Back UNDERGROUND

Article first published UNDERGROUND Season 2 Premiere Review on Seat42F.

WGN America’s UNDERGROUND begins its second season this week. Starting about five months after the freshman run’s finale, we quickly pick up the stories of most of our characters, more or less where we left them. Time has passed, but it’s been relatively uneventful. Something tells me, after watching the first episode, that that won’t be the case for very much longer.

UNDERGROUND is interesting to me because it’s not obvious at first who the leads are in the first year. There is a large ensemble full of talented performers, and while many of them are removed as the story progresses, there are still more important roles than the five who are listed as the primary cast, which includes only Rosalee (Jurnee Smollett-Bell), Noah (Aldis Hodge), Elizabeth (Jessica De Gouw), Cato (Alano Miller), and August (Christopher Meloni).

Thankfully, the show has been successful enough to expand that ensemble in season two. The most important of the four new leads is Ernestine (Amirah Vann), Rosalee’s mother, who always had her own plot arc, but now is officially among the principal players. UNDERGROUND season two has also added characters named Georgia (Jasika Nicole, Fringe), Clara (DeWanda Wise, Shots Fired), and Harriet (Aisha Hinds, Under the Dome, If I Stay).

Harriet, as in Harriet Tubman. Clearly a recast from the brief shot of the legendary figure from last year’s finale, it’s kind of cool that she is now part of the group. Previously, I’d worried that adding someone with such name recognition might distract from the core narrative. However, after checking out the start of season two, I don’t think that will be the case.

UNDERGROUND remains focused on the stories of the characters from year one. While Rosalee, Noah, and Elizabeth were just dipping their toe into the secret movement to free the slaves, they’re now larger players in the game, so it makes sense they’d come across Harriet. Harriet doesn’t get any more precedence than the others, less than the returning main players, so she’s an interesting element that signals our players have gotten deeper into the action, rather than a shift to a new direction.

We’ve also got some new locations. Most notably, Ernestine has left Macon Plantation and is (sort of) settling into a very different type of community. Between that and the scenes in Ohio and Canada, we begin to get a fuller picture of different parts of the United States, all of which were affected by the slave industry and those who opposed it.

There are some terrific surprises, too. As with the first year, audiences may think they know where things are heading, only to have the rug yanked out from under them by the unexpected. This is a sign of good storytelling, and an example of how UNDERGROUND roots itself in reality. While there are some fantastical coincidences and run-ins, for the most part the series keeps viewers on their toes in an authentic manner, and there’s at least one big twist in the initial return that leaves me wanting to jump right into the next episode.

Not everyone you expect to see is in the second year’s premiere. There is a lot going on in UNDERGROUND, so it doesn’t feel empty that some faces may have to wait a week for us to catch up with them. Instead, it’s a busy, satisfying hour, and I’d rather a few people take this installment off than force hokey subplots to include them.

In all, I’d rate the premiere pretty high, accomplishing what it needs to accomplish, building the established world larger, and still maintain the things that makes this show compelling. UNDERGROUND returns Wednesday at 10/9c on WGN America.

Going UNDERGROUND

Article first published as UNDERGROUND Review on Seat42F.

WGN America’s newest series is UNDERGROUND. Set in the pre-Civil War Days, it follows a swath of representative Americans, both black and white, slaves and free, at a pivotal, conflict-ridden time for our country, just before full-scale war erupts. It’s a period we’ve seen before, most notably in Roots, but never in a successful, ongoing weekly series, which should allow the writers and performers to get much deeper into the personalities and complexities of the era than has been done before.

UNDERGROUND stars Aldis Hodge (Straight Outta Compton, Leverage) as Noah, a smart man who is tired of being forced to serve a master, but who knows it wouldn’t be productive to openly rebel. Instead, he plays the game, pretending to be obedient, even while making secret plans to flee the plantation and head north, using the Underground Railroad referred to in the show’s title.

Noah is not going to go alone, which might be a good or bad idea, depending on how it plays out. Among his possible traveling companions are: Rosalee (Jurnee Smollett-Bell, True Blood, Friday Night Lights), a timid house slave and protective older sister; Moses (Mykelti Williamson, Justified, 24), who allows the others to believe he can read, even though it’s his wife, Pearly Mae (Adina Porter, True Blood, The Newsroom) who has been educated; and Cato (Alano Miller, Jane the Virgin), the collaborator who wants to go so he isn’t punished in their place after the others are gone, if he doesn’t turn them in first.

To represent the dominant race of the time, UNDERGROUND has August Pullman (Christopher Meloni, Law & Order: SVU, Wet Hot American Summer), John Hawkes (Marc Blucas, Buffy the Vampire Slayer), and Elizabeth Hawkes (Jessica De Gouw, Dracula). John is a lawyer and an abolitionist, who is offered the job of campaign manager by his brother (Dollhouse’s Reed Diamond), a Northerner who has moved South and now owns the people John is fighting to free. John’s wife, Elizabeth, seems mentally unstable, though, putting additional pressure on John. And August is… well, I’m not sure if he’s a help to runaways or a slave catcher yet, but I’m sure we’ll soon figure that out.

As you can see, there are a number of different parties represented, and that gives UNDERGROUND a full feel, in a good way. The focus is on the African-Americans, as it should be. However, no one portrayed are just stereotypes, with complex realities warring with individual morality and circumstance. Each individual, including a number of those not listed above, stand out and are quickly memorable.

The production is equally well done. Filmed in the American south, one can feel the sweat dripping when characters are out in the fields, and the landscapes are beautiful. There’s a gritty realness to it, and the costumes and sets are clearly well thought-out.

The music in UNDERGROUND is probably the oddest part of the show. At times, it is appropriate for the year, including in singing some of the more spiritual songs. But at other times, modern numbers are mixed in that really kind of pull one out of the moment. The lyrics of these fit the story, so it’s not like they’re just pop songs to punch things up, but at the same time, they clash in such a way that doesn’t quite feel right to me.

The music is the only complaint I have, though. Overall, I found UNDERGROUND to be a compelling narrative with plenty of quality in the cast, the story, and the style. The drawback is minor enough to overlook, and it’s debatable whether it really is a negative, even if I don’t understand why it’s present, at least not yet. I do recommend this one, and will probably watch more of it soon.

UNDERGROUND airs Wednesdays at 10/9c on WGN America.

Be Sure to Attend WET HOT AMERICAN SUMMER: FIRST DAY OF CAMP

Article first published as WET HOT AMERICAN SUMMER: FIRST DAY OF CAMP Review on Seat42F.

I love that we live in the modern age where television can be done in many different models, not just the strict, twenty-some episodes per year for an indeterminate number of years commitment. If things had not been shifting as they are, we would never get a gem like WET HOT AMERICAN SUMMER: FIRST DAY OF CAMP (premiering this week on Netflix) due to actor availability alone. Just look at the cast list, which includes Janeane Garofalo, Jason Schwartzman, Paul Rudd, Chris Pine, Elizabeth Banks, Christopher Meloni, Amy Poehler, Bradley Cooper, H. Jon Benjamin, John Slattery, Josh Charles, and many more. It would not have been possible to get them all together in a longer-format series.

WET HOT AMERICAN SUMMER: FIRST DAY OF CAMP is actually a prequel to the 2001 film, Wet Hot American Summer. Whereas the movie covers the last day of the year at Camp Firewood, the eight-episode series is set eight weeks earlier, to the first day of the season. Practically all of the adult actors from the original, both major and minor characters, reprise their roles, with a new batch of kids tossed in, and a ton of guest stars who are often as famous, if not more so, than the central cast.

The question might occur to you, as it did me, is this necessary? The movie is terrific; I just re-watched it last night and laughed frequently. But it’s also irreverent, with a loose plot and relatively under-developed characters. It succeeds because of the jokes and the performances, not because of its depth.

Well, if the new version were an exact copy, I’m not sure it would work. Sure, we could enjoy a goofy sitcom over a longer period of time, but it would certainly get tiring if binge watching, as many Netflix subscribers prefer to digest their shows. Instead, WET HOT AMERICAN SUMMER: FIRST DAY OF CAMP builds a much more complex story (i.e. can of vegetables), interweaving a number of running subplots, intriguing mysteries, and origin stories fans may not have known they even wanted.

Lest you worry that will take away from the style of humor that worked for Wet Hot American Summer, it does not. The silly gags are still present, Arty (recast) still the radio station, and the characters are the same as they ever were. They just have a little more to do, and what they do sometimes (but not always) has a little more importance. Continuity remains intact, as much as it ever was.

Given the short bits this four-hour comedy is broken up into, not everyone can show up right away. Most of the biggest stars are back in episodes one and two, with a lot of the smaller ones joining in episode three. The original ensemble is supplemented mostly by cast members from writer David Wain’s other TV show, Childrens Hospital (which also has Wet Hot American Summer stars), and Mad Men alum, along with Wain himself, so it takes even longer to get around to everyone.

Yet, it doesn’t feel crowded. Sure, Michael Ian Black, for one, doesn’t have a lot to do in the first few installments, but I’m optimistic that will change as the season goes on. Like the movie, WET HOT AMERICAN SUMMER: FIRST DAY OF CAMP jumps around a lot, and that allows for lots of subplots.

Most importantly, though, it just feels like the magic is back. True, the actors don’t pass for sixteen-year-olds, but they didn’t in 2001, either, and the only adds to the conceit. I was enjoying the show so much, I couldn’t stop to write this after one or two episodes, and barely tore myself away after the third. As someone who loves the film, I think this iteration adds to, not takes away from, the work. I hope we eventually get to see even more of this terrific summer of 1981.

WET HOT AMERICAN SUMMER: FIRST DAY OF CAMP was released last Friday on Netflix.

Surviving SURVIVING JACK

Article first published as SURVIVING JACK Review on Seat42F.


With the ‘regular’ TV season almost over, if such a label is even still accurate, FOX pulls one of its hold-backs out of the closet and slaps it on screen this week. SURVIVING JACK is set in 1991 (does every decade need to be represented on television this year?) and tells the story of Dr. Jack Dunlevy (Christopher Meloni, Law & Order: SVU), who scales back his hours at work and takes over raising the kids so that his wife, Joanne (Rachael Harris, Suits), can go to law school.

SURVIVING JACK is another family sitcom about another wacky, yet relatable, clan. The parents argue with the teenagers, but unlike most real parents, sympathize with them in cheesy emotional moments meant to bridge the age gap with understanding. This isn’t necessarily a bad thing, TV’s version of what a household looks like, one that falls a little short of reality, but it’s something we’ve seen done to death.

The “hook,” if you will, is that this is a period piece. Yet, even that doesn’t seem so fresh. With the 60s and the 80s so saturated on the tube and the 70s having been represented, too, it was only a matter of time before the 90s got their due, given that it’s been a full twenty-five years since the start of that decade. Reading Jurassic Park, seeing Christian Slater posters, and hearing some of the best music of the era might dredge up some nostalgia from the audience, but those are just details, not a reason in of themselves to watch a show.

And, of course, there’s an adult version of the main kid providing narration. On SURVIVING JACK, this role is filled by Kevin Rahm (Mad Men, Desperate Housewives). He does fine, but Rahm’s voice is so much less recognizable than, say, Patton Oswalt on The Goldbergs, that his casting could only work against this show.

As Jack Dunlevy is introduced, he’s all macho man, completely out of touch with who his teenagers, awkward, sex-obsessed Frankie (Connor Buckley, Deception) and pretty, sexually active Rachel (Claudia Lee, Hart of Dixie), are. This works for Meloni, who can play layered, but also excels at bonehead stupidity. Unfortunately, because the lead of a show can’t just be a stereotype, he softens before the first half hour is even over, finding ways to connect to Frankie.

I say unfortunately because I want to see a father on TV for once that acts like my father. My dad would never, ever open up enough to have a heart-to-heart with his child about feelings. That doesn’t make him a bad person, in my opinion, but every single patriarch on every single show is either an abusive, uncaring drunk (in the dramas) or a modern, sensitive man (in comedies), even when the show doesn’t take place in the modern day, that can get in touch with their inner self. Even the gruff ones allow that attitude to fall away from time to time, always revealing that hidden pussycat. Where is the realistic man who sticks to who he is and doesn’t play to the viewers’ heart-strings?

Of course, the premise of SURVIVNG JACK is that Jack finds a way to take over the household duties because he is a good husband and wants Joanne to have her life, and so he must grow and change to meet the needs of his new job. It isn’t easy for him, but we already see that he can do it, so the rest of his arc should be relatively predictable and not feature any more big jumps for him.

The show is also populated with friend characters who seem interchangeable, familiar types. The actors that play them, Kevin Hernandez (Get the Gringo) as Frankie’s Mexican friend George, Tyler Foden (Air Buddies) as the held-back-in-school Mikey, Lili Reinhart (The Kings of Summer) as Frankie’s crush Heather, Thomas Kasp (Dirty Teacher) as Rachel’s airhead boyfriend Doug, and Damaris Diaz (Maddoggin’) as slutty friend Alison, might be talented, but there’s no way to tell in their limited roles.

In general, I think the reason to watch SURVIVING JACK will be for the main family at the center. Meloni is always entertaining, and has solid chemistry with Harris, a wonderful actress with an extensive resume. The kids seem to do well enough in the parts, and whether viewers finds this foursome compelling enough will determine whether it can run past the initially-ordered eight-episode first season. For my part, I may watch, probably sometime in July after getting through most other regular season shows, but it’s certainly not at the top of my priorities list.

SURVIVING JACK premieres Thursday at 9:30 p.m. ET on FOX.

True Blood The Complete Fifth Season

Article first published as DVD Review: True Blood The Complete Fifth Season on Blogcritics.

For lovers of HBO’s True Blood, eagerly anticipating the upcoming sixth season, a great way to pass the wait is to relive the most recent batch of episodes. With True Blood: The Complete Fifth Season now available on Blu-ray, DVD, and download, catching up is easier than ever.

Season five, like many recent years of True Blood, is a season of disjointed stories. As the cast has expanded and grown, the tales have stopped lining up with each other so neatly. We have all of our core characters, and they are all served throughout the year. But they don’t necessarily come in contact with one another, nor will their challenges be connected, which is actually quite cool, allowing for a larger picture of the world.

A major arc in season five revolves around Vampire Authority. We are introduced to this group, supposedly the leaders of their species, but not surprisingly, there are fractures among them. Vampires are an unpredictable, dangerous, spirited group, and anytime a number of them come together, they are bound to bicker. Toss in a religious cult which seeks to control the authority, and you’ve got quite a mess.

It’s not surprising that our favorite fangers fall into this mess. Bill (Stephen Moyer) and Eric (Alexander Skarsgard) are both smack in the middle of this, although their loyalties are shifting, and sometimes it’s hard to tell whose side they are on. While some viewers may have liked one of these two men more than the others throughout the run, allegiances may shift based on this season’s story. Matters are only complicated further when Jessica (Deborah Ann Woll) gets involved.

Combined with the followers of Lilith (Jessica Clark), a return by fan-favorite Russell Edgington (Denis O’Hare), and the fantastic newcomer Roman (Law & Order: SVU‘s Christopher Meloni), the vamps not only make up a huge portion of each installment, but is certainly one of the most fun arcs, with a twist ending and major consequences to be explored next year.

Not that every vampire is anxious to get involved in the civil strife among their kind. Tara (Rutina Wesley), recently turned, has a lot more to worry about than political allegiances. Luckily, she has Pam (Kristin Bauer van Straten), her maker, there to assist. Pam may be reluctant to help Tara, but the dynamic between them is a true joy, and really adds something fresh to True Blood.

While Bill and Eric are off with their own kind, this leaves Sookie (Anna Paquin) to get into her own trouble, unmolested by her would-be suitors. Fans of True Blood have been divided by the addition of fairies to the story, but given that this is Sookie’s heritage, it makes sense to explore it. Considering her status as a magnet for danger and conflict, of course plenty of that is present as well, but without her vampire protectors this time. Though Jason (Ryan Kwanten) is around, since this concerns him, too.

Thankfully, the season provides some meaningful development to many of the supporting characters this year, too. Sam (Sam Trammell) tries to fend off those who would reveal the existence of all supernatural creatures to the public. Hoyt (Jim Parrack) dives into the bigger players’ circles. Andy (Chris Bauer) has more than one woman to contend with. Alcide (Joe Manganiello) deals with who will lead his wolf pack. Lafayette (Nelsan Ellis) is haunted by his dead lover, Jesus (Kevin Alejandro). All of these people have story in the past, but they really get beefed up this year, making for a more rich, complex tale.

The exception to the praise-worthy list of threads is Terry’s (Todd Lowe) bits. Despite the inclusion of guest star Scott Foley, seeing Terry run out on Arlene (Carrie Preston) to battle a fire monster is very disappointing. The plot doesn’t unfold all that smoothly, and the character fails to come across as noble, as he should. However, one bad story out of all of the others listed above isn’t too shabby, and it’s still a pretty strong season overall.

As usual for an HBO release, True Blood: The Complete Fifth Season has quite a few extras that should make fans happy. Interviews with writers of the show give insight into each and every episode. Five audio commentaries allow the actors to weigh in, too. Episode six, arguably quite pivotal in the season, gets further exploration and discussion. “Authority Confessionals” allow us to get to know some of the new vampires, “True Blood Lines” details many of the characters’ connections, and “Enhanced Viewing” contains reminders of past and future events, as well as giving depth to the details. And there’s more.

True Blood: The Complete Fifth Season is available as a seven disc combo pack that gives buyers Blu-ray, DVD, and digital copies of every episode. In an age where media is in flux, it’s really cool that one purchase would be accessible across many platforms, and HBO should be lauded for putting out such sets, as they have also done for other series. It’s really quite a great idea.

True Blood: The Complete Fifth Season is available now.

True Blood is far from "Hopeless"

So, so much is going on in this season of HBO's True Blood! Six hours into the season, "Hopeless" is jam packed full of plots, with each of the main characters facing something big. Without further ado, let's get to it!

Russell Edgington (Denis O'Hare) is back in a big way! Briefly captured by the Authority, thanks to Bill (Stephen Moyer) and Eric (Alexander Skarsgard), Russell quickly turns the tables on Authority leader Roman (Christopher Meloni), giving him the final death.

What will Russell do with his new found power? Will he and the vampire movement known as the Sanguinuistas attempt to conquer mankind? Will the majority of the vampires fall in line behind him, since Russell murdered their leader? Or will most of them fight back, intent on keeping Roman's policies of peaceful co-existence in place?

Bill is kind of an unknown here. Fans would like to believe he is a kind, good vampire, given his past relationship with Sookie (Anna Paquin). But the fact of the matter is, Bill acts like a total patsy to Roman, and it's not the first time he's carried a banner to save his own skin. Yes, he would likely interfere if Russell threatens Sookie, but considering that she can hold her own against him, might Bill support Russell in other ways?

Eric is more principled, even standing up to Roman with his life in the balance, wanting to stay neutral in the battle. This is not a position that he will be able to maintain. Russell has a beef with Eric. Eric might be spared if he would support Russell's mission, but that probably won't happen. And Eric isn't exactly eager to jump on the other side, either. Eric, more than Bill, is going to stand up for what he cares about. The question is, what does Eric care about?

It's a shame that Roman is staked so soon. He is a really a cool character, reaching a zenith last week when murdering the elder member of the Authority that looked like a child. He is deliciously evil, and his strong religious compass makes him someone to contend with. Meloni really seemed to be enjoying himself, and giving a fantastic performance. Then, it's all over much too soon.

Alcide (Joe Manganiello) and Sookie are gone before Russell does the deed, keeping them in the dark about the latest developments, as much as ever. They seemed only to touch on this story, each with their own paths to walk this season. But their involvement in the vampire civil strife in "Hopeless" is fantastic if for no other reason than to see Eric glamor Alcide into being disgusted by Sookie, though Sookie breaks that spell pretty quickly!

Alcide's new purpose in life is to bring order to a pack of werewolves. While not seeking leadership, he isn't going to sit by and watch the new pack master destroy the lives of others. It demonstrates a real sense of character. Alcide may want to be a lone wolf, but he is also going to be a protector when he sees injustice and tyranny. This is a good way to go with his character, even if it keeps him apart from Sookie.

Of course, if True Blood is going to follow the far-inferior book series, which it generally does in extremely broad strokes, the battle for a new pack master will introduce Quinn, Sookie's next boyfriend, a large weretiger. Is True Blood ready to add yet another suitor to her incredibly full dance card?

Quinn might have to wait awhile because Sookie has bigger fish to fry. After a hilarious scene where Sookie bashes men with Arlene (Carrie Preston) and Holly (Lauren Bowles), she runs into Jason (Ryan Kwanten), who alerts her to a fairy situation. The fairies are also fighting amongst themselves, as some of the ones more sympathetic to humans are hiding out at a night club, away from their malevolent peers. Once more, Sookie is drawn into a battle that only fleetingly concerns her. She is such a busy body and danger magnet!

Jason's involvement is a little more personal. He wants to know the truth about his parents' death. It took True Blood five seasons to get to it, but it seems time to finally delve into the Stackhouses' past, uncovering their secret connections to the supernatural world before the supes came out. It's about time! We can't be expected to believe that Sookie hasn't been around things greater than most people all her life!

All supes are in serious danger of being exposed. While only vampires have gone public thus far, someone knows about shifters and the others, as Sam (Sam Trammell) finds out the hard way when he and Luna (Janina Gavankar) are shot. This time, it's Sam and Andy (Chris Bauer) looking for justice, as a third major conflict rages on in "Hopeless."

Hoyt (Jim Parrack) somehow gets involved with Sam's attackers, who recognize him and "save" him from a vampire who is about to kill him, which is kind of what Hoyt is going for. Because Hoyt is in such a weakened state, physically and emotionally, and suffering damage at the hands of a supernatural, when Jessica dumped him, it seems a likely possibility that he might actually join this no-good gang. Or maybe he will continue to defend Jessica (Deborah Ann Woll) in whatever way he can. Either possibility places him smack dab in the middle of something violent.

It is supremely awesome that characters like Hoyt and Andy are getting this kind of development! While the more central characters like Sookie, Bill, and Eric are great, True Blood has many talented supporting players. Letting them carry their own major plots, and not just small side stories, is a brilliant way to rejuvenate the series and keep it interesting as it begins aging. Moves like this could keep the show on for many more years.

Speaking of minor people getting increased roles, Terry (Todd Lowe) breaks things off with Arlene to protect her and the kids. His plight seems "Hopeless," haunted by a fire spirit who is intent on killing him for a very dark deed done in Iraq. This is depressing, as Terry and Arlene are True Blood's happiest couple til now. But hopefully Terry can defeat the creature and return home. Though, right now, it's hard to see how that can be accomplished, especially when he doesn't ask for help from the characters we've seen deal with powerful magic villains before. Macho man might get himself killed.

Then there's Tara (Rutina Wesley), whose concerns are more internal. It's funny to see Pam (Kristin Bauer van Straten) treat her progeny like crap. It's even better to see Jessica and Tara bond. They could really help each other out, given what they have in common. Too bad Tara plays with Hoyt in the bathroom, leading to a spectacular barroom brawl between the gals. Any chance the ladies can patch things up? I'd like to see more cooperation and less bickering! And a trio of united, bad-ass vampire chicks, Pam included, would be virtually unstoppable.

Tara isn't the only one whose story didn't stop at death. Jesus (Kevin Alejandro) is appearing to Lafayette (Nelsan Ellis) and Ruby (Alfre Woodard), mouth bound shut. Or, at least, his head appears. It's hard to fathom exactly what is going on, not knowing how Jesus can even still be involved in the show. But he's such a popular character, it's little wonder the series is trying to keep him around. Will he survive past this plot, either brought back to life or in some other form, or is this an epilogue for his character?

In fact, if I were to have one complaint about True Blood, it's that the show is forgetting how to let characters go. Sure, new people are introduced and then dispatched with, but most of the original cast are still around, and the number of integral people that stays keep growing. The show might do with a little trimming, making the stakes a little higher, and events seem a little more dangerous. A couple of deaths could be a blessing.

Believe it or not, I could even go into yet more subplots and great moments from this episode, despite the already lengthy recap. It's hard to spend much time analyzing any one element when so much is happening. Then again, it keeps the show exciting, and "Hopeless" is another in a string of excellent episodes. I won't complain too much about the difficulty in reviewing True Blood if they keep the quality this high.

Watch True Blood Sundays at 9 p.m. ET on HBO.


Check out my new website, JeromeWetzel.com.  If you like my reviews, please follow me on Twitter! Click here for all of my True Blood reviews. Click here to buy books and DVDs from the True Blood series. Article first published at TheTVKing