Back UNDERGROUND

Article first published UNDERGROUND Season 2 Premiere Review on Seat42F.

WGN America’s UNDERGROUND begins its second season this week. Starting about five months after the freshman run’s finale, we quickly pick up the stories of most of our characters, more or less where we left them. Time has passed, but it’s been relatively uneventful. Something tells me, after watching the first episode, that that won’t be the case for very much longer.

UNDERGROUND is interesting to me because it’s not obvious at first who the leads are in the first year. There is a large ensemble full of talented performers, and while many of them are removed as the story progresses, there are still more important roles than the five who are listed as the primary cast, which includes only Rosalee (Jurnee Smollett-Bell), Noah (Aldis Hodge), Elizabeth (Jessica De Gouw), Cato (Alano Miller), and August (Christopher Meloni).

Thankfully, the show has been successful enough to expand that ensemble in season two. The most important of the four new leads is Ernestine (Amirah Vann), Rosalee’s mother, who always had her own plot arc, but now is officially among the principal players. UNDERGROUND season two has also added characters named Georgia (Jasika Nicole, Fringe), Clara (DeWanda Wise, Shots Fired), and Harriet (Aisha Hinds, Under the Dome, If I Stay).

Harriet, as in Harriet Tubman. Clearly a recast from the brief shot of the legendary figure from last year’s finale, it’s kind of cool that she is now part of the group. Previously, I’d worried that adding someone with such name recognition might distract from the core narrative. However, after checking out the start of season two, I don’t think that will be the case.

UNDERGROUND remains focused on the stories of the characters from year one. While Rosalee, Noah, and Elizabeth were just dipping their toe into the secret movement to free the slaves, they’re now larger players in the game, so it makes sense they’d come across Harriet. Harriet doesn’t get any more precedence than the others, less than the returning main players, so she’s an interesting element that signals our players have gotten deeper into the action, rather than a shift to a new direction.

We’ve also got some new locations. Most notably, Ernestine has left Macon Plantation and is (sort of) settling into a very different type of community. Between that and the scenes in Ohio and Canada, we begin to get a fuller picture of different parts of the United States, all of which were affected by the slave industry and those who opposed it.

There are some terrific surprises, too. As with the first year, audiences may think they know where things are heading, only to have the rug yanked out from under them by the unexpected. This is a sign of good storytelling, and an example of how UNDERGROUND roots itself in reality. While there are some fantastical coincidences and run-ins, for the most part the series keeps viewers on their toes in an authentic manner, and there’s at least one big twist in the initial return that leaves me wanting to jump right into the next episode.

Not everyone you expect to see is in the second year’s premiere. There is a lot going on in UNDERGROUND, so it doesn’t feel empty that some faces may have to wait a week for us to catch up with them. Instead, it’s a busy, satisfying hour, and I’d rather a few people take this installment off than force hokey subplots to include them.

In all, I’d rate the premiere pretty high, accomplishing what it needs to accomplish, building the established world larger, and still maintain the things that makes this show compelling. UNDERGROUND returns Wednesday at 10/9c on WGN America.

More OUTSIDERS

Article first published as OUTSIDERS Season 2 Premiere Review on Seat42F.

WGN America’s OUTSIDERS is back this week! The drama about the Farrell clan who live up on a mountain, apart from society, and those in the town below, including a businesswoman (Francie Swift) who wants the resources the Farrells are sitting on, begins its second season. The action picks up right where the freshman year left off, and I dare say, there are a few surprises in the first hour alone.

The premiere picks up on the mountain, where the police have come to confront the clansmen and women. It’s chaos and battle and everything you want, which I don’t feel like it’s much of a spoiler to say. What is interesting is that immediate aftermath of the fight, the scene we see right after it, and the result of it, which does change the course of season two. How far it shifts direction, that remains to be seen, though it seems like quality and style will be maintained.

Up on the mountain, G’Winveer (Gillian Alexy) is having trouble settling into her role as Brennan. This isn’t surprising if you remember the way she got the chief position, by poisoning Big Foster (David Morse) and then getting Asa (Joe Anderson) to shoot him. That Big Foster is a bad man in his own right, having murdered the previous Brennan, his own mother, is not known by any other characters, and so doesn’t help G’Win’s soul rest easy.

I like that OUTSIDERS has kept the murder a secret. Often on television shows, there’s a piece of information that only certain characters are privy to, and then it inevitably comes out at a dramatic moment. Since Big Foster was the only one in the room when he committed the act, while others may have suspicions about him, there is no way for anything to ‘come to light’ short of Big Foster confessing. That’s an interesting scenario, the Farrells having neither video cameras nor forensic science, and it sets the series apart.

G’Win, who is mainly a character to root for, did some nasty things in season one. While I like that she is a bit haunted by them, because it makes her more sympathetic, I also applaud OUTSIDERS for not totally excusing her actions. The Farrells may be willing to fall in line behind her, for the most part, but she is not a black-and-white hero, which makes her more fascinating.

By the same token, Sherriff Wade Houghton (Thomas M. Wright), who should be in the right, is not a likeable person. It’s not necessarily any specific action Wade takes that makes my opinion of him go down (though he does do something pretty cowardly in the premiere that doesn’t help). Yet, while he is a non-corrupt cop, viewers won’t necessarily want him to win, which is a cool element that most television shows don’t have.

The closest thing OUTSIDERS has to a truly good person is Li’l Foster (Ryan Hurst), and I can’t help but admire that man. As naïve as he can be at times, and while he has fallen for tricks and lies, he is still someone who seems noble. Part of the warm feelings toward him are not dissimilar from wanting to protect a little brother, yet I can’t help but hope he will come to be great in his own right, and I hope he doesn’t lose himself along the way. Who he is now is terrific, and he’s easily my favorite character.

I won’t spoil anything, but I will say there is a not wholly unexpected, but still very exciting, development in the Sally-Ann (Christina Jackson) / Hasil (Kyle Gallner) relationship. The premiere also ends with a shocking thing happening to one of our main players that I kind of hope sticks, not because I want ill to befall this particular person, but just because I find it interesting and a neat story twist.

Get ready for OUTSIDERS, which returns Tuesday, January 24^th at 9/8c.

OUTSIDERS Interviews!

Article first published on Seat42F.

I had the good fortune to be invited to New York City recently to sit down with the cast and producers of WGN America’s Outsiders, who were filming their second season. Set in rural America, the show tells the story of an isolated mountain clan and the near by townspeople, with political intrigue and clashing cultures. Season one was very exciting, and with season two premiering in January, I was very excited to interview some of those involved in the show. I hope you enjoy our conversations!

Click below to watch the interviews.

OUTSIDERS RETURNS TUESDAY, JANUARY 24 AT 9:00 PM ET/PT

David Morse and Ryan Hurst

Christina Jackson and Kyle Gallner

Gillian Alexy and Francie Swift

Rebecca Harris and Thomas M. Wright

Peter Mattei and Peter Tolan

Going UNDERGROUND

Article first published as UNDERGROUND Review on Seat42F.

WGN America’s newest series is UNDERGROUND. Set in the pre-Civil War Days, it follows a swath of representative Americans, both black and white, slaves and free, at a pivotal, conflict-ridden time for our country, just before full-scale war erupts. It’s a period we’ve seen before, most notably in Roots, but never in a successful, ongoing weekly series, which should allow the writers and performers to get much deeper into the personalities and complexities of the era than has been done before.

UNDERGROUND stars Aldis Hodge (Straight Outta Compton, Leverage) as Noah, a smart man who is tired of being forced to serve a master, but who knows it wouldn’t be productive to openly rebel. Instead, he plays the game, pretending to be obedient, even while making secret plans to flee the plantation and head north, using the Underground Railroad referred to in the show’s title.

Noah is not going to go alone, which might be a good or bad idea, depending on how it plays out. Among his possible traveling companions are: Rosalee (Jurnee Smollett-Bell, True Blood, Friday Night Lights), a timid house slave and protective older sister; Moses (Mykelti Williamson, Justified, 24), who allows the others to believe he can read, even though it’s his wife, Pearly Mae (Adina Porter, True Blood, The Newsroom) who has been educated; and Cato (Alano Miller, Jane the Virgin), the collaborator who wants to go so he isn’t punished in their place after the others are gone, if he doesn’t turn them in first.

To represent the dominant race of the time, UNDERGROUND has August Pullman (Christopher Meloni, Law & Order: SVU, Wet Hot American Summer), John Hawkes (Marc Blucas, Buffy the Vampire Slayer), and Elizabeth Hawkes (Jessica De Gouw, Dracula). John is a lawyer and an abolitionist, who is offered the job of campaign manager by his brother (Dollhouse’s Reed Diamond), a Northerner who has moved South and now owns the people John is fighting to free. John’s wife, Elizabeth, seems mentally unstable, though, putting additional pressure on John. And August is… well, I’m not sure if he’s a help to runaways or a slave catcher yet, but I’m sure we’ll soon figure that out.

As you can see, there are a number of different parties represented, and that gives UNDERGROUND a full feel, in a good way. The focus is on the African-Americans, as it should be. However, no one portrayed are just stereotypes, with complex realities warring with individual morality and circumstance. Each individual, including a number of those not listed above, stand out and are quickly memorable.

The production is equally well done. Filmed in the American south, one can feel the sweat dripping when characters are out in the fields, and the landscapes are beautiful. There’s a gritty realness to it, and the costumes and sets are clearly well thought-out.

The music in UNDERGROUND is probably the oddest part of the show. At times, it is appropriate for the year, including in singing some of the more spiritual songs. But at other times, modern numbers are mixed in that really kind of pull one out of the moment. The lyrics of these fit the story, so it’s not like they’re just pop songs to punch things up, but at the same time, they clash in such a way that doesn’t quite feel right to me.

The music is the only complaint I have, though. Overall, I found UNDERGROUND to be a compelling narrative with plenty of quality in the cast, the story, and the style. The drawback is minor enough to overlook, and it’s debatable whether it really is a negative, even if I don’t understand why it’s present, at least not yet. I do recommend this one, and will probably watch more of it soon.

UNDERGROUND airs Wednesdays at 10/9c on WGN America.

Inside OUTSIDERS

Article originally published as OUTSIDERS Review on Seat42F.

Not quite a year after the excellent Justified left the air, a new drama takes us back into the hollers and wilds of Kentucky. OUTSIDERS, which premiered last night on WGN America, is the story of a small town and the feral Farrells who inhabit the mountain beside it. While civilization and tribal culture have existed peacefully beside one another for two centuries, modernity is moving in from the outside, which threatens to shake up everything.

The Farrells themselves have an interesting culture. Led by the current “Brennan,” Lady Ray (Phyllis Somerville, The Big C), they brew their own moonshine, abhor money, marry cousins, and yet seem to get along pretty well. Sure, they go into town and steal things occasionally, but the locals have learned to put up with it, partially out of fear, and partially because the clan knows the limits of what they can get away with. A few, like Hasil (Kyle Gallner, Veronica Mars), push boundaries from time to time, such as when he tries to take up with a non-Farrell, Sally Ann (Christina Jackson, Boardwalk Empire), but mostly, they know their place. So it has been for two hundred years, and so it shall continue, or so some hope.

But the status quo is shifting as Big Foster (David Morse, Treme) seeks to take the leadership mantle from his mother, even after Lady Ray is reluctant to give it to him. When one of their own, Asa (Joe Anderson, Hannibal), returns from the outside with new knowledge and skills, there becomes a choice as to who the Farrells should be listening to. Events conspire to shift loyalties of some one way and some the other, and suddenly there’s a decision to make instead of a guaranteed line of succession.

This is where OUTSIDERS begins, with a people on the precipice of change. It will take someone strong to usher then into a new era, someone who understands the parties involved, but can see beyond petty feuds and backward traditions. It could be Asa, who has shunned the rest of the world after living apart from his family for unknown reasons. But if it’s not him, it’s not certain who else it could be.

In Justified, there was a lawman who kept the hill people in line enough. OUTSIDERS has its own deputy, Wade Houghton (Thomas M. Wright, The Bridge), but he’s far from another Raylan Givens. Instead, Wade is beset by his own demons, and may just be the person in town most terrified of confronting the Farrells. Which is too bad because, pushed to do so by the coal companies, Wade’s boss assigns him the unenviable task of evacuating the mountain.

OUTSIDERS is fascinating because of the various personalities it portrays, some of which will seem rooted in folklore more than reality to potential viewers. Yet, even with the superstitions present, the series is pretty solidly grounded by terrific performances and an interesting, natural story (more reality-driven than the network’s Salem). Perhaps most of those displaced by industry aren’t as violently resistant as the Farrells are bound to be, but it’s certainly a scenario that has played out in some form or another in numerous areas of the country.

I find little to complain about this show. WGN America is getting a reputation of shining a spotlight into dark corners of American culture and doing it well, and OUTSIDERS is a part of that proud tradition. It won’t appeal to everyone, to be sure, but it makes for good, quality television that many will enjoy if they just know where to look for it, WGN America not being a channel the majority of viewers typically keep an eye on. I recommend making the effort to check this one out.

OUTSIDERS airs Tuesdays at 10 p.m. on WGN America. If you missed the first episode, it repeats numerous times throughout the week. Check your listings.

Don't “Damnatio Memoriae” MANHATTAN

Article originally published as MANHATTAN Review on Seat42F.

“Damnatio Memoriae” is a Latin phrase that means a person must not be remembered. As MANHATTAN returns for a second season on WGN America, the premiere episode bears that title, and many in charge of Los Alamos would like Frank Winter (John Benjamin Hickey) to be forgotten. The hour does the opposite, though, with Frank’s absence felt in both big ways and small, and frequently mentioned. The more things change in the desert, the more Frank is ingrained in the minds of them all.

I expected MANHATTAN to feel like a different show without Frank (who isn’t the only cast member gone when the sophomore run begins), but it really doesn’t. Characters come and go on MANHATTAN, and while Frank is central in the first year, there are other important players who are still around. As such, while Frank (and Daniel Stern’s Glen Babbit) will be missed by the fans as well as the other characters, MANHATTAN must continue.

“Damnatio Memoriae” begins with the testing of the atomic bomb, before jumping back in time fifteen months. While it’s not news to the audience that the bomb actually gets made and works, something taught in history classes all over the world, the show uses a subplot with Russian spy Jim Meeks (Christopher Denham) to build suspense. The flash-forwards also seem to promise Frank’s return. Are these events set for the season finale, or much later? We’ll have to wait and see.

In the present, Charlie Isaacs (Ashley Zukerman) has been promoted to head up the implosion project, now the focus of the camp. He bristles against how he gets the job, but he takes to the new-found authority with startling ease. From going head-to-head with the mysteries spy hunter Occam (Richard Schiff), to lying to the staff about Frank’s whereabouts (or so Charlie thinks), Isaacs quickly becomes comfortable with his position. He may not have wanted this turn of events, but they suit him well.

Part of Charlie’s stepping up could be because he learns that his wife, Abby (Rachel Brosnahan), is pregnant. She may not give their marriage a second chance, but Charlie is going to be a parent, and that rearranges one’s priorities. But even before that he shows the tenacity, strength, and willingness to play the game that is needed. I have to say, I’m a little surprised, especially knowing the mistakes he’s made in the past. Some people just rise to the occasion, though.

Frank may be gone, but his wife, Liz (Olivia Williams), is not. Told she must stay in Los Alamos because of what she knows, she is demoted in her living quarters and not given any information about what happened to her husband. She’s essentially an unwilling prisoner at this point, but I give her credit for not giving up and managing to get her daughter transferred away, despite the efforts of Dunlavey (Jefferson White), who is by no means a worthy opponent.

The major character introduced in “Damnatio Memoriae” is the new head of the base, Col. Darrow (William Peterson, CSI). Darrow comes into quite a mess, and while he won’t get everything under control right away, he does get a chance to assert his authority with Crosley (Harry Lloyd). This scene tells viewers right away the type of commander Darrow is, and he’s one that should not only get things running much more smoothly, but also will not be trifled with. The time for nonsense is over.

Being on WGN America, many people may not yet have heard of or given a chance to MANHATTAN. It is a terrific human drama, though, and while not wholly historically accurate, with fictional characters put into real events, is a fascinating look at the type of place in which the bomb was built. It’s definitely worth watching.

MANHATTAN airs Tuesdays at 9 p.m. ET on WGN America.

MANHATTAN Ignites

Article originally written for Seat42F.

WGN America is making huge plays these days to elevate itself from ‘superstation’ to full-fledged cable network, including creating their own content. Their first original drama, Salem, is good. Their second, MANHATTAN, which premiered last night, is even better.

Set in Los Alamos, New Mexico, which was unnamed in the 1940s when this story takes place, the series dramatizes the invention of the atomic bomb, with a focus on those who helped design and formulate it, as well as their families. A highly secretive project, the men and women employed by the U.S. government at this isolated site were among the best and the brightest. Their spouses often were not, and were not even trusted with knowing what the employees were desperately working on, racing against Germany to end the war.

MANHATTAN is besieged by the ticking clock. The Americans believed that Hitler was also working on the bomb-to-end-all-bombs, and that he was close to finishing it. Thus, they are spurred on not only by patriotism, which nearly all of them possess in spades, but also by the fear of the consequences should they lose the race. As one character muses when his daughter wants to go to college in New York, to paraphrase, ‘A densely populated city on the East Coast? No way.’

The pilot, “You Always Hurt the One You Love,” introduces us to a lot of characters, but thankfully, it keeps the core cast small enough to handle. There’s: Frank Winter (John Benjamin Hickey, The Big C), a brilliant scientist leading a small team competing with Akley’s (David Harbour, The Newsroom) much bigger, more well-funded one; Frank’s wife, Liza (Olivia Williams, Dollhouse), a botanist with a PhD who isn’t allowed to plant crops in the complex; new recruit Charlie Isaacs (Ashley Zukerman, Rush), who is physically nauseated when the purpose of the place is revealed; and Charlie’s wife, Abby (Rachel Brosnahan, House of Cards), who wants to go home, and will likely get Charlie into trouble.

These four are surrounded by a large group of wonderful players, including Daniel Stern (Home Alone, City Slickers), Josh Cooke (Dexter), Harry Lloyd (Game of Thrones), Eddie Shin (Men of a Certain Age), Michael Chernus (Orange is the New Black), Christopher Denham (Argo), Katja Herbers Alexia Fast (Jack Reacher), Richard Schiff (The West Wing), and Mark Moses (Mad Men), but keeping these two couples at the core helps ground the narrative.

Many issues are brought up and dealt with in MANHATTAN, even when just considering the pilot. There’s the military state, security that may be over the top or could be construed as necessary, depending on your perspective. There’s the political nature of the hierarchy, as Frank finds out when he approaches Oppenheimer (Daniel London, Mildred Pierce) with a better idea than Ackley’s, but is shot down anyway. There is the splintering of marriage when trust is broken, mainly because of the constraints of the job. There is the constant threat that even the best intentions could get one into serious trouble, and rumors and gossip spread quickly. There is the challenge of living in a new environment in the middle of nowhere, a major stressor on those who aren’t in the office at all hours.

Yet, despite the extremely full hour-plus running time, MANHATTAN is not overwhelming. Instead, it presents a complex structure with interesting topics and people, an authentic-seeming look at an important part of history. The moral quandaries of The Manhattan Project are still debated today, so MANHATTAN, besides being an entertaining drama, is also a way for modern people to sort out mixed feelings about it, and also get some historical perspective. I find myself thoroughly engrossed and excited about this series.

MANHATTAN airs Sundays at 9 p.m. ET on WGN America.