilliant handling of a tricky subject!

     Chloe (Allison Mack) has some soul searching to do. No one has undergone more change than her in the course of the show. There have been times when Chloe's story has been far more interesting than Clark's, and as the only other original cast member left, I was sad that she signed for a reduced number of episodes this year. I worry when her latest arc is up that she won't return for the end. That would be highly unacceptable.

     But Chloe was right when she admitted to always defining herself by who or whatever was around her. She was the friend that Clark needed in high school, as well as the different friend that he needed after. Her part in Watchtower was more about him and Oliver (Justin Hartley) than about herself. She was drawn into their world and has embraced it, but almost always in a supporting role. Even her brief stint with powers was used not for herself, but for others. Yeah, that's what heroes typically use them for... most of the time. But usually they get a little help for themselves, too.

     Which is why I understand her hesitancy to commit to Oliver. She doesn't want to fall into the same traps that she always has. She wants to have her own identity. She already achieved that, though, whether she realizes it or not. Fans of the series could tell her so, and so should her friends on the show. Oliver offers support, but his protecting her from battle with Desaad this week shows that he still thinks of her as a less capable combatant than himself.

     This is simply not the case. Chloe is a hero in her own right, for oh so many reasons. Her brain allows her to do many things none of the others can. Plus, she can hold her own in combat, as we saw this week before he benched her. Why did she let herself be benched? Why didn't she leap up after him? Once she gains the confidence to do that, she will no longer need to worry about losing herself. And that is at the top of my list of things I want to see before the series goes off the air for good. This week's episode, at the end, was a decent start.

     What a huge twist at the very end, was it not? If you haven't watched the episode, go watch it before you read further. I am, of course, referring to the revelation that Oliver has been marked with the Omega symbol. The set up was perfect. Of course Oliver would give into base emotions right after being told that Chloe was dead. Despite how far Oliver has come in improving himself, he can be forgiven for the lapse because of the circumstances. Anyone would have done the same thing.

     The question is, what will that mean for the show? Will he soon be joining forces with Darkseid's minions? Will Clark have to battle him? Considering that the Green Arrow has his own comic series, and his own great adventure outside of Smallville (though not shown as a televised show for this incarnation), I find it hard to believe that Oliver Queen is at risk of being killed off. That seems highly disrespectful to the character, and as a fan, I would be pretty upset with the show. The gigantic mythology for these heroes shown in Smallville should make them safer than main characters in other series. But after losing Jimmy Olsen (Aaron Ashmore) a few years ago, explanations to the contrary, I worry that no one is safe. Except for Clark, of course.

     As it is the final season, I do love that the show has chosen to go not with one villain, but several. It can be argued that Darkseid is the driving force behind the season, and he is, to some extent. But between the VRA supporters, the alternate Lionel Luthor (John Glover), Alexander (various actors), and Darkseid's minions, as well as the announced upcoming returns of Zod (Callum Blue) and Lex Luthor (Michael Rosenbaum), Darkseid is not the be all, end all of season ten. Given this is the last chance to see the show, I highly support that decision.

     A last bit: I very much enjoyed the scene where Lois worried about the wedding seating. I didn't think of it before, but of course Lois's father's military buddies would recognize some of Clark's more super power-endowed friends! Even with the Vigilante Registration Act dead, many military personnel spent a great deal of time and effort looking into the vigilantes. My mind spins with the possible ways Lois will solve this problem. Elaborate disguises? Two weddings? Make the heroes sit in the church loft?

     Also, a brief complaint. Part of tonight's episode was ripped straight from the feature film Date Night starring Tina Fey and Steve Carrel. Really, Smallville? You chose to rip off that movie? Really?


     Smallville's final season continues Friday nights at 8 p.m. on the CW.

Article first published as TV Review: Smallville - "Masquerade" on Blogcritics.

For frequent mini-reviews and occasional TV news, follow Jerome on Twitter.

Smallville gets nineteenth wind

     My first article for examiner.com, back in mid-October, complained that the CW's Smallville had lost it's super.  It began the season with a few lame episodes and some less than interesting plots.  But once again, the show is turning itself around.  The last few episodes before the winter break show that the series does still have good storytelling left, and that it can once again become a must-record for your DVR, as it has been many times during it's nine season run.

     The primary plot this season concerns Major Zod (Callum Blue, The Tudors) and his band of Kryptonians.  For long time viewers, you will remember that Clark (Tom Welling) already fought and dispatched the character of General Zod after he escaped from the Phantom Zone, the same character made famous in the movie Superman II.  This, however, turns out to be a clone of Zod and his soldiers made years before the destruction of Krypton.  Not only that, but Jor-El, Clark's Kryptonian father, was among the gang, though he appeared in one short episode before he was taken out.  Lois (Erica Durance) is plagued by dreams of a future that she visited where Zod has turned the sun red and taken Earth from the humans.  Can Clark and the others stop that from happening?  You'll have to wait to find out.

     Meanwhile, the super heroes are coming more and more out of the woodwork.  Adding Oliver Queen, a.k.a. The Green Arrow, (Justin Hartley) to the cast was a good move, and now Chloe (Allison Mack), the only other original cast member left besides Clark, has stepped it up as Watchtower.  Even Tess (Cassidy Freeman), who was Lex Luthor's (Michael Rosenbaum) replacement, has become a gray-area persona, who may be working for either side.  Not to mention, in a recent episode the usually lame Wonder Twins made an appearance, and they were fun and cool this time around!  While Smallville doesn't always stick to the official comic book story, it has found it's own path that is working more often than not, and that's a good thing.  As Clark gets closer and closer to becoming Superman, one can feel the series beginning to wind towards a close, even if it is not currently clear when that close may be.  But when it happens, you can say that's it's been a hell of a ride.

     Smallville will return with new episodes on Friday, January 22nd, and don't miss the two hour TV movie Smallville: Absolute Justice set to air on February 5th.