PRODIGAL SON Sets

Article first published as TV Review: PRODIGAL SON on Seat42F.

This week, FOX launched the new drama series PRODIGAL SON. The titular child, actually a grown man, is a mentally unstable profiler of serial killers. Fired from the FBI in the opening sequence, he returns home. But rather than leave the business behind, he is recruited by the local cops to catch a copycat murderer. The slayer the copycat is copying is the PRODIGAL SON’s dad, who helps our hero expose the bad guy. But did genius daddy orchestrate the whole thing?

That all sounds convoluted, a mix of a bunch of other television shows, and it is. Part Silence of the Lambs, part Blacklist, part every crime procedural on the air, PRODIGAL SON puts in a bit more mythology and serial story than most case-of-the-week series, but the main focus will still be that easy criminal caught in sixty minutes or less. And the extra stuff layered in is weird, doesn’t entirely make sense, and seems over the top, at best.

PRODIGAL SON has a stellar cast. The lead is Tom Payne (The Walking Dead), playing Malcolm Bright, whose last name is exactly as on the nose as one would expect from the rest of the program. Daddy dearest, Dr. Martin Whitly, is Good Omens’ Michael Sheen. Rounding out the family is Bellamy Young (Scandal) as controlling mother Jessica and Halston Sage (The Orville) as reporter sister Ainsley. Lou Diamond Phillips (Longmire) is the cop whose life young Malcolm saved and who now is depending on the grown lad. Other law enforcement officers are played by lesser knowns Frank Harts (The Path), Aurora Perrineau (Jem and the Holograms), and Keiko Agena (Gilmore Girls). Michael Cerveris (Fringe) is wasted in a one-episode role, appearing only in the pilot.

Frankly, this cast is far too good for this show. Yes, many fine actors are staying with the small screen these days for high quality programs, but PRODIGAL SON does not qualify. While there might be some interesting concept buried in this that could be teased out were it on FX or AMC or Netflix, the mix of unbelievability and caricature render it less than the some of its parts. Payne and Sheen, especially, are playing crazy wonderfully. But they’re practically begging for a complex story that is worthy of their performances.

We’ve seen cops. We’ve seen good guys working with the bad. Several very popular current and past shows fit into the category. If you’re going to go down that road again, you’d better have a very good reason for doing so. Or at least a solid story. This series has neither.

I get what FOX is doing here. The broadcast networks are slowly dying and they’re trying to hold onto their audience by thinking short-term. Crime procedurals still make money, and adding the serial element could possibly make it binge-worthy when it hits a streaming service. It sounds good in theory, even though it’s been seen to fail over and over again when not going enough into the serial.

If that were the only thing PRODIGAL SON had wrong with it, the cast alone might be enough to let the flaws be overlooked. But the flimsy story-telling full of connections that shouldn’t be and characters that feel one-note seals the deal that this is one to skip. Might it garner enough of an audience to run for half a dozen seasons? Sure, I’ve seen worse shows make it. But will it be a beloved classic folks remember and want to re-watch? Unless it changes significantly, definitely not.

My recommendation is to not tune in. Let PRODIGAL SON die quickly and release the performers to go onto better things. Most of them will bounce back with something better.

PRODIGAL SON airs Mondays on FOX.

HBO has all the Luck

The pilot episode of HBO's Luck, a new horse racing series, introduces a lot of characters, and isn't always clear on their role in the story. Most central may be Ace (Dustin Hoffman, I Heart Huckabees, Tootsie), who is released from a three year prison stint, in which he took the fall for an entire organization. Whether Ace is on the up and up with his old colleague (Alan Rosenberg, The Guardian, Cybill) is unknown, but Ace is definitely not keeping his activities legal, pursuing the secret purchase of a racetrack, and using his assistant/pal Gus, a.k.a. The Greek (Dennis Farina, Law & Order, Snatch), as a front to buy a horse. Ace also seems angry.

Hoffman has never starred in a television series before, and it's amazing to get someone with his level of talent on the small screen every week. Ace is a fuzzy character, a man of few words, but Hoffman conveys much with a glance or a tone. He's a tortured character whose motivations are incredibly murky to the audience, and thus, should be a rich, rewarding, role for Hoffman to play. With Rosenberg and Farina on board, too, both of whom are great with finding the comedy in dramatic moments, this is probably going to be the most central storyline, and a good one at that. It also, after just the first episode, draws one in quite completely.

Ace's, or rather, the Greek's, horse is trained by Escalante (John Ortiz, The Job, American Gangster), who is definitely not a nice man. Unlike Ace, Escalante wears his temper on his sleeve. He is well respected as a trainer, so perhaps his ability to do a great job is what draws people to work with him; it's certainly not a sunny disposition. But then again, it's entirely possible, given the circumstances around which his anger occurs, that perhaps Escalante isn't a bad guy. He could just be driven, and take his job very seriously. It's hard to tell. Though, going by gut, the first impression of him, as a world class jerk, will probably pan out.

The subject of Escalante's rage in the pilot of Luck is a jockey named Leon (Tom Payne, Waterloo Road), who somehow stays cheery despite getting it from both sides. The other side being the stereotypical, foul-mouthed, bully of an agent named Joey (Richard Kind, Spin City, Burn Notice). Joey and Leon are polar opposites in their outlook on life and how they treat others. As challenges arise, it will be interesting to see if either ones' outlook rubs off on the other or if they can continue to work together despite such a major personality clash.

Also competing in the racing arena is an old horse owner named Walter (Nick Nolte, Warrior, The Thin Red Line) who thinks he has found himself a new prize winner. While the animal is not yet ready to race, Walter has high hopes. What is Walter's story? Not many clues are present in the episode. He is shown talking to horses and employees, indicating a long history at the track which lends viewers to trust that he probably knows the game quite well. But that's about it. Will his steed be a rival for Ace's horse? Or will Walter's story progress in a different direction?

Finally, there is also a group of gamblers who take a long-shot and win big in the pilot. The ringleader of the gang seems to be Marcus (Kevin Dunn, Transformers, Samantha Who?), though the luck and genius brain that chooses said victors is all Jerry (Jason Gedrick, Desperate Housewives, Backdraft). The other two, Lonnie (Ian Hart, Dirt, Finding Neverland) and Renzo (Ritchie Coster, The Dark Knight) have less obvious roles so far in Luck. But it seems like their story hasn't even started yet, as the four don't cash in their winnings by the end of the hour.  Likely, the point of these guys is to dwell on what good luck and instant wealth does to people, and so they are not yet well defined or predictable.

Luck has a lot of things going for it. For one, it's on HBO, so it will be allowed a lot of freedom to do what it wants. If past series are any indication, Luck will be big and showy, but have plenty of nuance, and unexpected happenings. Secondly, the cast is terrific. Looking at the credits of just those listed above, plus all of the smaller parts that cannot be covered in a reasonable length review, means a lot of interesting, deep characters. Surely, their skills will be put to good use, and the tools are here for a lot of rich stories.

The world of Luck is also very vivid. It is painted with detail, all of it seemingly authentic. Even without experience in the world of horse racing, it's easy to see that a lot of care and research goes into the setting and roles. It's definitely very tuned into a specific place and time, with the actors easily inhabiting the world like they've always been there. Which makes it seem that the realism level is high, a big draw.

However, this last plus is also a weakness, at least in the pilot. It is nice that Luck trusts viewers to think on their own, but a little more exposition would be nice. Instead, the story begins with everyone and everything already in place, and spends little time walking potential fans through it all. It's very confusing, taking at least a half hour to even begin to grasp what is going on. The lingo is a mystery, and the rules of the race track and the betting that goes on there are not obvious. The characters understand everything so well that they have no need to explain it to each other, and by extension, the audience. Luck presents a nut very hard to crack into.

This could excite viewers. HBO has an intelligent group of subscribers who expect a lot from their programming. The Luck pilot could be a gamble that will pay off, if enough people are motivated to give the show the effort needed to get into it. As there are so many high quality aspects of the production, there is motivation to give it a chance. Repeat viewings and further episodes will probably make things quite a bit clearer. So despite a confusing start, Luck will be a winner, if viewers choose to turn into fans.

Any review of the Luck "Pilot" would be remiss without taking a moment to dwell on the animals so central to the story. In the first episode, Leon's steed breaks his leg and must be put down. The camera lingers on the horse's eye, allowing viewers a peek into his soul. Perhaps the audience won't have the personal connection the character of Leon has with the death, but the director's choices bring them pretty darn close. It's incredibly moving.

This could actually hurt Luck because that sequence calls into question the morality of horse racing as a sport. With fans caring about the horses so early and so deeply, will they be able to watch them pushed to their limits week after week? The scene above certainly makes this reviewer want to campaign for banning the entire industry on the grounds that it seems like cruel torture. Will Luck be about characters that must be despised? Or will the other side be presented?


Overall, the series is off to a great start, and gets better the more one dwells upon the episode. New installments will first run Sundays at 9 p.m. ET on HBO and the show has already been renewed for a second season.

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Article first published as TV Review: Luck - "Pilot" on Blogcritics.