SUPERGIRL Takes Flight

Article first published as Blu-ray Review: 'Supergirl - The Complete First Season' on Blogcritics.

Disclaimer: Warner Bros. Home entertainment provided me with a free copy of the Blu-ray reviewed in this article. The opinions I share are my own.

The first season of CBS’s Supergirl arrives on Blu-ray, DVD, and digital download this week. The 20 episodes set up the titular character just as she becomes a superhero, introducing us to her life both with and without the cape. It’s a rollicking fun time, and while it doesn’t quite hit the quality of some of the other DC Comics shows on the air right now, it is far better than what the comic brand is churning out for the big screen.

Glee‘s Melissa Benoist stars as Kara Danvers, a.k.a. Kara Zor-El, a.k.a. Supergirl, a young woman who has been living on Earth for awhile after her home planet was destroyed. Having had plenty of time to adjust to her new home, Kara is an adult as the series begins, working as an assistant for media mogul Kat Grant (Calista Flockhart, Brothers & Sisters, Ally McBeal) and trying to start a career. This is somewhat derailed when Kara finds she can no longer sit still, creating a costume with the help of her best friend, Winn (Jeremy Jordan, Smash), and saving the day. These actions gets her noticed by the DEO, a military organization devoted to protecting the planet from aliens, and which secretly employs her sister, Alex (Chyler Leigh, Grey’s Anatomy). But even after joining up with DEO leader Hank Henshaw (David Harewood, Homeland) and his crew, Kara manages to balance both lives, a modern woman who can have it all.

The girl vs. woman issue is addressed head-on in episode one. Supergirl is a show to which no feminist should object. Kara is strong, independent, and fierce. She’s also brave and loyal and very capable. The only other character that even comes close to her level of accomplishment is Cat herself, so strong females are well represented on the series, lest anyone think the title is a step backwards for the fairer sex.

Sadly, since production is moving to Canada, Cat will be a less frequent presence in season two, which is a shame because Cat and Kara’s relationship is pretty much a linchpin of the show.

Unlike Superman, her already famous and successful cousin, Kara was old enough to remember their world of Krypton when it was destroyed, which influences the way she sees the world, as well as her hopes and dreams. Due to a flight into the Phantom Zone, Kara’s arrival on Earth (and waking up for her pod to begin aging again) was delayed awhile. Unfortunately, when she arrived, she brought the horrible prisoners of Fort Rozz with her, including her Aunt Astra (Laura Benanti, Go On) and Uncle Non (Chris Vance, Transporter: The Series). This sets the stage for the baddies Kara will face in her new crusade.

There are a lot of fun bits for those already familiar with the world of Superman. While the Man of Steel himself only makes fuzzy and at-a-distance appearances (though he has recently been cast for season two), we see the likes of The Martian Manhunter (no spoilers), Maxwell Lord (Peter Facinelli, Nurse Jackie, Twilight), Lucy Lane (Jenna Dewan Tatum, Witches of East End), and Sam Lane (Glenn Morshower, Bloodline) in this series. Not to mention, Jimmy, sorry, James Olsen (Mehcad Brooks,Necessary Roughness) is a main character and love interest. There are also tributes to previous Superman and Supergirl incarnations, such as casting former Clark Kent, Dean Cain, and former Kara Danvers, Helen Slater, as Kara’s parents. So I appreciate the tributes paid.

But Supergirl is also its own world. It’s very clearly not the same universe as the recent DC films are set in, nor is it on the same Earth as the CW shows take place on. Thanks to a multiple Earths theory, DC has the freedom to portray lots of different versions of the same characters and places at the same time. Which doesn’t prevent a guest appearance from The Flash‘s dimension-hopping Barry Allen (Grant Gustin), nor preclude more crossovers with its small screen peers after Supergirl moves to the CW this fall.

So, while the series starts out as too case-of-the-week, and while it ends with some exaggerated and easy outs, most of this run is pretty good. It’s easy to root for Kara and her friends, and I like the positive approach and outlook the series supports. I look forward to seeing where future seasons go, and can recommend this first season without hesitation.

On The Complete First Season, we get a fair amount of extras. A pair of ten-minute featurettes reveal how the show approached their version of Krypton and The Martian Manhunter, two wonderful elements in the story. We also get a too-short look at the cast attending Comic-Con, a gag reel, and deleted scenes for almost half of the episodes. My complaints are the very outdated menus and the extra padding at the start and end of every deleted scene. But other than that, it’s a decent batch of bonus material.

Supergirl – The Complete First Season is available now.

SUPERGIRL Takes Flight

Article originally published as SUPERGIRL Review on Seat42F.

Joining the already crowded superhero landscape is CBS’ SUPERGIRL, premiering this week. In it, Kara Danvers (Melissa Benoist, Glee), cousin of the more famous Kal-El, comes of age and is ready to take on the bad guys to save the city. To do so, she has a bit of a different approach than Superman (oops, didn’t mean to say the name), and a supportive group around her.

SUPERGIRL dances around the Superman lore, but not as much as past efforts like Smallville have. Viewers will get to see and hear plenty about him; the name just isn’t uttered much, usually spoken about as a mythical ‘him.’

Doing this sets Supergirl apart from Superman. Superman is an alien who is aloof, apart from the human race. Supergirl is someone who is in the fight alongside everyone else. While Superman cares inherently, Supergirl cares because of her adopted sister, Alex (Chyler Leigh, Grey’s Anatomy), and her friend, Winn (Jeremy Jordan, Smash), and others. She’s a part of the population of the Earth far more than he i, and takes what she does very personally.

Right off the bat, it’s clear Supergirl won’t be working alone like Superman does. No less than three people know her secret in the pilot, not including Hank Henshaw (David Harewood, Homeland) and his organization. She does have a secret identity; her boss, Cat Grant (Calista Flockhart, Brothers & Sisters) doesn’t know she has the caped crusader working for her. Yet, it’s not as closely guarded a secret, and it changes the tenure of SUPERGIRL from most Superman incarnations.

Also different, Kara gets in over her head early on. While Superman eases into fighting the baddies, Kara immediately has to fight prison escapees from the Phantom Zone. This isn’t the plot of a single episode, but rather a set up for the series. There are dozens of alien convicts on the Earth and they are focused on her, for good reason, as we’ll find out. So Kara needs these others to be around her.

For fans of Superman who never really got into Supergirl, this program provides plenty of connection to that more established world. As mentioned, Cat Grant, a figure in Clark Kent’s life, is present, as is James Olsen (Mehcad Brooks, Necessary Roughness), albeit a bit older than you might remember him. The production also pays homage to past actors of the franchise, much as The Flash does, by casting Dean Cain (Lois & Clark: The New Adventures of Superman) and Helen Slater (1984’s Supergirl) as Kara’s adoptive parents. Not to mention, the messages of Alura Zor-El (Laura Benanti, Go On) will bring to mind similar communications from Jor-El to Superman.

As society progresses, feminism has taken root. As such, some may argue it’s not right to call Kara Super’girl’ instead of Superwoman. The character of Supergirl has a long history, though, and it’s too late to change it now. Thankfully, SUPERGIRL addresses this disparity head-on in episode one, and I’m satisfied with the explanation. I think most viewers will be, too.

Because SUPERGIRL is on CBS, it’s likely to be largely a procedural. I assume most weeks will find her dealing with a single antagonist, whom she defeats by the ending credits. But there is a lot more personal drama going on than in most shows on the network, a la The Good Wife. Should SUPERGIRL follow The Good Wife’s pattern, concentrating more on the characters than the cases, it’ll do well.

SUPERGIRL is a solid entry on the television landscape. It is enjoyable, with a great cast and interesting premise. It will take more than one episode to see if it deserves to hang with its successful DC brethren, Gotham, Arrow, and The Flash, but I’d say it’s off to a pretty good start.

SUPERGIRL premieres Monday at 8:30 p.m. ET on CBS.

Smallville: "Abandoned" and the Seminal Season So Far

     The CW's Smallville is well into its final season, and thus far, it has delivered in a way it hasn't in a few years. Knowing that the end is near has given the writers the freedom to move forward with some long-simmering plots, and Clark (Tom Welling) has finally grown as a person and a hero. He's wearing more red and blue instead of black! Some fantastic guest stars have been brought, or brought back, into the mix, and there are plenty more coming.

     This week's entry, "Abandoned", dealt with the abandonment by their biological parents of two main characters: Clark and Tess (Cassidy Freeman). Each have been stunted in their emotional growth, and unable to fully develop into who they're going to be because of these dark moments in their past. Each had to come face to face with what they had buried, and see their parents in a new light in order to move on.

     Clark came out of the experience much better for it. He got to see, as more than a disembodied voice this time, his father Jor-El. The body was played by Julian Sands, as he was in a prior episode, even though he is usually voiced by Terence Stamp. Clark's mother, Lara (Helen Slater) was also there. Clark finally realized that they sent him to earth by himself out of love, not disappointment. They didn't wish to send their son away alone, but felt they had no choice. He also saw that they were proud of him and loved him, which healed Clark enough to consider taking his relationship with Lois (Erica Durance) to the next step.

     Clark and Lois's evolving romance has been a focal point of the tenth season so far, and is satisfying in a way it has never been. In a recent episode, Clark traveled to the future and saw himself with Lois, and it seemed to give him a new lease on his feelings for her.

     The same episode also showed Superman for the first time, even if it was just a brief glimpse. For fans who worried about the series getting the rights to the famous suit or the name, it appears that those issues have cleared up, and in the best way possible. Hopefully we will get a glimpse of this Clark as Tom Welling before the final credits role at the end of the year.

     Tess has much deeper baggage, which was not easily cleared up as Clark's. Tess discovered that her father is Lionel Luthor. Lionel used to be a series regular played by John Glover, but we only saw the back of his head this week, so it is doubtful that it was Glover. Glover will be returning to the show in a couple of weeks, although in what capacity is unclear, since Lionel was killed off a couple of years ago.

     The character of Tess was added to the series after the departure of Lex Luthor (Michael Rosenbaum) as a sort of replacement for Lex. Fan embracement of her has been slow, but I've loved her, and the wonderful actress that plays her, for some time, and I hope recent movements have been enough to win over most of the naysayers left.

     And going back to the episode's title, sure, you can argue that Lois was also abandoned by her mother, Ella, who was stricken down by cancer, but unlike the other two, Lois didn't seem to have deep-seated personal issues stemming from that abandonment. She had some regretful feelings, but not to the level of the other two plots, and her issues seemed done a third of the way through the episode. It's worth nothing, however, that Smallville scored a considerable casting coup by persuading Teri Hatcher, who is a series regular on a popular show on another network, to take the time out and appear as Lois's mother. Superman fans will remember that Hatcher played Lois Lane in the 90's series, Lois & Clark: The New Adventures of Superman".

     What I found a bit confusing was the absence of Oliver (Justin Hartley) this week. He has had a banner season, with important plot about revealing his secret identity to the public. It used to be that Smallville would try to juggle around ten main characters, and understandably, some of them would have to sit out for weeks at a time. Sadly, despite her importance to the overall series story, Lois was missing more often than most. However, there are currently only four main characters on the show. I love every minute of this week's episode, but with only four main characters, it seems odd to not use them all every week. Perhaps there was just too much rich plot to leave room for Oliver. Or maybe his contract allows for weeks off. I don't know, but he was missed.

     This episode was also surprisingly important to the Big Bad of Season 10, the super-powerful villain Darkseid. While Darkseid himself has not been seen, his three minions have finally come together. One was this week's featured baddie, Granny Goodness, played by the always wonderful Christine Willes (Dead Like Me, Reaper). Another was a recently possessed radio host, Gordon Godfrey (Michael Daingerfield). The last, Desaad (Steve Byers) has also appeared before this week. Now that they have teamed up, it will surely only be a matter of time before Darkseid himself fully comes into the picture. After all, November sweeps are already half over.

     Looking at the season as a whole, the casting lineup has been spectacular. Already we've been revisited by Jonathan Kent (John Schneider), Kara / Supergirl (Laura Vandervoort, V)), Braniac (James Marsters), and Carter Hall / Hawkman (Michael Shanks), among others. Next week will feature the return of Aquaman (Alan Ritchson) and Deathstroke (Michael Hogan). As mentioned above, Lionel Luthor will be coming back soon. And the addition of Cat Grant (Keri Lynn Pratt) to the Daily Planet has been a wonderful delight. Chloe (Allison Mack) is still missing. Plus, a Smallville icon, The Talon, was blown up into tiny pieces!

     If you haven't watched Smallville in years, now is the time to get on board. The coming end will surely not disappoint, if the beginning of this season has been any indication. Smallville airs Friday nights at 8pm on the CW.

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Article first published as TV Review: Smallville: "Abandoned" and the Seminal Season So Far on Blogcritics.