Please renew the lease on The L.A. Complex

The L.A. Complex, a Canadian series that airs on the CW in the states, finished off its second batch of episodes with "Don't Say Goodbye," the second consecutive hour of the series aired that night. Given its horrible ratings in the U.S., it may be that the network was just trying to burn off the episodes they had left. But "Don't Say Goodbye" ended with little resolution, and hopefully the popularity it has up north will be enough to garner it a third season. And hopefully it will continue to have a home to air on here.

In "Don't Say Goodbye," Kaldrick King (Andra Fuller) finally has peace. Yes, his father (Eugene Clark) is dead, and he has lost his best friend, Rook (William Stewart). But he also gets closure with Tariq (Benjamin Charles Watson) after apologizing, has a loving boyfriend in Christopher (Jarod Jospeh), has just recorded a great album, and is ready to come out of the closet, finally comfortable with who he is. It's been a dynamic, engrossing journey for the rapper, and he comes through the ordeal better and stronger than ever!

But Rook makes a huge mistake in shooting Infinite Jest (Stephan James). Kaldrick is mad at Infinite, but manages to keep his temper, and tells Rook not to go after him. Rook thinks it's the only way he can make up for his betrayal of Kaldrick. As good a place a Kaldrick is in, he will surely get pulled into this murder mess. After all, Kaldrick has enough motive to be a suspect in the killing. It's hard to guess how this will play out, but given the talent oozing off of Fuller, it should be very good.

Nick (Joe Dinicol) suffers his own loss when Sabrina (Georgina Reilly) won't let him follow her to New Orleans, where she has landed a great gig. It's a shame, given how wonderful the chemistry is between the pair, that it has to end. But I guess that's how L.A. works. One has to go where the jobs are, and while Sabrina is traveling to something, if Nick were to leave town, it would damage his career, perhaps irreparably. So Nick will stay, and hopefully his star will continue to rise, as it has been slowly doing.

Sabrina isn't the only one out of the cast should a third season be commissioned. After Dean Pirelli (Louis Ferreira, SGU Stargate Universe) takes Simon (Michael Levison) to the Yukon, Beth (Dayle McLeod) decides to follow so that she can be with her brother. Beth was never in L.A. to be famous, simply serving as a manager to Simon. Simon was the one who was going to be the actor. So there really isn't anything left for her here except Cam (Kristopher Turner), and family trumps boyfriend.

I admit, I'm not really sad to see Simon and Beth go. They were kind of annoying. The only reason it's regrettable that they're leaving is because Cam will be upset, and I like Cam. Why isn't he a main character yet?

Beth, Simon, and Sabrina, the latter of which will be deeply missed, are the latest to leave L.A., but they weren't the first to do so in The L.A. Complex. Alicia (Chelan Simmons), a main character in the short first season, briefly resurfaces by phone to lend her support to Nick in "Don't Say Goodbye." It's nice to know that she's still on tour, and seems to be doing well. But her absence has been felt. Is this brief a scene a reminder of who she is so that she can return to the series next year? That would be wonderful!

Like Alicia, Abby (Cassie Steele) is happy. Her joy stems from getting quickly married in Las Vegas. At the end of "Don't Say Goodbye," Abby, too, is seen leaving L.A., flying to Germany to be with her new husband, Gray (Steve Byers, Alphas). It all happens much too fast. Although they decide against the annulment, this relationship is moving too quickly to survive long. It will flame bright, and then burn out. After all, Abby is far too young to give up her dreams of being an actress and settle down. She would just grow resentful of him, and that's not a recipe for a satisfying marriage. With luck, she will be back in the City of Angels by the start of the third season, should one be ordered.

Neither Connor (Jonathan Patrick Moore) nor Raquel (Jewel Staite) have healed from their various wounds yet. Will they ever? Even when things look up, more things go wrong. Raquel has a great movie trailer finished, but her love interest is arrested for a crime she committed. Connor is trapped in a cult. They just can't catch a break!

It's interesting that the two more experienced characters in the cast, the people who have been in L.A. the longest and worked the most, are so scarred. Is this what Hollywood does to a person? Is there any hope for either of them to find peace? Are Nick, Abby, and the others destined to end up the same way if they stay?

The L.A. Complex is soapy, but in the best possible way. It's a very interesting, entertaining story of young people in a city that it full of glitz and disappointment. It seems realistic enough, and most of the cast is fantastic (especially Staite, Dinicol, and Fuller), which keeps fans engaged week after week. The ending montage in this finale is very memorable. The show would even be worth watching during the regular season, not just the summer, where it might find a few more eyeballs tuning in. Wherever the CW decides to put it, all I care about is that it is brought back. We need more chapters in this story.

If you like my reviews, please follow me on Twitter! Check out my website, JeromeWetzel.com! First posted at TheTVKing

Smallville "Masquerade": Clark, Chloe, Villains, and Weddings

     This being Smallville's final season, after ten long years, I am paying a bit more attention to it than I usually do, and than I do to other shows. As the series ramps up to the two-hour May finale, important pieces of the Superman puzzle keep falling into place. At first, I considered not covering this week's episode, "Masquerade", because overall it was just another run-in with one of Darkseid's minions, Desaad (Steve Byers). Sure, a good chapter in the season-long villain arc, but not particularly noteworthy. However, interspersed within that main story, there was a lot of interesting and important milestones in the Superman saga, and so I feel compelled to address them.

     First of all, Clark Kent is the disguise. Lois (Erica Durance) tried to make The Blur's outfit more costume-y, adding dark sunglasses and a hood. Clark (Tom Welling) didn't really go for that. However, his monologue near the end about how The Blur is who he really is, and that he needs to stay true to himself, was perfect. It really encapsulated who Superman is, and revealed a deep understanding of the character that hasn't always been immediately evident in Smallville. Of course, now that can be excused, as it was all part of the journey of Superman's origin, building to the hero he will become.

     Never has an origin story been told over ten years before, at least not one that I can remember. Usually, the origin is a quick beginning, maybe thirty minutes or less at the start of a movie. At most, a pilot episode of a series. What is so interesting about Smallville is that we finally saw Superman's entire climb to who he is. I've thought for awhile that Clark was getting too old to still be learning about himself, he should be defined by now, but looking back, the progression has been mostly natural and thrilling. Anticipating seeing a true Superman come out in the show in the next few months is incredibly exciting!
 
     I really enjoyed the modern spin as to why The Blur / Superman / Clark needs a disguise. When the character of Superman was first introduced, many decades ago, the glasses and hair costume was plenty. In the age of internet and cell phone cameras, it is a miracle that the Clark / Blur connection hasn't been solidly broken yet. One can only assume that it is because of the great care Clark takes to protect his secret, as well as Clark's relative mid-Western obscurity, that he has managed. Lois is right. It's time to make a change.

     In that same vein, it may seem odd that glasses and a hair style, the latter of which he hasn't even adapted yet, will be enough to disguise Clark in the 21st century. Thus, Clark and Lois rightly agreed that attitude makes all the difference. Perception is reality. Clark Kent's mild mannered-ness is as much a part of the costume as the glasses are. The immediate effect of the new Clark was stunning, but not totally out of left field. Act like a mouse, and thou shall be treated as one. Brilliant handling of a tricky subject!

     Chloe (Allison Mack) has some soul searching to do. No one has undergone more change than her in the course of the show. There have been times when Chloe's story has been far more interesting than Clark's, and as the only other original cast member left, I was sad that she signed for a reduced number of episodes this year. I worry when her latest arc is up that she won't return for the end. That would be highly unacceptable.

     But Chloe was right when she admitted to always defining herself by who or whatever was around her. She was the friend that Clark needed in high school, as well as the different friend that he needed after. Her part in Watchtower was more about him and Oliver (Justin Hartley) than about herself. She was drawn into their world and has embraced it, but almost always in a supporting role. Even her brief stint with powers was used not for herself, but for others. Yeah, that's what heroes typically use them for... most of the time. But usually they get a little help for themselves, too.

     Which is why I understand her hesitancy to commit to Oliver. She doesn't want to fall into the same traps that she always has. She wants to have her own identity. She already achieved that, though, whether she realizes it or not. Fans of the series could tell her so, and so should her friends on the show. Oliver offers support, but his protecting her from battle with Desaad this week shows that he still thinks of her as a less capable combatant than himself.

     This is simply not the case. Chloe is a hero in her own right, for oh so many reasons. Her brain allows her to do many things none of the others can. Plus, she can hold her own in combat, as we saw this week before he benched her. Why did she let herself be benched? Why didn't she leap up after him? Once she gains the confidence to do that, she will no longer need to worry about losing herself. And that is at the top of my list of things I want to see before the series goes off the air for good. This week's episode, at the end, was a decent start.

     What a huge twist at the very end, was it not? If you haven't watched the episode, go watch it before you read further. I am, of course, referring to the revelation that Oliver has been marked with the Omega symbol. The set up was perfect. Of course Oliver would give into base emotions right after being told that Chloe was dead. Despite how far Oliver has come in improving himself, he can be forgiven for the lapse because of the circumstances. Anyone would have done the same thing.

     The question is, what will that mean for the show? Will he soon be joining forces with Darkseid's minions? Will Clark have to battle him? Considering that the Green Arrow has his own comic series, and his own great adventure outside of Smallville (though not shown as a televised show for this incarnation), I find it hard to believe that Oliver Queen is at risk of being killed off. That seems highly disrespectful to the character, and as a fan, I would be pretty upset with the show. The gigantic mythology for these heroes shown in Smallville should make them safer than main characters in other series. But after losing Jimmy Olsen (Aaron Ashmore) a few years ago, explanations to the contrary, I worry that no one is safe. Except for Clark, of course.

     As it is the final season, I do love that the show has chosen to go not with one villain, but several. It can be argued that Darkseid is the driving force behind the season, and he is, to some extent. But between the VRA supporters, the alternate Lionel Luthor (John Glover), Alexander (various actors), and Darkseid's minions, as well as the announced upcoming returns of Zod (Callum Blue) and Lex Luthor (Michael Rosenbaum), Darkseid is not the be all, end all of season ten. Given this is the last chance to see the show, I highly support that decision.

     A last bit: I very much enjoyed the scene where Lois worried about the wedding seating. I didn't think of it before, but of course Lois's father's military buddies would recognize some of Clark's more super power-endowed friends! Even with the Vigilante Registration Act dead, many military personnel spent a great deal of time and effort looking into the vigilantes. My mind spins with the possible ways Lois will solve this problem. Elaborate disguises? Two weddings? Make the heroes sit in the church loft?

     Also, a brief complaint. Part of tonight's episode was ripped straight from the feature film Date Night starring Tina Fey and Steve Carrel. Really, Smallville? You chose to rip off that movie? Really?


     Smallville's final season continues Friday nights at 8 p.m. on the CW.

Article first published as TV Review: Smallville - "Masquerade" on Blogcritics.

For frequent mini-reviews and occasional TV news, follow Jerome on Twitter.

Smallville: "Abandoned" and the Seminal Season So Far

     The CW's Smallville is well into its final season, and thus far, it has delivered in a way it hasn't in a few years. Knowing that the end is near has given the writers the freedom to move forward with some long-simmering plots, and Clark (Tom Welling) has finally grown as a person and a hero. He's wearing more red and blue instead of black! Some fantastic guest stars have been brought, or brought back, into the mix, and there are plenty more coming.

     This week's entry, "Abandoned", dealt with the abandonment by their biological parents of two main characters: Clark and Tess (Cassidy Freeman). Each have been stunted in their emotional growth, and unable to fully develop into who they're going to be because of these dark moments in their past. Each had to come face to face with what they had buried, and see their parents in a new light in order to move on.

     Clark came out of the experience much better for it. He got to see, as more than a disembodied voice this time, his father Jor-El. The body was played by Julian Sands, as he was in a prior episode, even though he is usually voiced by Terence Stamp. Clark's mother, Lara (Helen Slater) was also there. Clark finally realized that they sent him to earth by himself out of love, not disappointment. They didn't wish to send their son away alone, but felt they had no choice. He also saw that they were proud of him and loved him, which healed Clark enough to consider taking his relationship with Lois (Erica Durance) to the next step.

     Clark and Lois's evolving romance has been a focal point of the tenth season so far, and is satisfying in a way it has never been. In a recent episode, Clark traveled to the future and saw himself with Lois, and it seemed to give him a new lease on his feelings for her.

     The same episode also showed Superman for the first time, even if it was just a brief glimpse. For fans who worried about the series getting the rights to the famous suit or the name, it appears that those issues have cleared up, and in the best way possible. Hopefully we will get a glimpse of this Clark as Tom Welling before the final credits role at the end of the year.

     Tess has much deeper baggage, which was not easily cleared up as Clark's. Tess discovered that her father is Lionel Luthor. Lionel used to be a series regular played by John Glover, but we only saw the back of his head this week, so it is doubtful that it was Glover. Glover will be returning to the show in a couple of weeks, although in what capacity is unclear, since Lionel was killed off a couple of years ago.

     The character of Tess was added to the series after the departure of Lex Luthor (Michael Rosenbaum) as a sort of replacement for Lex. Fan embracement of her has been slow, but I've loved her, and the wonderful actress that plays her, for some time, and I hope recent movements have been enough to win over most of the naysayers left.

     And going back to the episode's title, sure, you can argue that Lois was also abandoned by her mother, Ella, who was stricken down by cancer, but unlike the other two, Lois didn't seem to have deep-seated personal issues stemming from that abandonment. She had some regretful feelings, but not to the level of the other two plots, and her issues seemed done a third of the way through the episode. It's worth nothing, however, that Smallville scored a considerable casting coup by persuading Teri Hatcher, who is a series regular on a popular show on another network, to take the time out and appear as Lois's mother. Superman fans will remember that Hatcher played Lois Lane in the 90's series, Lois & Clark: The New Adventures of Superman".

     What I found a bit confusing was the absence of Oliver (Justin Hartley) this week. He has had a banner season, with important plot about revealing his secret identity to the public. It used to be that Smallville would try to juggle around ten main characters, and understandably, some of them would have to sit out for weeks at a time. Sadly, despite her importance to the overall series story, Lois was missing more often than most. However, there are currently only four main characters on the show. I love every minute of this week's episode, but with only four main characters, it seems odd to not use them all every week. Perhaps there was just too much rich plot to leave room for Oliver. Or maybe his contract allows for weeks off. I don't know, but he was missed.

     This episode was also surprisingly important to the Big Bad of Season 10, the super-powerful villain Darkseid. While Darkseid himself has not been seen, his three minions have finally come together. One was this week's featured baddie, Granny Goodness, played by the always wonderful Christine Willes (Dead Like Me, Reaper). Another was a recently possessed radio host, Gordon Godfrey (Michael Daingerfield). The last, Desaad (Steve Byers) has also appeared before this week. Now that they have teamed up, it will surely only be a matter of time before Darkseid himself fully comes into the picture. After all, November sweeps are already half over.

     Looking at the season as a whole, the casting lineup has been spectacular. Already we've been revisited by Jonathan Kent (John Schneider), Kara / Supergirl (Laura Vandervoort, V)), Braniac (James Marsters), and Carter Hall / Hawkman (Michael Shanks), among others. Next week will feature the return of Aquaman (Alan Ritchson) and Deathstroke (Michael Hogan). As mentioned above, Lionel Luthor will be coming back soon. And the addition of Cat Grant (Keri Lynn Pratt) to the Daily Planet has been a wonderful delight. Chloe (Allison Mack) is still missing. Plus, a Smallville icon, The Talon, was blown up into tiny pieces!

     If you haven't watched Smallville in years, now is the time to get on board. The coming end will surely not disappoint, if the beginning of this season has been any indication. Smallville airs Friday nights at 8pm on the CW.

For frequent mini-reviews and occasional tv news, follow Jerome on Twitter.

Article first published as TV Review: Smallville: "Abandoned" and the Seminal Season So Far on Blogcritics.