Was GRACEPOINT Worth It?

Article first published as Was 'Gracepoint' Worth It? on Blogcritics.



WARNING: If you intend to, but have not yet, watched the full first seasons of Broadchurch and Gracepoint, you’ll probably want to bookmark this column and come back after you’ve seen them. Major spoilers are contained within. You’ve been warned!

When FOX decided to remake the British series Broadchurch, starring the same lead actor no less, my first thought was, “Why?” The original is in English and was produced recently, a second season not even out yet. It’s also brilliant, a compelling, twisty drama with terrific acting and a gripping story. Now that all of Gracepoint has aired and a second season is a pipe dream, we are left with the question, was this project worth viewers’ time? Spoiler alert: my answer is no, definitely not.

The first thing that strikes me about Gracepoint‘s pilot is just how similar it is to Broadchurch. The producers deviated very minimally from the source material. The problem with that is, every time an element goes head-to-head in an obvious comparison, Broadchurch wins. Every single time. Why try to copy a successful series if you can’t do it better or offer a fresh viewpoint?

A large part of the inferiority stems from the cast. I’m not talking about David Tennant, who overcomes bad hair coloring and being forced to speak in an American accent to give us a performance that is essentially as good as when he played the role the first time. He’s a reliable, consistent, impressive actor. I’m also not talking about Anna Gunn. I love Olivia Colman and I wouldn’t say Gunn is better, but she’s as good and Gunn proves here that her Breaking Bad gig will be followed by a long, respectable career. Pretty much everyone else, though, especially the victim’s family, just do not stack up to the originals.

Had I not seen Broadchurch, I would likely have loved Gracepoint from the start. It’s a solidly-written story, and as I mentioned, the leads are terrific. The case has lots of mystery surrounding it, and it’s like an East Coast version of The Killing, a series I adore. Any cringe worthy moments in the early installments are purely colored by my memory of the first edition.

As the season unfolds, I do get drawn into Gracepoint. It doesn’t make many major changes, but it does have a couple of extra hours (being ten episodes instead of eight) to fill, so a bit of layering is added in. Around the mid-point, it starts to look like it may veer off entirely and be it’s own beast, and that gets me excited. I enthusiastically told a friend who was holding out to give it a chance. This experiment may end up being a good one to watch after all.

Then I arrive at this week’s season finale. From the start of the series, we had been promised a killer different than the one in Broadchurch. There is foreshadowing in earlier episodes that this will not be the case, but I assume the writers are being misleading, not truly setting up the reveal. Halfway through the finale, Gracepoint had returned to a nearly carbon-copy of Broadchurch and the same perpetrator is arrested.

After that, there is a big twist in that the person who is charged didn’t actually kill the boy. But he’s still guilty of criminal acts and deserves to rot in jail. I guess this is how Gracepoint gets around the “same killer” charge, but it feels like a technicality more than an actual change, just broadening the circumstances surrounding the death a little more, rather than making it drastically different.

I do believe that if Gracepoint were to get a second season, there is the possibility to overcome the comparison issue. The fact that Danny’s best friend accidentally does the deed, his child molester father is (nobly?) taking the blame, and his mother is covering up the true crime are all rich veins to tap. Danny’s mother’s partner clearly grows suspicious of the outcome at the end, threatening to put fixing his life on hold, though he definitely should not, to further pursue the case. But since the running time of the season is almost out at this point, there’s no time to really explore any of that, and Gracepoint ends on a semi-cliffhanger that will most likely never be resolved because the ratings are pretty bad.

Without this further exploration, most interestingly Ellie (Gunn) hiding things from Carver (Tennant), Gracepoint doesn’t have a lot to set it apart from Broadchurch. If the original had been subtitled, one may argue Americans are too lazy to read them. If the shows went completely separate ways in their second years, a case could be made that they really are different stories. If we lived in a pre-Internet age and Americans didn’t have easy access to the original version, it would be somewhat, flimsily arguable to make our own, homegrown, series. As it stands now, though, Gracepoint is an inferior copy of an easily obtainable show with very few significant differences. So what was the point?

No official word on Gracepoint‘s renewal has been released, but I’m pretty sure it’s not coming back, and it does not really deserve to do so.

Broadchurch season two premieres in February on BBC America. Please check it out.

GRACEPOINT A Very Familiar Place

Article first published as GRACEPOINT Review on Seat42F.

FOX’s GRACEPOINT is a ten-episode murder mystery based on the British series Broadchurch. Starring David Tennant (Doctor Who) as Alec Hardy Emmett Carver and Anna Gunn (Breaking Bad) as Ellie Miller, the duo investigate the body of a boy found on a beautiful beach in a small, tranquil, formerly crime-less town. The suspect pool is large, and the members of the community are all affected by the tragedy in differing ways, often making the case difficult.

The biggest obstacle GRACEPOINT faces is that a number of potential viewers have already seen the original, which recently aired on BBC America in the United States, and is currently available on DVD, iTunes, and Amazon streaming. The opening scene is almost exactly the same. Tennant starred in both, playing the same role, and much of the pilot follows the source material faithfully. The writers have promised a different killer and GRACEPOINT will fill an additional two hours of running time, so it won’t be a complete clone, but the parallels are numerous and easy to draw.

By comparison, GRACEPOINT loses in every head-to-head matchup. It’s a shame Tennant isn’t allowed to keep his accent and his hair now looks unnaturally tinged red. While Broadchurch features an omnipresent creepy tone, sort of like The Killing, GRACEPOINT goes in and out of that, mixing a modern, typical style with a unique one. A number of actors in the new version, especially Michael Pentildea as the victim’s father, Mark Solano, are inferior, if not outright horrible.

That being said, had I not seen Broadchurch (which filmed a second, yet unaired season recently), I would probably like GRACEPOINT quite a bit. Gunn and Tennant are both fantastic performers, and the couple of instances where Gunn slips back into Skylar-mode are charming, rather than distracting. The story is well set up, and the various personalities that make up the cast, including Kevin Zegers (Gossip Girl) as reporter Owen Burke and Nick Nolte (Luck, Warrior) as the boys’ mentor Jack Reinhold, are both interesting and plenty suspicious.

GRACEPOINT succeeds because it balances the crime investigation with the family pathos and the drama among the townspeople. There is an emotional core that is just as central to the series as the question of who killed Danny. This allows the audience to relate to the varied players and become invested in the saga, hopefully enough to tune back in on a weekly basis for a couple of months.

I applaud FOX for trying this out. While they have allowed Sleepy Hollow, The Following, and 24 to do shorter-than-normal seasons, this is the first cable-style series on the broadcast networks. It’s gritty and realistic, extremely serial, and the writing and characters are complex. This is a departure from the standard procedural junk that mucks up the airwaves, and is not only bold for one of the Big Four, but, for the most part, worthy of praise. They would have been a bit better off just airing the British version, but since I can’t see FOX or its peers doing that, this will have to do.

The biggest question I have is, can it iron out the rough patches as it goes along? If GRACEPOINT corrects its mistakes and minimizes the role of those in the cast who don’t really cut it as actors, it could find a fan base and be something that lasts a few years (though not too long, considering the premise). But, based on the shaky start, this has to clean up quick. And, should it do well enough to earn a second season, it needs to stick to the strengths of the franchise, not just presenting a second case the following year, refusing to fall into the regular TV traps. GRACEPOINT can be special if it wants to be badly enough and the network allows it.

GRACEPOINT premieres Thursday, October 2^nd on FOX.

BREAKING BAD Broken At Last

Article first published as BREAKING BAD Broken At Last on TheTVKing.

One of the most anticipated series finales in a while, AMC's Breaking Bad aired its swan song, "Felina," last night. Walter White (Bryan Cranston) returns to New Mexico to settle some scores and preserve his legacy, in danger of being gone completely. It is a very satisfying end for the chemistry teacher-turned-meth cook, though the episode did not serve the supporting characters as well.

It's surprising to see "Felina" start with Walt going to the home of Gretchen (Jessica Hecht) and Elliot Schwartz (Adam Godley). Their part of the story was way back in the early episodes of the show, and they aren't mentioned much after. Yet, there's a nice full-circle feel to Walt confronting Elliot and Gretchen now. At the end of a series, one wants it to tie back to the beginning, and because Walt needs them, it doesn't feel forced to revisit them in this last hour.

Everything that leads Walt to his former business partners is a natural happenstance. We realize that they are the first ones that screwed him over, in his opinion, and so set him on the path of changing from powerless to powerful. What happened with them shaped Walt into the man we've seen him become. Instead of taking revenge, though, as Walt has on others, he uses them as a tool to get money to his family. Their offense is minor, by comparison, and so is their punishment. Though, since Walt needs them alive to fulfill his purpose, that could contribute to the decision not to hurt them.

Is it necessary for Walt to scare and threaten them? His entire interaction with Elliot and Gretchen, from sneaking into their house, to nonchalantly examining things until they notice him, is designed to strike fear into their hearts. We've seen Elliot be generous with Walt before, and it's likely Elliot would have cooperated without the danger of a hit man looming over him. But there's always the chance Gretchen would block Elliot from doing so, and Walt is nothing if not thorough. He leaves nothing to chance.

The fact that Walt's "assassins" are Skinny Pete (Charles Baker) and Badger (Matt Jones) is a perfect twist! Walt sells the idea that he has hired professionals, but part of me was thinking it just might be them, and hoping for it. We get an amusing scene with these two wonderful characters, and I can't help but think they really deserve to be part of this finale, glad that there was a logical way to work them in.

Now, not every important Breaking Bad character gets to be part of the finale. Hank (Dean Norris) is dead, though we see a glimpse of him in flashback. And Saul (Bob Odenkirk) is absent completely, but he already had his ending, disappearing. So while I will not say Skinny Peter and Badger are more essential to the last episode than these two, because Hank and Saul have already had their endings, it's OK that they are missing, and no other important players are excluded.

Even Marie (Betsy Brandt) gets one moving scene. She calls to warn Skyler (Anna Gunn) that Walt is back in town. It's clear the sisters are still estranged, but this conversation shows that Marie has not given up on Skyler, and still cares about her. They will face a very long road if they ever want to get back to having a relationship, but at least there's still a window left open.

Walt is nothing if not brilliant, and he has figured out how he can move around town freely, as he needs to: he simply calls in lots of tips on himself. Marie mentions "two or three voices," so Walt probably has Skinny Peter and Badger calling, too. But how smart is that? Knowing that he will be spotted and that the authorities really want him, he distracts them by appearing to be everywhere at once, spreading the DEA's resources thin.

Walt and Skyler's final scene together is tense, and most of what occurs happens between the lines. We can see that Skyler still loves Walt, evidenced by the fact that she not only lets him in, but lets him see his daughter. And Walt loves Skyler, not telling her the money is coming to her, so as not to sabotage his own efforts, and giving her the coordinates to where Hank and Gomez (Steven Michael Quezada) buried to exchange for leniency from the authorities. But their time is over, and their lack of kiss or hug is very telling. Walt has lost his family.

It's even sadder that Walt can only glimpse Junior (RJ Mitte) through the window, knowing that approaching his son would be his undoing, as Junior would not hesitate to scream for the officers guarding the apartment. In that moment, watching Junior go into his run-down home, Walt has got to feel very guilty and helpless, as he deserves to be.

Then, it's time for Walt to take down his enemies. This is purely in order to satisfy his own selfish feelings, as doing so does not help his family nor anyone else. Walt goes after Jack (Michael Bowen) and crew, and mows them down by outsmarting them, not exactly hard to do with their less-than-stellar brain power, but still impressive. He even thinks to poison Lydia (Laura Fraser) ahead of time, to make sure all the bases are covered. "Felina" needs one good action scene, and the shoot out at the compound takes care of this, but because it's an exhibition of Walt's intelligence, it doesn't feel gratuitous.

Walt's rescue of Jesse seems incidental. Walt doesn't know Jack still has Jesse until he gets to town, and while it could be argued that Walt may want to save Jesse, it feels more like that he wants to get even for having his money stolen, and Jesse being there is just convenient, though not in a false way. That being said, once Walt sees Jesse, he has to tackle him and not just let him get shot.

No matter what has happened between them, Walt still thinks of Jesse as family. In their final scene together, Walt is saying he's sorry without uttering the words. Walt isn't about to grovel and beg for forgiveness, nor is he bogged down in regret about handing Jesse over to Jack. But he sees Jesse has paid his penance, and doesn't want to make Jesse suffer any further. And, as Walt knows he isn't making it out of the compound alive, it doesn't cost him anything to offer Jesse the chance to put him down.

Jesse doesn't feel the same sense of reconciliation. He hates Walt, and has every reason to, blaming Walt for pulling him into this ugly business that has led to the death of not one, but two women he loved. The only reason Jesse doesn't kill Walt is because Walt wants him to do so, and says it. Jesse would rather Walt suffer, and knows Walt isn't having a good life, whether he lives to leave the compound or not. Jesse wants Walt to be miserable as long as possible, and leaves him to be so.

It's a triumphant moment when Jesse escapes. He gets to kill Todd (Jesse Plemons), Jesse's personal torturer, the only one quick-witted enough to duck the bullets, but shocked dumb enough to stare out a window and turn his back on his enemies. Jesse is now free of both the gang and of Walt. It's just a shame he doesn't take a few minutes to find some of Walt's money so he has some cash to start a new life.

The last scene is of Walt, who has been shot protecting Jesse, dying in a meth lab, the melody "It's All Over Now, Baby Blue" playing. This is very powerful and fitting. Walt's product, his "baby blue," was the thing he loved, and it couldn't turn it's back on him like everyone else, not being a person, so he dies in it's company. The bullet Walt takes while shielding Jesse is not redemption; that, Walt will not have. But he has accomplished what he set out to do, and he's ready to lie down and be done.

The story of Breaking Bad is Walt's personal journey, an amazing character study, with the protagonist fundamentally changing from one end to the other. In this, "Felina" serves as a very well-done ending, hitting the beats Walt needs to go through to finish his life, and giving him the death he wants when he wants it. Perfect.

I'm a little sad we don't get to see what happens to Jesse, Skyler, and Junior down the road. I'd hoped, after Walt died, for a montage to let fans know these others are OK. The show isn't about them, though, it's about Walt. That kind of montage could have only been post-Walt's death, but that would robbed the final shot from being of Walt, which it needs to be. So while I really wish for a glimpse of these people down the road, that has to be let go and appreciate that the show did exactly what it should do.

Thank you Vince Gilligan, Bryan Cranston, and company for creating one of the best shows ever made. This is the reason those who previously only read books, looking down on the visual medium, are beginning to turn to television, as excellent examples of storytelling can be done on the small screen, too. The entire five-season epic will stand as a shining example of what TV can and should be.

Breaking Bad will be missed.

BREAKING BAD's Empire Falls in "Ozymandias"

Article first published as BREAKING BAD's Empire Falls in "Ozymandias" on TheTVKing.

"Ozymandias" isn't just a character in Watchmen; it's also a Greek poem about the fall of an empire. How fitting, then, that AMC's Breaking Bad's ante-penultimate episode, which depicts Walter White's (Bryan Cranston) crumbling drug empire completely self-destructing, bears that title.

"Ozymandias" begins with a flashback to Walt and Jesse's (Aaron Paul) first cook in the desert, at the same location where the shoot out in the previous episode takes place. Jesse acts an idiot as Walt calls home to pregnant Skyler (Anna Gunn) to lie about his whereabouts and discuss what to name their daughter. It's a touching throwback to how it all began, as well as showing the bookends of the main plot arc. I can't imagine a better way to tie everything together.

Then, we're back to the current timeline of the story. It was hard to accept last week that neither Hank (Dean Norris) nor Gomez (Steven Michael Quezada) was shot in the hail of gunfire brought about by Uncle Jack (Michael Bowen) and company. Turns out, Breaking Bad just chooses not to show us their wounds until this week, perhaps allowing viewers to hold out hope, as Walt does, that there is a way his brother-in-law can survive this showdown.

In fact, Walt pleads with Uncle Jack, as Gomez lays dead and Hank shot in the leg, willing to give up his entire eighty million dollar fortune to save Hank. Walt's hubris has been laughable before, but it's been a long time since he's been this pathetic, groveling with absolutely no power. It's a bit of a surprise that Walt will give up his money for Hank, but I guess family still matters to him somehow, or at least the idea of it does, as his actions during this hour show him scrambling to hang onto something he has already lost.

Hank is completely the opposite in this situation, defiant and bad-ass 'til the end. He knows he's dead, and he's not about to whine about it. Whereas Walt would never accept death with dignity, Hank is wise and brave enough to understand the scenario and hold his head high anyway. Hank doesn't want to die, but he sure fools everyone, biting out some great bits of dialogue before Jack inevitably puts a bullet in his brain.

It's hard to lose Hank, especially now. With Walt so close to being taken down, the one man who has spent so much effort working towards that goal doesn't get to see it happen. And Hank has kind of become the hero of the show. He will definitely be missed.

That said, at least the way this plays out fixes the hesitations about the end of last week's episode, unfolding the way it realistically should.

Walt does get to leave the desert, but not before angrily selling out Jesse, whom he definitely blames for Hank's death, leaving Jesse with the bitter truth behind Jane's (Krysten Ritter) death. There isn't any logical reason to cause Jesse this last bit of pain; it's delivered purely from a place of anger. Heisenberg is gone, and petty Walter White comes out, a despicable, weak man, the father-son relationship they once had completely gone now, both feeling betrayed.

Jack is willing to dissolve his deal to make Walt cook one more time in exchange for most of the money, and Walt departs with a single barrel, still having plenty of cash to live the rest of his life on, but  getting the more valuable outcome of being completely done with Jack. Walt is separating himself from the drug life, and in this moment, we witness the end of the character's professional journey.

It's not a problem for Jack to lose Walt's expertise because he has Jesse. Sure, Jack will likely eventually fulfill the bargain and kill Jesse. But until then, Todd (Jesse Plemons) gets to use Jesse to help make meth the way it's supposed to be made. Jesse cooperates because he still cares about Andrea (Emily Rios) and Brock (Ian Posada) and Todd knows this, using them as leverage.

This is the worst end for Jesse imaginable. His dignity and humanity are stripped from him, making him a disposable slave with a very finite time limit left on his life. Fans may hope a miracle happens and Jesse survives this, but it doesn't look likely at this point, and even if he does, it will come at great cost. With all of the dark stuff unfolding in "Ozymandias," it's not hard to imagine that the final two hours will be just as depressing.

Meanwhile, we see Marie (Betsy Brandt) in a position of triumph. Surprisingly, Marie is gracious in victory, still offering to help Skyler out. True, she makes Skyler spill everything to Junior (RJ Mitte), who doesn't believe the story at first. But she's determined to make sure her sister comes through this OK, which shows their bond isn't completely destroyed. This is good because the women will definitely be needing one another to lean on with both of their husbands removed from the picture.

This is really the first time we get to see Marie so strong. She doesn't possess the evidence to further Hank's mission alone, so this is all very short-lived. But it's a great pay off for a sometimes annoying character, stepping up and getting some good material.

After running out of gas (serves him right!), Walt finally makes it home and tries to flee with his family, who are less than cooperative when they quickly realize Hank is dead. It doesn't matter that Walt denies he did it, and in Walt's own twisted brain he probably thinks he isn't responsible; they blame him anyway. Hank's death is what finally wakes up Skyler to turn on Walt, and she has Junior's support.

There is a very tense scuffle with a knife, when viewers can be forgiven for thinking a member of the White family may be grievously injured. However, the scene is more emotional than physical confrontation. This is where the line in the sand is drawn and sides are taken, and it's probably also the final time we will see all four together. Walt's family's collapse is right on the heels of his business's demise, and so he snaps.

Snapping is the only way to explain the way in which Walt flees, smashing Skyler's car, taking all the money, and abducting baby Holly. Walt has never much taken care of his infant daughter, more in love with the idea of being a dad than determined to be a good one, and he likely takes Holly more to punish Skyler than because he wants to raise her himself. It's a very low blow.

I have to hand it to Vince Gilligan and the writers, though. Just when you think there is absolutely zero humanity left in Walt, he shows a smidgen of it, returning Holly via the fire department and calling Skyler to give her an out. Yes, the angry words Walt says to Skyler probably have a lot of honesty in them. They also serve, though, to absolve her of legal liability, making the cops think he bullied and forced her to participate, and his tears show he knows this, sacrificing himself for her.

It is a sacrifice, too, because what Walt says can be used as evidence to prove him guilty. Up to this point, with Hank and Gomez dead, there is still a chance Walt can get away with things, even if it would probably be temporary. In doing this, he focuses the blame now so that it won't continue to plague his family or eventually take them down, even though such events would likely come after Walt's death from cancer so it doesn't personally benefit him to do so. Though he doesn't leave his family the money, at least not yet, so his selfishness shows, too, even if one may argue he's "keeping it safe" for them until they can actually use it.

Then Walt gets into Saul's (Bob Odenkirk) guy's van and heads away for his new life. This is probably where we'll get the time job and reach the moments shown briefly in the season premiere, with Walt returning home well after what we've just seen. This is really the end, with those others hours serving as an epilogue. Or is it?

"Ozymandias" will stand as one of the best episodes in one of the best shows on television. The drama is heavy, the feelings are flowing, and the stakes are high. Beloved characters go down, and relationships are dissolved forever. Yet, it all feels completely natural to the story, and with the stunningly brilliant acting of this cast, it's as moving as anything I've ever seen on the small screen. Extremely well done.

Breaking Bad has two episodes left, airing Sundays at 9 p.m. ET on AMC.

BREAKING BAD Showdown at "To'hajiilee"

Article first published as BREAKING BAD Showdown at "To'hajiilee" on TheTVKing.

I figured out what the super secret twist is for the series finale of Breaking Bad while watching last night's episode - the show will give us all coronaries so we won't be around to see the last hour. Brilliant!

Seriously, with only three hours left now, last night's "To'hajiilee" started to feel like a series finale, and made the tension and surprises of the first four hours seem tame. Jesse (Aaron Paul) tells Hank (Dean Norris) that if they want to catch Walt (Bryan Cranston) red-handed, they have to go after his money. Between them, they come up with a tricky scheme that does the job, getting Walt to panic, and having him lead them straight to where he buried the cash, where they finally arrest Walter White.

Walt thinks he's smart, and he is. But when two other intelligent people team up, namely Jesse and Hank, Walt falls apart. He is used to second guessing one person, but not two that know him so well and are so intent on taking him down. As much as Walt may be the protagonist of the series, it is definitely satisfying to see him outwitted in this manner.

Jesse has every right to hate Walt. No matter what small signs Walt shows that he cares for Jesse, such as when Walt asks Uncle Jack (Michael Bowen) to kill Jesse in a quick and painless manner, Walt also screws Jesse over, like when he visits Andrea (Emily Rios) and her son in "To'hajiilee" as a threat. Jesse may not know about either of these two things, but they illustrated patterns that Jesse has experienced at the hands of the kingpin.

The utter look of relief and happiness in Jesse's eyes when Walt is captured is great. Jesse has been through a lot, and most of it can be blamed on Walt. With Walt put away, and Jesse not having to sacrifice more of his soul by killing Walt, Jesse finally sees a way to escape this and put it behind him. Jesse isn't concerned about jail time for himself right now; he's just glad to be done with the meth life and everything that comes with it.

Marie (Betsy Brandt) is also excited, as she reveals in a phone call with Hank. She may love her sister, Skyler (Anna Gunn), but Marie hates Walt for everything he has done to their family. Hank proves he is the good husband and excellent officer of the law by taking down Walt for her, and she is grateful.

Sadly, Marie and Hank's phone call, sweet as it is, just foreshadows to viewers paying attention that things will not go down smoothly. Uncle Jack ignores Walt's plea to call off the hit on Jesse and shows up with a full armed posse at the site where Hank, Jesse, and Gomez (Steven Michael Quezada) have captured Walt. Guns go off, and the good guys are pinned down.

I was totally convinced that Gomez, at least, and probably Hank, were going to die at the end of "To'hajiilee." That no one actually went down, the DEA officers ducking behind their SUV, Walt and Jesse shielding themselves in the cars, and Jack, Todd (Jesse Plemons), Kenny (Kevin Rankin), and the others coldly unloading clip after clip at them, unconcerned about return fire, is amazing, and a little bit of a let down, feeling inauthentic.

Let's dissect this for a moment, though. It's unsurprising that no one from Jack's gang dies yet because Hank and Gomez are trying to duck and cover, thus leaving them shooting mostly wildly and blindly. But why can a group of guys, well armed with fast-firing weapons, not hit two men who are out in the open when the shooting begins? Could it be that they don't want to kill a cop if they don't have to, somehow hoping they can shoot Jesse and nab Walt without taking down either DEA agent? Are they just really terrible shots? I don't think Todd is, with that steely gaze. I assume there is a purpose to their missing, or Hank would already be bleeding in the dirt.

Which begs the question, how can this stand-off possibly end? Will Jack give Hank and Gomez the opportunity to leave if they hand over Walt and/or Jesse? Uncle Jack needs Walt to cook. And Uncle Jack doesn't know about the barrels of money, nor does anyone else not at this place, as Hank didn't officially call in the raid or mention the cash to Marie, so that shouldn't be part of the equation. The end of the episode, going black after many shots fired, but with no one bleeding, leaves an optimistic feeling that this isn't quite the Alamo.

However, with only three hours left, there will be some major movement at this place. The days of tip-toeing around Walt are over, and this is full out war between the various players. We don't know how a free, beaten-down Walt eventually makes it back to his ruined house, but that is the only glimpse of the future we've had. Everything else is completely up in the air. It's going to be great!

Other wonderful moments in "To'hajiilee," besides the final scene: Junior (RJ Mitte) starstruck at meeting Saul (Bob Odenkirk), Walt's panic when Saul shows up at A1, the way Hank, Jesse, and Gomez fool Huell (Lavell Crawford), turning him into a blubbering mess, Todd's weird flirtation with Lydia (Laura Frazer), and Uncle Jack's suggestion that blue food coloring will fix Todd's non-blue meth batch.

"To'hajiilee" is a fantastic episode with funny moments, some unintentionally so, great tension building, and one of the most memorable finales ever, letting viewers know that the gloves are fully off and this is it. Buckle up and get ready for the end.

Breaking Bad has three episodes left, airing Sundays at 9 p.m. ET on AMC.

BREAKING BAD Pure "Money"

Article first published as BREAKING BAD Pure "Money" on TheTVKing.

AMC's Breaking Bad kicks off its final eight hours with "Blood Money." After a glimpse at a bleak future where Walter White's (Bryan Cranston) secret is out and his home is abandoned and defiled, the action picks up right where the previous episode (which aired last summer) left off: Hank (Dean Norris) finally suspects Walt of being Heisenberg, Jesse (Aaron Paul) wrestles with guilt, and Walt lies and threatens anew.

I feel like the only way for Walt's story to end is in death. Walt has become an extremely bad dude, as evidenced with many of his words and deeds in "Blood Money." This is a kingpin who is no longer trustworthy for anyone, and he must be brought down. The question is, who will end Walter White's life?

My money is on Walter White. We see him with an M-16 and poison in the opening of the installment. With his cancer back, something he is neglecting to tell anyone, Walt doesn't have long to live, anyway. Perhaps he wants to go out on his own terms, either peacefully by consumption of tainted food or liquid, or violently in a showdown.

The argument against this theory is that Walt is a survivor. He wants people to know who he is, and he isn't content to allow himself to be caught. These feelings could waver in the face of his mortality, but Walt's conversation with Hank, in which he brags to Hank that no jury will send a dying man to prison, shows that Walt is not ready to give up yet. Backed into a corner, this could change.

Or Hank might get Walt. Hank is loathe to publicly accuse and investigate family until he's sure Walt is Heisenberg, staying home from work and checking on things off-book. However, when Walt and Hank have their confrontation, we see how angry Hank is, and Hank punches Walt, making it clear he won't help Walt get away with anything. Hank will work vehemently in these final episodes to bring Walt down.

I hope Jesse doesn't have to hurt Walt. Jesse is having enough trouble dealing with his own behavior, handing out cash he sees as "Blood Money," rather than keeping his earnings from making meth. Jesse is reckless, intent on punishing himself for what he thinks he deserves if no one else will. Yet, we know Jesse is a good guy at heart and we want to see him get better, not descend further. Having to kill Walt could permanently destroy Jesse.

A nice surprise might be if Skyler (Anna Gunn) has to pull the trigger. She's back in Walt's life, sharing his bed, and running the car wash business together. However, she is not a pushover, and would not hesitate to protect her family, and would be able to sleep at night afterwards. She will be furious when she learns Walt is hiding his cancer from her again. Perhaps it's time for her to show ever more backbone and be the ultimate hero.

One thing is certain, Lydia (Laura Fraser) doesn't have the guts to do it. She may be desperate, seeking Walt's help at work, even as Walt tells her to stay away, but that won't be enough to bring down Breaking Bad's protagonist. She is weak and scared and that counts against her.

"Blood Money," besides giving us much to ponder, is a wonderful hour, finely crafted. From Marie's (Betsy Brandt) joking comment that Walt is the devil, to Walt's two 'hello's to his neighbor, to Badger (Matt Jones) and Skinny Pete's (Charles Baker) Star Trek conversation, there are layers and metaphors and memorable moments. There are also beautiful, dramatic, character-driven scenes between Hank and Walt and between Walt and Jesse. This indicates the show will maintain its quality til the end, and that is definitely something to look forward to.

Breaking Bad airs Sundays at 9 p.m. ET on AMC.

Breaking Bad pauses in final season

AMC's Breaking Bad pauses this week, a mere eight episodes into its finale season. There will be eight more installments, but they are being held until next summer to give the writers more time to figure out an ending for the popular, critically acclaimed series. This wait sucks, to be frank, but I guess it's worth it if the ending of the show delivers, as it almost always does, rather than trying to rush greatness.

In this midseason finale, "Gliding Over All," Walter White (Bryan Cranston) takes stock of where he is. Walt has become a kingpin, controlling his own drug empire, and striking fear into the hearts of those who would oppose him. Killing anyone who might expose his secret trade, he is finally the kind of ruthless bad ass that he once cowered to.

But at what cost? His wife, Skyler (Anna Gunn), feels like a hostage, drinks heavily, and won't meet his eyes. She keeps his kids away, refusing to let them stay in the house with a criminal whose business is so dangerous for himself and those around him. Walt has murdered Mike (Jonathan Banks). He has run off his long-time partner, Jesse (Aaron Paul), who hates what Walt has become. And all he has left is a somewhat inept assistant named Todd (Jesse Plemons, Friday Night Lights, Bent).

This is a turning point for Walt. He has to choose between his loved ones and his meth making life, because he can no longer balance both. One or the other must be given up, lest he destroy everything. And it's a decision he must make himself, since no one else wants anything to do with him, the supporting characters not only stepping away from Walt, but appearing far less on screen, too, enhancing the feeling of loneliness in a very neat way.

Walt chooses his family, telling Skyler he is out, and attempting to make amends with Jesse. What would cause Walt to do this? The entire run of Breaking Bad has been about turning the sickly, mild-mannered chemistry teacher into a hardened thug at the top of the food chain. Walt loves the power and control, and relishes his new-found confidence. There are almost no signs that he would back down, especially after refusing to budge when Jesse and Skyler plea with him to. Why does the let the loneliness get to him now, of all times?

A hint may be found in a montage slightly earlier in "Gliding Over All." As the various character are shown going about their business in this changed world, Walt revisits the hospital. Is his cancer back? That's not clear from this episode. It seems a safe assumption to make, as there wasn't really anything else in the hour that would spur Walt to shift direction now.

But Breaking Bad doesn't finish with the viewer there. After seeing Walt in a happy, normalized life again, there is a final bombshell. Hank (Dean Norris), while sitting on the toilet in Walt's house, finally makes a connection. Hank now knows that Walt is the elusive Heisenberg, whom Hank and the rest of the DEA have been searching for. Will Hank do his duty and bring Walt in? Or will family loyalty win out, especially now that Walt has given up the trade and moved on? The way that Hank has been built up, as a wonderful, complex character, his next move in not predictable.

So what will the finale eight episodes be about? Well, a big piece has to stem from Hank's decision based on his new knowledge. Will Walt's family be protecting him? Will they work against him, as there is a point in "Gliding Over All" that it seems like Jesse and Skyler will turn him in? It's too bad that Skyler hates Jesse, because they would probably find much to agree on. Is Walt lying? Is he dying? Will he turn back to meth if the going gets tough? Will someone, or more than one someone, end up dead?

Breaking Bad concludes next summer on AMC.

If you like my reviews, please follow me on Twitter! Check out my new website, JeromeWetzel.com! First posted on TheTVKing

Please "Live Free" Breaking Bad!

Grade: 88%

AMC’s BREAKING BAD moves into its final season this week with “Live Free or Die.” After the usual cryptic opening set in the near future, the premiere does not set up a new story. Instead, the events of the hour deal with the aftermath of last year’s finale. With Gus (Giancarlo Esposito) recently killed, everyone tries to process that news, and figure out their next step.

Gus may be dead, but Walt (Bryan Cranston) and the others aren’t out of the woods yet. Remember that video camera that followed Walt around the lab? So does he. But before he can get his hands on the footage, Hank (Dean Norris) and the police take Gus’s laptop as evidence. Locked up in a very secure evidence room, it seems there is no way that Walt’s nefarious activities won’t come out. Mike (Jonathan Banks) advises they all run.

Walter White has come a long way on his journey to becoming a kingpin. In earlier seasons, the former chemistry teacher would have panicked, or perhaps not known what to do. And Walt will do something, because he has no intention of uprooting this life he has built himself, or fleeing from anyone. While Mike doesn’t even consider any other option, Walt remains calm, and quickly devises a plan.

Actually, it’s Jesse (Aaron Paul) who suggests the genesis of the scheme. Again, another character who has shown a lot of growth. Jesse used to be an idiot junkie. But after learning much about chemistry and attitude from Walt and Mike, he is able to keep a clear enough head to remember that magnets can destroy computers, and that might be something that they can use.

So after Jesse convinces Mike not to kill Walt, the three of them embark on the crazy mission of driving a giant junkyard magnet right up to the wall of police headquarters and cranking it all the way up. This is effective, and while their ride is sacrificed, they do make a clean get away. They are safe, for now.

Is there anyway that the magnet can be traced back to them in the upcoming investigation? Many, many criminals surely have things in the evidence room that they would like destroyed, and surely there are multiple laptops, even if Gus’s is the only one shown. But while the magnet may be nondescript, it shouldn’t take the police long to find the one junkyard in town that has a new one. After that, it is anyone’s guess how the employees at said junkyard will react to an interrogation.

Long before that happens, though, there might be a more immediate problem. The alliance between Mike, Jesse, and Walt is temporary. Who will fill the power vacuum left by Gus? One of them, or someone else? If it is someone else, they might stick together a little while longer. If it’s one of the trio, someone will have to end up dead, because these are some very strong personalities that just won’t become subservient.

It won’t be Jesse. Jesse is a follower. He naively trusts both Mike and Walt, and that will likely be his undoing, sadly. He may suggest a course of action, but he believes in them, is willing to stick his neck out for them, and is happy to take orders, rather than give them. Walt has already used this against Jesse, manipulating him by poisoning a child. Should Jesse realize this, the tide may change. But until that happens, Jesse is blind to his friend’s machinations, which means that he is putting his faith in someone that he shouldn’t.

Surprisingly, perhaps, Mike has developed a bit of loyalty towards Jesse. While Mike wants to shoot Walt immediately, he stands down when Jesse gets in the middle. It could also very well be that Mike only participates in the magnet plan to protect Jesse. Their mentor-mentee relationship was formed as another way to control Jesse, but if Mike’s affection for the lad wasn’t real, why would he go along with this?

Maybe it will take Mike and Jesse to bring Walt down, should the true depth of Walt’s dark soul ever be exposed. Walt has everything that he needs, but after each accomplishment, he only gets more over confident, and desires more power and money. This cannot go on forever. Look at Gus, a true power player, who is eventually stricken down. The play BREAKING BAD presents is a tragedy if ever there was one, and Walt will not, can not, end up on top.

Elsewhere, Ted (Christopher Cousins) wakes out of his coma. This sends Saul (Bob Odenkirk) and Skyler (Anna Gunn) into a panic, as just before Ted was injured, he was ready to expose their money laundering. Only a lucky fall saved them then.

Skyler rushes to the hospital to confront Ted, and see what must be done now. Given how disturbed Skyler was by Ted’s accident in the first place, as well as her horror at what Walt has become in killing Gus, it is unlikely she would sign off on any plan that would cause Ted further harm, no matter what the consequences to herself. Thank goodness Ted is now compliant, thinking his life is in danger if he doesn’t keep his mouth shut. Which means that Skyler shouldn’t have to follow her husband’s descent to protect her family.

What is more surprising is how Walt reacts to learning about the Ted situation. Previously, Saul and Skyler kept this issue from Walt. Saul tells Walt the story, and after a bit of anger, where Walt is clearly threatening Saul, Walt returns home, hugs his wife, and tells Skyler that she is forgiven. This is arrogant and creepy, something that plays well on Skyler’s face. What has Walt become? Does she even recognize who her husband is these days? And can she ever love a man like this?

BREAKING BAD is a masterful character study. With only fifteen episodes left, there is a real sense that some things will soon be coming to a head. Each character is going to have to figure out what they want, and what they are capable of doing to get it. There has to be betrayal, because many of these goals will run counter to each other. If the writing continues to be as good as it consistently has been for the past four years, viewers are in for one heck of a finale!

BREAKING BAD’s final season airs Sundays at 10 p.m. ET on AMC.

Ultimate "Face Off" on Breaking Bad

     The season finale of AMC's Breaking Bad, "Face Off," finds Walt (Bryan Cranston) and Jesse (Aaron Paul) plotting to kill Gus (Giancarlo Esposito). They get a lucky break when they find Tio Hector (Mark Margolis) more than willing to cooperate, even volunteering as a suicide bomber. Tio manages to blow up Gus, and Walt rescues Jesse from Gus's men. Together, Walt and Jesse burn down the lab. What Jesse doesn't know, though, is that Walt is the one who poisons Brock (Ian Posada).

     Is it truly necessary to see Gus post-explosion? His ruined face is an extremely memorable, gruesome moment that will not soon be forgotten. Breaking Bad frequently delivers on shock, but this one might just be a haunting nightmare not easily shaken away. His manner of death gives the episode's title a double meaning.

     With "Face Off," Breaking Bad presents a whole new Walt. Slowly, over four seasons, Walt gets deeper and deeper into the criminal world. This year, it seems like Walt is trying very hard to be the bad ass kingpin. Sure, he's afraid for his life, and those of his family. But he's also pretty willing to embrace the tactics needed to survive as such a man. From sending a helpless neighbor woman into his house, which he correctly suspects is being watched, to poisoning an innocent little boy, Walt demonstrates a lack of basic human compassion. Plus, when it's all over, his response is "I won." Call me crazy, but what goes down doesn't seem like a win for anyone.

     Is this change irreversible? That much is unclear. Walt is quick to sacrifice whoever needs sacrificed for the sake of his family, or possibly just out of self-preservation. Walt begins to look like Gus, who kills to make a point, and kidnaps Jesse to get him back to cooking meth. If Walt is rapidly turning into what Gus is, and Gus certainly never shows any signs of reverting back to a decent human being, than it might be too late for the former chemistry teacher. In fact, realizing what Walt is doing, his wife, Skyler (Anna Gunn), even looks scared of him as they speak on the phone.

     If Jesse ever finds out that Walt is the one that makes Brock sick, and considering this is television, he likely will, there will be a show down to the death between the partners. While Walt grows less and less in touch with his decent side, Jesse develops in the opposite direction. The youth is a hardened druggie when Walt begins working with him. They seem to develop a friendship as Jesse cares more about life, and even finds love. He turns into someone who would like to be a contributing, productive member of society. Yet, Walt doesn't care much about Jesse, either, even though he rescues him, since Walt is willing to risk the life of someone Jesse loves to manipulate him. As things stand now, fans will be rooting for Jesse to kill Walt once and for all, to stop Walt before he becomes does something even worse than he's already done.

     But there are still sixteen hours of Breaking Bad left before the series comes to a close forever. The writers will not allow such a shown down to be the only plot for that long. Though Walt burns Gus's lab, his new personality probably will not keep him out of the drug business for long. Will he include Jesse when he tries to become the next big boss in the area, as he surely will, or will Walt cut Jesse out now? Kingpins do not have partners. Jesse and Walt's family, on the other hand, would be happy living calm, peaceful lives from here on out. Too bad Walt's actions will bring them more trouble.

     Also, Mike (Jonathan Banks) sits out the entire showdown, still recovering from injuries. This is probably the only reason that Walt is able to succeed in taking out Gus. Would Mike be willing to work for Walt? Or might he seek revenge for Gus's murder?

Breaking Bad will return to AMC next year for a final,16-episode fifth season.

     If you like my reviews, please follow me on Twitter!

     Please click here for streaming episodes, Blu-ray, and DVDs of Breaking Bad.

Article first published as TV Review: Breaking Bad - "Face Off" on Blogcritics.

"Problem Dog" causes trouble for Breaking Bad

     The title of this week's Breaking Bad is "Problem Dog." This refers to Jesse's (Aaron Paul) pretending that Gale (David Costabile) is a dog when telling the story of how Jesse kills him, which he does to get issues off of his chest at his Narcotics Anonymous group. Jesse is torn, because Walt (Bryan Cranston) asks him to kill their boss, Gus (Giancarlo Esposito), which he agrees to do. But later, he passes up two opportunities to carry out the plot. It might be wise for Jesse to hurry up and complete the assignment, considering that Hank (Dean Norris) now seems to suspect Gus of heading a drug organization. If Hank catches Gus, it could expose Walt and Jesse. 

     Breaking Bad is a slow burn show that features long, powerful scenes, rather than lots of action. It gives the viewers a chance to really dwell on the characters, and what they are going through. It's a brave concept for television, and not one seen a lot. For it to work, the actors must be top notch. Luckily for Breaking Bad, it features Emmy winners Cranston and Paul. Not to mention, Norris deserves an Emmy, and has been robbed of nomination multiple times. The same might be said for Esposito. So there are a lot of very clear voices making Breaking Bad an absolute must-see show.

     "Problem Dog" gives Jesse many chances to shine. Dealing with grief and guilt for killing Gale, Jesse spends much of his time with drugs and at parties, trying to forget that he's a murderer. Then Gus sends Mike (Jonathan Banks) to pull Jesse out of his downward spiral by making him look like a hero in a staged robbery. This works, giving Jesse purpose as muscle for Gus. However. Although that emotional journey is apparent in prior episodes, "Problem Dog" really lets Paul breathe life into Jesse's whole mental state, and it works brilliantly.

     The aforementioned support group meeting is a powerful scene, but it's the culmination a journey, not its starting point. First, we see Jesse playing a violent video game, with Gale's visage flashing into it. This is not social commentary on how video games can cause bad actions, but rather, more like a PTSD flashback situation. Then Jesse feels accepted when protecting Gus, so he doesn't poison him like Jesse promises Walt he will do. The meeting is Jesse's explosion of his pent up thoughts and feelings, as the earlier scenes allude to, and really explores the character in a very moving way. Killing someone is not as easy as it seems on television. But Jesse might be able to live with himself for it. The question is, is he willing to do it again?

     Will Jesse kill Gus? This is a thought ripe for fan debate. Gus is playing a naive Jesse, pure and simple, but Jesse doesn't know that. Jesse now has self-worth and purpose, which pulls him out of the dark place he is in. Yet, Jesse does seem convinced by Walt's sales pitch that whatever Gus does now doesn't make up for the horrible things that he had done before.

     But then Jesse hesitates to take out Gus. Jesse is not being weak willed and easily manipulated, as much as he might appear to be during some points of "Problem Dog." Instead, he is taking in all the information before he makes a decision. At this point, while the structure of the series points to Jesse eventually trying to murder Gus, likely after lies are exposed, or Jesse's life is in jeopardy, it could still possibly go the other way. Viewers will just have to wait and see.

     As Jesse moves towards stability, pulling himself away from reckless action, and working on a major decision, Walt goes in the opposite direction, his behavior getting more and more reckless, perfectly exemplified by the way he torches a car in "Problem Dog." Walt doesn't even try to be discrete, causing the vehicle to explode, and calling a taxi to come and get him from the scene. Sure, Saul (Bob Odenkirk) is able to negotiate down to only a fine, and keep Walt's record clean, but what is Walt thinking? And, feeling indestructible, he doesn't even care that he got in trouble. That's dangerous. It seems, as Skyler (Anna Gunn) earlier accuses him, he wants to get caught. Why else commit such a blatant act of destruction? The money lost may not be much of an issue, but the attention surely is a big risk.

     On a semi-related note, why is Skyler asked to launder a bunch of fifty dollar bills? Saul did encourage other investments than the car wash, but as someone experienced in illicit activity, wouldn't Saul realize that the large bills would be difficult to do something with? Wouldn't he be helping with a solution, rather than leaving it in Skyler's lap? Saul doesn't want to get caught, and while Skyler does take over this part of the operation, it would be in the lawyer's best interest to help out as much as he possibly can in the illegal scheme.

     Hank is a brilliant character, who isn't very interesting when sulking in bed, collecting minerals. Thankfully, the super detective is not only on his feet again in "Problem Dog," rapidly improving his walking ability, but also already hot on Gus's trail as a meth kingpin. This is a fascinating development for Breaking Bad, and it's now only a matter of time until Hank blows the whistle.

     Hank's extended spiel to his former co-workers in "Problem Dog" is exhilarating and suspenseful. Norris gets a chance to deliver amazing lines once more, as the character almost instantly recovers from being a drag on the series to once more mattering in a very big way.

     How much does Gus continue to be important? From his meeting this week, it's obvious that Gus is not the biggest fish in the pond. With some very, very bad men wanting to knock him out of business, will it even matter if Hank catches him? Will Hank catch him in time to save his life, perhaps? Or will Jesse kill Gus first, opening up the opportunity for these new villains to take over the operation, or for Hank to reach another dead end? It doesn't appear that Jesse hesitates in killing Gus because he is afraid of someone else taking

     Do not miss Breaking Bad, Sunday nights at 10 p.m. ET on AMC.

     If you like my reviews, please follow me on Twitter!

     Please click here for streaming episodes, Blu-ray, and DVDs of Breaking Bad.

Article first published as TV Review: Breaking Bad - "Problem Dog" on Blogcritics.

Breaking Bad defends itself with a "Box Cutter" and a "Thirty-Eight Snub"

     AMC's Breaking Bad finally returned last week after more than a year's absence. Like much of the series, the first two hours flow with connecting arcs, rather than tell stand-alone stories. In the first episode of the fourth season, "Box Cutter," Walt (Bryan Cranston) secures jobs for Jesse (Aaron Paul) and himself, narrowly avoiding death at the hands of Gus (Giancarlo Esposito). But Gus shows his displeasure at Walt's ruse by butchering one of Gus's own henchmen in front of them. In "Thirty-Eight Snub," Walt seeks a more permanent solution to his continued well being, but Mike (Jonathan Banks) is unwilling to form an alliance, and tells Walt he will never see Gus again. Which means Walt and Jesse can continue making meth, but only until Gus finds a replacement and takes them out, and there's nothing they can do about it.

     It is no coincidence that both episode titles are weapons. "Box Cutter" features one of the most graphically violent scenes ever shown on basic cable television. The murder Gus commits is both chilling and fascinating, proving that Esposito is on a tier of his own in terms of acting talent. The frustrating silence and steely eyed glare make the long, drawn out scene one of supreme artistic excellence, as well as keep the suspense taunt. It is no wonder. too, that Walt is now deathly terrified of Gus, and thinks the only way to take him out may be to do a little killing of his own. Obviously, Gus is a very dangerous man, and Walt and Jesse are only alive to keep production flowing.

     Walt and Jesse handle their fear in very different ways. Walt goes for the tough guy routine, something the once meek chemistry teacher steadily grows more and more comfortable with, by buying a "Thirty-Eight Snub" and trying to turn Mike against Gus. Whether Walt has any chance at all of overcoming a powerful, cold-hearted criminal mastermind like Gus remains to be seen. Luckily, Breaking Bad has a masterful way of delivering twists, and the outcomes expected likely won't play out in a predictable way.

     Jesse, by contrast, begins growing reckless. He spends massive amounts of money on a new stereo system, and parties hard. This means Jesse's sobriety is out the window. If Gus doesn't take out Jesse, Walt's assistant will remove himself from the equation soon enough. Interestingly, Jesse shows he has lost faith only in himself, not the world, by giving Andrea (Emily Rios) a large amount of cash and trusting her to buy a better life, rather than spend it on drugs. He is a very complicated character indeed.

     In the meantime, blissfully unaware of the danger, Skyler (Anna Gunn) inserts herself more dominantly into Walt's affairs, attempting to buy the car wash her estranged husband used to work at. Unfortunately, the owner remembers her, and shuts down that idea quickly. But Skyler's concern for Walt is more than about money, as evidenced by the way she frantically searches for him when he is missing. True, she could just be concerned about her family's financial future, but her frenzy seems to indicate that she still has feelings for the man that she now keeps at arm's distance. Any possible reconciliation will be long off, but the door is not yet closed forever.

     Marie (Betsy Brandt) scores a bit more screen time in season four of Breaking Bad as she suffers through husband Hank's (Dean Norris) recovery. Hank is surly towards her, though kind to his physical therapist. He tries to get better, but won't accept the slightest comfort from the woman he is closest to. Who would have thought that Marie has the saintly patience to put up with such a grouchy, uncooperative spouse? Yet, Brandt finds inner strength from somewhere, and swiftly develops Marie from an annoying woman into a near hero. Her strength as Hank undergoes the turmoil that comes with his trauma is impressive, and the subplot is most welcome.

     Breaking Bad airs Sunday nights at 10 p.m. ET on AMC.

     If you like my reviews, please follow me on Twitter!

     Please click here for streaming episodes, Blu-ray, and DVDs of Breaking Bad.

Article first published as TV Review: Breaking Bad - "Box Cutter" and "Thirty-Eight Snub" on Blogcritics.

Breaking Bad ends season three

     Tonight is Sunday.  I have become quite accustomed to watching AMC's Breaking Bad on Sundays, but unfortunately, season three ended last week with "Full Measure", so it won't be back tonight.  Two and a half months is not long enough.  The drama that started pretty good, and was something different, has become must-see.  The wait for season four will be a long one, especially because the cliffhanger was much more suspenseful than the show had done before.

     This season saw a couple of new regulars as Walter (Bryan Cranston) and Jesse's (Aaron Paul) meth business expanded.  Saul Goodman (Bob Odenkirk) helped them launder their money, provided wonderful comic relief, and actually seemed to come through in a pinch.  Giancarlo Esposito delivered a much more nuanced performance as chilling new boss Gus, and both became essential to the series.

     I feel really bad for Walt and Jesse.  They keep getting themselves into the mess deeper and deeper.  Now that they work for a man who eliminated his competition south of the border, and controls a huge chunk of land, including several states, how much deeper can they get?  For the series to continue to up the stakes, the writers are going to have to get even more creative than they have been, and they've already been outstanding.  At this point, it seems doubtful a happy ending can be had by the two main characters, but they have to try, and audiences will continue to root for them.

     The cliffhanger, where Walt was being held at gunpoint, waiting for Jesse to kill Walt's replacement, so that Gus could eliminate Walt, was nail biting.  We heard a gun shot as the screen faded to black, but did Jesse do the deed?  He had to have, didn't he?  Yet, something tells me perhaps he didn't.  Can the brilliant people behind Breaking Bad write themselves out of this narrow of a corner?

     Walt's family drama has also gotten deeper.  Skyler (Anna Gunn) now knows Walt's secret, and after a whole season of knowing, is finally showing signs of not hating him.  While they still have a long road ahead before any type of reconciliation may be possible, it's added a new level of intrigue and pathos.  Also, if Dean Norris doesn't at least get nominated, if not win, an Emmy for portrayed brother-in-law Hank this year, justice will not be served.  What started as a two dimensional a**hole has become probably my favorite character, and after Hank barely escaping his own assassination, I look forward to every moment of screen time he gets.

     Breaking Bad will surely return to AMC next year.

Breaking Bad done with its break

       Returning to AMC last night was the hit drama Breaking Bad.  When last we left Walt (Bryan Cranston), his wife had left him, he had checked his partner into rehab, he had made a ton of tough, and a plane came crashing down around him.  Yet, this original show does not delve into cheesiness, and the plane was very well tied into other plot points, not just a freak accident, though it was that, too.  Now Breaking Bad begins a third season.

     In the premiere, "No Mas", the most shocking development was Walt's wife, Skyler (Anna Gunn) figuring out that he was a drug dealer.  He never intended to tell her, but it was surely a relief for the truth to come out.  However, the results were not so rosy.  While Walt would love his family back, the meth-maker's spouse now definitely wants nothing to do with him.  The question is, will she realize why he did it?  Will their son, Walter Jr. a.k.a. Flynn (RJ Mitte), stop hating her for pushing his father out?  And what of her D.E.A. brother-in-law, Hank (Dean Norris)? If he ever learned about Walt, wouldn't he have to take him down, family or not?  This family is certainly one of the most interesting on television.


     Jesse (Aaron Paul) has also taken a new turn with his life.  After the tragic overdose of his girlfriend Jane (Krysten Ritter), it appears he may finally have gotten clean and sober.  This gels well with Walt's decision not to be involved in illegal activities any more, despite a three million dollar offer to do three months more work before he quits.  Would it change the show too much if Walt and Jesse stayed on the straight and narrow?  Something tells me it may not be up to them, as some seriously bad dudes are heading their way.

     The Mexicans with the skull-toed boots left a level of mystery, thankfully not told in flashback as last season's major twist was.  Whatever happens, Breaking Bad got off to a great start, and I am looking forward to how this year plays out.

     New episodes of Breaking Bad air on AMC Sunday nights at 10pm.