GRAVES Humor

Article first published as GRAVES Review on Seat42F.

Premium movie service Epix joins the original scripted world this weekend with two new shows. One, a comedy, is called GRAVES, and is about a fictional former Republican president named Richard Graves. Twenty-five years after he served as the leader of the free world, Graves’ policies and decisions from the Oval Office come back to haunt him. Realizing he has let his country down, and facing a legacy as the possible worst president ever, Graves wakes up and decides to start fighting for the American people once more.

President Richard Graves is a conglomeration of a number of different Republican presidents. He held office around the same time as George H.W. Bush, considered failed at the time, though Bush’s reputation has improved in the interim, while Graves has gone down. He is a gold standard for certain members of his party, like H.W. has become, and like Reagan always has been. He also shares the failed assassination attempt backstory with Reagan. President Graves had the disastrous polices of George W. Bush, getting us into unpopular wars and slashing spending on important research, while ridiculously beefing up the military and tanking the economy. So he isn’t any one of these real POTUSes (POTUSi?), but rather, a bunch of them put together.

This is probably a wise move. It allows Graves to be fictional and make decisions without worrying about what the real men are and did, and also takes a realistic look at both the positives and negatives of GOP administrations over the past few decades. It’s an intriguing concept, especially when coupled with the desire to make up for past mistakes that Graves now exhibits, and I think Graves probably ends up being the ideal representative of the traditional Grand Old Party by the end of episode one.

The title role is wonderfully portrayed by Nick Nolte (Warrior, Luck, Gracepoint), who captures a layered, authentic man. Graves is a total asshole to those around him, hazing his new assistant, Isaiah Miller (Skylar Astin, Pitch Perfect, Ground Floor), ignoring the political aspirations of his wife, Margaret (Sela Ward, CSI: NY, Gone Girl), and destroying property that is only sort of his. But even in the pilot, Nolte is allowed a few moments to show the raw vulnerability, the compassionate side of the man, and exhibit that he does care about more than just himself, even when he lets down his loved ones. It’s a very interesting performance, and I liked it a lot.

To more fully flesh out the story, and also likely to add subplot drama, we are introduced to Graves’ daughter, Olivia (Helene Yorke, Masters of Sex), who shares many of her father’s negative qualities, and is going through something devastating herself. I really don’t know how Margaret will balance two break-downs at once while furthering her own agenda, but Olivia is more an obstacle than anything else right now.

Also in the cast are a number of enjoyable actors like Roger Bart (Episodes, The Producers), Ernie Hudson (Ghostbusters), Nia Vardalos (My Big Fat Greek Wedding), Tania Gunadi (Enlisted), Khotan Fernandez (Royal Pains, El Sexo Debil), Angelica Maria (Que bonito amor), Callie Hernandez (Alien: Covenant), and Chris Lowell (Veronica Mars) as the as-of-yet-unseen son of President Graves.

All of these actors and the promising story are enough to get past my early distaste. GRAVES makes the grave (pun intended) error of beginning with some real political cameos, chief among them that of Rudy Giuliani. True, Graves isn’t thrilled with these guys, but he treats Giuliani nicer than most, and after recent polarizing press appearances, seeing Giuliani in this comedy context is likely to turn off many potential viewers. Hopefully, most will chalk it up to a decision made some time ago and look past it, because the rest of the pilot was worth watching. There are others that appear, but none nearly as offensive as the former mayor.

GRAVES premieres tonight on Epix, and viewers can check out the first two episodes free now on Epix’s website.

GRACEPOINT A Very Familiar Place

Article first published as GRACEPOINT Review on Seat42F.

FOX’s GRACEPOINT is a ten-episode murder mystery based on the British series Broadchurch. Starring David Tennant (Doctor Who) as Alec Hardy Emmett Carver and Anna Gunn (Breaking Bad) as Ellie Miller, the duo investigate the body of a boy found on a beautiful beach in a small, tranquil, formerly crime-less town. The suspect pool is large, and the members of the community are all affected by the tragedy in differing ways, often making the case difficult.

The biggest obstacle GRACEPOINT faces is that a number of potential viewers have already seen the original, which recently aired on BBC America in the United States, and is currently available on DVD, iTunes, and Amazon streaming. The opening scene is almost exactly the same. Tennant starred in both, playing the same role, and much of the pilot follows the source material faithfully. The writers have promised a different killer and GRACEPOINT will fill an additional two hours of running time, so it won’t be a complete clone, but the parallels are numerous and easy to draw.

By comparison, GRACEPOINT loses in every head-to-head matchup. It’s a shame Tennant isn’t allowed to keep his accent and his hair now looks unnaturally tinged red. While Broadchurch features an omnipresent creepy tone, sort of like The Killing, GRACEPOINT goes in and out of that, mixing a modern, typical style with a unique one. A number of actors in the new version, especially Michael Pentildea as the victim’s father, Mark Solano, are inferior, if not outright horrible.

That being said, had I not seen Broadchurch (which filmed a second, yet unaired season recently), I would probably like GRACEPOINT quite a bit. Gunn and Tennant are both fantastic performers, and the couple of instances where Gunn slips back into Skylar-mode are charming, rather than distracting. The story is well set up, and the various personalities that make up the cast, including Kevin Zegers (Gossip Girl) as reporter Owen Burke and Nick Nolte (Luck, Warrior) as the boys’ mentor Jack Reinhold, are both interesting and plenty suspicious.

GRACEPOINT succeeds because it balances the crime investigation with the family pathos and the drama among the townspeople. There is an emotional core that is just as central to the series as the question of who killed Danny. This allows the audience to relate to the varied players and become invested in the saga, hopefully enough to tune back in on a weekly basis for a couple of months.

I applaud FOX for trying this out. While they have allowed Sleepy Hollow, The Following, and 24 to do shorter-than-normal seasons, this is the first cable-style series on the broadcast networks. It’s gritty and realistic, extremely serial, and the writing and characters are complex. This is a departure from the standard procedural junk that mucks up the airwaves, and is not only bold for one of the Big Four, but, for the most part, worthy of praise. They would have been a bit better off just airing the British version, but since I can’t see FOX or its peers doing that, this will have to do.

The biggest question I have is, can it iron out the rough patches as it goes along? If GRACEPOINT corrects its mistakes and minimizes the role of those in the cast who don’t really cut it as actors, it could find a fan base and be something that lasts a few years (though not too long, considering the premise). But, based on the shaky start, this has to clean up quick. And, should it do well enough to earn a second season, it needs to stick to the strengths of the franchise, not just presenting a second case the following year, refusing to fall into the regular TV traps. GRACEPOINT can be special if it wants to be badly enough and the network allows it.

GRACEPOINT premieres Thursday, October 2^nd on FOX.

The Luck has run out

"Episode 9" is this week's episode of HBO's Luck. Michael (Michael Gambon, Harry Potter) sends a hit man after Ace (Dustin Hoffman). This worries Ace more than usual, because his grandson, Brent (Jake Hoffman, Dustin's actual son) is in town. Thankfully, Gus (Dennis Farina) is able to dispatch with the killer, allowing them to enjoy the Derby. Ace's, er, Gus's horse wins, but as it does, Michael looks on, plotting his next move.

This is a bittersweet victory. Ace stays safe, and manages to keep Brent from harm, too. Ace's plans for the horse track are on course, he has cut business ties with Michael, and his steed, whom he cares dearly about, wins a major race. But the threat of Michael, sinisterly sneering down, literally, does dampen the mood. As does the discovery of Israel's (Patrick J. Adams, Suits) body in the ocean.

Ace feels responsible for Israel's death, but is he really? Ace does send Israel to Michael, but is not intending or expecting bloodshed to result. Ace clearly doesn't think Michael will harm Israel, at least not badly. Israel is a simply a business go-between. The tragedy of his murder upsets Ace. Michael is a bad man, Ace knows that, but apparently Ace hopes that Michael's business side will control his temper. Not so.

"Episode 9," the season one finale, is billed on HBO's website as the series finale of Luck, although one episode of season two was filmed before production shut down permanently, due to on-set animal deaths. As to whether that single episode will ever see the light of day, well, that's still up in the air. As a season finale, "Episode 9" serves it's purpose quite well. As a series finale, it leaves much to be desired.

The battle of wills between Michael and Ace is just getting started in "Episode 9," which makes it a shame that there will be no more to the story. These are two titanic actors, who can both perform circles around most people in the industry. Pitting them against each other in this story makes their struggle seem larger than life, as their characters are. The disappointment at their conflict going unresolved is heavy.

Worse, it's hard to know who would have won, and at what cost. Michael might have the upper hand, as it stands, because he is ruthless and willing to go further than Ace. Ace is soft, whether because of love or prison, and seeks peace in his life, not war. There is little doubt that Ace could defeat Michael, because of the threat Hoffman allows to simmer in the role, but at what cost? Would he have to sacrifice the soul he is cultivating?

At the crux of this question is, what kind of man was Ace before his stint in jail? Would a slip into darkness be a return for him? Or was he always more of a caring, loyal individual, as he is now, but is he turning dark because of Michael's betrayal? This isn't answered in Luck.

Ace's win in the horse race means that Walter (Nick Nolte) loses. He takes it well, and why not? Second place isn't horrible. Victory only draws more attention to the horse, whom a snotty young man is trying to take from him. Plus, Walter respects Escalante (John Ortiz). They both work towards the same goals, and Walter isn't bitter enough to deny a fellow trainer, whom is an honorable man, his due congratulations.

Walter would be more upset if he knew the truth about his jockey, Ronnie (Gary Stevens). Ronnie is the real loser. Walter gives him back his spot because Ronnie cleans up his act. But viewers see that Ronnie is back off the wagon almost immediately, snorting coke. Did Ronnie's impaired condition have anything to do with the loss? Either way, Ronnie is heading for a big melt down, which will not be good for anyone.

Really, Walter's mount should have gone to Rosie (Kerry Condon, Rome). She works very hard to shape that horse into a victor, and then loses her position due to inexperience. Rosie does get to ride in an earlier race on Derby Day, though. Which might be what she actually deserves, considering she is still young and relatively new in the industry. And she wins that handily. Still, there is some regret that she doesn't ride for Walter, even if the two remain on good terms.

Rosie's win is lucky for the Foray Stables. Marcus (Kevin Dunn), Lonnie (Ian Hart), Renzo (Ritchie Coster), and Jerry (Jason Gedrick) have a heck of a year, buying a winning horse, and betting smartly. A couple of them even find a possibility of love. Chance is on their side, and they all end the year in better shape than they started. Which is gratifying, as each of them have shown that, despite flaws, they are good men at heart, who deserve a happy life. Their luck may not always hold out, but it certainly does through "Episode 9."

Sadly, Escalante's luck isn't so good in "Episode 9." He wins two races, to be sure, but Jo (Jill Hennessy) loses their baby. Escalante is a little scary as the series begins, his thick accent not helping matters any. But as the weeks pass, he is revealed to be a man who cares deeply about his job and those that get past his walls. Jo's pregnancy affects him a lot, and as he stands by her through the loss, he will surely take it to heart. It shows the strong fiber this man is made of. He may be the best character, and that's saying something.


And that's the end for Luck, sadly. It is an excellent show, and delivered a great season, full of complex, interesting characters in a fully developed world. But circumstances can't always be controlled, and the show did not have the best luck in that regard. Thank you to all involved for creating such a memorable run.

If you like my reviews, please follow me on Twitter. Article first published as TV Review: Luck - "Episode 9" on Blogcritics.

HBO has all the Luck

The pilot episode of HBO's Luck, a new horse racing series, introduces a lot of characters, and isn't always clear on their role in the story. Most central may be Ace (Dustin Hoffman, I Heart Huckabees, Tootsie), who is released from a three year prison stint, in which he took the fall for an entire organization. Whether Ace is on the up and up with his old colleague (Alan Rosenberg, The Guardian, Cybill) is unknown, but Ace is definitely not keeping his activities legal, pursuing the secret purchase of a racetrack, and using his assistant/pal Gus, a.k.a. The Greek (Dennis Farina, Law & Order, Snatch), as a front to buy a horse. Ace also seems angry.

Hoffman has never starred in a television series before, and it's amazing to get someone with his level of talent on the small screen every week. Ace is a fuzzy character, a man of few words, but Hoffman conveys much with a glance or a tone. He's a tortured character whose motivations are incredibly murky to the audience, and thus, should be a rich, rewarding, role for Hoffman to play. With Rosenberg and Farina on board, too, both of whom are great with finding the comedy in dramatic moments, this is probably going to be the most central storyline, and a good one at that. It also, after just the first episode, draws one in quite completely.

Ace's, or rather, the Greek's, horse is trained by Escalante (John Ortiz, The Job, American Gangster), who is definitely not a nice man. Unlike Ace, Escalante wears his temper on his sleeve. He is well respected as a trainer, so perhaps his ability to do a great job is what draws people to work with him; it's certainly not a sunny disposition. But then again, it's entirely possible, given the circumstances around which his anger occurs, that perhaps Escalante isn't a bad guy. He could just be driven, and take his job very seriously. It's hard to tell. Though, going by gut, the first impression of him, as a world class jerk, will probably pan out.

The subject of Escalante's rage in the pilot of Luck is a jockey named Leon (Tom Payne, Waterloo Road), who somehow stays cheery despite getting it from both sides. The other side being the stereotypical, foul-mouthed, bully of an agent named Joey (Richard Kind, Spin City, Burn Notice). Joey and Leon are polar opposites in their outlook on life and how they treat others. As challenges arise, it will be interesting to see if either ones' outlook rubs off on the other or if they can continue to work together despite such a major personality clash.

Also competing in the racing arena is an old horse owner named Walter (Nick Nolte, Warrior, The Thin Red Line) who thinks he has found himself a new prize winner. While the animal is not yet ready to race, Walter has high hopes. What is Walter's story? Not many clues are present in the episode. He is shown talking to horses and employees, indicating a long history at the track which lends viewers to trust that he probably knows the game quite well. But that's about it. Will his steed be a rival for Ace's horse? Or will Walter's story progress in a different direction?

Finally, there is also a group of gamblers who take a long-shot and win big in the pilot. The ringleader of the gang seems to be Marcus (Kevin Dunn, Transformers, Samantha Who?), though the luck and genius brain that chooses said victors is all Jerry (Jason Gedrick, Desperate Housewives, Backdraft). The other two, Lonnie (Ian Hart, Dirt, Finding Neverland) and Renzo (Ritchie Coster, The Dark Knight) have less obvious roles so far in Luck. But it seems like their story hasn't even started yet, as the four don't cash in their winnings by the end of the hour.  Likely, the point of these guys is to dwell on what good luck and instant wealth does to people, and so they are not yet well defined or predictable.

Luck has a lot of things going for it. For one, it's on HBO, so it will be allowed a lot of freedom to do what it wants. If past series are any indication, Luck will be big and showy, but have plenty of nuance, and unexpected happenings. Secondly, the cast is terrific. Looking at the credits of just those listed above, plus all of the smaller parts that cannot be covered in a reasonable length review, means a lot of interesting, deep characters. Surely, their skills will be put to good use, and the tools are here for a lot of rich stories.

The world of Luck is also very vivid. It is painted with detail, all of it seemingly authentic. Even without experience in the world of horse racing, it's easy to see that a lot of care and research goes into the setting and roles. It's definitely very tuned into a specific place and time, with the actors easily inhabiting the world like they've always been there. Which makes it seem that the realism level is high, a big draw.

However, this last plus is also a weakness, at least in the pilot. It is nice that Luck trusts viewers to think on their own, but a little more exposition would be nice. Instead, the story begins with everyone and everything already in place, and spends little time walking potential fans through it all. It's very confusing, taking at least a half hour to even begin to grasp what is going on. The lingo is a mystery, and the rules of the race track and the betting that goes on there are not obvious. The characters understand everything so well that they have no need to explain it to each other, and by extension, the audience. Luck presents a nut very hard to crack into.

This could excite viewers. HBO has an intelligent group of subscribers who expect a lot from their programming. The Luck pilot could be a gamble that will pay off, if enough people are motivated to give the show the effort needed to get into it. As there are so many high quality aspects of the production, there is motivation to give it a chance. Repeat viewings and further episodes will probably make things quite a bit clearer. So despite a confusing start, Luck will be a winner, if viewers choose to turn into fans.

Any review of the Luck "Pilot" would be remiss without taking a moment to dwell on the animals so central to the story. In the first episode, Leon's steed breaks his leg and must be put down. The camera lingers on the horse's eye, allowing viewers a peek into his soul. Perhaps the audience won't have the personal connection the character of Leon has with the death, but the director's choices bring them pretty darn close. It's incredibly moving.

This could actually hurt Luck because that sequence calls into question the morality of horse racing as a sport. With fans caring about the horses so early and so deeply, will they be able to watch them pushed to their limits week after week? The scene above certainly makes this reviewer want to campaign for banning the entire industry on the grounds that it seems like cruel torture. Will Luck be about characters that must be despised? Or will the other side be presented?


Overall, the series is off to a great start, and gets better the more one dwells upon the episode. New installments will first run Sundays at 9 p.m. ET on HBO and the show has already been renewed for a second season.

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Article first published as TV Review: Luck - "Pilot" on Blogcritics.