SUPERGIRL Takes Flight

Article originally published as SUPERGIRL Review on Seat42F.

Joining the already crowded superhero landscape is CBS’ SUPERGIRL, premiering this week. In it, Kara Danvers (Melissa Benoist, Glee), cousin of the more famous Kal-El, comes of age and is ready to take on the bad guys to save the city. To do so, she has a bit of a different approach than Superman (oops, didn’t mean to say the name), and a supportive group around her.

SUPERGIRL dances around the Superman lore, but not as much as past efforts like Smallville have. Viewers will get to see and hear plenty about him; the name just isn’t uttered much, usually spoken about as a mythical ‘him.’

Doing this sets Supergirl apart from Superman. Superman is an alien who is aloof, apart from the human race. Supergirl is someone who is in the fight alongside everyone else. While Superman cares inherently, Supergirl cares because of her adopted sister, Alex (Chyler Leigh, Grey’s Anatomy), and her friend, Winn (Jeremy Jordan, Smash), and others. She’s a part of the population of the Earth far more than he i, and takes what she does very personally.

Right off the bat, it’s clear Supergirl won’t be working alone like Superman does. No less than three people know her secret in the pilot, not including Hank Henshaw (David Harewood, Homeland) and his organization. She does have a secret identity; her boss, Cat Grant (Calista Flockhart, Brothers & Sisters) doesn’t know she has the caped crusader working for her. Yet, it’s not as closely guarded a secret, and it changes the tenure of SUPERGIRL from most Superman incarnations.

Also different, Kara gets in over her head early on. While Superman eases into fighting the baddies, Kara immediately has to fight prison escapees from the Phantom Zone. This isn’t the plot of a single episode, but rather a set up for the series. There are dozens of alien convicts on the Earth and they are focused on her, for good reason, as we’ll find out. So Kara needs these others to be around her.

For fans of Superman who never really got into Supergirl, this program provides plenty of connection to that more established world. As mentioned, Cat Grant, a figure in Clark Kent’s life, is present, as is James Olsen (Mehcad Brooks, Necessary Roughness), albeit a bit older than you might remember him. The production also pays homage to past actors of the franchise, much as The Flash does, by casting Dean Cain (Lois & Clark: The New Adventures of Superman) and Helen Slater (1984’s Supergirl) as Kara’s adoptive parents. Not to mention, the messages of Alura Zor-El (Laura Benanti, Go On) will bring to mind similar communications from Jor-El to Superman.

As society progresses, feminism has taken root. As such, some may argue it’s not right to call Kara Super’girl’ instead of Superwoman. The character of Supergirl has a long history, though, and it’s too late to change it now. Thankfully, SUPERGIRL addresses this disparity head-on in episode one, and I’m satisfied with the explanation. I think most viewers will be, too.

Because SUPERGIRL is on CBS, it’s likely to be largely a procedural. I assume most weeks will find her dealing with a single antagonist, whom she defeats by the ending credits. But there is a lot more personal drama going on than in most shows on the network, a la The Good Wife. Should SUPERGIRL follow The Good Wife’s pattern, concentrating more on the characters than the cases, it’ll do well.

SUPERGIRL is a solid entry on the television landscape. It is enjoyable, with a great cast and interesting premise. It will take more than one episode to see if it deserves to hang with its successful DC brethren, Gotham, Arrow, and The Flash, but I’d say it’s off to a pretty good start.

SUPERGIRL premieres Monday at 8:30 p.m. ET on CBS.

Necessary Roughness - "Pilot"

     USA's newest drama is Necessary Roughness, which premiered this Wednesday night. The central character in the pilot is therapist Dr. Dani Santino (Callie Thorne, Rescue Me, The Wire), who, as soon as the series starts, learns that her husband of seventeen years, Ray (Craig Bierko, Boston Legal, Damages) has been cheating on her... a lot. She dumps him, and six weeks later, while still pursuing her divorce, she meets Matthew (Marc Blucas, Buffy the Vampire Slayer). They fall into bed, but their relationship changes dramatically when Matthew introduces Dani to his boss, a football coach. Dani is asked to help a star player who has been faltering named T.K. (Mehcad Brooks, True Blood, Desperate Housewives). Because they are now working together, Dani tells Matthew they can't have a sexual relationship. Dani helps TK, and she is asked to take on more clients.

     Necessary Roughness does, admittedly, break the formula that USA had become mired in, as many of their newer shows do. That is the best compliment it can be paid, because other than that, the "Pilot" does not impress. Thorne herself is grating, and less than likeable. That's not an excuse for her character's husband to cheat on her, of course, as she claims to have been the "perfect wife and mother," but that self-made claim rings hollow as her husband and kids lie to her. Did she ever really have a handle on what is going on in her household? She seems to have her own set of morals and codes, which are abstract and have a shifting morality line.

     Dani's quick "miracle" with TK is much less than realistic. Considering that is the biggest premise in the first episode, it should have been handled better. Sure, it takes Dani days, maybe even a couple of weeks, to get through to TK. But she does, and now all is right with the world. It's strange that TK is a main character, since previews show Dani working with a number of other patients, mostly athletes, many of them not part of the football team. It is unknown at this time what exactly the structure of the show will be, but other than Dani, the other main characters all connected to one football organization. This makes the trailer confusing.

     Besides Dani, TK, and Matthew, Nico (Scott Cohen, Law & Order: Trail By Jury, Gilmore Girls) is the other member of the main cast. He is a guy who "takes care of things" for the football team. His mystery, which, of course, has the violent underpinnings, is what makes him interesting. And while similar characters have been done numerous times before, they've seldom been as intriguing as Cohen, who radiates the necessary "it." If Necessary Roughness is to be interesting in the long term, the greatest chance lies with focus, but not too much detail, on Nico. Audiences should be kept guessing his motivations and his actual actions, but he needs to have a hand in everything.

     Brooks also handles his part with relative ease. He is, after all, a veteran of a number of fine television shows, and knows how to capture an essence by now. Even if his plot falls a little flat, it's not to be blamed on the actor. Blucas has grown a lot since Buffy, and also is an acceptable performer, though isn't given a lot to work with. Not sure why his character puts up with Dani's no sex rule, the reasoning behind it being weak, at best. Matthew needs to grow a little backbone to rise from flat, straight, supporting, mostly silent man. Otherwise, there's not much of a reason to keep him around.

     To see if Necessary Roughness progresses anywhere after its "Pilot," tune in on USA Wednesday nights at 10 p.m. ET.

     If you missed "Pilot," you can get it streaming for free by clicking here.

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The Deep End fits well in ABC's Thursday

    The Deep End has been placed on ABC Thursdays nights just before Grey's Anatomy, and this is the perfect spot for it.  It resembles the other show in many ways.  It stars five attractive, young people at the bottom of the rung on a law firm, and the cast is peppered with older, established potential mentors at different tiers in the same law firm.  It's the legal version of Grey's, and the music, tone, and sensibilities are also incredibly similar.  Does that mean that this show is more of the same?  Not exactly.  It's a formula that works, with a different take.  As long as it is done correctly, and it appears from the pilot that it has been, then it should do all right, though critics aren't too impressed.  The question is, will audiences embrace it?  Based on ABC's track record, they should.

     The two young women joining the firm are Addy (Tina Majorino, Veronica Mars, Big Love, Napoleon Dynamite) and Beth (Leah Pipes).  The guys are Liam (Ben Lawson, Neighbours), Malcolm (Mehcad Brooks, True Blood, Desperate Housewives), and Dylan (Matt Long, Jack & Bobby).  Liam and Beth have already slept together, so the requisite sexual tension is already starting among the group.  Four of them already demonstrated a fun dynamic, though Malcolm showed up late in the pilot, and hasn't yet had much interaction.  They are different enough to keep the show interesting, but have enough similarities to mostly gel as a group.  They are all recently hired out of law school, the most promising candidates picked from a pool of thousands.  They will clearly be the heart and soul of the show, and the focus of the series.

     Elsewhere in the firm, Cliff a.k.a. The Prince of Darkness (Billy Zane, Samantha Who?, Titanic) has been running the place for three years, while sometimes clashing with fellow employee, and his spouse, Susan (Nicole Ari Parker, Soul Food).  However, now the old boss, Hart (Clancy Brown, Carnivale, SpongeBob SquarePants) is back, and the two have to find a way to work together.  The new recruit's marginally effective mentor is Rowdy (Norbert Leo Butz).  Each have their own concerns, but will also have to help out, or torture until they turn out right, the rookies.

     The Deep End will run Thursdays at 8pm on ABC.