Fargo Year Two

Article first published as Blu-ray Review: 'Fargo Year Two' on Blogcritics.

Last year, FX’s Fargo was a standout in a great year of television. With its Minnesota accents, oodles of charm, stellar cast and guest stars, and hilarious mayhem, it provided a unique, high-quality viewing experience. It was so good, I wondered if they could possibly recapture that same magic in the second go-round, since it’s an anthology series that isn’t reusing the same cast members. Thankfully, recapture it, they did, and the second season, which only recently concluded its ten-episode run, is now available on Blu-ray and DVD.

For season two, the action moves to 1979. It is still in the same part of the country, and has much of the same tone, but now has a period component added in. The music, the cars, the fashion, even Ronald Reagan (Bruce Campbell, Burn Notice), help sell that image. As such, it takes the specific spirit of season one and ups the weirdness even more, with great results.

In order to reach out to existing fans, Fargo Year Two does have two characters that connect it to the freshman run, and covers a case referenced in the premiere outing. Lou Solverson is the detective on the case. Played by Patrick Wilson (Watchmen) now, he is more than two decades younger than Keith Carradine’s version of the character. (There’s a bonus feature on the disc in which Wilson and Carradine discuss the shared role, and it’s a very welcome way to bring the stories together.) Lou’s daughter, Molly, the hero of last year, is five years old in this season. She doesn’t get involved much, but it’s still gratifying to see her.

Lou is going through a tough time when this season begins. His wife, Betsy (Cristin Milioti, How I Met Your Mother), is sick and, going by what we learned last year, doesn’t have a lot of time left. Thankfully, he has a good father-in-law, Hank (Ted Danson, Bored to Death, Damages), also in law enforcement, to help him out. This trio is by and large my favorite part of this run.

Once more, Fargo also has an average, quirky citizen mixed up in murder. This time, it’s Peggy Blumquist (Kirsten Dunst, Spider-Man), a hoarder, klepto housewife, and unlike last year’s Lester, her spouse, Ed (Jesse Plemons, Breaking Bad), is not the victim. Peggy doesn’t mean to do wrong, but she’s scared when events occur outside of her control. While she doesn’t handle them as well as we’d like to think most people would, it’s hard to hate her.

What’s interesting about what happens with Peggy in the first installment, which I don’t want to give away, is that it ties into a familiar urban legend. Fargo bills itself as a ‘true crime’ story, with words on the screen at the beginning of each episode proclaiming that what you’re viewing actually happened. It didn’t; that’s part of the conceit of the show, that it’s done in the style, but is not actually real, so those words are a lie. However, tying in something that lots of people think happened will only reinforce the believability of the premise.

For villains, there’s an entire mob family led by Otto Gerhardt (Michael Hogan, Battlestar Galactica). Otto has a wife, Floyd (Jean Smart, 24), three sons, Dodd (Jeffrey Donovan, Burn Notice), Bear (Angus Sampson, Insidious), and Rye (Kieran Culkin, Scott Pilgrim vs. the World), and a granddaughter, Simone (Rachel Keller, Hollidaysburg), and they have no small share of foes to compete with, including ones played by Brad Garrett (Everybody Loves Raymond), Bokeem Woodbine (Saving Grace), and Zahn McClarnon (Longmire).

The Fargo Year Two release has no shortage of interesting extras, going above and beyond what most shows are doing these days, despite its quick turn-around. I mentioned the Lou featurette already. There’s also a bit on “The Films of Ronald Reagan,” a Skip Sprang TV commercial, a two-part making of, and an extra about true crimes in the Midwest. In all, this is a lot more than the normal deleted scenes and audio commentaries, and all complement the set nicely.

Visually, Fargo is stunning. With lingering shots over desolate landscapes and a design and color palette that enhance the experience, it is worth it to shell out for the high-definition edition.

Fargo Year Two is available now

"Waiting for" FARGO Over

Article originally published as FARGO Review on Seat42F.

Last year, FX’s FARGO delighted. With its Minnesota accents, oodles of charm, stellar cast and guest stars, and hilarious mayhem, it provided a unique, high-quality viewing experience.

Tonight begins season two, and because it’s an anthology series that isn’t reusing it’s cast (unlike American Horror Story), none of the familiar faces are back. This provides a considerable obstacle for the show to overcome. However, overcome it, FARGO does, immediately hooking fans in to what promises to be another excellent miniseries.

Season two of FARGO is set in 1979, or at least starts there. It is still in the same part of the country, and has much of the same tone, but now has a period component added in. The music, the cars, the fashion, even Ronald Reagan (Bruce Campbell, Burn Notice), help sell that image. As such, it takes the specific spirit of season one and ups the weirdness even more, with great results.

In order to reach out to existing fans, FARGO season two does have two characters that connect it to the freshman run. Lou Solverson is the detective on the case. Played by Patrick Wilson (Watchmen) now, he is more than two decades younger than Keith Carradine’s version of the character. Lou’s daughter, Molly, the hero of last year, is five years old in this outing, so she probably won’t get involved much. FARGO season two is a case referenced in the first season and we know Lou will make it out alive, but that’s about all we know.

Lou is going through a tough time when this season begins. His wife, Betsy (Cristin Milioti, How I Met Your Mother), is sick, and going by last year, doesn’t have a lot of time left. Thankfully, he has a good father-in-law, Hank (Ted Danson, Bored to Death, Damages), also in law enforcement, to help him out. I’m not sure yet how the case will unfold, but if Lou and Hank are the primary investigators, sign me up for the season pass!

Once more, FARGO has an average, quirky citizen mixed up in murder. This time, it’s Peggy Blumquist (Kirsten Dunst, Spider-Man), a hoarder housewife, and unlike last year’s Lester, her spouse, Ed (Jesse Plemons, Breaking Bad), is not the victim. Peggy doesn’t mean to do wrong, but she’s scared when events occur outside of her control, and while she doesn’t handle them as well as we’d like to think most people would, it’s hard to hate her, at least at first. What she does next will determine if she remains sympathetic or not.

What’s interesting about what happens with Peggy, which I don’t want to give away, is that it ties into a familiar urban legend. FARGO bills itself as a ‘true crime’ story, with words on the screen at the beginning of the episode proclaiming that what you’re viewing actually happened. It didn’t; that’s part of the conceit of the show, that it’s done in the style, but is not actually real, so those words are a lie. However, tying in something that lots of people think happened will only reinforce the believability of the premise.

It’s less clear who the Billy Bob Thorton-esque villain is this year. There’s an entire mob family introduced in the premiere, led by Otto Gerhardt (Michael Hogan, Battlestar Galactica). It doesn’t seem like Otto will be long for this world, but he has a wife, Floyd (Jean Smart, 24), three sons, Dodd (Jeffrey Donovan, Burn Notice), Bear (Angus Sampson, Insidious), and Rye (Kieran Culkin, Scott Pilgrim vs. the World), and a daughter, Simone (Rachel Keller, Hollidaysburg), so it’s likely one of them will emerge as the bad guy. Or, it would be more fun if we’re left wondering who in the clan is the worst as the installments play out.

This year’s cast also includes Nick Offerman (Parks & Recreation), Brad Garrett (Everybody Loves Raymond), Bokeem Woodbine (Saving Grace), Zahn McClarnon (Longmire), and many more, so like last season, I doubt viewers will get bored or be hard up for a fresh face to come in and shake things around.

If the season premiere is any indication, FARGO has done it again, and I look forward to another excellent batch of television episodes.

FARGO airs Mondays at 10 p.m. ET on FX, beginning tonight.

BREAKING BAD Broken At Last

Article first published as BREAKING BAD Broken At Last on TheTVKing.

One of the most anticipated series finales in a while, AMC's Breaking Bad aired its swan song, "Felina," last night. Walter White (Bryan Cranston) returns to New Mexico to settle some scores and preserve his legacy, in danger of being gone completely. It is a very satisfying end for the chemistry teacher-turned-meth cook, though the episode did not serve the supporting characters as well.

It's surprising to see "Felina" start with Walt going to the home of Gretchen (Jessica Hecht) and Elliot Schwartz (Adam Godley). Their part of the story was way back in the early episodes of the show, and they aren't mentioned much after. Yet, there's a nice full-circle feel to Walt confronting Elliot and Gretchen now. At the end of a series, one wants it to tie back to the beginning, and because Walt needs them, it doesn't feel forced to revisit them in this last hour.

Everything that leads Walt to his former business partners is a natural happenstance. We realize that they are the first ones that screwed him over, in his opinion, and so set him on the path of changing from powerless to powerful. What happened with them shaped Walt into the man we've seen him become. Instead of taking revenge, though, as Walt has on others, he uses them as a tool to get money to his family. Their offense is minor, by comparison, and so is their punishment. Though, since Walt needs them alive to fulfill his purpose, that could contribute to the decision not to hurt them.

Is it necessary for Walt to scare and threaten them? His entire interaction with Elliot and Gretchen, from sneaking into their house, to nonchalantly examining things until they notice him, is designed to strike fear into their hearts. We've seen Elliot be generous with Walt before, and it's likely Elliot would have cooperated without the danger of a hit man looming over him. But there's always the chance Gretchen would block Elliot from doing so, and Walt is nothing if not thorough. He leaves nothing to chance.

The fact that Walt's "assassins" are Skinny Pete (Charles Baker) and Badger (Matt Jones) is a perfect twist! Walt sells the idea that he has hired professionals, but part of me was thinking it just might be them, and hoping for it. We get an amusing scene with these two wonderful characters, and I can't help but think they really deserve to be part of this finale, glad that there was a logical way to work them in.

Now, not every important Breaking Bad character gets to be part of the finale. Hank (Dean Norris) is dead, though we see a glimpse of him in flashback. And Saul (Bob Odenkirk) is absent completely, but he already had his ending, disappearing. So while I will not say Skinny Peter and Badger are more essential to the last episode than these two, because Hank and Saul have already had their endings, it's OK that they are missing, and no other important players are excluded.

Even Marie (Betsy Brandt) gets one moving scene. She calls to warn Skyler (Anna Gunn) that Walt is back in town. It's clear the sisters are still estranged, but this conversation shows that Marie has not given up on Skyler, and still cares about her. They will face a very long road if they ever want to get back to having a relationship, but at least there's still a window left open.

Walt is nothing if not brilliant, and he has figured out how he can move around town freely, as he needs to: he simply calls in lots of tips on himself. Marie mentions "two or three voices," so Walt probably has Skinny Peter and Badger calling, too. But how smart is that? Knowing that he will be spotted and that the authorities really want him, he distracts them by appearing to be everywhere at once, spreading the DEA's resources thin.

Walt and Skyler's final scene together is tense, and most of what occurs happens between the lines. We can see that Skyler still loves Walt, evidenced by the fact that she not only lets him in, but lets him see his daughter. And Walt loves Skyler, not telling her the money is coming to her, so as not to sabotage his own efforts, and giving her the coordinates to where Hank and Gomez (Steven Michael Quezada) buried to exchange for leniency from the authorities. But their time is over, and their lack of kiss or hug is very telling. Walt has lost his family.

It's even sadder that Walt can only glimpse Junior (RJ Mitte) through the window, knowing that approaching his son would be his undoing, as Junior would not hesitate to scream for the officers guarding the apartment. In that moment, watching Junior go into his run-down home, Walt has got to feel very guilty and helpless, as he deserves to be.

Then, it's time for Walt to take down his enemies. This is purely in order to satisfy his own selfish feelings, as doing so does not help his family nor anyone else. Walt goes after Jack (Michael Bowen) and crew, and mows them down by outsmarting them, not exactly hard to do with their less-than-stellar brain power, but still impressive. He even thinks to poison Lydia (Laura Fraser) ahead of time, to make sure all the bases are covered. "Felina" needs one good action scene, and the shoot out at the compound takes care of this, but because it's an exhibition of Walt's intelligence, it doesn't feel gratuitous.

Walt's rescue of Jesse seems incidental. Walt doesn't know Jack still has Jesse until he gets to town, and while it could be argued that Walt may want to save Jesse, it feels more like that he wants to get even for having his money stolen, and Jesse being there is just convenient, though not in a false way. That being said, once Walt sees Jesse, he has to tackle him and not just let him get shot.

No matter what has happened between them, Walt still thinks of Jesse as family. In their final scene together, Walt is saying he's sorry without uttering the words. Walt isn't about to grovel and beg for forgiveness, nor is he bogged down in regret about handing Jesse over to Jack. But he sees Jesse has paid his penance, and doesn't want to make Jesse suffer any further. And, as Walt knows he isn't making it out of the compound alive, it doesn't cost him anything to offer Jesse the chance to put him down.

Jesse doesn't feel the same sense of reconciliation. He hates Walt, and has every reason to, blaming Walt for pulling him into this ugly business that has led to the death of not one, but two women he loved. The only reason Jesse doesn't kill Walt is because Walt wants him to do so, and says it. Jesse would rather Walt suffer, and knows Walt isn't having a good life, whether he lives to leave the compound or not. Jesse wants Walt to be miserable as long as possible, and leaves him to be so.

It's a triumphant moment when Jesse escapes. He gets to kill Todd (Jesse Plemons), Jesse's personal torturer, the only one quick-witted enough to duck the bullets, but shocked dumb enough to stare out a window and turn his back on his enemies. Jesse is now free of both the gang and of Walt. It's just a shame he doesn't take a few minutes to find some of Walt's money so he has some cash to start a new life.

The last scene is of Walt, who has been shot protecting Jesse, dying in a meth lab, the melody "It's All Over Now, Baby Blue" playing. This is very powerful and fitting. Walt's product, his "baby blue," was the thing he loved, and it couldn't turn it's back on him like everyone else, not being a person, so he dies in it's company. The bullet Walt takes while shielding Jesse is not redemption; that, Walt will not have. But he has accomplished what he set out to do, and he's ready to lie down and be done.

The story of Breaking Bad is Walt's personal journey, an amazing character study, with the protagonist fundamentally changing from one end to the other. In this, "Felina" serves as a very well-done ending, hitting the beats Walt needs to go through to finish his life, and giving him the death he wants when he wants it. Perfect.

I'm a little sad we don't get to see what happens to Jesse, Skyler, and Junior down the road. I'd hoped, after Walt died, for a montage to let fans know these others are OK. The show isn't about them, though, it's about Walt. That kind of montage could have only been post-Walt's death, but that would robbed the final shot from being of Walt, which it needs to be. So while I really wish for a glimpse of these people down the road, that has to be let go and appreciate that the show did exactly what it should do.

Thank you Vince Gilligan, Bryan Cranston, and company for creating one of the best shows ever made. This is the reason those who previously only read books, looking down on the visual medium, are beginning to turn to television, as excellent examples of storytelling can be done on the small screen, too. The entire five-season epic will stand as a shining example of what TV can and should be.

Breaking Bad will be missed.

BREAKING BAD's Empire Falls in "Ozymandias"

Article first published as BREAKING BAD's Empire Falls in "Ozymandias" on TheTVKing.

"Ozymandias" isn't just a character in Watchmen; it's also a Greek poem about the fall of an empire. How fitting, then, that AMC's Breaking Bad's ante-penultimate episode, which depicts Walter White's (Bryan Cranston) crumbling drug empire completely self-destructing, bears that title.

"Ozymandias" begins with a flashback to Walt and Jesse's (Aaron Paul) first cook in the desert, at the same location where the shoot out in the previous episode takes place. Jesse acts an idiot as Walt calls home to pregnant Skyler (Anna Gunn) to lie about his whereabouts and discuss what to name their daughter. It's a touching throwback to how it all began, as well as showing the bookends of the main plot arc. I can't imagine a better way to tie everything together.

Then, we're back to the current timeline of the story. It was hard to accept last week that neither Hank (Dean Norris) nor Gomez (Steven Michael Quezada) was shot in the hail of gunfire brought about by Uncle Jack (Michael Bowen) and company. Turns out, Breaking Bad just chooses not to show us their wounds until this week, perhaps allowing viewers to hold out hope, as Walt does, that there is a way his brother-in-law can survive this showdown.

In fact, Walt pleads with Uncle Jack, as Gomez lays dead and Hank shot in the leg, willing to give up his entire eighty million dollar fortune to save Hank. Walt's hubris has been laughable before, but it's been a long time since he's been this pathetic, groveling with absolutely no power. It's a bit of a surprise that Walt will give up his money for Hank, but I guess family still matters to him somehow, or at least the idea of it does, as his actions during this hour show him scrambling to hang onto something he has already lost.

Hank is completely the opposite in this situation, defiant and bad-ass 'til the end. He knows he's dead, and he's not about to whine about it. Whereas Walt would never accept death with dignity, Hank is wise and brave enough to understand the scenario and hold his head high anyway. Hank doesn't want to die, but he sure fools everyone, biting out some great bits of dialogue before Jack inevitably puts a bullet in his brain.

It's hard to lose Hank, especially now. With Walt so close to being taken down, the one man who has spent so much effort working towards that goal doesn't get to see it happen. And Hank has kind of become the hero of the show. He will definitely be missed.

That said, at least the way this plays out fixes the hesitations about the end of last week's episode, unfolding the way it realistically should.

Walt does get to leave the desert, but not before angrily selling out Jesse, whom he definitely blames for Hank's death, leaving Jesse with the bitter truth behind Jane's (Krysten Ritter) death. There isn't any logical reason to cause Jesse this last bit of pain; it's delivered purely from a place of anger. Heisenberg is gone, and petty Walter White comes out, a despicable, weak man, the father-son relationship they once had completely gone now, both feeling betrayed.

Jack is willing to dissolve his deal to make Walt cook one more time in exchange for most of the money, and Walt departs with a single barrel, still having plenty of cash to live the rest of his life on, but  getting the more valuable outcome of being completely done with Jack. Walt is separating himself from the drug life, and in this moment, we witness the end of the character's professional journey.

It's not a problem for Jack to lose Walt's expertise because he has Jesse. Sure, Jack will likely eventually fulfill the bargain and kill Jesse. But until then, Todd (Jesse Plemons) gets to use Jesse to help make meth the way it's supposed to be made. Jesse cooperates because he still cares about Andrea (Emily Rios) and Brock (Ian Posada) and Todd knows this, using them as leverage.

This is the worst end for Jesse imaginable. His dignity and humanity are stripped from him, making him a disposable slave with a very finite time limit left on his life. Fans may hope a miracle happens and Jesse survives this, but it doesn't look likely at this point, and even if he does, it will come at great cost. With all of the dark stuff unfolding in "Ozymandias," it's not hard to imagine that the final two hours will be just as depressing.

Meanwhile, we see Marie (Betsy Brandt) in a position of triumph. Surprisingly, Marie is gracious in victory, still offering to help Skyler out. True, she makes Skyler spill everything to Junior (RJ Mitte), who doesn't believe the story at first. But she's determined to make sure her sister comes through this OK, which shows their bond isn't completely destroyed. This is good because the women will definitely be needing one another to lean on with both of their husbands removed from the picture.

This is really the first time we get to see Marie so strong. She doesn't possess the evidence to further Hank's mission alone, so this is all very short-lived. But it's a great pay off for a sometimes annoying character, stepping up and getting some good material.

After running out of gas (serves him right!), Walt finally makes it home and tries to flee with his family, who are less than cooperative when they quickly realize Hank is dead. It doesn't matter that Walt denies he did it, and in Walt's own twisted brain he probably thinks he isn't responsible; they blame him anyway. Hank's death is what finally wakes up Skyler to turn on Walt, and she has Junior's support.

There is a very tense scuffle with a knife, when viewers can be forgiven for thinking a member of the White family may be grievously injured. However, the scene is more emotional than physical confrontation. This is where the line in the sand is drawn and sides are taken, and it's probably also the final time we will see all four together. Walt's family's collapse is right on the heels of his business's demise, and so he snaps.

Snapping is the only way to explain the way in which Walt flees, smashing Skyler's car, taking all the money, and abducting baby Holly. Walt has never much taken care of his infant daughter, more in love with the idea of being a dad than determined to be a good one, and he likely takes Holly more to punish Skyler than because he wants to raise her himself. It's a very low blow.

I have to hand it to Vince Gilligan and the writers, though. Just when you think there is absolutely zero humanity left in Walt, he shows a smidgen of it, returning Holly via the fire department and calling Skyler to give her an out. Yes, the angry words Walt says to Skyler probably have a lot of honesty in them. They also serve, though, to absolve her of legal liability, making the cops think he bullied and forced her to participate, and his tears show he knows this, sacrificing himself for her.

It is a sacrifice, too, because what Walt says can be used as evidence to prove him guilty. Up to this point, with Hank and Gomez dead, there is still a chance Walt can get away with things, even if it would probably be temporary. In doing this, he focuses the blame now so that it won't continue to plague his family or eventually take them down, even though such events would likely come after Walt's death from cancer so it doesn't personally benefit him to do so. Though he doesn't leave his family the money, at least not yet, so his selfishness shows, too, even if one may argue he's "keeping it safe" for them until they can actually use it.

Then Walt gets into Saul's (Bob Odenkirk) guy's van and heads away for his new life. This is probably where we'll get the time job and reach the moments shown briefly in the season premiere, with Walt returning home well after what we've just seen. This is really the end, with those others hours serving as an epilogue. Or is it?

"Ozymandias" will stand as one of the best episodes in one of the best shows on television. The drama is heavy, the feelings are flowing, and the stakes are high. Beloved characters go down, and relationships are dissolved forever. Yet, it all feels completely natural to the story, and with the stunningly brilliant acting of this cast, it's as moving as anything I've ever seen on the small screen. Extremely well done.

Breaking Bad has two episodes left, airing Sundays at 9 p.m. ET on AMC.

BREAKING BAD Showdown at "To'hajiilee"

Article first published as BREAKING BAD Showdown at "To'hajiilee" on TheTVKing.

I figured out what the super secret twist is for the series finale of Breaking Bad while watching last night's episode - the show will give us all coronaries so we won't be around to see the last hour. Brilliant!

Seriously, with only three hours left now, last night's "To'hajiilee" started to feel like a series finale, and made the tension and surprises of the first four hours seem tame. Jesse (Aaron Paul) tells Hank (Dean Norris) that if they want to catch Walt (Bryan Cranston) red-handed, they have to go after his money. Between them, they come up with a tricky scheme that does the job, getting Walt to panic, and having him lead them straight to where he buried the cash, where they finally arrest Walter White.

Walt thinks he's smart, and he is. But when two other intelligent people team up, namely Jesse and Hank, Walt falls apart. He is used to second guessing one person, but not two that know him so well and are so intent on taking him down. As much as Walt may be the protagonist of the series, it is definitely satisfying to see him outwitted in this manner.

Jesse has every right to hate Walt. No matter what small signs Walt shows that he cares for Jesse, such as when Walt asks Uncle Jack (Michael Bowen) to kill Jesse in a quick and painless manner, Walt also screws Jesse over, like when he visits Andrea (Emily Rios) and her son in "To'hajiilee" as a threat. Jesse may not know about either of these two things, but they illustrated patterns that Jesse has experienced at the hands of the kingpin.

The utter look of relief and happiness in Jesse's eyes when Walt is captured is great. Jesse has been through a lot, and most of it can be blamed on Walt. With Walt put away, and Jesse not having to sacrifice more of his soul by killing Walt, Jesse finally sees a way to escape this and put it behind him. Jesse isn't concerned about jail time for himself right now; he's just glad to be done with the meth life and everything that comes with it.

Marie (Betsy Brandt) is also excited, as she reveals in a phone call with Hank. She may love her sister, Skyler (Anna Gunn), but Marie hates Walt for everything he has done to their family. Hank proves he is the good husband and excellent officer of the law by taking down Walt for her, and she is grateful.

Sadly, Marie and Hank's phone call, sweet as it is, just foreshadows to viewers paying attention that things will not go down smoothly. Uncle Jack ignores Walt's plea to call off the hit on Jesse and shows up with a full armed posse at the site where Hank, Jesse, and Gomez (Steven Michael Quezada) have captured Walt. Guns go off, and the good guys are pinned down.

I was totally convinced that Gomez, at least, and probably Hank, were going to die at the end of "To'hajiilee." That no one actually went down, the DEA officers ducking behind their SUV, Walt and Jesse shielding themselves in the cars, and Jack, Todd (Jesse Plemons), Kenny (Kevin Rankin), and the others coldly unloading clip after clip at them, unconcerned about return fire, is amazing, and a little bit of a let down, feeling inauthentic.

Let's dissect this for a moment, though. It's unsurprising that no one from Jack's gang dies yet because Hank and Gomez are trying to duck and cover, thus leaving them shooting mostly wildly and blindly. But why can a group of guys, well armed with fast-firing weapons, not hit two men who are out in the open when the shooting begins? Could it be that they don't want to kill a cop if they don't have to, somehow hoping they can shoot Jesse and nab Walt without taking down either DEA agent? Are they just really terrible shots? I don't think Todd is, with that steely gaze. I assume there is a purpose to their missing, or Hank would already be bleeding in the dirt.

Which begs the question, how can this stand-off possibly end? Will Jack give Hank and Gomez the opportunity to leave if they hand over Walt and/or Jesse? Uncle Jack needs Walt to cook. And Uncle Jack doesn't know about the barrels of money, nor does anyone else not at this place, as Hank didn't officially call in the raid or mention the cash to Marie, so that shouldn't be part of the equation. The end of the episode, going black after many shots fired, but with no one bleeding, leaves an optimistic feeling that this isn't quite the Alamo.

However, with only three hours left, there will be some major movement at this place. The days of tip-toeing around Walt are over, and this is full out war between the various players. We don't know how a free, beaten-down Walt eventually makes it back to his ruined house, but that is the only glimpse of the future we've had. Everything else is completely up in the air. It's going to be great!

Other wonderful moments in "To'hajiilee," besides the final scene: Junior (RJ Mitte) starstruck at meeting Saul (Bob Odenkirk), Walt's panic when Saul shows up at A1, the way Hank, Jesse, and Gomez fool Huell (Lavell Crawford), turning him into a blubbering mess, Todd's weird flirtation with Lydia (Laura Frazer), and Uncle Jack's suggestion that blue food coloring will fix Todd's non-blue meth batch.

"To'hajiilee" is a fantastic episode with funny moments, some unintentionally so, great tension building, and one of the most memorable finales ever, letting viewers know that the gloves are fully off and this is it. Buckle up and get ready for the end.

Breaking Bad has three episodes left, airing Sundays at 9 p.m. ET on AMC.

Not exactly 'Smitten' with Bent

This week, NBC's Bent finally premiered with two episodes, "Pilot" and "Smitten." In "Pilot," Alex Meyers (Amanda Peet, Studio 60 On the Sunset Strip, 2012) reluctantly hires Pete Riggins (David Walton, Perfect Couples, 100 Questions) and his crew to renovate her kitchen. They flirt, but he's a player, and she's got a boyfriend, Ben (Matt Letscher, Eli Stone, Brothers & Sisters), whom she forgets to mention, and isn't sleeping with. In "Smitten," Alex and Pete's dance continues, and Ben still isn't getting lucky. Though Pete is, just not with Alex.

For the curious who missed these episodes, the "Pilot" of Bent is free on Amazon right now, and "Smitten" is available for a small fee. Watch it, then come back and read this article.

Looking at the stars listed in the paragraph above, a pattern begins to emerge. Bent is full of terrific actors who have been in excellent television shows that were canceled before their time. Bent is not one of those excellent shows, and its imminent cancellation, which seems a very likely possibility, especially given the show's April premiere date, will not be mourned the way others have been.

The actors are great, and many of the names should be familiar. Besides the three listed above, Jeffrey Tambor (Arrested Development) plays Peter's washed-up-actor dad, JB Smoove (Curb Your Enthusiasm, a former writer for Saturday Night Live) is Pete's gossipy friend, Clem, Jesse Plemons (Friday Night Lights) is Pete's taken-advantage-of-apprentice, and Joey King (Ramona & Beezus) is Alex's daughter. Additionally, Pasha D. Lychnikoff (Deadwood) and Margo Harshman (Even Stevens) round out the cast.

But the problem with Bent is that there isn't much material for the performers to work with. The whole concept is that Pete is redoing Alex's kitchen? How long can that be stretched out? What happens when the work is done? Does he redo her whole house? Unless Pete and Alex are a couple by that time, there isn't much of a reason to merge their social circles. And if they are a couple, where does the tension go, as their interplay is the only real plot arc developed thus far?

Also, Harshman's character is called Screwsie. Whether that's because she likes to have lots of sex, or because she unscrews the top off many a bottle of cheap wine, the cutesy nickname is way too on the nose. Seriously, a grown woman goes by the name Screwsie? Does she want to be labeled an easy, alcoholic, slut?

Along the same lines, in the "Pilot" Tambor's character says that he's "Bent, not broken." If you need to explain the title of your series, the show needs a new title.

There are some hints of goodness. The bond that Pete forms with Alex's daughter, Frankie, is sweet. That is clearly his 'in' with her mother. If one can win over the kid, one can get the mother, and Pete has done that already. But since it's happened right off the bat, there isn't a lot of room to develop this further, and this relationship is not enough to carry the series on its own.

This cast would be great in a better written show. The chemistry is wonderful, when they get to use it. Perhaps that's what should be done. Keep them all together, but write totally new characters. Or figure out a different direction for Bent, quickly. Otherwise, it's destined to be yet another failed project for this very talented group of people who just can't find the right show.

Bent airs Wednesdays at 9 p.m. ET on NBC. In Columbus, NBC is analog channel 4, satellite 382, and high def cable 1004.

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"Always" Friday Night Lights

     It may be July in the real world, but it's Christmas time in Dillon, Texas on Friday Night Lights, as the five-year series comes to a permanent end with "Always." Knowing the Lions will soon be no more, the team still faces one final game - the state championship. Eric (Kyle Chandler) is pressured to sign a contract to coach the Panthers "super team" next year before leaving for the game, but wife Tami (Connie Britton) goes cold every time he brings it up. Matt (Zach Gilford) finds it easy enough to propose to Julie (Aimee Teegarden), however, getting a blessing from her parents proves far more tricky. Tim (Taylor Kitsch) ponders his future. And eight months later, life goes on.


     Friday Night Lights spends most of the series only covering football seasons, so it is not unusual for fans to have to imagine what happens during huge gaps in the characters' lives. Yet, the final scenes, set eight months later, or what would have been the beginning of a sixth season, should there have been one, are the last glimpses viewers will ever get. It's bittersweet, seeing how things continue, but already missing those people so many have grown to love. Even with only a few brief cameos by some long departed series stars, seeing the current crop's stories come to an end, along with the Taylors', is a moving finish.

     The transition is brilliant. Just before the skip ahead, the Lions are playing in their final game. Little ambient sound is heard, but a series of plays are shown over trademark music. The faces of the Lions' fans as they cheer are panned over. In stereotypical sports drama fashion, the favorite team is down by a touchdown, and there is only one play left to win the game. But between the musical strains and the camera constantly switching perspectives, the minutes spent on the field are anything but typical. Even more surprising, as the final pass goes for the player's hands, no resolution is shown. Sure, soon enough there are indicators that the Lions won, seeing the championship rings on their hands in the future. But choosing not to air the game winning catch is a bold choice that really pays off.

     Happy endings do come true. The interesting thing about Friday Night Lights is that the happy ending is merely a temporarily stop as lives continue on. Only five brief seasons play out, and despite learning all of the characters' back stories, little of their futures are shown. Many of the principal players are just graduating high school, or early into college. There is no completion. The only thing that ends is the Lions football team, and the Taylor's residence in Texas. So to sum up the entire show, Friday Night Lights, it's about when the Taylors briefly move to Texas and change many kids' paths for the better.

     And they really do. Whatever else can be said about Eric and Tami, they help children. None of Tami's connections are shown in "Always," though there are many. But Eric gets a scene each with Jess (Jurnee Smollett) and Vince (Michael B. Jordan), letting his two latest projects know that he loves and respects them, and will do anything for them, anytime they need it. He leaves them both in great places, much better than when he met them. Jess moves to Dallas and helps coach a high school football team, and Vince switches to the Panthers. But both owe much of their future careers and accomplishments to Eric Taylor. Vince also owes Eric for helping begin a healing between him and his father (Cress Williams).

    Besides mentorship, the most important element of Friday Night Lights is the marriage between Eric and Tami Taylor. It has been discussed at length in many a review, but never has their bond been tested like it is in "Always" and the episodes leading up to the finale. Tami is offered a huge career opportunity, and after following Eric around for years, thinks she deserves the chance to have a turn dictating the family's living situation. Eric likes things as they are, and has trouble seeing any future but the one he leads in building. The couple's give and take virtually disappears over this argument, and things between them take a very dark turn, even as their love is still evident.


     It's not the problems that arise that define a marriage, but how bride and groom deal with them. The climax of this arc comes as Eric lectures Matt and Julie on successful marriage. Tami is shocked at the hypocrisy in Eric's words, and Eric realizes, for the first time, how deeply it hurts Tami that he's ignoring her career. Soon after, she gives in, not seeing a way out of the argument if Eric persists on being stubborn. Even through her grief, she chooses her man. But she shouldn't have to choose, and eventually, Eric makes the right decision, telling Tami it is her turn.

     Eric's sacrifice comes late in the game, almost too late. There is plenty of reason to be angry with him for not capitulating sooner. It isn't fair how he treats Tami. But his apology, asking her so politely to take him with her as she accepts this great honor she has worked so hard to earn, makes up for it, somehow. Maybe it's the sincerity, or the knowledge that Eric knows he screwed up royally. Still, fans are just as apt as Tami to quickly forgive Eric. He has already won the battle, but forfeits anyway, because some things are far more important than getting your way. Tami's happiness is one of them to Eric.

     It's not hard to see how Julie and Matt may end up being a similar couple to Eric and Tami. The personalities in the four do differ, but facing trials and finding undying devotion is present in both instances. Eric and Tami are better people than Julie, but she is still a kid in many ways, and still has a lot to learn. Not the best written character on the series, it's still gratifying to see the Taylor daughter find such a romantic notion as the series comes to a close. And Matt does deserve her. In time, Eric will appreciate his son-in-law in time, whom he already cares for, but stumbles upon the shifting roles.

     Besides the Taylor family, many other characters come through Friday Night Lights over the years. Most get satisfying endings, whether they happen in earlier seasons, or in "Always." Landry (Jesse Plemons) and Grandma Saracen (Louanne Stephens) are two characters that are brought back, but do not get focus, in the final episode. Both are shown in brief scenes, typical for their characters, but not particularly special. Which is OK. As mentioned above, the show only covers a period in the lives of the characters. It isn't time for something large to happen to either of them, so the writers don't force it. But they are involved with characters who do need them, so they are present. Buddy (Brad Leland) is along those same lines, but with a bit extra screen time.

      Hastings (Grey Damon) alone gets no closure. Perhaps he has the unfortunate luck of joining the cast too late in the game, and disappears into the background almost as soon as he appears on the show. It seems likely, had the series not been ending, Hastings would get more to do. With other loose ends to tie up, he gets the short end of the stick.

      The final season of Friday Night Lights develops Mindy (Stacey Oristano) far better than any previous year. Her relationship with Becky (Madison Burge) is sweet and lasting. Even though Becky's mom (Alicia Witt) returns in "Always," and Becky moves home, Mindy and Becky's relationship cannot suffer. They are family, as sure as any blood relation. Thank goodness, for Mindy's sake, the young woman comes along, so that a long-time supporting player finally gets her due.

     Luke (Matt Lauria) gets the only confusing ending. He is shown, eight months later, leaving for the army. As Friday Night Lights winds down, Luke is trying to decide between football and farming, leaning heavily towards the latter. Military service comes out of nowhere. It's a believable path for him, but one that needs some sort of set up that never happens.

     Finally, there's Tim. More than any other character, Tim has to fight to overcome who he is. For nearly four years, Tim struggles with this, and then makes a heroic sacrifice. But after that act, Friday Night Lights still follows the young man, as he tries to figure out where to go from there. Seeing Tim sit on a hill with brother Billy (Derek Phillips), sharing a beer while they build Tim's dream house, is an absolutely average life, and a huge step forward from where Tim begins. While Tim has no romantic resolution with Tyra (Adrianne Palicki), there is hope there, too. His future is so much brighter than his past, it's astonishing. Guess who Tim should be thanking, besides himself, of course? Yep. Eric Taylor.


     Friday Night Lights has come to an end, but it will be sorely missed. Words cannot express the gratitude owed to everyone involved in the production of one of the most memorable, highest quality television series of all time. Thank you.

     Clear eyes. Full hearts. Can't lose.

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Article first published as TV Review: Friday Night Lights - "Always" on Blogcritics.

Friday Night Lights lives up to "Expectations"

     One of the best shows on television began its final season last night on NBC. For those lucky viewers with DirecTV, it already aired and came to an end in February. It is also already out on DVD, so there is no need to hold off twelve weeks for the finale if you're so inclined. However, for those waiting for the NBC broadcasts, the countdown to the end has begun. This refers, of course, to Friday Night Lights.

     Tami Taylor (Connie Britton) begins her job as guidance counselor at East Dillon High School. She is quickly in over her head, realizing just how bad the students on the poor end of town have it. Her first thought it to set up meetings with parents of high-risk kids, but while many agree to the meetings, almost none actually show up. Tami gets a rude awakening, and realizes she may have taken on the toughest challenge of her life.

     But she is willing to step up and do what it takes to help anyone she can. Tami is one of the most compassionate fictional characters ever, in any format of story. She really goes that extra mile to make sure she can help those kids get what they need. She isn't a pushover. She has a steely toughness that, when mixed with her big heart, gives her the tools she needs to be effective. Whatever challenges the job holds, there is no doubt that Tami will get through them and change at least a couple of the students' lives this season.

     Which is what the Taylors are all about. Tami and her husband, Eric (Kyle Chandler), are the surrogate parents for all of the needy children in Dillon, Texas. While not all the adults in town realize this, the younger generation surely does. Everyone knows these are the people to go to when you need help, and they have already made lives better for many kids over four seasons. They demand and command respect, and don't just give out charity. They help guide the kids to succeed on their own. While the students on the series come and go as the years pass, the Taylors have been the one constant, and really are the amazing story of Friday Night Lights.

     That's why Billy Riggins (Derek Phillips) now works as an assistant coach for Eric. Billy saw the kind of man that his younger brother Tim (Taylor Kitsch) grew into with Eric's help. Tim is currently sitting in jail, taking the fall for Billy so that Billy can be there for his family, including a young infant. Billy wants to give back, and is inspired by the kind of loyalty that Tim shows. While Billy is older than most of the Taylors' projects, he will be changed by them, as most are. And what's more he knows it, and is actively seeking.

     Now, the Taylors are not some kind of deities, or perfect people, despite what it may sound like in the proceeding paragraphs. They are constantly challenged, and do get discouraged, like anyone else. They have fights, with others and with each other. They are painted as complicated, realistic people, which is the show's biggest strength. Eric is made to quit coaching at the 'good' school and transfer to the bad end of town. Tami is forced out of her job as principal of the same 'good' school. It's their determination and pluck that keep them going, no matter what obstacles are stacked against them.

     This attitude inspires those around them. Vince (Michael B. Jordan) is one step away from a long prison sentence when Eric takes him under his wing. Last night, Vince sat down and had a talk about responsibility with Jess's (Jurnee Smollett) younger brother, who is acting up because their father is out of town. Without the influence Eric has had on Vince, he would never have been in a position to mentor anyone else. Now, jail is the last thing in Vince's bright future.

     Jess is not the only one struggling with an unusual family situation. Becky's (Madison Burge) mother has left her in the care of her father, who in turn dumps Becky on her stepmother, who doesn't want her. Becky's best friend, Tim, is in jail, and she has no one to turn to. Except, Tim promises Becky that she is family, so she goes to Billy. Billy's wife isn't happy about it, but Billy allows her to stay. While the Taylors are not personally involved in this particular save, it is connected to them, like an inspirational game of Six Degrees.

     As with many beginnings of seasons on this show, it is time for some long-running characters to move to the next phase in their lives. Landry (Jesse Plemons) is preparing to leave for Rice University. Landry has been with the show from the beginning, so his exit is sad. Unfortunately, he only gets a couple of scenes to explore it, having a last gig with his band, and saying goodbye to Grandma Saracen (Louanne Stephens). With his best friend already gone, it is up to Julie (Aimee Teegarden) to make Landry's last night in Dillon memorable. So she takes him to a strip club, though she leaves him there by himself. Probably not what her parents would have done, but still helpful.

     Julie is Eric and Tami's daughter, and she is leaving, too, though only Dillon, not the cast. It's interesting that the show will follow Julie to college, as it doesn't usually continue with the main characters once they leave Dillon. There have been small exceptions, and Jason Street (Scott Porter) has a huge arc post-high school, but it's not the norm. Best guess is that because Julie is a Taylor, she will get a special pass. While the Taylors are far from the only characters featured, they do seem to be the most important.

     As Julie packs up to head off to college, it really effects the stoic Eric. She skips out early on a dinner with her parents, and when he waits up for her to come home, she wants to go straight to bed. But he will have none of it, making her play ping pong with him and reliving old memories.

     Eric isn't the most emotionally expressive person, and the series is careful to keep him in character. He does tell Julie he loves her and will miss her, but almost all of his best acting his done in his eyes, not verbally. It's a testament to Chandler that Eric is able to be so loving without having to be explicit about it. Chandler is one of the few actors that can communicate so much while doing so little. As this series comes to an end, he will not be out of work long.

     It should say something that in a show titled Friday Night Lights, there is so much to review that does not concern football. That's because the series is not about football. For TV fans who avoid sports shows, this is not one of them. Although, it's so easy to care about the various people the show does follow, that when some of them inevitably make it on the field, whether or not you like football, it is still plenty exciting.

     Coach Taylor loves football, and that is probably the best thing the sport has going for it, as Coach Taylor is character to love. He insists that the game is about teamwork, not violence, and that is the attitude he brings to it. It's why his team follows him so readily. It's also the one he uses to steal newcomer Hastings Ruckle (Grey Damon) from the basketball team over to Taylor's East Dillon Lions.

     The Lions have a losing record last season, going 2-8. They win one really important game, but lose most of the others. It is, after all, the team's first year playing together. With Friday Night Lights completing its run this season, it is likely that the Lion's will have a much better record thisseason, and Ruckle, as well as Vince and Luke (Matt Lauria), will be the primary reasons for that. Vince and Luke were new last season, and with Ruckle, the three of them are sure to be Eric's next, possibly biggest, triumph.

     But Ruckle's story will surely go beyond football, as everyone on the show does. It is just unknown at this time what Ruckle's story will be.

     Luke's arc seems set to be a doozy, as he injures a player on the field in this week's game. This will combine his football story with the rest of his screen time. The look on Luke's face while realizing he has hurt another human being lends to the theory that the action will come back to haunt him. Luke has a genuine kind heart, and he will not be able to go on happily living his life if he causes serious harm to another. It will likely make for hesitation on the field, and a challenge the Lions must overcome. It may also affect Luke's future as he consider what his post-high school plans should be.


     Friday Night Lights continues its thirteen episode final season every Friday night at 8 p.m. ET on NBC.

     If you like my reviews, please follow me on Twitter! Click here for all of my Current Season Reviews.

Article first published as TV Review: Friday Night Lights - "Expectations" on Blogcritics.

Friday Night Lights kicks off new season

    This isn't such big news for those of you with DirecTV, because you've already had the opportunity to watch the entire fourth season on Friday Night Lights, but for the rest of us, the show premiered last night on NBC with an episode entitled "East of Dillon".

     Much has changed, now that Dillon has split into two high schools.  Mrs. Tami Taylor (Connie Britton) remains at the now renamed West Dillon High School as principal.  Many people in the town are furious to be forced into the new, lesser school, though Mrs. Taylor admirably tried to convince them that both high schools were on equal footing.  Her daughter, Julie (Aimee Teegarden) also goes to West, but misses her friends, and isn't helping the controversy much, so she decides on her own that she'll go to the wrong side of town.

     Landry (Jesse Plemons) is at West, now assigned to a terrible football team.  He is joined by Coach Taylor (Kyle Chandler) and new kid Vince (Michael B. Jordan), who is on the football team to avoid legal trouble, but seems to have a lot of heart.  The team is so bad their first time out that they forfeit at half time.  They all certainly have their work cut out for them.

     The only other original cast member to return full time this year is Tim Riggins (Taylor Kitsch), though he is past high school, and now a college drop out with no place to go, as he is no longer welcome at home.  We got a glimpse of Matt Saracen (Zach Gilford), taking art classes at the local school, instead of in Chicago, as he had dreamed, but he was listed only as a guest star, and won't be sticking around the entire season.

     Friday Night Lights airs Friday nights at 9pm on NBC.

Friday Night Lights to go dark

     The drama Friday Night Lights has confirmed that it is currently working on it’s fifth and final season, as evidenced by this Entertainment Weekly article.  “What is that show?  Is it still on?”, you may ask, and millions of fans would like to slug you after you pose such queries.  Though loved by critics, the show was on shaky grounds when it premiered on NBC, and was thought to be done after it’s second season, cut to 15 episodes because of the Writer’s Strike.  However, a deal with DirecTV to share production costs kept it going, and subsequent 13 episode seasons aired on the satellite carrier first, then later on NBC.  Last year, that meant cable watchers had to wait until winter to watch.  This year, the season four premiere date is not until April 30th, pushing much of the season into the summer.  That would point to bad news for the series, if it hadn’t already announced an end date.  The show will stop filming by the middle of the summer, but it will likely by 2011 before NBC airs the final batch.

     Headlined by the amazing Connie Britton (24, Spin City) and Kyle Chandler (Grey’s Anatomy, Early Edition) as Tami and Eric Taylor, the show centered on the Dylan Panthers football team, and was based on the book and movie of the same name.  Tami eventually became principal of the school, and when the high school split in two at the end of the third season, Eric was forced to go to the other side of town and coach at the new school.

     A number of students were also part of the cast, mostly football players, and have rotated through the show’s five seasons.  Most notably were the Taylor’s daughter, Julie (Aimee Teegarden), bad boy who wants to be good Tim Riggins (Taylor Kitsch, X-Men Origins: Wolverine), quarterback and grandmother caretaker Matt Saracen (Zach Gilford), religious cheerleader Lyla Garrity (Minka Kelly, Power Rangers Lightspeed Rescue), struggling-to-make-something-of-herself-and-not-stay-stuck-in-Dylan girl Tyra (Adrianne Palicki), and the guy that is in love with her, Landry Clarke (Jesse Plemons).  They, along with others, finished their high school days on the show, but returned at least part time for arcs to finish their stories.

     That was what was important about the show: stories, not football.  Be sure to watch it when it returns to NBC at the end of April.