Be Sure to Attend WET HOT AMERICAN SUMMER: FIRST DAY OF CAMP

Article first published as WET HOT AMERICAN SUMMER: FIRST DAY OF CAMP Review on Seat42F.

I love that we live in the modern age where television can be done in many different models, not just the strict, twenty-some episodes per year for an indeterminate number of years commitment. If things had not been shifting as they are, we would never get a gem like WET HOT AMERICAN SUMMER: FIRST DAY OF CAMP (premiering this week on Netflix) due to actor availability alone. Just look at the cast list, which includes Janeane Garofalo, Jason Schwartzman, Paul Rudd, Chris Pine, Elizabeth Banks, Christopher Meloni, Amy Poehler, Bradley Cooper, H. Jon Benjamin, John Slattery, Josh Charles, and many more. It would not have been possible to get them all together in a longer-format series.

WET HOT AMERICAN SUMMER: FIRST DAY OF CAMP is actually a prequel to the 2001 film, Wet Hot American Summer. Whereas the movie covers the last day of the year at Camp Firewood, the eight-episode series is set eight weeks earlier, to the first day of the season. Practically all of the adult actors from the original, both major and minor characters, reprise their roles, with a new batch of kids tossed in, and a ton of guest stars who are often as famous, if not more so, than the central cast.

The question might occur to you, as it did me, is this necessary? The movie is terrific; I just re-watched it last night and laughed frequently. But it’s also irreverent, with a loose plot and relatively under-developed characters. It succeeds because of the jokes and the performances, not because of its depth.

Well, if the new version were an exact copy, I’m not sure it would work. Sure, we could enjoy a goofy sitcom over a longer period of time, but it would certainly get tiring if binge watching, as many Netflix subscribers prefer to digest their shows. Instead, WET HOT AMERICAN SUMMER: FIRST DAY OF CAMP builds a much more complex story (i.e. can of vegetables), interweaving a number of running subplots, intriguing mysteries, and origin stories fans may not have known they even wanted.

Lest you worry that will take away from the style of humor that worked for Wet Hot American Summer, it does not. The silly gags are still present, Arty (recast) still the radio station, and the characters are the same as they ever were. They just have a little more to do, and what they do sometimes (but not always) has a little more importance. Continuity remains intact, as much as it ever was.

Given the short bits this four-hour comedy is broken up into, not everyone can show up right away. Most of the biggest stars are back in episodes one and two, with a lot of the smaller ones joining in episode three. The original ensemble is supplemented mostly by cast members from writer David Wain’s other TV show, Childrens Hospital (which also has Wet Hot American Summer stars), and Mad Men alum, along with Wain himself, so it takes even longer to get around to everyone.

Yet, it doesn’t feel crowded. Sure, Michael Ian Black, for one, doesn’t have a lot to do in the first few installments, but I’m optimistic that will change as the season goes on. Like the movie, WET HOT AMERICAN SUMMER: FIRST DAY OF CAMP jumps around a lot, and that allows for lots of subplots.

Most importantly, though, it just feels like the magic is back. True, the actors don’t pass for sixteen-year-olds, but they didn’t in 2001, either, and the only adds to the conceit. I was enjoying the show so much, I couldn’t stop to write this after one or two episodes, and barely tore myself away after the third. As someone who loves the film, I think this iteration adds to, not takes away from, the work. I hope we eventually get to see even more of this terrific summer of 1981.

WET HOT AMERICAN SUMMER: FIRST DAY OF CAMP was released last Friday on Netflix.

DVD Review: ‘Bob’s Burgers – The Complete Third Season’

Article first published as DVD Review: 'Bob's Burgers - The Complete Third Season' on Blogcritics.

FOX’s Bob Burgers has slowly made its mark in the Sunday night Animation Domination lineup. While it is neither created by Seth MacFarlane nor Matt Groenig, it does feature a familiar, five-member family unit and their wacky adventures, so in a way, it sticks to the tried-and-true formula. Yet, the humor in the series feels more edgy and current than its multi-decade peers, and it has become a beloved favorite. The Complete Third Season, featuring episodes from the 2012-2013 television season, has finally recently been released on DVD.

Season three is probably where Bob’s Burgers finds its stride. It had a good freshman run and a solid sophomore series, but by the third year, it knows what it is and can really start to pay off running gags. We know Linda (John Roberts) will break out into weird songs at inappropriate times. We know the kids will get into trouble based on hormones, curiosity, or selfishness. And we know Bob (H. Jon Benjamin) will serve as the anchor that keeps everyone grounded, ineptly managing to clean up the messes when necessary.

Which is not to say it has become completely predictable. Bob’s Burgers follows a certain pattern for most episodes, one that is different from The Simpsons or Family Guy stories, but it still manages to come up with situations that feel original and fresh. I love the varying end credits that call back to a great part of that week’s plot. Its zany, recurring cast are a different make up of people than those other shows, and its installments feel more realistic, rather than so cartoonish. Most importantly, the trademark brand of humor it has carefully cultivated frequently lands.

Yes, many of the female characters are voiced by men (and occasionally boys are voiced by women), which seems odd if you are first discovering the show. However, after spending many hours with the parts, it’s hard to even notice such things, so convincing is the talent.

There are some great episodes among season three’s 23 offerings. In “Ear-Sy Rider,” Louise’s (Kristen Schaal) signature bunny ears are stolen and a biker gang shows up in town. “Bob Fires the Kids,” features Bob’s attempt to give his children a normal childhood, which backfires when they begin working on a pot farm. “Mutiny on the Windbreaker” has Gene (Eugene Mirman) falling in love with a stuffed manatee. In “An Indecent Thanksgiving,”Mr. Fischoeder (Kevin Kline) hires Bob’s family to pose as his own, and in “The Deepening,”  the family must stop a haywire mechanical shark. “Lindapendent Woman,” finds Tina (Dan Mintz) thinking that an arm near the milk shelf must be her soul mate; and, “The Kids Run the Restaurant,” is exactly what it sounds like.

The release has no extras, which is a huge disappointment, especially given the very long wait for the DVD to come out. Although I’m not sure exactly what kind of bonus features I expect from a prime-time animated series, with such a funny creative team, I would imagine the writers and actors would have at least a few things to share.

But, even without extras, the episodes themselves provide enough great material for a worthy purchase. Looking over the episode list from The Complete Third Season, I still vividly remember a number of the installments. That should indicate what a terrific series it is if, more than a year later, the jokes are fondly recalled and one can be amused all over again, before it is even re-watched. I can’t emphasize enough how good the material here is, which slightly lessens the sting of the crappy, late, weak release. Slightly.

Bob’s Burgers – The Complete Third Season is available now.

"Departure" of Another ARCHER Season

Article first published as TV Review: 'Archer' - 'Archer Vice: Arrival/Departure' on Blogcritics.

FX’s Archer ended season five this week. Subtitled Archer Vice, it is a huge, splashy showdown, and a return to normalcy. The dictatorship in which the team is hiding collapses into itself, and probably would have even if the U.S. government hadn’t been bearing down on it, which it is.

At the same time, Lana (Aisha Tyler) goes into labor, of course, dividing the attention of Archer (H. Jon Benjamin), who has made the effort to become a doula and wants to be supportive in this situation. Archer and Lana’s romantic arc has been more funny than sweet. They are definitely in love with one another, but Lana is a tough broad, hating to allow any emotion to crack through her hardened exterior. Archer, by contrast, is an immature man-child who can be faithful, but tends to not act like an adult most of the time. Luckily, both have slowly gotten better, keeping enough of those cores to stay true to the characters and remain funny, but also exhibiting a level of growth over the course of the past few seasons.

This comes at an opportune time because Lana’s baby is also Archer’s. Not the result of a sexual hook up, Lana learned a cache of Archer’s sperm was frozen and she took some to make her child. It makes sense because, despite their issues, Archer is a fine physical specimen, and he’s someone Lana cares about. But one gets the sense in this episode that Lana did not intend to tell Archer the truth until she does, a raw moment for her after giving birth, and seeing that Archer is trying to be there for her.

Can these two move forward as a couple? Maybe. Archer doesn’t have to worry about the messy baby wrangling on set, being an animated series, and clearly the writers are going to find fun ways to use the infant, such as when she holds up a single finger to put Archer off while breast feeding. Archer is not a procedural and usually not stuck in any type of mold, so season six could find new territories to explore when two top spies have a baby on the hip.

It does look like they will return to being spies. In this season finale, Malory (Jessica Walter) blackmails Special Agent Hawley (Gary Cole, Veep) into cooperating, thus ensuring ISIS, absent during almost the entire thirteen-episode Archer Vice run, will return to form. It has been kind of cool to leave ISIS, this season being a big ol’ road trip with our favorite characters, who are always best when forced to spend lots of time together. But it will be great to get back to the office, as Archer is as much a workplace comedy as it is espionage adventure.

While I do note that Archer does kowtow to convention, this final episode of the season, more than most, actually doesn’t. A shoot-out as a regime falls and a main character giving birth at the same time feels very sitcom staple-y. Huge events are always mashed together inconveniently, especially at the close of a year. Yet, Archer‘s trademark humor and charm remains firmly in place, so while the story may seem dumbed down a smidge, the characters and dialogue do not.

The focus this week is on Malory, Archer, and Lana, all of them wrapping up their various threads, but that doesn’t mean the supporting players are ignored. Cheryl (Judy Greer) discovers she doesn’t have a chip in her brain, and her country music stardom, which she is likely to give up because she gets bored easily, comes from within. Pam (Amber Nash) gets a few last cocaine jokes in, but her withdrawal symptoms are starting to show, indicating a break away from the new her, too. Cyril (Chris Parnell) loses his position of power. Krieger (Lucky Yates) gets and protects a biological weapon. Ray (Adam Reed) has a few nice ne-liners, and recurring guest stars Slater (Christian Slater, Mind Games) and Juliana (Lauren Cohan, The Walking Dead) don’t go out quietly. The ensemble is well served.

Which means all there is left to do now is wait impatiently for another batch of one of the most consistently funny and original comedies on television. While no premiere date has been announced, Archer should be back in early 2015.

Blu-ray Review: ‘Archer – The Complete Season Four’

Article first published as Blu-ray Review: ‘Archer – The Complete Season Four’ on Blogcritics.


Archer is FX’s hilarious animated series about the employees of ISIS. Part James Bond spoof, part workplace comedy, it follows the zany adventures of some moronic people who, somehow, always seem to get the job done, despite being constantly sidetracked by their inane and selfish whims. It’s fantastic.

Season Four, recently released on Blu-ray and DVD, begins with “Fugue and Riffs.” Archer (H. Jon Benjamin) ran away on his mother’s wedding day, months ago, and hasn’t been seen since. Lana (Aisha Tyler) finally finds him living with a wife and kids and running a burger joint.

If that sounds familiar, it’s because Benjamin also is the titular character on the FOX series Bob’s Burgers, and “Fugue and Riffs” seems to be a demented, ultra-meta crossover, with Archer having become Bob (albeit with the children being his step kids) and John Roberts reprising his role as Linda, Bob’s wife. The fact that Archer would do something like this should tell you just about everything you need to know about the tone of the series.

“Fugue and Riffs” isn’t the only great installment in this two-disc set, which comprises 13 episodes. “Once Bitten” has Archer dying in the desert as Cyril (Chris Parnell) and Ray (Adam Reed) ineptly try to save him. “Live and Let Dine” features the spies undercover at a restaurant working for a mean chef, Lance Casteau (voiced by real celebrity chef Anthony Bourdain). And in the two-part season finale, “Sea Tunt,” the gang goes with Cheryl’s brother and his girlfriend (Bob’s Burgers stars Eugene Mirman and Kristen Schaal) to Sealab to stop the crazy Captain Murphy (Jon Hamm, Mad Men, playing the character from the Adult Swim series Sealab 2021).

This stuff is outrageous and will make you laugh out loud, but honestly, my favorite parts of Archer usually just involve the cast hanging around together. Malory’s (Jessica Walter) alcoholism, Pam’s (Amber Nash) crazy sex and danger obsessions, Cheryl’s (Judy Greer) twisted fantasies, Krieger’s (Lucky Yates) creepy experiments, and the rest blend together for a very pleasing batch of witty dialogue and humorous conflicts.

Archer is great because it knows what it is and wants to be and allows the characters to develop. It is a goofy animated sitcom, to be sure, but the players are much better fleshed out and dynamic than on, say, Family Guy. There are serial arcs and many recurring actors who pop up from time to time. What happens in one episode may have consequences down the road. It’s a show that should be watched in order, not just a random episode here and there, which is a rare thing for a cartoon.

There are, sadly, only two special features in this set. “Fisherman’s Daughter” is a movie that Krieger and Pam are making. Don’t worry, it isn’t tentacle porn, though it probably would be if we got to see all of it (only three minutes or so are present), and it does come awfully close to that line.  “Archer Live” features twenty-minutes edited out of a live stage show, which includes scene readings and goofing off with the audience.

Both of these extras are great. My complaint isn’t with the content itself, just that there isn’t enough of it. It seems there’s been a trend recently to slim down the bonuses on DVD sets, as I’ve commented on many being sparse this year, and while not every fan wants this stuff, it is valuable to some who could just digitally download a set if the draw for the physical media isn’t there.

Oh, and Archer has a mustache on the cover that you can take on and off, which sounds simple, but is much more fun than you’d expect.

Overall, this is a good release because the episodes are fantastic and the featurettes are enjoyable. Archer The Complete Season Four is available now.

The "White Elephant" In ARCHER's Room

Article first published as TV Review: 'Archer' - 'White Elephant' on Blogcritics.

FX’s Archer just returned with the season five premiere, “White Elephant.” A lot happens in the half hour, and it will change the format of the series for some time to come, if not forever. It’s an action-packed installment that stays true to the characters, even while altering the setting and circumstances, a bold move that few animated shows ever attempt. Well done!


“White Elephant” begins with a weird sequence in which Sterling Archer (H. Jon Benjamin) enters the ISIS office and his co-workers dance around him. Archer typically has a certain set of rules for its universe, and this defies them. At first, I assumed it was a dream, but moments later, reality sets in as ISIS is attacked by armed gunman and the headquarters is half destroyed.

Might the opening have been a clue that “White Elephant” and the rest of the season are all in Archer’s mind? We know he has a vivid imagination, and that would allow Archer to reset things later without having to literally blow up their premise, as they do this week. But honestly, I’d prefer to chalk up the first scene as a bit of whimsy that means nothing, and hope the story continues on from here.

The other hint that Archer Vice, as this season is dubbed in future episode title sequences, might not be real is that late in this episode, after the crisis is resolved, Archer imagines a series of scenes, which then play out over the next installments. These are jumbled and out of order, but after watching an additional four half-hours (all excellent!), they are definitely glimpses of future episodes. Perhaps the full installments are as much imagined as this quick montage is.

Should the events of “White Elephant” turn out to be real, though, there is some wonderful character development, and the program keeps its tone consistent. It makes absolute sense that Malory (Jessica Walter) would run afoul of the U.S. government, just as it does that she has the connections to get everyone out of trouble. She is selfish and doesn’t think the rules apply to her, and she seems to have lots of friends in high places, most of whom she has slept with.

One thing that may be missed is Archer’s enhanced tenderness towards Lana (Aisha Tyler) in this episode. He’s a little cruel, too, such as in the integration room, but that seems to be because of a lack of maturity, rather than because he doesn’t care. We see Archer want to be there for Lana and the baby, and this is a step up for him, putting someone else ahead of himself.

There’s always been an odd relationship between the two. I think Archer desperately wants to love, but having never really experienced it before, not even from his mother, he doesn’t quite understand. And Lana is a tough nut to crack, which makes it hard for her to fully commit to anyone. Perhaps, in time, they may be developed enough as individuals to have something real, but they’re not there yet.

Viewers learn a secret about Cyril (Chris Parnell) in “White Elephant.” Apparently, he used to be a defense attorney. Often, when a series brings up a past career in this manner, it seems forced and false. In Archer, though, given that everyone pretty much ignores Cyril, and Cyril insists he’s talked about it at length lots of time to Lana, it just works.

Dr. Krieger (Lucky Yates) has been promoted to full-time cast member in season five, his image added to the theme song. Honestly, it’s about time this happens. He is in the series most weeks, anyway, and he’s an interesting, weird character, adding something unique to the overall dynamic of the cast. He also has played a vital role in a number of past happenings, being the resident medical-y person. Plus, he’s funny, perhaps as funny as the rest of the stellar cast.

Archer may now be Archer Vice, but the characters, which also include Cheryl / Carol (Judy Greer), Pam (Amber Nash), and Ray (Adam Reed), are by far the best reason to tune in, no matter what they do. Whether spying or selling drugs, the essential things that make Archer so good remain, and because of that, whether Archer Vice ends up being a flight of fancy or an actual turning point, my optimism is high.

Archer airs Mondays at 10 p.m. ET on FX.

Archer - "Sea Tunt: Part 2"

Article first published as TV Review: Archer - "Sea Tunt: Part 2" on Blogcritics.

FX's Archer completes its fourth season with "Sea Tunt: Part 2." Archer (H. Jon Benjamin) and the other ISIS agents journey to Sealab to stop crazy Captain Murphy (Jon Hamm, Mad Men) from firing weapons at the United States and other world powers.

How appropriate that Archer's fourth season, which begins with a major play on Bob's Burgers, ends with another cartoon spoof, this time of Sealab 2012. While the first three seasons didn't have winks at other shows this blatantly, this new element has slipped in effortlessly, especially as cartoons with a similar type of humor are single out as the targets. I hope next year sees more of the same kind of gag.

While the man who voiced Captain Murphy on Sealab 2012, Harry Goz, was not available to reprise the role, having died before Sealab ended, Hamm does a fine job. For those doubting Don Draper's comedy chops, have no fear. As he did in 30 Rock and Childrens Hospital, Hamm hangs with the actors more accustomed to getting laughs, and does so with skill and charisma.

Murphy is killed off in this episode. This may be a bit satisfying for fans of Sealab, as the character never got a proper send-off, and the series was considered inferior after that. Now, they finally get their closure.

"Sea Tunt: Part 2" actually corrects a slight from the first episode of this season. Kristen Schaal (The Daily Show) and Eugene Mirman (Delocated), both main characters in Bob's Burgers, did not lend the voices to the season premiere. Both get to guest star in "Sea Tunt: Part 2," as well as the first half of the two-part episode, making up for their previous absence. Now, if only a role can be found for Dan Mintz next year, the  crossover be complete.

As for the story of "Sea Tunt" itself, it's a pretty good one. Archer, Lana (Aisha Tyler), Cyril (Chris Parnell), and Ray (Adam Reed) go after Murphy. The half hour is full of their bickering and personality clashes. It's a pretty typical episode of the series, because of the way they interact, and how it gets in the way of doing their job. The mustache bit is funny, as is Archer's incessant alcoholism. Classic Archer.

In the end, Ray loses the use of his legs. Again. Will there be no end to his suffering? Actually, I hope not. The fact that this is something continually solved and then becoming an issue again, over and over, is very funny.

I am undecided over the twist of learning that Lana is pregnant. Sure, it will be interesting to watch someone who is the opposite of maternal take care of a child. But Archer thrives on the chemistry of the cast, and despite some character development prior to this, a baby may shake things up in unexpected and major ways, unprecedented for the series. I worry what it could do to the show.

At least neither Cyril nor Archer are the father. By using a donor, Lana does avoid much typical sitcom fodder as the guys try to guess who the baby daddy might be. Though, knowing Archer, the donor may still end up being someone we've seen before. Which could be fun, if done right. Since this is Archer, I'm relatively certain that it will be.

While the mission plays out, Malory (Jessica Walter) searches for booze, hanging out, though not really by choice with Pam (Amber Nash) and Cheryl (Judy Greer). Again, the interactions between the characters make this series, and while nothing major happens with these three, every moment they are on screen is joyous.

I like that Cheryl's family is worked into the episode, and we learn more about her. Any chance to uncover the backstory of any of the characters is welcome, and Cheryl's is done in a cool and clever way. And of course, her last name, teased in the episode title, makes for the punchline of many jokes, though Archer wisely avoids overdoing it.

I am glad that Cheryl's brother (Mirman) ends up getting his own money back, though, so he isn't a recurring villain. He works better as an amusing side character, rather than a bad guy.

The fourth season of Archer maintains the comedy's quality, and I will miss it until it returns for season five next winter.

Archer dines out

Article first published as Archer dines out on TheTVKing.

In the next episode of FX's ARCHER, "Live and Let Dine," the team goes undercover at a fancy restaurant when an Albanian diplomat is threatened. To make matters even more fun, the dining establishment is the setting of a reality TV series entitled Bastard Chef. Of course, there are a couple of twists, and when it's all said and done, the staff of ISIS is just proven as incompetent as ever.

I like that ARCHER is always searching for new ways to spice up their comedy. The way that they excel in fresh settings and unexpected originality, even while doing a sort-of parody, is great! "Live and Let Dine" capitalizes on the recent craziness of celebrity chef television shows, but also gives it enough of its own flavor to avoid being a copy. An exquisite recipe, if I do say so myself!

The Bastard Chef himself is Lance Casteau (voiced by real celebrity chef Anthony Bourdain). He's a tool to everyone except Archer (H. Jon Benjamin) because, apparently, Archer has some newly discovered culinary talents. If only Archer would stop dropping bowls in the kitchen, ruining food and making a mess.

As with most of ARCHER's satirical guests, Bourdain deserves credit for not being afraid to make  fun of himself and what he does for a living. He definitely takes the joke in stride, even going for the promo lines on purpose, and being a extra big jerk.

ISIS could never be a real spy agency because they screw up too much. From the real story behind the threat, to the way they keep blowing their own cover while being filmed, it's often downright ridiculous. I find it highly enjoyable for a comedy, just not very realistic. It's a good thing believability isn't a selling point for ARCHER.

"Live and Let Dine" has all of the elements of a classic ARCHER episode: Archer hitting on Lana (Aisha Tyler); Lana being too aggressive and defying female stereotypes; Archer (and everyone else) picking on Cyril (Chris Parnell); Malory (Jessica Walter) acting inappropriately as the company head to get her own way; Pam (Amber Nash) being somewhat disgusting, but always hilarious; Cheryl (Judy Greer) being somewhat disgusting, but always hilarious; a sex joke that is as disturbing as it is hot; a reference to a recent episode, this time calling back Archer's time running a burger restaurant; and a recurring reference that doesn't quite make sense, this time Spain in the 1930s.

Then, just when you least expect it, ARCHER ties "Live and Let Dine" into a larger, season-long plot. ARCHER hasn't always paid so much attention to continuity, but as it ages, it has to keep doing things to reinvent itself and make sure that the quality doesn't suffer. This year's story involving Barry (Dave Willis) and Katya (Ona Grauer) fits nicely, calling back to previous plots, and deepening the characters.

Of course, comedy is the main goal of ARCHER, and this episode, like just about every other, delivers the laughs in spades. Which is why I continue to anticipate new episodes every Thursdays at 10 p.m. ET on FX. Also, Archer was just renewed for a fifth season.

ARCHER Bitten By the Comedy Snake

Article first published as ARCHER Bitten By the Comedy Snake on TheTVKing.

Grade: 89%

In tonight's episode of FX's ARCHER, "Once Bitten," Archer (H. Jon Benjamin) is bitten by a deadly snake in the middle of the desert. His jeep is stuck in the sand, and Ray (Adam Reed) and Cyril (Chris Parnell) can't get it out. Can they find help for Archer before he dies?

Yes, yes they can.

Sure, killing off the title character is certainly not going to happen, so their eventual solving of the problem is a given. That doesn't make the journey any less fun, as Cyril, Ray, and Archer bicker. It's like a boys night out in the middle of nowhere, and with one of them dying.

We actually get a lot of character development for Archer in "Once Bitten." We not only learn that his bucket list includes eating one of the biggest foods, but also murdering Cyril. OK, so he is most likely joking about the second thing. But that's just his relationship with Cyril, and while he is slamming Cyril, we know Archer is OK.

More importantly, Archer revisits his past in the company of deceased actor James Mason. Why? Who knows? The point is, we get to see pieces of Archer's childhood, why he is who he is, what he used to be, and even a glimpse of his real father. Who Archer's father is is a big mystery on ARCHER, and "Once Bitten" stops short of solving it. Yet, it does seem like the bit of him that we do see also has influenced Archer to this day, so it's important.

Surprisingly, we also get some small, but deep, insight into Lana (Aisha Tyler) when Cheryl (Judy Greer) zings her good, perhaps sparked as a metaphor for the meat being grounded up in front of them. Cheryl often says things without thinking, but seldom do her words ever cut as deeply as they do here. It obviously affects Lana, and while her subplot in the episode is small, it's a side of her we have not seen before.

Malory (Jessica Walter) is, unsurprisingly, the cause of many of the problems that arise. Her selfish use of ISIS for her own personal gain, and her uncaring attitude towards others and the world, continues. Will she ever learn her lesson? Would ARCHER be as funny if she did? The answer to both questions is probably no, as she is the catalyst for many of the stories, and her character is a favorite of mine, despite how unlikeable she is.

Ray cannot stop himself from getting injured, can he? Once more, he hurts himself in this episode and removes himself from being a contributing member of the team. I feel like ARCHER misses having him in a wheel chair, and the writers will not stop until they put him back in one.

I have occasionally wondered why Krieger (Lucky Yates) isn't a more central part of the cast. But, in "Once Bitten," as Malory tries to make him run some control panels and help out, he keeps secretly putting together a rat wedding. Seeing this, I finally realize he is just too bizarre and different to be a member of the core group, nor does his character have any interest in being included. Which is fine. He's still good for a periodic gag.

An element ARCHER often makes use of is switching scenes mid-line, so that a different character in a different place finishes another character's sentence. "Once Bitten" has numerous examples of this. It seems like such a simple thing, and ARCHER isn't the only story that does this. However, it has kind of become a trademark, being owned by the show, and every single time, I still enjoy it.

"Once Bitten" is a fine installment, with plenty of amusing bits, such as Ray forgetting that he has bionic legs, much discussion about venom and taints, a goofy hat, a fish fight, and a camel wreck. ARCHER never goes too deep into the players in the series, but this episode tries to a bit, and still manages to be funny at the same time.

Watch ARCHER Thursdays at 10 p.m. ET on FX.

Archer doesn't even know what "Fugue and Riffs" means

Grade: 91%

WARNING! SPOILERS AHEAD!

FX’s ARCHER is finally back this week with “Fugue and Riffs.” Archer (H. Jon Benjamin) has not been seen since his mother’s wedding, having run off, traumatized. But he soon surfaces down by the shore, living with a wife and kids, and running a greasy restaurant…

I can’t discuss the opening of “Fugue and Riffs” without spoiling something incredibly special, so I am just going to ask right now that you watch the episode and then come back to this article, because I just have to reveal the twist: The episode opens with Archer thinking his name is Bob, and he owns a place called Bob’s Burgers.

That’s right. Archer is living in the world of the FOX cartoon Bob’s Burgers, in which the titular character is also voiced by H. Jon Benjamin. All of the touches of Bob’s Burgers are there, including Jimmy Pesto’s across the street, Mort’s funeral parlor next door, the children and their goofy clothes, and even John Roberts voicing Bob’s wife, Linda. The only major changes are the animation style, which stays with what ARCHER viewers are accustomed to, and that Bob is the kids’ step-dad, having only lived there for two months.

I cannot express how awesome this mash-up is. It’s always been a little weird to switch back and forth between the two programs (both excellent and hilarious) and hear that same, distinctive Benjamin voice. I only wish that the conceit had been kept up, and maybe we would find out that, somehow, Archer had long been sneaking off to this secret family of his. Of course, that wouldn’t really work, plot-wise, and I’m grateful that this has been allowed to happen under any circumstances. Still, it’s quite a tease…

This isn’t the first time that ARCHER has referenced things, tongue in cheek, outside of the series itself. Jeffrey Tambor, who plays Jessica Walter’s husband on Arrested Development (new episodes coming to Netflix in May), has guest starred in four ARCHER episodes, so far, as a love interest for Walter’s character. It’s a bit meta, but meta is incredibly in right now, and has yet to grow stale.

The rest of “Fugue and Riffs” isn’t nearly as good. How can it be? There are plenty of signature ARCHER elements, a KGB attack (that starts in the burger joint), fun banter between Archer and Lana (Aisha Tyler), uncomfortable moments with Malory (Jessica Walter), some terrific Pam (Amber Nash) / Cheryl (Judy Greer) hang time, and tons of great one-liners and visual gags. Even the ending of the episode, discovering that Barry (Dave Willis), still up in his space station, is behind all of the trouble this week, is so unexpected and fun.

It feels wrong to complain about the rest of the episode because, if the opening hadn’t been so big, it would have been a typical ARCHER outing, and not at all a let down. The issue is, when an episode chooses such an explosive first few minutes, there has to be follow through, and there just isn’t here. Maybe the Bob’s Burgers stuff should have been worked into the finale of the episode, rather than the beginning. Maybe it just needed to start a larger story. Whatever the reason, it makes this episode slightly uneven.

Luckily, I’m sure that won’t be the case in the coming weeks. As I said, most of the episode is perfectly in keeping with the rest of the series, and ARCHER remains one of the best half hours on television. Its witty humor, smart writing, and delightful cast chemistry combine to make something really special. “Fugue and Riffs” has proven that these elements remain intact, after we get over the distraction of a brilliant initial sequence.

ARCHER airs Thursdays at 10 p.m. ET on FX.

Want to read some of my fiction? It's on my website, JeromeWetzel.com! Also, for the latest updates and article links, as well as commentary on episodes I don't fully review, please follow me on Twitter!

Article first posted on Seat42F

Archer The Complete Third Season

FX's Archer may very well be my favorite animated series on television. Setting aside its cartoon format, it's one of the best comedies, period. A mash up between workplace sitcom and spy adventure, Archer follows Sterling Archer (H. Jon Benjamin) and the staff of ISIS as they travel the globe, foiling bad guys, wrestling with ocelots, and sleeping with each other. Just before season four premieres this week, The Complete Third season has been released on DVD and Blu-ray.

Note: I've previously written articles about several of the episodes mentioned. Click on the links in the episode titles for those full reviews.

Season three begins with a three part tale entitled "Heart of Archness." Originally having aired months before the rest of the season, and now available in an extend edition on discs, the story follows Archer as he attempts to get over the grief of losing his wife. Along the way, our hero becomes a pirate king, as his friends try to find him. The miniseries guest stars the great Patrick Warburton and David Cross.

After that, we get ten more fantastic episodes. In "The Man From Jupiter," Archer is thrilled to meet Burt Reynolds (himself), until Archer realizes that Burt is banging Archer's mother, Malory (Jessica Walter). "El Contador" marks Cyril's (Chris Parnell) first mission as a field agent, while those back at the base take hallucinogenic drugs. In "The Limited," the team is on a train, and so is Cheryl's (Judy Greer) pet ocelot, which Archer has an intense fascination with. "Lo Scandalo" finds Malory bringing in her staff to help cover up a death in her apartment. "Bloody Ferlin" is a Ray (Adam Reed) story. The two-part season finale, "Space Race" guest stars Bryan Cranston (Breaking Bad), brings back old foe Barry (Dave Willis), and takes the cast beyond the planet Earth.

On top of all these adventures, there are serial plot lines. For instance, Archer finds the best sex of his life in office worker Pam (Amber Nash), whom he is embarrassed to be seen with at first. This puts Archer in a tough spot, and makes him examine his priorities. But it also allows him to grow as a human being, and begin to get over his ill-fated bride.

As usual, there are some great extras on The Complete Third Season. The best parts are the three shorts. One features Archer's Gator 2 trailer, and what his co-workers think about it. Another is a blatant advertisement for the show's tie-in book, How to Archer, that gets enough laughs as Archer avoids recording the audio version that one doesn't care if it's trying to sell you something or not. (My opinion: buy the book.) Third is Archer's attempt at a cooking show, which also serves to champion the book.

Three episodes get audio commentary by the creator of Archer, Adam Reed, and several cast members. These may not be commentaries in the strictest sense of the word, because they do go on quite a few tangents. However, the people involved in this show have a wonderful dynamic, and they are very entertaining.

Sadly, the Comic Con 2012 special is just the opening bit, rather than the panel itself. Most shows shy away from including a full Q&A session on their DVD releases, either because they fear it will get boring, or because they want to keep the experience special to those who attended. I wish this were not the case, because I would really have liked to have seen more of this, and like most fans, will likely not get the chance to attend such events. But what is included is good.

In short, Archer The Complete Third Season is a great buy, and should provide plenty of enjoyment. It is available now.

Want to read some of my fiction? It's on my website, JeromeWetzel.com! Also, for the latest updates and article links, as well as commentary on episodes I don't fully review, please follow me on Twitter!

Article first posted on TheTVKing

Bob's Burgers gets "An Indecent Thanksgiving Proposal"

Unlike the Halloween special, which aired almost a month before the holiday, FOX let Bob's Burgers put out their Thanksgiving episode at an appropriate time, the Sunday before. Of all the animated comedies the network has on this night, Bob's Burgers is my current favorite. To see the family celebrate a holiday that is so much about family is heartwarming. And, this being Bob's Burgers, also funny.

The story, "An Indecent Thanksgiving Proposal," begins with the landlord, Mr. Fischoeder (Kevin Kline), bribing Bob (H. Jon Benjamin) to cook a meal for himself and a lady friend, and also hiring Bob's family to pose as his own. See, Mr. Fischoeder's love interest only goes for married guys, so he plans on using Linda (John Roberts) and the kids to hook her in.

Bob is very resistant. Thanksgiving is his favorite holiday, and he has traditions with each child. To him, preserving these rituals is more important than money. Unfortunately, the children don't feel the same, and are excited to escape their father's corniness to get involved in a scheme. This is not only a typical portrait of a clan, painting Bob as the family man he truly is at heart, but also illustrative of the generational divide, parents being more sentimental than their offspring.

This, in of itself, would be a good enough tale. Bob grows ever jealous in the kitchen, while his kids compete for Mr. Fischoeder's affections, and Linda horribly overdoes things, as she is wont to do. But "An Indecent Thanksgiving Proposal" adds in a twist when Bob finds a bottle of absinthe in the kitchen. Suddenly, he is hallucinating and talking to the turkey, whom he has named, which makes things spiral even quicker out of control, and in very humorous ways.

Bob's Burgers works because of so many elements. One, it has a unique sense of humor that isn't found in practically any other series I can think of. Two, the characters are incredibly well defined, and are always played to their strengths. A fine balance is walked between repeating already known character traits, and overusing the same jokes, and it is pulled off expertly. Third, the show and its vocal cast can really land a joke, over and over again. Like when the family is naming holidays in the order of importance and Gene (Eugene Mirman) says the season premiere of Game of Thrones, though quickly admits to never having seen the show. Fantastic!

Louise (Kristen Schaal) remains the best part of Bob's Burgers. The fiendish young girl with her pink bunny ears is as clever as she is ornery. She will do whatever she must to meet her goals, and her brain just thinks on a different wave length than everyone else. And yet, when combined with her siblings, Gene and Tina (Dan Mintz), as she so often is in many a story, she works well in the group, too, without stealing too much focus.

"An Indecent Thanksgiving Proposal" has a happy ending for the family, of course. Like The Simpsons, no matter what happens during the episode, they can all come together in the end, and there is deep love between them. Bob's Burgers may be a little quicker to show it than The Simpsons, though, and only three seasons in, it still feels fresh and original, definitely designed for the modern sensibility.

Bob's Burgers airs Sundays at 8:30 p.m. ET on FOX.

If you like my reviews, please follow me on Twitter! Check out my website, JeromeWetzel.com! First posted on TheTVKing

FOX serves up 'Bob's Burgers The Complete 1st Season'

Now on DVD is The Complete 1st Season of the FOX animated series, Bob's Burgers. From the mind of Loren Bouchard (Home Movies) comes a series about an odd family that runs a hamburger joint called, appropriately enough, Bob's Burgers. All thirteen episodes from last spring's initial run are collected on this two disc set, along with bonus features.

Husband, Bob (H. Jon Benjamin, the star of Archer), is the boss and owner. He's a stubborn, ignorant, loving family man, who does the best that he can, which isn't always all that much. Benjamin plays this character wonderfully, getting to be both the butt of many a joke, and the guy who is as close to normal as this family gets. He keeps them grounded, and cares deeply about his loved ones.

Bob may struggle with moral dilemmas himself, but when it comes to his kids, Bob has a pretty strong moral compass. Not only is he willing to do anything to protect them and raise them correctly, he is also willing to let his business suffer because of it. Unlike other fathers in the Animation Domination block, Bob is genuine and sweet almost all the time, without being overbearing. He gives his kids good advice, but allows them room to make mistakes and their own decisions.

Wife, Linda (John Roberts, no, not the Supreme Court justice), falls into the traditional sitcom wife role, never really getting too mad at Bob for forgetting their anniversary, and being happy with her mediocre lot in life. As the episodes go on, Linda does get the chance to pursue some of her own interests, but they never last more than an episode. The impression is that, while Linda sometimes plays second fiddle to Bob, it's good that she has his steady presence in her life.

Eldest daughter, Tina (Dan Mintz - what's with the guys voicing the girls?) is in love with the boy across the street. The middle child, Gene (Eugene Mirman, The Flight of the Conchords), is as dumb and as in a world all his own as his father is, but still has that youthful, naive joy about it. He will certainly grow up to be just like his dad.

Youngest daughter, Louise (Kristen Schaal, The Daily Show, 30 Rock), is definitely the funniest character. She makes up wild stories, would like to be a criminal mastermind, and just tries to keep life interesting. Louise seems to live in a world all her own, but unlike other characters in that vein, say Stewie from Family Guy, Louise is bound by reality. Still, if you need a lock picked, or an idea that no one else would think of in a million years, Louise is your girl. She is also the youngest of the clan, but not a toddler, which is refreshing.

The family dynamics are realistic. The show demonstrates humor in characters that are odd, but not as over the top as their peers on other FOX animated shows. They go through the typical tribulations of a sitcom, but don't let anything discourage them too much, and there is often a nice lesson, even if the characters don't always learn it. While not preachy, Bob's Burgers is certainly the most wholesome of the Sunday night cartoons, and definitely evokes the warm love of a close clan.

The series is not all about the heart, though. There are plenty of great jokes. The humor is smart and quick, and the characters are quirky and funny. For instance, when Gene wins a gold medal in the race, Linda wants to have it bronzed. This is just one example of the off-beat brand of humor that Bob's Burgers brings to a night full of the same type of show, setting it apart.

The recurring cast includes movie and stage legend Kevin Kline as Bob's landlord, Mr. Fischoeder. How many animated shows can boast that much gravitas? Also, Sarah and Laura Silverman play twins.

The animation is crude in the first episode, making it harder to enjoy than later installments. This is not unusually for a cartoon, so it can be forgiven. Bob's Burgers is created by Loren Bouchard (Dr. Katz, Lucy the Daughter of the Devil), and uses his style from Home Movies, which isn't for everyone. It's the weird torso-neck-head shapes that really seem off. It makes the characters look non-human, and not in a good way. But because of the writing and voice talent level, it's worth getting past.

Among the episodes worth mentioning in this set are "Human Flash," which finds Bob's Burgers being accused of serving human flesh because Louise tells her class this is so. In "Bed & Breakfast," the family turns their small living space into a retreat for guests. "Hamburger Dinner Theater" has some fun twists when the family tries to stage a murder mystery production in their restaurant. In "Torpedo," Bob gets to meet his hero, who does not live up to the image Bob has of him.

There are plenty of extras on Bob's Burgers The Complete 1st Season. There are more audio commentaries than episodes, with certain half hours having multiple options. Writers and actors contribute to these. There are seven minutes of audio outtakes. Steve Agee (The Sarah Silverman Program) and Samantha Shelton (Judging Amy) do one of the most bizarre music videos ever for "Lifting Up the Skirt of the Night." There is also a two minute short of Louise arguing with the restaurant's chalk board, and making up Burgers of the Week for each of her family members.

Best of all is the twenty-two minute look at the evolution of Bob's Burgers with series creator Loren Bouchard. He talks about putting together the cast, how the family were originally envisioned as cannibals, and shows a rough sketch scene. Also included is the full animated ten minute demo presented to FOX to see the show, which features a son named Daniel instead of Tina, though the voice and the personality of both characters are identical. The look of the series is also a little different. It's very cool to see a glimpse at the process from early work to making it on the air.


Bob's Burgers is a gem of a series, and I highly recommend buying The Complete 1st Season, on sale now.

If you like my reviews, please follow me on Twitter! To buy streaming episodes of Bob's Burgers or pre-order the DVD, please click here. Click here to read every review of Bob's Burgers I've ever written. Article first published as DVD Review: Bob's Burgers - The Complete 1st Season on Blogcritics.

Archer engages in a 'Space Race'

In the two-part season three finale of FX's Archer, the ISIS team is asked to travel into space. Told by Commander Drake (Bryan Cranston, Breaking Bad) that a mutiny has taken place on board a space station, the field agents and Malory (Jessica Walter) attempt to subdue the bad guys. Which kind of back fires when they learn that Drake is real the villain, planning to take them all to start a colony on Mars, with Lana (Aisha Tyler) slated to make the babies for the new settlement.

Sometimes the show has to stretch things a bit to keep the entire cast together. After all, the field agents all have their roles on this mission, but why Malory comes along is kind of a mystery. She's a little old to be popping out children. Archer's (H. Jon Benjamin) plot to sneak Pam (Amber Nash) on board for sex works, but wouldn't it make even more sense for Drake's plan if he insisted that Pam and Cheryl (Judy Greer) come for some reason, so there are more women available?

That aside, the two part "Space Race" is fantastically funny, as usual. When Archer delays saving the day to have a quickie with Pam, or Cyril (Chris Parnell) discharges his weapon wildly, or Ray (Adam Reed) ends up back in his wheelchair, or Lana runs down the hall with stickers on her boobs, laughs abound. Not to mention, an extended Animal Farm gag that seemingly comes out of nowhere, and avoiding a Star Wars trash room bit. In terms of humor, this episode works very well.

"Space Race" is an original situation for Archer. The spy series has gone many places and done many things. Eventually, they may run out of scenarios to put the characters in. But space is not one that they have done before, and it provides so many curiosities, such as zero gravity, that the series takes two full episodes to explore it. Other spy genre adventures have left the planet, so it's not completely coming out of nowhere, but Archer's take seemed fresh enough.

As the series has been doing from time to time for awhile now, "Space Race" sneaks in some emotional depth for the titular character. Just as everyone is about to go home, recurring thorn-in-the-side Barry (Dave Willis) shows up and begins taunting Archer into a fight. Now, normally Archer would give Barry just that, and in this case, it would put everyone's safety at risk. As Cheryl already does earlier in this story, opening the door for Drake so that she can be Queen of Mars. But instead of falling for the taunts, Archer sucks it up and acts mature. It's a pivotal moment for the character, and it shows a little bit of growth without sacrificing who Archer is. It is moments like these that really set this show above its peers.

Also, Pam has become the most transformative character on Archer. She started as a walking, crass fat joke, and was used mainly for gross effect. Now, she has become a strong, empowered woman, who can not only take care of herself, but is a good comrade to have in dangerous or questionable situations. She even comes off as sexy at times, almost completely erasing her original image. Pam is, in a word, awesome.

"Space Race" is a great capper to a terrific season. Though, it could have been done without the vomit jokes.

Archer has been renewed for a fourth season. It will return next year to FX.

If you like my reviews, please follow me on Twitter! Click here to buy Blu-rays, DVDs, and streaming episodes of Archer. Please click here to read every Archer review I've ever written.

Grill up a new Bob's Burgers

FOX's Bob's Burgers returns for its second season last night with "Belchies." Hearing that there might be treasure in a taffy factory that will soon be torn down, Louise (Kristen Schaal, the true star of the show) convinces her siblings to accompany her on a late night search. Tina (Dan Mintz) invites along Jimmy Jr. (Jay Johnston, The Sarah Silverman Program), who brings his brothers and friend, to Louise's dismay. The kids don't actually find anything, but luckily parents Bob (H. Jon Benjamin) and Linda (John Roberts) come looking for them, because Louise gets stuck, and the demolition crew begins work without checking the structure first.

Bob's Burgers is great because it is not only funny, but unlike anything else in the Animation Domination programming block. It seems a wholly original family comedy, with a typical dumb father who cares, and a less typical loving, supportive wife who happens to be pretty weird. And the kids are weird, too. So here is this pretty normal guy trying to do right by his very odd family.

If one questions just how weird Linda is, one only needs to look at "Belchies." Bringing sex dice into their scheduled Sunday night romp is fine, though awkward, but secretly slipping Bob boner pills, causing him to try to hide an erection for the rest of the episode, isn't exactly normal behavior. She does it because she loves him and thinks she is helping, but as if often the case, her help isn't exactly wanted or needed. And Bob continues to love her anyway, because she is a good person, at heart. Even after she hints that she might slip him more pills next week. It's a great couple formula that just seems fresh.

The oddness continues behind the scenes. Both Linda and daughter Tina are voiced by men. Guest stars don't always stay along gender lines, either. While it is not unusual for an animated series to make some occasional change ups, the sheer number of times Bob's Burgers does it is astounding. It also fits very well with the offbeat tone, keeping the voices humorous and unexpected.

After a short first season, the recurring cast is just beginning to build. Three veterans of The Sarah Silverman Program give life to the Pesto kids, with Sarah Silverman and her sister, Laura, handling the twins, Ollie and Andy. These may not be the best known comedians working in showbiz (with the exception of Sarah), but they are some of the funniest, and fit right in with the cast.

The story of "Belchies" works because it involves the three kids getting into trouble. While the series is titled Bob's Burgers, and there is some fun to be had at the titular establishment, any story with the sibling trio off without supervision ends up soaring. This can be attributed to wonderful chemistry and well defined characters. "Belchies" is no exception in this arena, with bold, crazy Louise dragging lovesick Tina and idiot Gene (Eugene Mirman) along for the ride.

Even better, with the mystery of the taffy factory left unsolved at story's end, Cyndi Lauper sings a reveal over the ending credits. Cyndi Lauper! It's a totally out-of-left-field spot that works extremely well. This move caps a high quality return for the wonderful, under-watched series.

Don't miss another minute of Bob's Burgers, airing Sundays at 8:30 p.m. ET on FOX.

MORE: If you like my reviews, please follow me on Twitter! To buy streaming episodes of Bob's Burgers or pre-order the DVD, please click here. Click here to read every review of Bob's Burgers I've ever written.

Archer is involved in "Lo Scandalo"

FX's Archer goes for the bottle story with this week's "Lo Scandalo." Meaning, all of the principal characters gather in one location and stay there for the duration of the episode. Malory (Jessica Walter) calls Archer (H. Jon Benjamin) to help her dispose of the body of the prime minister of Italy, which is in her living room. She tells Archer that armed men came in and did the deed, and shows her son that she, herself, is shot. Soon, the other ISIS employees join them in this scheme to cover up the crime, helping a guilty-looking Malory escape the law, while Archer becomes obsessed with having spaghetti and meatballs. But is the yarn that Malory is spinning them really the truth? And can they get the body out quietly without the police, who show up at the door, finding out?

Bottle stories are a convention that only the best sitcoms can use successfully. Archer meets that criteria. It has wonderful, well-defined characters, whose interactions with each other provide plenty of entertainment, and are always welcome. From the dinner party ruse to fool the detective, to discussions in the kitchen over what to do, "Lo Scandalo" is packed full of fun ensemble moments, allowing each of the principal cast members to shoot off some great one-liners.

What's more, when such immense talent is gathered together in this manner, and they are allowed to play off of each other, it makes for the best stories of the series. In animation, the actors often are not able to gather, making the task of a fluid interchange even more daunting and difficult. Whether Archer records separately or together isn't clear, but what is is that the dialogue flows seamlessly into a true art form. That may sound like high praise for a silly cartoon, but if any such show deserves it, it's Archer.

Archer can do this because its cast is excellent. From Judy Greer's Carol/Cheryl, to Chris Parnell as Cyril, and especially Amber Nash's Pam, each brings some unique talents to bare. Could other actors do this as well as this particular group? Possibly, but it's hard to imagine how. Each has become so ingrained in the fabric of the series, that losing any one of them would be a shame. While Archer does have the spy angle working for it, the workplace comedy group is the heart and soul that makes things work on a level above the norm.

"Lo Scandalo" certainly brings the funny, as well. The continued query of "Doesn't Italy use a King?" is more amusing each time it is uttered. Krieger (Lucky Yates) insisting that the others drop off the body pieces he has packaged for them in a smiley face pattern is great, but Archer and Lana (Aisha Tyler) both dropping theirs into the trash can in front of Malory's building, a moment done without mentioning the joke, is even better. And it's hard to top everyone wanting to know why the prime minister is in a rubber suit with a dildo up his butt, and their sometimes clueless questions to try to get to that answer.

This week's Archer is also a bit of a mystery. While Malory's words are quickly taken at face value, it becomes clear as Lana and Archer discuss the situation at the end that things don't quite add up. In flashes, viewers get the treat of Malory perfectly constructing the entire thing, including calling the police on herself, to make her seem as innocent as possible. She gives herself an alibi, and a way to rise above suspicion. It's very clever, and the long game of revenge is trademark Malory.

Archer, who often seems a little dense, and appears especially distracted through this episode, is the one who figures this out, cementing the idea that perhaps he isn't as dumb as he looks, and is quite an effective spy. It justifies his role on the series, and his character's reputation. He refrains from calling his mother out in front of everyone because, well, she's his mother, and he doesn't want her to get in trouble. Archer trusts Lana, so she is told, and that's it. But the details do not escape him, and that's extremely rewarding.

FX has a bona fide gem in Archer, in that it's smart, hilarious, and enjoyable week after week. It also has that special, ineffable something that really makes it shine, and sets it above the pack. Watch Archer Thursdays at 10 p.m. ET on FX.

MORE: If you like my reviews, please follow me on Twitter! Click here to buy Blu-rays, DVDs, and streaming episodes of Archer. Please click here to read every Archer review I've ever written. Article first published as TV Review: Archer - "Lo Scandalo" on Blogcritics.

Archer meets "The Man From Jupiter"

     FX's Archer just premiered its full third season, save for a miniseries trilogy last fall, with "The Man From Jupiter." While at a bar, Archer (H. Jon Benjamin) meets his hero, Burt Reynolds (voicing himself)! But things take a turn for the worse when Archer learns that Burt is there for a date with Archer's mother, Malory (Jessica Walter). Disgusted, Archer kidnaps Burt. When the rest of the team attempts to correct the situation, they are assaulted by Columbians, who think that Ray (series creator and this episode's writer, Adam Reed) is Archer. Burt, with Archer along for the ride, races to the rescue, and Archer backs off interfering with Malory's relationship.

     While Burt Reynolds has not been doing a whole lot of acting in recent years, he is still an icon for many because of the legendary roles he played, and the great talent he brought to them. Many of those parts are referenced in "The Man From Jupiter," (though strangely not one of the best, The Best Little Whorehouse in Texas), and it's an utter delight to honor Burt in such a way. Many series might go for poking fun at Reynolds, or making him silly in somehow. But not Archer, who makes Burt's character live up to the hero status bestowed on him. It's actually refreshing and welcome.

     It is also incredibly funny, in contrast to the title character. The two spend most of "The Man From Jupiter" together, and so there is plenty of room for comparison. Archer may claim he is the world's greatest spy, but Burt quickly demonstrates he could do better, without being condescending about it. Burt also stays cool as a cucumber no matter what Archer puts him through, whereas Archer flies off the handle at the slightest things. Fans of Archer know that Archer is not the man that he thinks he is, but it's a rare treat to see him so obviously compared to someone who is a legend, and would live up to that persona.

     One should never pass up an opportunity to see a drunk, angry Malory, and this episode does not. Devastated by the break up letter Archer leaves pretending he is Burt, she goes off the rail, getting smashed and ranting. Poor Burt. Who would want to take out Malory in the condition he finds her in? Yet, true to the gentlemanly nature of this version of Reynolds, he is warm towards her, and keeps their date, even though that means taking Malory out in public fully inebriated. It's too bad their date scene doesn't make it into the episode.

     One of the very strong elements of Archer is the workplace ensemble. "The Man From Jupiter" does allow for a bit of that, as everyone is upset at Archer for hurting Malory. They rush to her defense, which is sweet, considering they all constantly complain about her. But it's not as though they like Archer any better. So what viewers get is the wonderfully funny image of Ray trying to use a wheelchair ramp to get out of Krieger's (Lucky Yates) van, while Lana (Aisha Tyler) shoots at the would-be assassins, and the two argue over whether Ray is fit for the job any more. Classic, perfect scene!

     In it's third season, Archer continues to deliver the humor and characters fans have come to expect. "The Man From Jupiter" is a rousing success, and should build excitement for the rest of the season. Watch Archer Thursdays at 10 p.m. ET on FX.

    If you like my reviews, please follow me on Twitter!

     Click here to buy Blu-rays, DVDs, and streaming episodes of Archer.

     Please click here to read every Archer review I've ever written.

Article first published as TV Review: Archer - "The Man From Jupiter" on Blogcritics.