LOVECRAFT COUNTRY a Fantastical (and Scary) Place

Article first published as TV Review: LOVECRAFT COUNTRY on Seat42F.

HBO premiered LOVECRAFT COUNTRY this week. Based on the novel of the same name by Matt Ruff, it has been adapted to television by Misha Green (Underground) and produced by the likes of Jordan Peele and J. J. Abrams. The story follows a man named Atticus Freeman, his uncle George, and Atticus’ friend Letitita as they flee and fight murderous bigots on their way to find Atticus’ missing father. It’s a fantasy-horror-sci-fi adventure that tackles race head-on, and is set in 1954, when Jim Crowe ran rampant.

This show is excellent, and I mean that on every level. To start with, the style and production of LOVECRAFT COUNTRY look fantastic. It’s a grounded period piece, that also has fantasy elements in the style of author H.P. Lovecraft (obviously). Yet, these are blended in such a way that, even what shouldn’t be able to occur, feels like it fits into this world. It’s also a well-conceived universe, aided by actual history, that has layers beneath the surface and a lot going on.

For instance, one of the leads in LOVECRAFT COUNTRY, Uncle George Freeman (Courtney B. Vance, American Crime Story), is in a loving marriage with Hippolyta (Aunjanue Ellis, Quantico), living in a small town while pursuing travel and astronomy, respectively. George’s travel guides specifically tell African Americans where it is safe to stop on their troubles. Which means it makes perfect sense when George accompanies his nephew, Atticus (Jonathan Majors, When We Rise), on Atticus’ quest to find his father, given his unusual employment and the wanderlust he shares with his wife.

In contrast to this perfect-seeming family, Atticus’ own immediate clan is pretty messy. Atticus doesn’t have an easy relationship with his father, and there’s mystery surrounding Atticus’ mother. There is also tension between Atticus and George, so even within the happy abode, there is drama. The third lead, Leti Lewis (Jurnee Smollett-Bell, True Blood, Friday Night Nights), doesn’t get along well with her siblings (we see two in the pilot), so there are lots of juicy personal interactions to pick apart.

Which means when the danger hits in LOVECRAFT COUNTRY, there are already stakes. We care about Atticus, George, and Leti very quickly, and it would be a major blow to the story if any one of them didn’t make it. Which seems like a distinct possibility, given the monsters and creatures they face.

The monsters being the white people who don’t want the trio, or anyone that looks like them, around. By the time the multi-eyed animal forest dwellers attack, horror has already taken place, from a chase down a road, to guns in the woods. There is a very real feeling of danger, much in the style of Peele’s Get Out, as our protagonists stare into the empty eyes of people who want them dead for no reason more than the color of their skin. Sure, some will complain about the one-dimensionality of these antagonists. But I think we’ll get a little more complexity as things go along, and given the situations presented, it makes sense to simplify it in the way that it is.

All three of the lead actors are performing the hell out of the piece, and several of the supporting players make impressions, too, especially Ellis and Wunmi Mosaku (Fantastic Beasts and Where to Find Them) as Ruby Baptiste, Leti’s darker skinned half-sister with a killer singing voice and a strong will.

My only complaint about the first episode is I feel I don’t fully understand the scope of the story LOVERCRAFT COUNTRY seeks to tell. I really would have felt better with a second episode before I wrote my review. I can tell the show is great, I’m just not entirely sure what it is, as it seems like there’s more than presented in the first hour.

Back UNDERGROUND

Article first published UNDERGROUND Season 2 Premiere Review on Seat42F.

WGN America’s UNDERGROUND begins its second season this week. Starting about five months after the freshman run’s finale, we quickly pick up the stories of most of our characters, more or less where we left them. Time has passed, but it’s been relatively uneventful. Something tells me, after watching the first episode, that that won’t be the case for very much longer.

UNDERGROUND is interesting to me because it’s not obvious at first who the leads are in the first year. There is a large ensemble full of talented performers, and while many of them are removed as the story progresses, there are still more important roles than the five who are listed as the primary cast, which includes only Rosalee (Jurnee Smollett-Bell), Noah (Aldis Hodge), Elizabeth (Jessica De Gouw), Cato (Alano Miller), and August (Christopher Meloni).

Thankfully, the show has been successful enough to expand that ensemble in season two. The most important of the four new leads is Ernestine (Amirah Vann), Rosalee’s mother, who always had her own plot arc, but now is officially among the principal players. UNDERGROUND season two has also added characters named Georgia (Jasika Nicole, Fringe), Clara (DeWanda Wise, Shots Fired), and Harriet (Aisha Hinds, Under the Dome, If I Stay).

Harriet, as in Harriet Tubman. Clearly a recast from the brief shot of the legendary figure from last year’s finale, it’s kind of cool that she is now part of the group. Previously, I’d worried that adding someone with such name recognition might distract from the core narrative. However, after checking out the start of season two, I don’t think that will be the case.

UNDERGROUND remains focused on the stories of the characters from year one. While Rosalee, Noah, and Elizabeth were just dipping their toe into the secret movement to free the slaves, they’re now larger players in the game, so it makes sense they’d come across Harriet. Harriet doesn’t get any more precedence than the others, less than the returning main players, so she’s an interesting element that signals our players have gotten deeper into the action, rather than a shift to a new direction.

We’ve also got some new locations. Most notably, Ernestine has left Macon Plantation and is (sort of) settling into a very different type of community. Between that and the scenes in Ohio and Canada, we begin to get a fuller picture of different parts of the United States, all of which were affected by the slave industry and those who opposed it.

There are some terrific surprises, too. As with the first year, audiences may think they know where things are heading, only to have the rug yanked out from under them by the unexpected. This is a sign of good storytelling, and an example of how UNDERGROUND roots itself in reality. While there are some fantastical coincidences and run-ins, for the most part the series keeps viewers on their toes in an authentic manner, and there’s at least one big twist in the initial return that leaves me wanting to jump right into the next episode.

Not everyone you expect to see is in the second year’s premiere. There is a lot going on in UNDERGROUND, so it doesn’t feel empty that some faces may have to wait a week for us to catch up with them. Instead, it’s a busy, satisfying hour, and I’d rather a few people take this installment off than force hokey subplots to include them.

In all, I’d rate the premiere pretty high, accomplishing what it needs to accomplish, building the established world larger, and still maintain the things that makes this show compelling. UNDERGROUND returns Wednesday at 10/9c on WGN America.

Going UNDERGROUND

Article first published as UNDERGROUND Review on Seat42F.

WGN America’s newest series is UNDERGROUND. Set in the pre-Civil War Days, it follows a swath of representative Americans, both black and white, slaves and free, at a pivotal, conflict-ridden time for our country, just before full-scale war erupts. It’s a period we’ve seen before, most notably in Roots, but never in a successful, ongoing weekly series, which should allow the writers and performers to get much deeper into the personalities and complexities of the era than has been done before.

UNDERGROUND stars Aldis Hodge (Straight Outta Compton, Leverage) as Noah, a smart man who is tired of being forced to serve a master, but who knows it wouldn’t be productive to openly rebel. Instead, he plays the game, pretending to be obedient, even while making secret plans to flee the plantation and head north, using the Underground Railroad referred to in the show’s title.

Noah is not going to go alone, which might be a good or bad idea, depending on how it plays out. Among his possible traveling companions are: Rosalee (Jurnee Smollett-Bell, True Blood, Friday Night Lights), a timid house slave and protective older sister; Moses (Mykelti Williamson, Justified, 24), who allows the others to believe he can read, even though it’s his wife, Pearly Mae (Adina Porter, True Blood, The Newsroom) who has been educated; and Cato (Alano Miller, Jane the Virgin), the collaborator who wants to go so he isn’t punished in their place after the others are gone, if he doesn’t turn them in first.

To represent the dominant race of the time, UNDERGROUND has August Pullman (Christopher Meloni, Law & Order: SVU, Wet Hot American Summer), John Hawkes (Marc Blucas, Buffy the Vampire Slayer), and Elizabeth Hawkes (Jessica De Gouw, Dracula). John is a lawyer and an abolitionist, who is offered the job of campaign manager by his brother (Dollhouse’s Reed Diamond), a Northerner who has moved South and now owns the people John is fighting to free. John’s wife, Elizabeth, seems mentally unstable, though, putting additional pressure on John. And August is… well, I’m not sure if he’s a help to runaways or a slave catcher yet, but I’m sure we’ll soon figure that out.

As you can see, there are a number of different parties represented, and that gives UNDERGROUND a full feel, in a good way. The focus is on the African-Americans, as it should be. However, no one portrayed are just stereotypes, with complex realities warring with individual morality and circumstance. Each individual, including a number of those not listed above, stand out and are quickly memorable.

The production is equally well done. Filmed in the American south, one can feel the sweat dripping when characters are out in the fields, and the landscapes are beautiful. There’s a gritty realness to it, and the costumes and sets are clearly well thought-out.

The music in UNDERGROUND is probably the oddest part of the show. At times, it is appropriate for the year, including in singing some of the more spiritual songs. But at other times, modern numbers are mixed in that really kind of pull one out of the moment. The lyrics of these fit the story, so it’s not like they’re just pop songs to punch things up, but at the same time, they clash in such a way that doesn’t quite feel right to me.

The music is the only complaint I have, though. Overall, I found UNDERGROUND to be a compelling narrative with plenty of quality in the cast, the story, and the style. The drawback is minor enough to overlook, and it’s debatable whether it really is a negative, even if I don’t understand why it’s present, at least not yet. I do recommend this one, and will probably watch more of it soon.

UNDERGROUND airs Wednesdays at 10/9c on WGN America.

"You're No Good" TRUE BLOOD Not True

Article first published as "You're No Good" TRUE BLOOD Not True on TheTVKing.

HBO's True Blood is only three episodes into the sixth season, and already so much has happened that the series bears another review. With the numerous characters and plotlines, not everything that happens in this week's installment, "You're No Good," will be covered in the following article, but most of the important points will be touched on.


Niall Brigant (Rutger Hauer), King of the Fairies, stresses to Sookie (Anna Paquin) that she should be more worried about Warlow than she is. Sookie's retort, telling her grandfather that she has to cope with a lot of dangerous situations, and so tries very hard not to overreact and keep a level head until the truly dire circumstances come along, is funny, self-referential, and perfect. Then Niall tells her Warlow does rate that most dire category, and one's blood runs cold.

Normally, if a character in a story has to tell another character (and the viewers) that a villain is really, really scary, it's a weak job on the script that's to blame. After all, we should already know how scary the baddie is by what's shown. However, there is an exception to this rule, and that occurs here. There is a lot of dangerous stuff on True Blood, and because of who Niall is, his words mean something. As happens very rarely on television, words end up being more powerful than the visuals.

Unfortunately, it's awfully hard to worry about Warlow, despite how he slaughters everyone in the fairy club, when Jason (Ryan Kwanten) is collapsed on the floor. I don't know what is going on with him, but he is not well. And, of course, his symptoms pick the worst possible time to manifest. The trouble level at the Stackhouse homestead has never been higher.

Into this turmoil, Bill (Stephen Moyer) shows up. He couldn't possibly know everything that Sookie is dealing with, and so can be forgiven for seeking her assistance now. He cannot be forgiven, though, for being demanding and rude. It's clear he no longer cares for Sookie in any romantic way, if he ever did. It's sad to see the show's central couple completely done with one another, but "You're No Good" reveals exactly that in a heart-wrenching scene.

Bill is no longer recognizable as Bill. He is ruthless and arrogant and a bit evil. His ability to see the future is as onerous as it is helpful. Perhaps Bill is the only hope for the vampire species, considering all of the humans turning against them, and the weapons being brought to bear. This Bill, more than the old Bill, is equipped to be the right vamp for the job, even if he is still allergic to the sun. But it's still sad to see a beloved character replaced by someone who looks the same, but is drastically different. If he harms the fairy kids, he will completely nonredeemable.

Eric (Alexander Skarsgard), too, is acting strangely. Kidnapping the governor's daughter, Willa (Amelia Rose Blaire), and treating humans with little regard is something pre-Sookie Eric would do. Without Sookie by his side, has he reverted back to his old, bad self? Or is this just what happens when you trap a deadly creature in a corner? Have we seen the last of Ginger (Tara Buck)? Eric's anger is completely justified, but his willingness to hurt the innocent is not.

Yet, Eric's tenderness towards his prisoner is a sign that he hasn't completely changed, as Bill has. Much of his dialogue can be chalked up to posturing. Eric is cunning, and has a plan that he doesn't always share with his friends. Yes, Eric almost kills Willa, but after that, he seems to take a step back from the edge. We'll see if desperation or a noble spirit wins out.

Alcide (Joe Manganiello) is finding it harder than expected to stop his pack from going after people who don't deserve it. When peaceful young men and women show up at their door, the pack wants to tear them to shreds, and mostly does, save Nicole (Jurnee Smollett-Bell, Friday Night Lights). Alcide himself even shows some angry, violent tendencies, though he stops short of hurting anyone. Does the pack make wolves mean, a group egging one another one? Can Alcide control it and his people, as we know he's good at heart?

It's this general darkness that makes season six better than the past couple of years. True Blood is a humorous horror show, and those laughter-inducing bits and lines are still there, such as when Holly (Lauren Bowles) takes up Andy's (Chris Bauer) system of calling his children by number. But there's also real peril and tension when the stakes get high, and unlike past seasons, this year turns up that knob right away.

Take, for instance, Sam's (Sam Trammell) plot of trying to stay hidden in a world where supes are increasingly exposed. He seeks to avoid death, but cannot. He tries to do right by Emma (Chloe Noelle), but is blocked at every turn. No matter how much Sam fights, he just can't do what he wants to do or live the way he wants to live. It seems rather hopeless.

Then Lafayette (Nelsan Ellis), who isn't known for his generosity, offers Sam help. In fact, Lafayette insists on it. Sticking together is the only way to get through the tough stuff, and "You're No Good" lets Sam find help where he doesn't expect it. The fact that Lafayette feels compelled to provide assistance shows us how bad things have gotten, but it also provides that ray of hope that just might get Sam through. We'll see, though, since the body count on True Blood is usually pretty high.

The last thing that must be mentioned about "You're No Good" is the triumphant return of Sarah Newlin (Anna Camp). Now in a position of authority and influence, she rubs it in her ex-husband, Steve's (Michael McMillian), face. Since they are both despicable characters, one can just enjoy the juicy verbal sparring between the two, and the wonderful performances of Camp and McMillian, without worrying whether the characters will be hurt or not. It may be a small thing, or it could grow into something, but having Sarah back is welcome, indeed.

So much going on, so much of it keeping viewers on the edge of their seats. True Blood season six is off to a great start! New episodes air Sundays at 9 p.m. ET on HBO.

Friday Night Lights is no "Texas Whatever"

     NBC's Friday Night Lights ends for good next week. Which means this week's episode, "Texas Whatever," provides some closure and sets up the final plots for the series. The Lions campaign hard to keep their team, but despite their best efforts, it is decided the Dillon Panthers will be the only high school football in town next year. The Panthers move quickly, recruiting Buddy (Brad Leland), hoping he will coax Vince (Michael B. Jordan) and Eric (Kyle Chandler) to get on board. Eric ponders it, infuriating Tami (Connie Britton), as her husband isn't seriously considering moving north for an exciting job she is offered. Tim (Taylor Kitsch) gets some advice from Tyra (Adrianne Palicki), and gives some in return to Luke (Matt Lauria).

     Tami rightly points out that she has put her life on hold for Eric's career for many years. While she does pursue jobs in the field she loves, serving as principal and guidance counselor during Friday Night Lights's run, these are supplementary to her role as coach's wife. Their marriage hinges on what Eric does professionally, and despite being a pretty decent husband most of the time, in this instance, Eric dismisses her far too quickly. He doesn't even seem to consider the move. Oftentimes, when Tami disagrees with Eric, she swallows it because she is happy enough. This time, her displeasure is obvious and ongoing. Which will hopefully jolt Eric awake to his error.

     Despite this recent anti-feminist attitude, Eric and Tami have one of the best, most solid, most realistic marriages on television. There is much give and take and compromise over the run of the show, and in "Texas Whatever," they are merely going through a rough patch. Seeing their love and dedication to each other spurs confidence that the issue will be worked out in a satisfactory manner. It also telegraphs what has to happen, because only one decision will end the fight. Should Eric continue to deny Tami the opportunity of a lifetime, one she is recruited for because of her high skill level, he will be saying he does not have that same level of faith and pride in her that she does in him, as well as telling her she is not as important in the marriage. This would run contrary to the give and take shown over the past five years. Eric will make the right choice.

     Buddy switching sides may seem out of character at first, but it's really not. The loveable business owner is nothing if not loyal. He switches his allegiance to the Lions when Eric is treated unfairly, and seeing an opportunity to return Eric to what Buddy considers his proper position, and knowing the battle to save the Lions is lost, he makes the best of a bad situation. He truly wants to do right by those he cares about, and in this case, that means brokering peace between his closest friend and the people who ousted him.

     Watching Jess (Jurnee Smollett) and Vince pull together to try to save the Lions is incredibly touching. The two have had their share of problems, but they bond over Dillon football. Because of what Eric puts into the program, the team is more than just guys playing sports. It's a community that inspires and teaches the students to grow as people, not just athletes. Only Eric's version of football can mend relationships and lead his players to greatness. All this is demonstrated brilliantly in the scene where the former couple go before the school board president to beg for the Lions' survival. Even their failure takes nothing away from that moment.

      Besides the Taylor family, no character is in as many episodes, or means as much to Friday Night Lights fans, as Tim Riggins. As such, it is wholly depressing to watch the young man spend most of the final season behind bars, a sacrifice he makes to keep his brother, Billy (Derek Phillips), out and taking care of his family. It's a noble deed, but Tim's behavior after release sinks many a hope that he will make something of himself. In "Texas Whatever," little of the Tim viewers have grown to love is left, as he considers moving to Alaska, giving up his beloved Texas home.

      That's why it is highly gratifying for Tyra to come back into the picture and set him straight. Many people have been able to reach Tim in various situations, but none as effectively as the woman Tim loves. Any other girls he dates will always be measured up against Tyra, and she is the one who completes him. Only Tyra can talk sense into Tim, helping him mend the fences with his brother, rather than take off from his problems. She has only a small role in the final season, but it's one every bit as important as anything else.

     Tyra frees Tim up to be the best man he can be, which he needs in advising Luke. The two guys are similar in some ways, though vastly different in others. But they have enough in common for Tim to be able to help Luke see that playing football will probably not be his life, and if Luke really wants Becky (Madison Burge), he should go for it without worrying about anyone else. Luke suspects Tim may have a thing for Becky, but Tim dismisses that, and he's telling the truth. In this case, Tim is in a paternal role, and it is a testament to Luke's character that he can seriously consider the wisdom Tim imparts, despite his misgivings.

     Depressing this entire hour, though, is the Lions being abandoned as a team. For three years Friday Night Lights motivated its fans to cheer for the Panthers, but two years ago, the show made the beloved team the enemy. Going back now is impossible, with the same crooked men still running the show. For the Lions to face extinction is nothing but sad, and wholly unfair. But life is unfair, and without the disbanding of the Lions, several characters, including Eric, would never be able to move on as they need to. The team means so much to so many, in spite of its brief existence, and once the magnetic pull stops, it won't take long for the magic to be over. Everything must come to an end, and not everything turns out the way one wants. It's how one moves forward that is important.


     The hour and a half series finale of Friday Night Lights will air next Friday at 8 p.m. ET on NBC.

     If you like my reviews, please follow me on Twitter!

     Please click here to buy the book, movie, TV DVDs, or streaming episodes of Friday Night Lights.

Article first published as TV Review: Friday Night Lights - "Texas Whatever" on Blogcritics.

Friday Night Lights gets a "Gut Check"

     NBC's Friday Night Lights begins counting down the final five episodes with "Gut Check." This is a real turning point in the season, when things get dark and characters go down paths they shouldn't. The Lions lose their first game of the year. Coach Eric Taylor (Kyle Chandler) asks Vince (Michael B. Jordan) to help train Luke (Matt Lauria) to fill in as quarterback. After listening to some bad advice from his father, Ornette (Cress Williams), Vince doesn't show up for his practice session, and is benched. After an accident, Epyck (Emily Rios) is arrested and transferred away from Tami (Connie Britton). Julie's (Aimee Teegarden) stay with Matt (Zach Gilford) sours as he encourages her to face her problems, rather than continue hiding out with him.


     Vince has been having a rough year, and things are only getting worse with Ornette's continued presence. After overcoming all of his personality difficulties last year, with no small thanks to Coach, Vince is backsliding when exposed to someone who is an enabler, immoral, and good at saying what people want to hear. It's apparent Vince knows he's making the wrong decision, but his pride is getting in the way of him admitting it, and is causing a serious obstacle. Hopefully, being benched will be a wake up call for Vince, who is looking so promising until Ornette begins taking over.

     Something else that will help Vince is if he stops pushing people away. He isn't paying attention to Eric, and he gets into a big argument with Jess (Jurnee Smollett), leading to their break up. Jess is a positive influence in Vince's life, helping him make correct decisions and stay away from bad situations. Without her, Vince loses a serious source of support. Luckily, he is still as close as ever with his mother, Regina (Angela Rawna), who, despite her love for Ornette, recommends to Vince that he not always listen to Ornette's advice. It's a sound judgment call, and one Vince needs to take to heart. There's hope, as Vince prevents a potentially volatile confrontation between Ornette and Eric.

     Jess has some real potential as a coach. She is the one that takes Luke aside and helps him learn to play the top position. This dream of hers does seem to come out of left field, but her family's passion for the sport, as well as her spending the summer helping Vince prepare, keeps it from being completely unrealistic. What's more, while she is far from perfect, as evidenced by Luke's rough struggle to win, she has some raw talent. She helps both Vince and Luke become better players this year. Hopefully Eric will pay a little more attention to her as she continues down this path. He's already starting to see her like a daughter. It's a logical progression. Unlikely as it is, how cool would a spinoff, set years in the future, with Jess as a head coach, be?

     Vince's issues are likely the reason the Lions lose. While it is a team sport, having the quarterback more concerned with his ego instead of the team fractures everyone. His bad attitude is contagious. For those hoping to see the team go undefeated in their final season, this is a serious disappointment. But Friday Night Lights is all about overcoming adversity, so a stumble is bound to happen. Considering that this is the final season, it is not likely to happen again, whether Vince pulls things together, or Luke steps up like he did in the game at the end of the episode.

     Luke is slowly becoming a man. A grownup man. Besides the football stuff, the way he is handling his renewed relationship with Becky (Madison Burge) seems very mature. Luke doesn't pick a fight with his mom, but he's not going to keep hiding Beck from his parents, either. Instead, he simply presents her without comment, without rehashing last year's abortion incident. Luke's parents should be proud. Luke and Becky learn a lot from their experience, and will be much smarter the next time around. Plus, their reconciliation demonstrates real affection between them, making last year more than just a fling.

     Becky's new job at the Landing Strip could be a problem for her and the moral Luke, or not. There's not a lot of time left to deal with many issues, and the portrayal of Mindy's (Stacey Oristano) character makes the job seems less wrong and demeaning. Mindy has given a face to the type of girl that works at a strip club, and her sweet story of marriage and having a family humanizes the dancers in a way never seen before in series television. If Becky wants to pursue the relatively easy money to be had, Friday Night Lights won't pass judgement. The question is, will Luke?

     Mindy's hesitance about her pregnancy is natural. Their insurance is lapsed, and she is still caring for an infant. It will keep her from working when the family needs money. Mindy is a realist, but Billy (Derek Phillips) is not. The balance helps them work as a couple. Now it will be Billy's job to get Mindy on board. They have a stable, loving marriage. It will not be easy at this time, but they can handle another child.

     It's too bad Epyck leaves. Tami has really been working hard to reach out to the girl, and after all the kids Tami helps, it's a shame that the one that might be her last of the TV show is removed before the real work can be done. This plot is as much about the counselor as it is about the student, if not more, as Tami struggles to provide support for kids that really need it. Epyck just won't be one of them. Life isn't fair.

     Finally, it's time for Julie to go home. A happy ending between her and Matt would be a welcome development, but it cannot happen in "Gut Check." Not until the eldest Taylor daughter confronts the things she is hiding from. Sure, her first semester at college sucks. But part of being an adult is picking up the pieces and moving on. Instead, Julie is immature, intentionally crashing a car, and now running off to Chicago. Matt is ready to be with her, whenever she is. Let's hope that Julie grows up a lot in the last four episodes.


     Friday Night Lights airs Friday nights at 8 p.m. ET on NBC, or if you can't wait to see how it ends, the Season Five DVD is on sale now.

     If you like my reviews, please follow me on Twitter! Click here for all of my Current Season Reviews.

     Please click here to buy the book, movie, TV DVDs, or streaming episodes of Friday Night Lights.

Article first published as TV Review: Friday Night Lights - "Gut Check" on Blogcritics.

Friday Night Lights lives up to "Expectations"

     One of the best shows on television began its final season last night on NBC. For those lucky viewers with DirecTV, it already aired and came to an end in February. It is also already out on DVD, so there is no need to hold off twelve weeks for the finale if you're so inclined. However, for those waiting for the NBC broadcasts, the countdown to the end has begun. This refers, of course, to Friday Night Lights.

     Tami Taylor (Connie Britton) begins her job as guidance counselor at East Dillon High School. She is quickly in over her head, realizing just how bad the students on the poor end of town have it. Her first thought it to set up meetings with parents of high-risk kids, but while many agree to the meetings, almost none actually show up. Tami gets a rude awakening, and realizes she may have taken on the toughest challenge of her life.

     But she is willing to step up and do what it takes to help anyone she can. Tami is one of the most compassionate fictional characters ever, in any format of story. She really goes that extra mile to make sure she can help those kids get what they need. She isn't a pushover. She has a steely toughness that, when mixed with her big heart, gives her the tools she needs to be effective. Whatever challenges the job holds, there is no doubt that Tami will get through them and change at least a couple of the students' lives this season.

     Which is what the Taylors are all about. Tami and her husband, Eric (Kyle Chandler), are the surrogate parents for all of the needy children in Dillon, Texas. While not all the adults in town realize this, the younger generation surely does. Everyone knows these are the people to go to when you need help, and they have already made lives better for many kids over four seasons. They demand and command respect, and don't just give out charity. They help guide the kids to succeed on their own. While the students on the series come and go as the years pass, the Taylors have been the one constant, and really are the amazing story of Friday Night Lights.

     That's why Billy Riggins (Derek Phillips) now works as an assistant coach for Eric. Billy saw the kind of man that his younger brother Tim (Taylor Kitsch) grew into with Eric's help. Tim is currently sitting in jail, taking the fall for Billy so that Billy can be there for his family, including a young infant. Billy wants to give back, and is inspired by the kind of loyalty that Tim shows. While Billy is older than most of the Taylors' projects, he will be changed by them, as most are. And what's more he knows it, and is actively seeking.

     Now, the Taylors are not some kind of deities, or perfect people, despite what it may sound like in the proceeding paragraphs. They are constantly challenged, and do get discouraged, like anyone else. They have fights, with others and with each other. They are painted as complicated, realistic people, which is the show's biggest strength. Eric is made to quit coaching at the 'good' school and transfer to the bad end of town. Tami is forced out of her job as principal of the same 'good' school. It's their determination and pluck that keep them going, no matter what obstacles are stacked against them.

     This attitude inspires those around them. Vince (Michael B. Jordan) is one step away from a long prison sentence when Eric takes him under his wing. Last night, Vince sat down and had a talk about responsibility with Jess's (Jurnee Smollett) younger brother, who is acting up because their father is out of town. Without the influence Eric has had on Vince, he would never have been in a position to mentor anyone else. Now, jail is the last thing in Vince's bright future.

     Jess is not the only one struggling with an unusual family situation. Becky's (Madison Burge) mother has left her in the care of her father, who in turn dumps Becky on her stepmother, who doesn't want her. Becky's best friend, Tim, is in jail, and she has no one to turn to. Except, Tim promises Becky that she is family, so she goes to Billy. Billy's wife isn't happy about it, but Billy allows her to stay. While the Taylors are not personally involved in this particular save, it is connected to them, like an inspirational game of Six Degrees.

     As with many beginnings of seasons on this show, it is time for some long-running characters to move to the next phase in their lives. Landry (Jesse Plemons) is preparing to leave for Rice University. Landry has been with the show from the beginning, so his exit is sad. Unfortunately, he only gets a couple of scenes to explore it, having a last gig with his band, and saying goodbye to Grandma Saracen (Louanne Stephens). With his best friend already gone, it is up to Julie (Aimee Teegarden) to make Landry's last night in Dillon memorable. So she takes him to a strip club, though she leaves him there by himself. Probably not what her parents would have done, but still helpful.

     Julie is Eric and Tami's daughter, and she is leaving, too, though only Dillon, not the cast. It's interesting that the show will follow Julie to college, as it doesn't usually continue with the main characters once they leave Dillon. There have been small exceptions, and Jason Street (Scott Porter) has a huge arc post-high school, but it's not the norm. Best guess is that because Julie is a Taylor, she will get a special pass. While the Taylors are far from the only characters featured, they do seem to be the most important.

     As Julie packs up to head off to college, it really effects the stoic Eric. She skips out early on a dinner with her parents, and when he waits up for her to come home, she wants to go straight to bed. But he will have none of it, making her play ping pong with him and reliving old memories.

     Eric isn't the most emotionally expressive person, and the series is careful to keep him in character. He does tell Julie he loves her and will miss her, but almost all of his best acting his done in his eyes, not verbally. It's a testament to Chandler that Eric is able to be so loving without having to be explicit about it. Chandler is one of the few actors that can communicate so much while doing so little. As this series comes to an end, he will not be out of work long.

     It should say something that in a show titled Friday Night Lights, there is so much to review that does not concern football. That's because the series is not about football. For TV fans who avoid sports shows, this is not one of them. Although, it's so easy to care about the various people the show does follow, that when some of them inevitably make it on the field, whether or not you like football, it is still plenty exciting.

     Coach Taylor loves football, and that is probably the best thing the sport has going for it, as Coach Taylor is character to love. He insists that the game is about teamwork, not violence, and that is the attitude he brings to it. It's why his team follows him so readily. It's also the one he uses to steal newcomer Hastings Ruckle (Grey Damon) from the basketball team over to Taylor's East Dillon Lions.

     The Lions have a losing record last season, going 2-8. They win one really important game, but lose most of the others. It is, after all, the team's first year playing together. With Friday Night Lights completing its run this season, it is likely that the Lion's will have a much better record thisseason, and Ruckle, as well as Vince and Luke (Matt Lauria), will be the primary reasons for that. Vince and Luke were new last season, and with Ruckle, the three of them are sure to be Eric's next, possibly biggest, triumph.

     But Ruckle's story will surely go beyond football, as everyone on the show does. It is just unknown at this time what Ruckle's story will be.

     Luke's arc seems set to be a doozy, as he injures a player on the field in this week's game. This will combine his football story with the rest of his screen time. The look on Luke's face while realizing he has hurt another human being lends to the theory that the action will come back to haunt him. Luke has a genuine kind heart, and he will not be able to go on happily living his life if he causes serious harm to another. It will likely make for hesitation on the field, and a challenge the Lions must overcome. It may also affect Luke's future as he consider what his post-high school plans should be.


     Friday Night Lights continues its thirteen episode final season every Friday night at 8 p.m. ET on NBC.

     If you like my reviews, please follow me on Twitter! Click here for all of my Current Season Reviews.

Article first published as TV Review: Friday Night Lights - "Expectations" on Blogcritics.

Legal Drama 4 Pack: Chase, Detroit 1-8-7, The Defenders, and The Whole Truth

     Every year there are a slew of cop and legal themed procedurals, but this year, it felt like more than usual.  To save myself some time, I'm combining four of the shows into one review.  This works, because the basic premise of each is the same.  A team of people investigate or defend or prosecute crimes in the name of justice.  The viewer is supposed to root for them.  As a general rule, I have no patience for this type of show.  It tends to be the same thing every week.  If the show title contains Law & Order or CSI, I stay clear of it.  But occasionally a Bones or The Good Wife will slip through, so I try to give them all a chance.  Hawaii Five-0 last week was amazing, and it got it's own full review, which you can read here.  Blue Bloods was also pretty good, and here's my review for that.  Finally, Outlaw, because it aired first, got it's own review.  The rest of these weren't nearly as special.  All right, here we go:



Chase (Mondays, 10pm, NBC): Typical cop drama.  I only made it through ten minutes.  I really have nothing more to say about this totally unoriginal snooze fest.

Detroit 1-8-7 (Tuesdays, 10pm, ABC): This reminded me a lot of the quickly-canceled-by-network-and-rescued-by-cable Southland, but with lighting that is easier on the eyes (I can't stand the harsh southwest colors).  It had the documentary feel, which was originally more pronounced, but as backed off a bit when it was re-edited.  It seemed to have smart writing and layered characters.  I acknowledge that this is probably a pretty good show.  It is not my cup of tea, though, so I didn't even make it through the first episode.

The Defenders (Wednesdays, 10pm, CBS): Starring Jim Belushi and Jerry O'Connell as the owners of a small firm, this entry is set in Las Vegas.  It is a bit wilder than most lawyer dramas, with the characters stepping a toe over the line occasionally.  As a big fan of Boston Legal, The Defenders does seem tame by comparison, but there may be a glimmer of something here.  Enough to earn a second watch, as I already set my TiVo to catch it again this week.  It is helped along by Jurnee Smollett (Friday Night Lights) as a new member of the legal team.

The Whole Truth (Wednesdays, 10pm, ABC): This was my favorite of the four.  It reminded me of old school episdoes of The Practice, but with a new formula.  Maura Tierney (ER, NewsRadio) is the prosecutor and Rob Morrow (Numb3rs) is the defense.  The show alternates viewpoints between the two, up through the trail.  After the verdict has been given, the truth comes out.  As both main characters seem to be good, interesting people who really care about what they do, no matter how the courtroom drama shakes out, the audience is left satisfied.  Plus Tierney and Morrow's characters have a history, and a possible romantic connection, so there's plenty going on.  This is the one that I am rooting for, and will continue watching for the time being.  Unless it gets stale.